Songs like The Compleat Works by John Dankworth
Based on a tempo of (+/- 10%) and a similar genre
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Musica Relajante para Perros Ritmos
Calentar (Cachorros)
112 bpm • C min • 02:25 • -16.87db
25% Popularity • 55% Danceability • 21% Energy • 10% Liveness
82% Instrumentalness • 48% Positiveness
25% Popularity • 55% Danceability • 21% Energy • 10% Liveness
82% Instrumentalness • 48% Positiveness
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Bobby Hammack
Power House - Remastered
112 bpm • A# min • 01:58 • -12.59db
14% Popularity • 56% Danceability • 55% Energy • 12% Liveness
57% Instrumentalness • 82% Positiveness
14% Popularity • 56% Danceability • 55% Energy • 12% Liveness
57% Instrumentalness • 82% Positiveness
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Orchestra Charlie Steinmann
Miss Your Kiss
112 bpm • C Maj • 02:16 • -12.82db
18% Popularity • 74% Danceability • 27% Energy • 10% Liveness
81% Instrumentalness • 30% Positiveness
18% Popularity • 74% Danceability • 27% Energy • 10% Liveness
81% Instrumentalness • 30% Positiveness
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Alessandro Alessandroni
Jazz Whistler
112 bpm • G# Maj • 02:45 • -10.11db
32% Popularity • 66% Danceability • 43% Energy • 12% Liveness
5% Instrumentalness • 56% Positiveness
32% Popularity • 66% Danceability • 43% Energy • 12% Liveness
5% Instrumentalness • 56% Positiveness
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John Dankworth
Sailor
112 bpm • F min • 03:42 • -13.14db
0% Popularity • 48% Danceability • 38% Energy • 65% Liveness
2% Instrumentalness • 40% Positiveness
0% Popularity • 48% Danceability • 38% Energy • 65% Liveness
2% Instrumentalness • 40% Positiveness
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Ryuichi Sakamoto
Etude - Live at 東京オペラシティ...
113 bpm • A# Maj • 05:15 • -14.07db
13% Popularity • 39% Danceability • 52% Energy • 88% Liveness
88% Instrumentalness • 63% Positiveness
13% Popularity • 39% Danceability • 52% Energy • 88% Liveness
88% Instrumentalness • 63% Positiveness
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Musica Relajante para Perros Ritmos
Musica (Cachorros)
112 bpm • D# Maj • 02:25 • -15.41db
8% Popularity • 60% Danceability • 19% Energy • 11% Liveness
90% Instrumentalness • 54% Positiveness
8% Popularity • 60% Danceability • 19% Energy • 11% Liveness
90% Instrumentalness • 54% Positiveness
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Alex North
A Streetcar Named Desire: Blanche
111 bpm • F min • 02:32 • -29.37db
24% Popularity • 17% Danceability • 5% Energy • 22% Liveness
97% Instrumentalness • 4% Positiveness
24% Popularity • 17% Danceability • 5% Energy • 22% Liveness
97% Instrumentalness • 4% Positiveness
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Lalo Schifrin
The Aftermath of Love
111 bpm • A min • 02:49 • -23.12db
24% Popularity • 55% Danceability • 11% Energy • 22% Liveness
96% Instrumentalness • 63% Positiveness
24% Popularity • 55% Danceability • 11% Energy • 22% Liveness
96% Instrumentalness • 63% Positiveness
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Franz Waxman
Lisa Theme
113 bpm • A# Maj • 02:49 • -11.89db
9% Popularity • 17% Danceability • 30% Energy • 22% Liveness
95% Instrumentalness • 5% Positiveness
9% Popularity • 17% Danceability • 30% Energy • 22% Liveness
95% Instrumentalness • 5% Positiveness
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Cy Coleman
Playboy's Theme
113 bpm • F min • 03:23 • -13.46db
10% Popularity • 67% Danceability • 30% Energy • 13% Liveness
39% Instrumentalness • 38% Positiveness
10% Popularity • 67% Danceability • 30% Energy • 13% Liveness
39% Instrumentalness • 38% Positiveness
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Luigi Malatesta
Africa nuova
111 bpm • F# min • 01:29 • -21.14db
12% Popularity • 35% Danceability • 10% Energy • 34% Liveness
41% Instrumentalness • 15% Positiveness
12% Popularity • 35% Danceability • 10% Energy • 34% Liveness
41% Instrumentalness • 15% Positiveness
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Charles Shirley Ensemble
Midnight in Moscow (Moscow Nights)
113 bpm • G min • 02:41 • -23.85db
12% Popularity • 54% Danceability • 7% Energy • 7% Liveness
95% Instrumentalness • 35% Positiveness
12% Popularity • 54% Danceability • 7% Energy • 7% Liveness
95% Instrumentalness • 35% Positiveness
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John Dankworth
I Hear Music
114 bpm • D Maj • 03:17 • -8.77db
0% Popularity • 53% Danceability • 68% Energy • 31% Liveness
89% Instrumentalness • 70% Positiveness
0% Popularity • 53% Danceability • 68% Energy • 31% Liveness
89% Instrumentalness • 70% Positiveness
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The Tony Hatch Orchestra
Man Alive
110 bpm • F Maj • 02:04 • -9.74db
11% Popularity • 56% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
11% Popularity • 56% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Dominic Frontiere & His Orchestra
House Of Pleasure (Tampu-Anca)
110 bpm • E min • 02:38 • -15db
12% Popularity • 29% Danceability • 45% Energy • 11% Liveness
1% Instrumentalness • 50% Positiveness
12% Popularity • 29% Danceability • 45% Energy • 11% Liveness
1% Instrumentalness • 50% Positiveness
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David McCallum
The Far Side Of The Moon
114 bpm • C min • 02:30 • -10.23db
11% Popularity • 54% Danceability • 37% Energy • 13% Liveness
4% Instrumentalness • 33% Positiveness
11% Popularity • 54% Danceability • 37% Energy • 13% Liveness
4% Instrumentalness • 33% Positiveness
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Musique de Noel Playlist
Nous vous Souhaitons un Joyeux Noël - A...
110 bpm • D# Maj • 03:16 • -11.05db
9% Popularity • 71% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
9% Popularity • 71% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Chillwave Kid
Dancing in the Summer Rain
110 bpm • F# min • 00:56 • -23.54db
10% Popularity • 85% Danceability • 22% Energy • 12% Liveness
92% Instrumentalness • 78% Positiveness
10% Popularity • 85% Danceability • 22% Energy • 12% Liveness
92% Instrumentalness • 78% Positiveness
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John Dankworth
Cancer
111 bpm • C# Maj • 02:40 • -19.58db
0% Popularity • 53% Danceability • 10% Energy • 10% Liveness
93% Instrumentalness • 18% Positiveness
0% Popularity • 53% Danceability • 10% Energy • 10% Liveness
93% Instrumentalness • 18% Positiveness
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Musica Relajante para Perros Ritmos
Suenos - Perros Lindos
110 bpm • G Maj • 02:28 • -18.1db
24% Popularity • 71% Danceability • 14% Energy • 9% Liveness
54% Instrumentalness • 60% Positiveness
24% Popularity • 71% Danceability • 14% Energy • 9% Liveness
54% Instrumentalness • 60% Positiveness
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Les Elgart
Zing! Went The Strings Of My Heart
110 bpm • F Maj • 01:46 • -13.4db
23% Popularity • 64% Danceability • 50% Energy • 14% Liveness
65% Instrumentalness • 89% Positiveness
23% Popularity • 64% Danceability • 50% Energy • 14% Liveness
65% Instrumentalness • 89% Positiveness
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Eddie Heywood
Soft Summer Breeze
110 bpm • G Maj • 02:43 • -15db
32% Popularity • 71% Danceability • 22% Energy • 12% Liveness
93% Instrumentalness • 49% Positiveness
32% Popularity • 71% Danceability • 22% Energy • 12% Liveness
93% Instrumentalness • 49% Positiveness
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Murry Wilson
The Warmth Of The Sun
114 bpm • C# Maj • 02:48 • -17.79db
37% Popularity • 44% Danceability • 16% Energy • 6% Liveness
25% Instrumentalness • 40% Positiveness
37% Popularity • 44% Danceability • 16% Energy • 6% Liveness
25% Instrumentalness • 40% Positiveness
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Jim Zimmerman Quartet
Maybe Next Year
114 bpm • C# Maj • 05:16 • -14.7db
0% Popularity • 49% Danceability • 17% Energy • 11% Liveness
22% Instrumentalness • 11% Positiveness
0% Popularity • 49% Danceability • 17% Energy • 11% Liveness
22% Instrumentalness • 11% Positiveness
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Carlo Rustichelli
Allegre notti - M20
109 bpm • D min • 02:25 • -11db
9% Popularity • 30% Danceability • 29% Energy • 13% Liveness
67% Instrumentalness • 31% Positiveness
9% Popularity • 30% Danceability • 29% Energy • 13% Liveness
67% Instrumentalness • 31% Positiveness
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Musica Relajante para Perros Ritmos
Extraordinario (Musica)
110 bpm • C Maj • 02:28 • -14.38db
13% Popularity • 59% Danceability • 16% Energy • 10% Liveness
82% Instrumentalness • 38% Positiveness
13% Popularity • 59% Danceability • 16% Energy • 10% Liveness
82% Instrumentalness • 38% Positiveness
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The Beau Hunks
Bells
115 bpm • C Maj • 01:09 • -20db
18% Popularity • 77% Danceability • 6% Energy • 16% Liveness
88% Instrumentalness • 95% Positiveness
18% Popularity • 77% Danceability • 6% Energy • 16% Liveness
88% Instrumentalness • 95% Positiveness
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Angela Morley
Starlight
115 bpm • C Maj • 02:54 • -11.79db
14% Popularity • 19% Danceability • 35% Energy • 25% Liveness
72% Instrumentalness • 20% Positiveness
14% Popularity • 19% Danceability • 35% Energy • 25% Liveness
72% Instrumentalness • 20% Positiveness
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Ted Heath
Swingin' Sheperd Blues
109 bpm • C Maj • 02:51 • -13.41db
14% Popularity • 73% Danceability • 20% Energy • 9% Liveness
85% Instrumentalness • 44% Positiveness
14% Popularity • 73% Danceability • 20% Energy • 9% Liveness
85% Instrumentalness • 44% Positiveness
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Jim Zimmerman Quartet
Macho Gazpacho
115 bpm • G min • 04:24 • -8.6db
0% Popularity • 66% Danceability • 64% Energy • 15% Liveness
39% Instrumentalness • 69% Positiveness
0% Popularity • 66% Danceability • 64% Energy • 15% Liveness
39% Instrumentalness • 69% Positiveness
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Giorgio Zinzi
Atmosfera di night
115 bpm • F min • 01:30 • -12.31db
10% Popularity • 50% Danceability • 26% Energy • 10% Liveness
89% Instrumentalness • 36% Positiveness
10% Popularity • 50% Danceability • 26% Energy • 10% Liveness
89% Instrumentalness • 36% Positiveness
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Jonathan Bar Giora
Voices From the Iand of the Wind - Piano...
109 bpm • G# Maj • 03:09 • -20.33db
12% Popularity • 20% Danceability • 4% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
12% Popularity • 20% Danceability • 4% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
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Keith Mansfield
Je Reviens
115 bpm • G min • 03:07 • -18.1db
15% Popularity • 72% Danceability • 16% Energy • 11% Liveness
52% Instrumentalness • 67% Positiveness
15% Popularity • 72% Danceability • 16% Energy • 11% Liveness
52% Instrumentalness • 67% Positiveness
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Tony Kinsey
Day by Day
116 bpm • A# min • 03:11 • -19.28db
19% Popularity • 45% Danceability • 23% Energy • 9% Liveness
49% Instrumentalness • 48% Positiveness
19% Popularity • 45% Danceability • 23% Energy • 9% Liveness
49% Instrumentalness • 48% Positiveness
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Cal Tjader
East Of The Sun (And West Of The Moon)
109 bpm • D min • 02:33 • -22.48db
24% Popularity • 66% Danceability • 21% Energy • 9% Liveness
61% Instrumentalness • 54% Positiveness
24% Popularity • 66% Danceability • 21% Energy • 9% Liveness
61% Instrumentalness • 54% Positiveness
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Oliver Nelson
Torino
116 bpm • A# Maj • 02:02 • -10.11db
11% Popularity • 61% Danceability • 48% Energy • 32% Liveness
94% Instrumentalness • 50% Positiveness
11% Popularity • 61% Danceability • 48% Energy • 32% Liveness
94% Instrumentalness • 50% Positiveness
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Billy May & His Orchestra
The Odd Couple
109 bpm • E Maj • 02:17 • -17db
39% Popularity • 73% Danceability • 30% Energy • 9% Liveness
53% Instrumentalness • 45% Positiveness
39% Popularity • 73% Danceability • 30% Energy • 9% Liveness
53% Instrumentalness • 45% Positiveness
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Glen Gray & The Casa Loma Orchestra
Smoke Rings - Remastered
109 bpm • C# Maj • 03:01 • -14.74db
18% Popularity • 53% Danceability • 16% Energy • 14% Liveness
77% Instrumentalness • 48% Positiveness
18% Popularity • 53% Danceability • 16% Energy • 14% Liveness
77% Instrumentalness • 48% Positiveness
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Wurlitzer Organ Of Tower Ballroom, Blackpool
Foxtrot Medley: Chanson D'amour; The Old...
108 bpm • F Maj • 03:35 • -18.02db
9% Popularity • 20% Danceability • 24% Energy • 11% Liveness
92% Instrumentalness • 34% Positiveness
9% Popularity • 20% Danceability • 24% Energy • 11% Liveness
92% Instrumentalness • 34% Positiveness
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Lucy Ann Polk
Don Cha Go Way Mad
116 bpm • C min • 02:28 • -22db
14% Popularity • 70% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
14% Popularity • 70% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Sven Libaek
Sounds of the Deep
108 bpm • A min • 04:02 • -20.96db
12% Popularity • 62% Danceability • 25% Energy • 11% Liveness
92% Instrumentalness • 55% Positiveness
12% Popularity • 62% Danceability • 25% Energy • 11% Liveness
92% Instrumentalness • 55% Positiveness
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John Dankworth
Aries
116 bpm • A# min • 02:43 • -15.43db
0% Popularity • 53% Danceability • 38% Energy • 11% Liveness
74% Instrumentalness • 70% Positiveness
0% Popularity • 53% Danceability • 38% Energy • 11% Liveness
74% Instrumentalness • 70% Positiveness
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Billy May & His Orchestra
May
108 bpm • C Maj • 03:04 • -18.91db
24% Popularity • 37% Danceability • 26% Energy • 15% Liveness
94% Instrumentalness • 37% Positiveness
24% Popularity • 37% Danceability • 26% Energy • 15% Liveness
94% Instrumentalness • 37% Positiveness
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Lalo Schifrin
Self-Destruct
116 bpm • G# Maj • 02:42 • -19.02db
13% Popularity • 66% Danceability • 18% Energy • 7% Liveness
84% Instrumentalness • 22% Positiveness
13% Popularity • 66% Danceability • 18% Energy • 7% Liveness
84% Instrumentalness • 22% Positiveness
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Eddie Heywood
Canadian Sunset
116 bpm • F Maj • 04:22 • -19.4db
9% Popularity • 68% Danceability • 11% Energy • 11% Liveness
89% Instrumentalness • 62% Positiveness
9% Popularity • 68% Danceability • 11% Energy • 11% Liveness
89% Instrumentalness • 62% Positiveness
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Roy Budd
The Cat
108 bpm • F Maj • 01:55 • -11.31db
12% Popularity • 53% Danceability • 85% Energy • 12% Liveness
91% Instrumentalness • 69% Positiveness
12% Popularity • 53% Danceability • 85% Energy • 12% Liveness
91% Instrumentalness • 69% Positiveness
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Sven Libaek
Nature Walkabout (Main Theme)
116 bpm • F Maj • 02:28 • -19.44db
12% Popularity • 46% Danceability • 27% Energy • 11% Liveness
15% Instrumentalness • 66% Positiveness
12% Popularity • 46% Danceability • 27% Energy • 11% Liveness
15% Instrumentalness • 66% Positiveness
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Bruno Nicolai
Jazz Night Club - Remastered 2022
116 bpm • F Maj • 01:16 • -12.08db
17% Popularity • 62% Danceability • 26% Energy • 11% Liveness
3% Instrumentalness • 70% Positiveness
17% Popularity • 62% Danceability • 26% Energy • 11% Liveness
3% Instrumentalness • 70% Positiveness
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Krzysztof Komeda
Pushing The Car
116 bpm • D Maj • 01:24 • -10.12db
15% Popularity • 65% Danceability • 39% Energy • 11% Liveness
96% Instrumentalness • 79% Positiveness
15% Popularity • 65% Danceability • 39% Energy • 11% Liveness
96% Instrumentalness • 79% Positiveness
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John Dankworth
Winter Scene
117 bpm • G Maj • 05:37 • -13.4db
0% Popularity • 39% Danceability • 26% Energy • 12% Liveness
1% Instrumentalness • 10% Positiveness
0% Popularity • 39% Danceability • 26% Energy • 12% Liveness
1% Instrumentalness • 10% Positiveness
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Nino Rota
Gary Cooper - Remastered 2021
108 bpm • F Maj • 01:20 • -16.29db
11% Popularity • 44% Danceability • 15% Energy • 10% Liveness
53% Instrumentalness • 35% Positiveness
11% Popularity • 44% Danceability • 15% Energy • 10% Liveness
53% Instrumentalness • 35% Positiveness
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Spike Milligan
English Teeth
117 bpm • C Maj • 01:40 • -26.48db
0% Popularity • 52% Danceability • 19% Energy • 70% Liveness
0% Instrumentalness • 72% Positiveness
0% Popularity • 52% Danceability • 19% Energy • 70% Liveness
0% Instrumentalness • 72% Positiveness
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Marty Gold & His Orchestra
Etude in E Major
117 bpm • E Maj • 02:34 • -16db
14% Popularity • 39% Danceability • 38% Energy • 31% Liveness
92% Instrumentalness • 52% Positiveness
14% Popularity • 39% Danceability • 38% Energy • 31% Liveness
92% Instrumentalness • 52% Positiveness
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Claude Bolling
Borsalino Slow - Version originale 1974 ...
117 bpm • C# Maj • 02:33 • -14.92db
25% Popularity • 58% Danceability • 18% Energy • 10% Liveness
3% Instrumentalness • 33% Positiveness
25% Popularity • 58% Danceability • 18% Energy • 10% Liveness
3% Instrumentalness • 33% Positiveness
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Marian McPartland
Touch of Ivory
107 bpm • A min • 02:16 • -21.1db
12% Popularity • 65% Danceability • 23% Energy • 12% Liveness
84% Instrumentalness • 32% Positiveness
12% Popularity • 65% Danceability • 23% Energy • 12% Liveness
84% Instrumentalness • 32% Positiveness
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Bobby Hackett
Theme From "Mr. Lucky"
117 bpm • G min • 02:32 • -17.14db
10% Popularity • 53% Danceability • 16% Energy • 5% Liveness
94% Instrumentalness • 53% Positiveness
10% Popularity • 53% Danceability • 16% Energy • 5% Liveness
94% Instrumentalness • 53% Positiveness
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The Beau Hunks
Beautiful Lady
107 bpm • G# Maj • 01:12 • -17.13db
9% Popularity • 80% Danceability • 16% Energy • 8% Liveness
4% Instrumentalness • 98% Positiveness
9% Popularity • 80% Danceability • 16% Energy • 8% Liveness
4% Instrumentalness • 98% Positiveness
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John Dankworth
Composition with Colour
117 bpm • G Maj • 05:38 • -14.5db
0% Popularity • 43% Danceability • 26% Energy • 17% Liveness
22% Instrumentalness • 10% Positiveness
0% Popularity • 43% Danceability • 26% Energy • 17% Liveness
22% Instrumentalness • 10% Positiveness
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Laurie Johnson
Las Vegas
117 bpm • C Maj • 02:26 • -13db
14% Popularity • 49% Danceability • 41% Energy • 17% Liveness
91% Instrumentalness • 85% Positiveness
14% Popularity • 49% Danceability • 41% Energy • 17% Liveness
91% Instrumentalness • 85% Positiveness
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Burt Bacharach
The Sundance Kid
118 bpm • E min • 02:14 • -17.22db
30% Popularity • 66% Danceability • 24% Energy • 23% Liveness
90% Instrumentalness • 72% Positiveness
30% Popularity • 66% Danceability • 24% Energy • 23% Liveness
90% Instrumentalness • 72% Positiveness
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Martial Solal
La mort - Bande originale du film "À bo...
118 bpm • D# Maj • 02:08 • -9.79db
12% Popularity • 36% Danceability • 41% Energy • 34% Liveness
2% Instrumentalness • 29% Positiveness
12% Popularity • 36% Danceability • 41% Energy • 34% Liveness
2% Instrumentalness • 29% Positiveness
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Dudley Moore Trio
Sweet Mouth
118 bpm • F min • 01:41 • -13.43db
11% Popularity • 57% Danceability • 53% Energy • 28% Liveness
83% Instrumentalness • 80% Positiveness
11% Popularity • 57% Danceability • 53% Energy • 28% Liveness
83% Instrumentalness • 80% Positiveness
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Victor Silvester and His Ballroom Orchestra
I Only Have Eyes for You
118 bpm • G Maj • 02:38 • -13.05db
14% Popularity • 30% Danceability • 26% Energy • 13% Liveness
94% Instrumentalness • 25% Positiveness
14% Popularity • 30% Danceability • 26% Energy • 13% Liveness
94% Instrumentalness • 25% Positiveness
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James P. Johnson
If I Could Be With You
106 bpm • C# Maj • 02:46 • -19db
42% Popularity • 80% Danceability • 13% Energy • 19% Liveness
79% Instrumentalness • 63% Positiveness
42% Popularity • 80% Danceability • 13% Energy • 19% Liveness
79% Instrumentalness • 63% Positiveness
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Eddie Heywood
Canadian Sunset - Single Version
118 bpm • D min • 02:53 • -11.72db
25% Popularity • 56% Danceability • 25% Energy • 13% Liveness
41% Instrumentalness • 48% Positiveness
25% Popularity • 56% Danceability • 25% Energy • 13% Liveness
41% Instrumentalness • 48% Positiveness
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Elmer Bernstein
Frankie Machine
118 bpm • F min • 05:00 • -6.95db
12% Popularity • 41% Danceability • 93% Energy • 30% Liveness
90% Instrumentalness • 39% Positiveness
12% Popularity • 41% Danceability • 93% Energy • 30% Liveness
90% Instrumentalness • 39% Positiveness
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Larry Clinton & His Orchestra
My Reverie
106 bpm • F Maj • 02:57 • -17.22db
24% Popularity • 37% Danceability • 8% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
24% Popularity • 37% Danceability • 8% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
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Alain Romans
Quel temps fait-il à Paris ? - Les vaca...
118 bpm • D# Maj • 02:17 • -18.03db
30% Popularity • 58% Danceability • 19% Energy • 24% Liveness
93% Instrumentalness • 42% Positiveness
30% Popularity • 58% Danceability • 19% Energy • 24% Liveness
93% Instrumentalness • 42% Positiveness
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Hugo Montenegro & His Orchestra
Get Smart Theme
118 bpm • E min • 02:05 • -5db
11% Popularity • 64% Danceability • 81% Energy • 11% Liveness
39% Instrumentalness • 52% Positiveness
11% Popularity • 64% Danceability • 81% Energy • 11% Liveness
39% Instrumentalness • 52% Positiveness
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John Dankworth
Face in a Crowd
118 bpm • F Maj • 03:01 • -17.72db
0% Popularity • 34% Danceability • 15% Energy • 10% Liveness
84% Instrumentalness • 14% Positiveness
0% Popularity • 34% Danceability • 15% Energy • 10% Liveness
84% Instrumentalness • 14% Positiveness
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Piero Umiliani
Tema Dell'addio
119 bpm • F min • 02:32 • -19.32db
24% Popularity • 52% Danceability • 12% Energy • 23% Liveness
80% Instrumentalness • 25% Positiveness
24% Popularity • 52% Danceability • 12% Energy • 23% Liveness
80% Instrumentalness • 25% Positiveness
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Billy May & His Orchestra
Man With The Golden Arm
119 bpm • A# Maj • 02:52 • -12.09db
24% Popularity • 43% Danceability • 55% Energy • 74% Liveness
46% Instrumentalness • 28% Positiveness
24% Popularity • 43% Danceability • 55% Energy • 74% Liveness
46% Instrumentalness • 28% Positiveness
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Martial Solal
Duo - Bande originale du film "À bout d...
119 bpm • D# min • 02:24 • -11.56db
21% Popularity • 72% Danceability • 33% Energy • 9% Liveness
8% Instrumentalness • 50% Positiveness
21% Popularity • 72% Danceability • 33% Energy • 9% Liveness
8% Instrumentalness • 50% Positiveness
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Alain Romans
Pianissimo - Les vacances de M. Hulot
118 bpm • D# Maj • 01:20 • -21.74db
20% Popularity • 70% Danceability • 3% Energy • 7% Liveness
70% Instrumentalness • 70% Positiveness
20% Popularity • 70% Danceability • 3% Energy • 7% Liveness
70% Instrumentalness • 70% Positiveness
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Mary Lou Williams
Night life
119 bpm • F min • 02:59 • -9.53db
26% Popularity • 72% Danceability • 48% Energy • 26% Liveness
93% Instrumentalness • 72% Positiveness
26% Popularity • 72% Danceability • 48% Energy • 26% Liveness
93% Instrumentalness • 72% Positiveness
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John Dankworth
African Waltz
119 bpm • A# Maj • 02:21 • -5.32db
0% Popularity • 53% Danceability • 68% Energy • 5% Liveness
4% Instrumentalness • 94% Positiveness
0% Popularity • 53% Danceability • 68% Energy • 5% Liveness
4% Instrumentalness • 94% Positiveness
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Jack Fascinato
Aba Da Aba Du
119 bpm • D min • 02:21 • -7db
13% Popularity • 48% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 48% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Eric Demarsan
Le cercle rouge - BOF "Le cercle rouge"
119 bpm • D min • 01:51 • -11.38db
15% Popularity • 34% Danceability • 40% Energy • 8% Liveness
41% Instrumentalness • 38% Positiveness
15% Popularity • 34% Danceability • 40% Energy • 8% Liveness
41% Instrumentalness • 38% Positiveness
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Nino Rota
Gary Cooper
105 bpm • F Maj • 01:23 • -13db
35% Popularity • 33% Danceability • 17% Energy • 10% Liveness
89% Instrumentalness • 48% Positiveness
35% Popularity • 33% Danceability • 17% Energy • 10% Liveness
89% Instrumentalness • 48% Positiveness
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Dave Stein
Take My Hand - Play Time
106 bpm • F# Maj • 02:00 • -19.39db
13% Popularity • 55% Danceability • 10% Energy • 10% Liveness
85% Instrumentalness • 23% Positiveness
13% Popularity • 55% Danceability • 10% Energy • 10% Liveness
85% Instrumentalness • 23% Positiveness
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Burt Bacharach
South American Getaway
105 bpm • F Maj • 05:18 • -21.22db
34% Popularity • 40% Danceability • 10% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
34% Popularity • 40% Danceability • 10% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
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John Dankworth
Pisces
105 bpm • C min • 02:37 • -24.09db
0% Popularity • 46% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 28% Positiveness
0% Popularity • 46% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 28% Positiveness
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Cy Coleman
Playboy's Theme - Remastered
120 bpm • F min • 02:50 • -15.5db
24% Popularity • 54% Danceability • 42% Energy • 27% Liveness
0% Instrumentalness • 62% Positiveness
24% Popularity • 54% Danceability • 42% Energy • 27% Liveness
0% Instrumentalness • 62% Positiveness
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Roger Williams
Moonglow & Theme from Picnic
105 bpm • F Maj • 02:47 • -15.24db
4% Popularity • 59% Danceability • 16% Energy • 8% Liveness
18% Instrumentalness • 63% Positiveness
4% Popularity • 59% Danceability • 16% Energy • 8% Liveness
18% Instrumentalness • 63% Positiveness
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Alain Romans
How Is the Weather In Paris
120 bpm • C min • 02:14 • -23db
34% Popularity • 57% Danceability • 11% Energy • 31% Liveness
84% Instrumentalness • 66% Positiveness
34% Popularity • 57% Danceability • 11% Energy • 31% Liveness
84% Instrumentalness • 66% Positiveness
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Armando Trovajoli
Descansado
104 bpm • D Maj • 05:11 • -17db
22% Popularity • 57% Danceability • 28% Energy • 8% Liveness
83% Instrumentalness • 36% Positiveness
22% Popularity • 57% Danceability • 28% Energy • 8% Liveness
83% Instrumentalness • 36% Positiveness
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François de Roubaix
Michelin Radial
120 bpm • F Maj • 01:31 • -17.32db
15% Popularity • 65% Danceability • 31% Energy • 24% Liveness
94% Instrumentalness • 81% Positiveness
15% Popularity • 65% Danceability • 31% Energy • 24% Liveness
94% Instrumentalness • 81% Positiveness
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John Dankworth
Ice is Nice
119 bpm • C# min • 03:15 • -16.55db
1% Popularity • 58% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
1% Popularity • 58% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Dean Elliott And His Big Band
You're The Top - Remastered
120 bpm • A min • 02:36 • -13.28db
13% Popularity • 71% Danceability • 26% Energy • 4% Liveness
2% Instrumentalness • 37% Positiveness
13% Popularity • 71% Danceability • 26% Energy • 4% Liveness
2% Instrumentalness • 37% Positiveness
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Victor Silvester
No Other Love
121 bpm • D Maj • 02:23 • -14.07db
38% Popularity • 35% Danceability • 27% Energy • 58% Liveness
92% Instrumentalness • 39% Positiveness
38% Popularity • 35% Danceability • 27% Energy • 58% Liveness
92% Instrumentalness • 39% Positiveness
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Michel Magne
Palm Beach
121 bpm • A# Maj • 02:29 • -12.26db
24% Popularity • 44% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
24% Popularity • 44% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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Alain Romans
Quel temps fait-il à Paris
121 bpm • C min • 02:12 • -13.1db
12% Popularity • 67% Danceability • 30% Energy • 30% Liveness
91% Instrumentalness • 61% Positiveness
12% Popularity • 67% Danceability • 30% Energy • 30% Liveness
91% Instrumentalness • 61% Positiveness
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Lalo Schifrin
Cinnamon (The Lady Was Made To Be Loved)
121 bpm • G# Maj • 02:37 • -11.15db
9% Popularity • 21% Danceability • 32% Energy • 14% Liveness
7% Instrumentalness • 22% Positiveness
9% Popularity • 21% Danceability • 32% Energy • 14% Liveness
7% Instrumentalness • 22% Positiveness
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John Dankworth
Moods Of Modesty
105 bpm • G Maj • 02:55 • -18.96db
1% Popularity • 30% Danceability • 16% Energy • 14% Liveness
54% Instrumentalness • 8% Positiveness
1% Popularity • 30% Danceability • 16% Energy • 14% Liveness
54% Instrumentalness • 8% Positiveness
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Alfred Newman
Airport Love Theme #2
104 bpm • E Maj • 02:43 • -31db
34% Popularity • 39% Danceability • 2% Energy • 17% Liveness
96% Instrumentalness • 18% Positiveness
34% Popularity • 39% Danceability • 2% Energy • 17% Liveness
96% Instrumentalness • 18% Positiveness
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Sven Libaek
Opus 13
121 bpm • G Maj • 05:28 • -22.38db
9% Popularity • 52% Danceability • 11% Energy • 14% Liveness
69% Instrumentalness • 47% Positiveness
9% Popularity • 52% Danceability • 11% Energy • 14% Liveness
69% Instrumentalness • 47% Positiveness
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Pau Cladera Marroig
Humoresca de la Font de l'Aguiló
121 bpm • F Maj • 03:26 • -15.28db
8% Popularity • 57% Danceability • 25% Energy • 12% Liveness
79% Instrumentalness • 59% Positiveness
8% Popularity • 57% Danceability • 25% Energy • 12% Liveness
79% Instrumentalness • 59% Positiveness
