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The Crave
Songs like
The Crave
by
Vincent Peirani
Based on a tempo of (+/- 10%) and a similar genre
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Anouar Brahem
Stopover At Djibouti
103 bpm • A# Maj • 06:34 • -21db
34% Popularity • 44% Danceability • 22% Energy • 11% Liveness
93% Instrumentalness • 72% Positiveness
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Sylvain Rifflet
Le murmure
103 bpm • F min • 05:36 • -11.97db
14% Popularity • 47% Danceability • 43% Energy • 11% Liveness
50% Instrumentalness • 30% Positiveness
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Vincent Peirani
The Crave
103 bpm • D min • 04:35 • -11.05db
30% Popularity • 66% Danceability • 29% Energy • 7% Liveness
10% Instrumentalness • 94% Positiveness
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Laurent De Wilde
Misterioso
103 bpm • A# min • 04:27 • -22.85db
29% Popularity • 72% Danceability • 19% Energy • 7% Liveness
81% Instrumentalness • 53% Positiveness
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Belmondo Quintet
Song for Dad
102 bpm • A# Maj • 04:02 • -17.97db
14% Popularity • 48% Danceability • 19% Energy • 11% Liveness
97% Instrumentalness • 32% Positiveness
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Renaud Garcia-Fons
Les rues vagabondes
102 bpm • D min • 04:17 • -7.84db
27% Popularity • 59% Danceability • 39% Energy • 9% Liveness
75% Instrumentalness • 41% Positiveness
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Eric Vloeimans
L'amour Des Moules
102 bpm • G min • 03:47 • -24.95db
17% Popularity • 47% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 43% Positiveness
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Baptiste Trotignon
La répétition
104 bpm • C# min • 02:41 • -16.44db
38% Popularity • 64% Danceability • 50% Energy • 11% Liveness
90% Instrumentalness • 59% Positiveness
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Vincent Peirani
Air Song
104 bpm • F min • 03:28 • -19.27db
2% Popularity • 32% Danceability • 5% Energy • 14% Liveness
93% Instrumentalness • 16% Positiveness
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Mathias Duplessy
Paulinda
102 bpm • C Maj • 02:52 • -13.16db
36% Popularity • 80% Danceability • 29% Energy • 11% Liveness
66% Instrumentalness • 62% Positiveness
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Boban Markovic Orkestar
SAT
102 bpm • G# Maj • 04:23 • -10.55db
36% Popularity • 78% Danceability • 26% Energy • 11% Liveness
93% Instrumentalness • 55% Positiveness
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Yorgui Loeffler
Valse À Django
102 bpm • E min • 01:58 • -8.28db
39% Popularity • 46% Danceability • 63% Energy • 15% Liveness
86% Instrumentalness • 90% Positiveness
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Charlie Haden
El Ciego (The Blind) - Instrumental
102 bpm • E min • 05:53 • -15.13db
31% Popularity • 60% Danceability • 26% Energy • 11% Liveness
78% Instrumentalness • 33% Positiveness
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Yonathan Avishai
Lya
105 bpm • C Maj • 04:29 • -22db
28% Popularity • 62% Danceability • 13% Energy • 9% Liveness
86% Instrumentalness • 68% Positiveness
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Airelle Besson
Infinité
101 bpm • C Maj • 04:40 • -12.07db
20% Popularity • 46% Danceability • 28% Energy • 12% Liveness
90% Instrumentalness • 21% Positiveness
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Avishai Cohen
Gently Disturbed
105 bpm • E min • 03:48 • -19.72db
23% Popularity • 38% Danceability • 21% Energy • 10% Liveness
94% Instrumentalness • 14% Positiveness
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Michel Portal
Full Half Moon
101 bpm • D Maj • 06:30 • -10.42db
12% Popularity • 46% Danceability • 59% Energy • 8% Liveness
84% Instrumentalness • 8% Positiveness
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Emile Parisien
Vivace, capriccioso
105 bpm • G Maj • 05:01 • -15.14db
2% Popularity • 50% Danceability • 33% Energy • 10% Liveness
88% Instrumentalness • 43% Positiveness
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Aldo Romano
Favela
101 bpm • E min • 02:19 • -19.14db
46% Popularity • 38% Danceability • 17% Energy • 11% Liveness
93% Instrumentalness • 21% Positiveness
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Harold López-Nussa
The Windmills of Your Mind
105 bpm • C# Maj • 05:16 • -8.43db
15% Popularity • 65% Danceability • 64% Energy • 7% Liveness
16% Instrumentalness • 61% Positiveness
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Anouar Brahem
Dance With Waves
101 bpm • C Maj • 03:56 • -21db
37% Popularity • 50% Danceability • 14% Energy • 14% Liveness
92% Instrumentalness • 24% Positiveness
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Vincent Peirani
St. James Infimary
105 bpm • F Maj • 04:20 • -23.6db
9% Popularity • 34% Danceability • 14% Energy • 10% Liveness
34% Instrumentalness • 3% Positiveness
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Michel Portal
African Wind
101 bpm • F min • 04:15 • -12.3db
21% Popularity • 51% Danceability • 47% Energy • 10% Liveness
91% Instrumentalness • 60% Positiveness
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Marc Sarrazy
Funeral Blues
101 bpm • F# Maj • 06:10 • -11.89db
15% Popularity • 39% Danceability • 16% Energy • 10% Liveness
91% Instrumentalness • 24% Positiveness
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Nils Landgren
Doll of the Bride
101 bpm • G min • 08:14 • -13.59db
7% Popularity • 46% Danceability • 19% Energy • 10% Liveness
50% Instrumentalness • 48% Positiveness
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Jean-Louis Matinier
Après la pluie
105 bpm • B min • 03:37 • -15.48db
21% Popularity • 32% Danceability • 21% Energy • 38% Liveness
79% Instrumentalness • 4% Positiveness
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Airelle Besson
Es ist vollbracht
100 bpm • B min • 05:17 • -13.17db
19% Popularity • 57% Danceability • 26% Energy • 10% Liveness
92% Instrumentalness • 30% Positiveness
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Adam Ben Ezra
Flamenco
106 bpm • D Maj • 03:19 • -13db
29% Popularity • 52% Danceability • 59% Energy • 68% Liveness
94% Instrumentalness • 28% Positiveness
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Marc Berthoumieux
Ostinato
106 bpm • A# min • 04:25 • -7.91db
16% Popularity • 63% Danceability • 70% Energy • 13% Liveness
1% Instrumentalness • 71% Positiveness
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Edouard Ferlet
Raining
106 bpm • D Maj • 02:36 • -15.58db
31% Popularity • 81% Danceability • 57% Energy • 11% Liveness
79% Instrumentalness • 80% Positiveness
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Naïssam Jalal
Rituel du soleil
106 bpm • G Maj • 06:06 • -14.31db
20% Popularity • 54% Danceability • 24% Energy • 9% Liveness
94% Instrumentalness • 32% Positiveness
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Jean-Louis Matinier
Feux follets
106 bpm • D min • 02:27 • -21.19db
11% Popularity • 78% Danceability • 20% Energy • 9% Liveness
46% Instrumentalness • 86% Positiveness
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Anakronic Electro Orkestra
Human Tribe
100 bpm • A# min • 04:29 • -4.5db
12% Popularity • 68% Danceability • 87% Energy • 4% Liveness
52% Instrumentalness • 86% Positiveness
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Hadouk Trio
Peau de banane
100 bpm • G min • 04:21 • -14.23db
21% Popularity • 77% Danceability • 30% Energy • 14% Liveness
48% Instrumentalness • 38% Positiveness
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HSRS
Les Oignons
100 bpm • F Maj • 05:23 • -9db
5% Popularity • 85% Danceability • 48% Energy • 11% Liveness
44% Instrumentalness • 76% Positiveness
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Vincent Peirani
Close to You
100 bpm • F Maj • 03:03 • -15.32db
8% Popularity • 63% Danceability • 10% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
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Arnaud Dolmen
SQN
106 bpm • A# min • 05:24 • -14.92db
2% Popularity • 50% Danceability • 42% Energy • 10% Liveness
76% Instrumentalness • 65% Positiveness
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Sylvain Rifflet
Na (de Casteldoza)
106 bpm • D# min • 03:15 • -16.89db
35% Popularity • 46% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 33% Positiveness
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Anakronic Electro Orkestra
Human Tribe - Bill Laswell Remix
100 bpm • A# min • 06:03 • -8.34db
5% Popularity • 73% Danceability • 76% Energy • 21% Liveness
65% Instrumentalness • 62% Positiveness
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Gonzalo Bergara
Como Una Flor
100 bpm • C min • 04:26 • -14.27db
31% Popularity • 87% Danceability • 31% Energy • 11% Liveness
87% Instrumentalness • 48% Positiveness
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Emile Parisien
Madagascar - Single Edit
106 bpm • G# min • 04:41 • -14.22db
6% Popularity • 49% Danceability • 42% Energy • 12% Liveness
93% Instrumentalness • 25% Positiveness
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Michel Portal
Langueur d'eté
107 bpm • F min • 01:33 • -32.83db
38% Popularity • 24% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 12% Positiveness
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Airelle Besson
Neige
99 bpm • C min • 05:42 • -15.69db
35% Popularity • 49% Danceability • 8% Energy • 8% Liveness
89% Instrumentalness • 35% Positiveness
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Vincent Peirani
Temptation Rag
107 bpm • G# Maj • 05:35 • -11.92db
17% Popularity • 52% Danceability • 28% Energy • 12% Liveness
80% Instrumentalness • 65% Positiveness
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Anakronic Electro Orkestra
Human Tribe - Radio Edit
100 bpm • A# Maj • 03:28 • -4.02db
1% Popularity • 68% Danceability • 89% Energy • 9% Liveness
52% Instrumentalness • 84% Positiveness
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Sophie Alour
Fleurette égyptienne
99 bpm • C min • 04:12 • -22.88db
11% Popularity • 62% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 33% Positiveness
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Jean-Louis Matinier
Schumannsko
107 bpm • C Maj • 04:51 • -17.94db
13% Popularity • 46% Danceability • 22% Energy • 11% Liveness
59% Instrumentalness • 17% Positiveness
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Macha Gharibian
La Douceur
107 bpm • E min • 05:07 • -27db
22% Popularity • 44% Danceability • 11% Energy • 13% Liveness
91% Instrumentalness • 17% Positiveness
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Emile Parisien
Madagascar
107 bpm • G# min • 08:21 • -14.32db
7% Popularity • 46% Danceability • 43% Energy • 14% Liveness
94% Instrumentalness • 23% Positiveness
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Vincent Peirani
Nouchka
108 bpm • F min • 09:17 • -12.87db
10% Popularity • 51% Danceability • 14% Energy • 11% Liveness
78% Instrumentalness • 53% Positiveness
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Michel Portal
Euskal Kantua
108 bpm • B Maj • 04:14 • -21.77db
25% Popularity • 32% Danceability • 2% Energy • 10% Liveness
75% Instrumentalness • 12% Positiveness
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BRUUT!
Loulou
98 bpm • C min • 05:11 • -12.42db
35% Popularity • 56% Danceability • 29% Energy • 11% Liveness
51% Instrumentalness • 44% Positiveness
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Steve Shehan
High Jazz
108 bpm • G min • 03:23 • -13.94db
36% Popularity • 43% Danceability • 34% Energy • 16% Liveness
88% Instrumentalness • 38% Positiveness
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Trygve Seim
Gloria, Improvisation
98 bpm • F Maj • 01:51 • -11.03db
31% Popularity • 36% Danceability • 24% Energy • 41% Liveness
69% Instrumentalness • 45% Positiveness
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Emile Parisien
Air Song
107 bpm • F min • 04:35 • -17.3db
3% Popularity • 27% Danceability • 9% Energy • 15% Liveness
21% Instrumentalness • 15% Positiveness
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Nicolas Godin
Marie Jo
108 bpm • C# Maj • 01:44 • -12.05db
36% Popularity • 81% Danceability • 29% Energy • 10% Liveness
78% Instrumentalness • 85% Positiveness
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Myriam Alter
Was It There
108 bpm • G# Maj • 04:40 • -16db
16% Popularity • 54% Danceability • 40% Energy • 23% Liveness
92% Instrumentalness • 12% Positiveness
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Renaud Garcia-Fons
Bari
98 bpm • A min • 03:04 • -10.97db
16% Popularity • 33% Danceability • 34% Energy • 9% Liveness
68% Instrumentalness • 40% Positiveness
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Toufic Farroukh
Villes invisibles
98 bpm • F min • 05:57 • -11db
31% Popularity • 68% Danceability • 39% Energy • 12% Liveness
92% Instrumentalness • 45% Positiveness
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Gwen Cahue
Soundscape
108 bpm • F# min • 04:09 • -16db
29% Popularity • 55% Danceability • 21% Energy • 12% Liveness
85% Instrumentalness • 43% Positiveness
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Emile Parisien
Double Screening I
99 bpm • B Maj • 03:16 • -14.76db
1% Popularity • 38% Danceability • 23% Energy • 9% Liveness
94% Instrumentalness • 10% Positiveness
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Carla Bley
Útviklingssang
108 bpm • D Maj • 07:55 • -20db
31% Popularity • 41% Danceability • 3% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
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Vincent Peirani
Les Larmes de Syr - Single Edit
108 bpm • G min • 04:20 • -11.54db
8% Popularity • 24% Danceability • 26% Energy • 17% Liveness
43% Instrumentalness • 10% Positiveness
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Michael Wollny
Vignette
98 bpm • B min • 04:02 • -16db
1% Popularity • 60% Danceability • 18% Energy • 8% Liveness
66% Instrumentalness • 18% Positiveness
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Avi Avital
Ballad for Eli
98 bpm • F min • 04:39 • -17.79db
27% Popularity • 28% Danceability • 31% Energy • 10% Liveness
94% Instrumentalness • 28% Positiveness
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Matthew Halsall
Song for Charlie - Special Edition
97 bpm • D Maj • 07:05 • -15db
28% Popularity • 46% Danceability • 8% Energy • 11% Liveness
85% Instrumentalness • 12% Positiveness
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Emile Parisien
Memento, Pt. III
98 bpm • D Maj • 05:15 • -10.68db
3% Popularity • 37% Danceability • 62% Energy • 6% Liveness
94% Instrumentalness • 50% Positiveness
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Sirba Octet
Le temps du muguet
109 bpm • E min • 03:23 • -17.09db
13% Popularity • 39% Danceability • 12% Energy • 9% Liveness
91% Instrumentalness • 27% Positiveness
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Stéphane Kerecki
Genesis
109 bpm • D min • 07:19 • -12.97db
1% Popularity • 41% Danceability • 40% Energy • 7% Liveness
93% Instrumentalness • 14% Positiveness
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Anne Paceo
Patience
109 bpm • A min • 01:39 • -18.49db
18% Popularity • 36% Danceability • 5% Energy • 7% Liveness
17% Instrumentalness • 51% Positiveness
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Baptiste Trotignon
Jenny Wren
97 bpm • F min • 03:54 • -19db
30% Popularity • 42% Danceability • 20% Energy • 10% Liveness
95% Instrumentalness • 32% Positiveness
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Avishai Cohen
Lo Baiom Velo Balyla
109 bpm • G min • 05:25 • -19.31db
30% Popularity • 34% Danceability • 24% Energy • 11% Liveness
94% Instrumentalness • 19% Positiveness
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Emile Parisien
Prestissimo
109 bpm • G# Maj • 03:54 • -14.49db
3% Popularity • 24% Danceability • 22% Energy • 10% Liveness
97% Instrumentalness • 8% Positiveness
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Paul Lay
La Lettre à Élise, WoO 59 - Arr. for J...
109 bpm • A min • 04:18 • -20db
16% Popularity • 66% Danceability • 21% Energy • 8% Liveness
95% Instrumentalness • 47% Positiveness
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Stéphane Kerecki
Robot Rock
109 bpm • D min • 06:50 • -13.52db
2% Popularity • 42% Danceability • 39% Energy • 7% Liveness
94% Instrumentalness • 48% Positiveness
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Vincent Peirani
What Power Art Thou
97 bpm • B min • 05:55 • -11.25db
13% Popularity • 60% Danceability • 30% Energy • 9% Liveness
95% Instrumentalness • 11% Positiveness
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Jose Neil Gomes
Somewhere in April
97 bpm • C Maj • 04:19 • -11.44db
31% Popularity • 38% Danceability • 19% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Yaron Herman Trio
Layla Layla
97 bpm • D min • 05:25 • -15.43db
12% Popularity • 40% Danceability • 45% Energy • 17% Liveness
94% Instrumentalness • 8% Positiveness
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Michael Wollny
Uniskate
110 bpm • G Maj • 04:03 • -17.28db
2% Popularity • 36% Danceability • 24% Energy • 11% Liveness
89% Instrumentalness • 29% Positiveness
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African Jazz Roots
La langue de barbarie
110 bpm • E min • 04:32 • -19.74db
14% Popularity • 56% Danceability • 34% Energy • 7% Liveness
93% Instrumentalness • 67% Positiveness
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Stéphane Kerecki
Générique
97 bpm • C Maj • 05:19 • -16.09db
3% Popularity • 43% Danceability • 22% Energy • 9% Liveness
77% Instrumentalness • 22% Positiveness
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Ennio Morricone
The Good, the Bad and the Ugly - Live
110 bpm • A min • 07:24 • -12.39db
2% Popularity • 42% Danceability • 38% Energy • 14% Liveness
62% Instrumentalness • 15% Positiveness
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Eugen Cicero
Valse in C-Sharp Minor, Op. 64 No. 2
110 bpm • A Maj • 05:39 • -13.22db
28% Popularity • 53% Danceability • 32% Energy • 11% Liveness
91% Instrumentalness • 40% Positiveness
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Vincent Peirani
Black Hole Sun
97 bpm • E Maj • 04:37 • -9.58db
3% Popularity • 22% Danceability • 33% Energy • 11% Liveness
18% Instrumentalness • 7% Positiveness
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Michael Wollny
Too Bright in Here
97 bpm • C Maj • 05:33 • -15.35db
3% Popularity • 29% Danceability • 56% Energy • 36% Liveness
87% Instrumentalness • 48% Positiveness
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Hadouk Trio
Yillah
110 bpm • G min • 05:18 • -14db
33% Popularity • 82% Danceability • 19% Energy • 24% Liveness
63% Instrumentalness • 48% Positiveness
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David Helbock
Prelude in E Minor
97 bpm • E min • 03:20 • -23db
25% Popularity • 44% Danceability • 4% Energy • 10% Liveness
78% Instrumentalness • 14% Positiveness
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Karim Baggili
Down Town - Instrumentale
96 bpm • G min • 04:57 • -13db
28% Popularity • 66% Danceability • 58% Energy • 10% Liveness
80% Instrumentalness • 68% Positiveness
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Ibrahim Maalouf
Will Soon Be a Woman - Duo Version
110 bpm • E min • 03:09 • -15db
23% Popularity • 67% Danceability • 12% Energy • 11% Liveness
88% Instrumentalness • 72% Positiveness
► Preview
Vincent Peirani
Choral
110 bpm • B min • 06:42 • -28.54db
2% Popularity • 44% Danceability • 2% Energy • 11% Liveness
77% Instrumentalness • 3% Positiveness
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Laurent Dury
Minimal Jazz
110 bpm • A min • 02:30 • -11.93db
32% Popularity • 76% Danceability • 56% Energy • 13% Liveness
87% Instrumentalness • 83% Positiveness
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Michael Wollny
Sirenes
96 bpm • G# min • 05:05 • -21.18db
2% Popularity • 26% Danceability • 6% Energy • 13% Liveness
25% Instrumentalness • 20% Positiveness
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Latché Swing
Valse a Bamboula
96 bpm • D min • 02:21 • -7db
39% Popularity • 78% Danceability • 34% Energy • 19% Liveness
93% Instrumentalness • 73% Positiveness
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Arild Andersen
Backé
96 bpm • A min • 05:46 • -24.9db
24% Popularity • 73% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 51% Positiveness
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Philip Catherine
Les Amoureux Des Bancs Publics
110 bpm • B min • 03:15 • -20.46db
21% Popularity • 49% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 52% Positiveness
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Vincent Peirani
Hypnotic
110 bpm • C Maj • 05:14 • -11.78db
2% Popularity • 62% Danceability • 75% Energy • 9% Liveness
55% Instrumentalness • 9% Positiveness
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Guillaume Perret
Walk
96 bpm • F Maj • 03:00 • -8db
21% Popularity • 50% Danceability • 53% Energy • 14% Liveness
92% Instrumentalness • 32% Positiveness
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Airelle Besson
Candy Parties
96 bpm • G Maj • 03:24 • -13.37db
22% Popularity • 82% Danceability • 56% Energy • 25% Liveness
74% Instrumentalness • 76% Positiveness
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Gianluigi Trovesi
Her cab
111 bpm • D min • 02:59 • -17.95db
10% Popularity • 54% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 57% Positiveness
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Michael Wollny
Doppler Fx
111 bpm • B min • 03:59 • -11.24db
2% Popularity • 51% Danceability • 62% Energy • 15% Liveness
33% Instrumentalness • 40% Positiveness
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The Crave