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The Critic
Songs like
The Critic
by
Didirri
Based on a tempo of (+/- 10%) and a similar genre
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Alice Skye
Melbourne
86 bpm • A min • 03:41 • -12.19db
16% Popularity • 70% Danceability • 36% Energy • 34% Liveness
0% Instrumentalness • 31% Positiveness
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Michael Dunstan
Emma
87 bpm • G Maj • 03:10 • -8.3db
29% Popularity • 49% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Didirri
The Critic
86 bpm • G Maj • 03:47 • -8db
11% Popularity • 62% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Nick Cunningham
Home
85 bpm • G# Maj • 03:58 • -11.85db
37% Popularity • 33% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Thelma Plum
Thulumaay Gii
87 bpm • G# Maj • 02:50 • -9.56db
27% Popularity • 67% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Alexander Biggs
Low
85 bpm • F# Maj • 02:49 • -9.55db
14% Popularity • 69% Danceability • 52% Energy • 36% Liveness
4% Instrumentalness • 45% Positiveness
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Tyne-James Organ
Burning Desire
85 bpm • A# Maj • 04:47 • -8.15db
12% Popularity • 45% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Michael Dunstan
Two Minds
85 bpm • D Maj • 06:06 • -10.34db
12% Popularity • 51% Danceability • 41% Energy • 10% Liveness
1% Instrumentalness • 17% Positiveness
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Israel Cannan
Far & Wide
85 bpm • G# Maj • 02:07 • -7.64db
42% Popularity • 51% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Ok Moon
Crater on the Moon
88 bpm • G# Maj • 04:10 • -11db
33% Popularity • 59% Danceability • 37% Energy • 11% Liveness
5% Instrumentalness • 33% Positiveness
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Thelma Plum
Clumsy Love
85 bpm • E Maj • 03:07 • -5.53db
48% Popularity • 69% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Alice Skye
Friends with Feelings
84 bpm • C# Maj • 04:15 • -16.93db
31% Popularity • 72% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Benjalu
The Battle
84 bpm • C# min • 03:19 • -7.21db
29% Popularity • 51% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Michael Dunstan
An Open Road
84 bpm • C Maj • 04:15 • -12.55db
9% Popularity • 39% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Azure Ryder
Dizzy
83 bpm • E Maj • 03:30 • -7db
37% Popularity • 49% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Ok Moon
Harpoon
83 bpm • C Maj • 03:35 • -9.31db
24% Popularity • 61% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Thelma Plum
These Days
88 bpm • C Maj • 03:23 • -8.68db
43% Popularity • 55% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Riley Pearce
Windmill
83 bpm • G# Maj • 03:27 • -9.89db
40% Popularity • 50% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Alex the Astronaut
I Like To Dance
83 bpm • C Maj • 03:28 • -6.22db
19% Popularity • 48% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Michael Dunstan
Oversupply
88 bpm • G# Maj • 04:46 • -10.14db
17% Popularity • 40% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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Husky
Need You Tonight - triple j Like A Versi...
83 bpm • B Maj • 03:39 • -10.83db
27% Popularity • 59% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Art of Sleeping
Burning Bright
83 bpm • F# Maj • 03:19 • -11.28db
21% Popularity • 51% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Thelma Plum
Woke Blokes
88 bpm • C min • 02:34 • -9db
35% Popularity • 80% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Paul Kelly
Four Seasons In One Day
83 bpm • D# min • 04:18 • -9.83db
41% Popularity • 48% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Alex the Astronaut
Happy Song - Alternate Version
82 bpm • C Maj • 04:17 • -6.78db
28% Popularity • 59% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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Hein Cooper
The Art of Escape
90 bpm • F# Maj • 03:47 • -14.13db
26% Popularity • 32% Danceability • 36% Energy • 12% Liveness
2% Instrumentalness • 40% Positiveness
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#1 Dads
Orion
90 bpm • F# Maj • 05:33 • -7.18db
18% Popularity • 55% Danceability • 47% Energy • 37% Liveness
0% Instrumentalness • 44% Positiveness
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LANKS
Yours
90 bpm • A Maj • 03:26 • -8.57db
24% Popularity • 55% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
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Thelma Plum
Clumsy Love - Acoustic
83 bpm • E Maj • 03:06 • -6db
21% Popularity • 65% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Merpire
Lately
90 bpm • D Maj • 02:50 • -6.92db
17% Popularity • 60% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Husky
Dirty River
82 bpm • B Maj • 04:25 • -12.83db
20% Popularity • 58% Danceability • 39% Energy • 9% Liveness
1% Instrumentalness • 50% Positiveness
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Paul Dempsey
Idiot Oracle
82 bpm • D# Maj • 04:05 • -10db
32% Popularity • 64% Danceability • 56% Energy • 13% Liveness
2% Instrumentalness • 79% Positiveness
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Boo Seeka
Turn Up Your Light
82 bpm • A min • 03:54 • -5.48db
33% Popularity • 52% Danceability • 71% Energy • 15% Liveness
2% Instrumentalness • 7% Positiveness
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The Dreggs
Just for One Night
82 bpm • D# Maj • 04:12 • -16.17db
39% Popularity • 57% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Alexander Biggs
Miserable
82 bpm • F# Maj • 03:53 • -11.81db
10% Popularity • 42% Danceability • 42% Energy • 12% Liveness
3% Instrumentalness • 17% Positiveness
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Didirri
Jude
82 bpm • C Maj • 03:44 • -11.92db
30% Popularity • 41% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Lime Cordiale
Risky Love
82 bpm • F min • 03:23 • -6.13db
50% Popularity • 57% Danceability • 76% Energy • 46% Liveness
0% Instrumentalness • 34% Positiveness
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Ceres
A Thousand Miles - triple j Like A Versi...
91 bpm • C Maj • 04:59 • -10.64db
31% Popularity • 21% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Adam Newling
Occupational Anxiety
91 bpm • C min • 03:52 • -11.49db
12% Popularity • 34% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
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Israel Cannan
Ageless
91 bpm • F Maj • 03:09 • -10db
38% Popularity • 60% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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#1 Dads
Run
91 bpm • G Maj • 03:04 • -13.92db
18% Popularity • 40% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Dulcie
Fall
81 bpm • A# min • 04:03 • -6.19db
22% Popularity • 56% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
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Clea
Dreaming
81 bpm • F# Maj • 03:42 • -7db
23% Popularity • 46% Danceability • 60% Energy • 13% Liveness
1% Instrumentalness • 49% Positiveness
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Alex the Astronaut
New York
81 bpm • D Maj • 03:07 • -10.85db
8% Popularity • 43% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Maddy Jane
Crazy Jane Talks to the Bishop
92 bpm • E Maj • 04:04 • -8.71db
8% Popularity • 55% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Michael Dunstan
Endless Skies
92 bpm • F Maj • 02:29 • -10db
33% Popularity • 69% Danceability • 57% Energy • 10% Liveness
17% Instrumentalness • 67% Positiveness
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Thelma Plum
Love and War
92 bpm • A Maj • 03:28 • -10db
28% Popularity • 69% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Shag Rock
Back in our Day
92 bpm • G# Maj • 03:56 • -7db
29% Popularity • 62% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
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Adam Newling
Warcloud
92 bpm • G Maj • 04:54 • -7.98db
16% Popularity • 57% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Ashgroove
Humour Me
80 bpm • A# Maj • 04:41 • -14.85db
17% Popularity • 35% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Tia Gostelow
Out of Mind
80 bpm • G Maj • 04:04 • -5.69db
17% Popularity • 45% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 19% Positiveness
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Ainslie Wills
Society - Single Version
80 bpm • G min • 03:54 • -12.48db
24% Popularity • 62% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Robbie Miller
Show Your Skin
93 bpm • E min • 03:17 • -10db
20% Popularity • 61% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Lime Cordiale
Inappropriate Behaviour
93 bpm • C Maj • 04:13 • -8.47db
57% Popularity • 61% Danceability • 73% Energy • 12% Liveness
1% Instrumentalness • 68% Positiveness
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Adam Newling
Singing Blackbird
80 bpm • C Maj • 03:42 • -7.55db
35% Popularity • 56% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
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Bugs
Charlie - triple j Like A Version
79 bpm • G# Maj • 03:55 • -9.39db
39% Popularity • 39% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Gretta Ray
Time
79 bpm • D Maj • 03:49 • -10db
27% Popularity • 52% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Nick Cunningham
Heart to Heart
79 bpm • F# Maj • 04:33 • -19.42db
31% Popularity • 64% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Bec Sykes
Edithvale
79 bpm • A# Maj • 02:51 • -9.05db
23% Popularity • 62% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Tay Oskee
Shelter
94 bpm • A min • 05:16 • -9.34db
14% Popularity • 42% Danceability • 39% Energy • 25% Liveness
32% Instrumentalness • 33% Positiveness
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Didirri
Tea Stains
94 bpm • A Maj • 02:46 • -12.16db
25% Popularity • 69% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Merpire
Habit
94 bpm • G# Maj • 03:05 • -7.73db
18% Popularity • 61% Danceability • 55% Energy • 35% Liveness
0% Instrumentalness • 67% Positiveness
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Carla Geneve
Don't Wanna Be Your Lover
94 bpm • G# Maj • 03:41 • -6.72db
20% Popularity • 72% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Ball Park Music
The Perfect Life Does Not Exist
94 bpm • F# Maj • 03:21 • -7.49db
37% Popularity • 44% Danceability • 65% Energy • 37% Liveness
0% Instrumentalness • 45% Positiveness
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Art of Sleeping
Above The Water
94 bpm • A Maj • 03:41 • -5.49db
23% Popularity • 52% Danceability • 63% Energy • 5% Liveness
0% Instrumentalness • 28% Positiveness
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Ruby Fields
Airport Cafe
78 bpm • C Maj • 02:59 • -6db
26% Popularity • 48% Danceability • 47% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
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Jack Davies and The Bush Chooks
Half Frozen Beer
95 bpm • F Maj • 04:35 • -7.97db
23% Popularity • 43% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
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Angie McMahon
Slow Mover
95 bpm • D# Maj • 03:10 • -7.1db
52% Popularity • 57% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Carla Geneve
Yesterday's Clothes
94 bpm • D Maj • 04:24 • -8.89db
15% Popularity • 69% Danceability • 44% Energy • 10% Liveness
2% Instrumentalness • 56% Positiveness
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Ball Park Music
It's Nice to Be Alive
94 bpm • G# Maj • 03:28 • -7db
50% Popularity • 45% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Ainslie Wills
Society
78 bpm • G min • 05:01 • -10.55db
9% Popularity • 65% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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Art of Sleeping
Bleeding Out
95 bpm • A Maj • 03:26 • -6.66db
28% Popularity • 49% Danceability • 86% Energy • 16% Liveness
32% Instrumentalness • 70% Positiveness
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Clean Cut Kid
Red Green Black
95 bpm • F# Maj • 04:25 • -11.22db
14% Popularity • 76% Danceability • 45% Energy • 8% Liveness
2% Instrumentalness • 32% Positiveness
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Tay Oskee
Like Waves
95 bpm • B min • 03:49 • -7db
26% Popularity • 24% Danceability • 68% Energy • 22% Liveness
1% Instrumentalness • 39% Positiveness
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#1 Dads
Twice a Fool
95 bpm • C Maj • 04:43 • -8.66db
29% Popularity • 84% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Ruby Fields
Trouble
95 bpm • C Maj • 02:24 • -5db
39% Popularity • 41% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
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Shag Rock
Ides of March
95 bpm • C# Maj • 04:01 • -9db
22% Popularity • 63% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Little Birdy
Brother
96 bpm • C min • 03:37 • -9db
34% Popularity • 67% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Azure Ryder
Wolves
96 bpm • D Maj • 02:43 • -9db
52% Popularity • 58% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Asha Jefferies
Bad Kisser
96 bpm • G Maj • 03:14 • -8.96db
15% Popularity • 53% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Paul Dempsey
Out The Airlock
96 bpm • C# Maj • 03:35 • -10.82db
31% Popularity • 55% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Nick Cunningham
California
96 bpm • D# min • 03:48 • -10.06db
44% Popularity • 77% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Camp Cope
Seventeen Going Under - triple j Like A ...
77 bpm • E Maj • 03:57 • -8db
38% Popularity • 40% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Stella Donnelly
Love Is in the Air - triple j Like A Ver...
96 bpm • G Maj • 04:25 • -10.96db
34% Popularity • 57% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Winterbourne
Breaking Out
96 bpm • C Maj • 03:37 • -9db
18% Popularity • 54% Danceability • 41% Energy • 18% Liveness
2% Instrumentalness • 38% Positiveness
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Jack Davies and The Bush Chooks
Michael
97 bpm • G Maj • 06:20 • -10.04db
14% Popularity • 37% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Middle Kids
Never Start
97 bpm • C Maj • 03:17 • -5db
38% Popularity • 45% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Maddy Jane
Unwritten - triple j Like A Version
97 bpm • A# Maj • 03:49 • -5.34db
31% Popularity • 54% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Tyne-James Organ
Something New
97 bpm • B min • 03:30 • -5db
24% Popularity • 55% Danceability • 97% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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Nick Cunningham
On My Way
76 bpm • G Maj • 03:59 • -20.33db
34% Popularity • 68% Danceability • 20% Energy • 10% Liveness
2% Instrumentalness • 23% Positiveness
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Daggy Man
Dumb Bird
76 bpm • D Maj • 02:34 • -14.46db
23% Popularity • 69% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Didirri
Formaldehyde
76 bpm • C# min • 03:25 • -13.47db
16% Popularity • 42% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
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Adam Newling
Ocean
76 bpm • B Maj • 03:34 • -5.45db
27% Popularity • 46% Danceability • 64% Energy • 24% Liveness
0% Instrumentalness • 42% Positiveness
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Asha Jefferies
If You Were My Hero
98 bpm • A Maj • 03:48 • -4.47db
10% Popularity • 47% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
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The Dreggs
Call Me Home
98 bpm • A Maj • 03:21 • -8.13db
50% Popularity • 67% Danceability • 54% Energy • 38% Liveness
0% Instrumentalness • 35% Positiveness
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Art of Sleeping
If Only You Could Ease My Mind
98 bpm • D min • 03:36 • -6.97db
46% Popularity • 55% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Kat Edwards
Stranger in My Room
98 bpm • G# Maj • 04:16 • -10.25db
13% Popularity • 44% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Ainslie Wills
Running Second
98 bpm • G# Maj • 04:29 • -13db
11% Popularity • 76% Danceability • 26% Energy • 19% Liveness
1% Instrumentalness • 30% Positiveness
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Shag Rock
Deep Froth
98 bpm • B Maj • 03:22 • -9.36db
42% Popularity • 68% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Emma Louise
Just The Way I Am
98 bpm • F# Maj • 03:33 • -12.75db
13% Popularity • 30% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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The Critic