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The Crucifixion: Recitative: And they came to a pl...
Songs like
The Crucifixion: Recitative: And they came to a place named Gethsemane
by
John Stainer
Based on a tempo of (+/- 10%) and a similar genre
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John Stainer
The Crucifixion: XII. Duet – So Thou l...
74 bpm • F Maj • 04:23 • -24.51db
3% Popularity • 21% Danceability • 6% Energy • 37% Liveness
0% Instrumentalness • 6% Positiveness
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Laestadian Lutheran Church
The Lord's My Shepherd SHZ 371b
74 bpm • F Maj • 03:42 • -14.19db
16% Popularity • 21% Danceability • 20% Energy • 10% Liveness
60% Instrumentalness • 8% Positiveness
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Alexander Glazunov
Plotipu usnuv (Having Fallen Asleep)
74 bpm • C Maj • 01:48 • -30db
12% Popularity • 12% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
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Ronald Corp
I Carry Your Heart
74 bpm • F Maj • 04:25 • -27.99db
7% Popularity • 11% Danceability • 7% Energy • 16% Liveness
20% Instrumentalness • 4% Positiveness
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John Ireland
Communion Service in C Major: Sanctus
74 bpm • F Maj • 01:26 • -23db
26% Popularity • 21% Danceability • 5% Energy • 10% Liveness
44% Instrumentalness • 4% Positiveness
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George Mursell Garrett
Psalm 119 "Thy Hands Have Made Me"
74 bpm • G# Maj • 07:11 • -29.33db
8% Popularity • 15% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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John Stainer
The Crucifixion: Recitative. When Jesus ...
74 bpm • G Maj • 02:56 • -29.08db
3% Popularity • 9% Danceability • 2% Energy • 11% Liveness
48% Instrumentalness • 4% Positiveness
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Fanny Mendelssohn
Neue Liebe, neues Leben (Arr. Rouger for...
75 bpm • A# Maj • 02:21 • -25.41db
7% Popularity • 30% Danceability • 5% Energy • 27% Liveness
0% Instrumentalness • 20% Positiveness
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Jørgen Sørensen
Da solen påskemorgen kom
74 bpm • F Maj • 03:05 • -22db
9% Popularity • 31% Danceability • 9% Energy • 13% Liveness
44% Instrumentalness • 20% Positiveness
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The Concordia Choir
Purge Me From My Sin
73 bpm • F# min • 01:56 • -26.78db
22% Popularity • 13% Danceability • 6% Energy • 9% Liveness
65% Instrumentalness • 4% Positiveness
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Antonín Dvořák
Mass in D Major, Op. 86 / Kyrie: Ic. Kyr...
75 bpm • D Maj • 01:34 • -21.14db
12% Popularity • 18% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Healey Willan
I Beheld Her Beautiful as a Dove
75 bpm • C# min • 02:05 • -26db
8% Popularity • 23% Danceability • 10% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
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John Stainer
The Crucifixion: Recitative. And as Mose...
74 bpm • D Maj • 01:17 • -24.04db
4% Popularity • 28% Danceability • 25% Energy • 24% Liveness
24% Instrumentalness • 11% Positiveness
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Harvard University Choir
God, That Madest Earth and Heaven
73 bpm • G Maj • 01:53 • -22.04db
15% Popularity • 7% Danceability • 11% Energy • 10% Liveness
15% Instrumentalness • 15% Positiveness
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Felix Mendelssohn
6 Sprüche, Op. 79 (Ed. J. Jordan): No. ...
75 bpm • D min • 02:48 • -29.2db
12% Popularity • 16% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Charles Gounod
Les Sept paroles de Notre Seigneur Jésu...
75 bpm • F Maj • 01:54 • -28.71db
12% Popularity • 20% Danceability • 3% Energy • 6% Liveness
67% Instrumentalness • 4% Positiveness
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Charles Lockhart
For All Thy Saints, O Lord
75 bpm • D# Maj • 02:22 • -31.24db
16% Popularity • 18% Danceability • 2% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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John Bacchus Dykes
Praise to the Holiest in the Height
75 bpm • G# Maj • 04:05 • -23.76db
16% Popularity • 10% Danceability • 9% Energy • 11% Liveness
11% Instrumentalness • 7% Positiveness
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John Stainer
The Mystery Of Intercession
74 bpm • C# Maj • 04:34 • -22.36db
8% Popularity • 11% Danceability • 16% Energy • 11% Liveness
10% Instrumentalness • 19% Positiveness
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Edgar Leslie Bainton
And I Saw a New Heaven
75 bpm • G Maj • 05:20 • -23.58db
8% Popularity • 8% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
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Matthew Harris
Shakespeare Songs, Book 1: I. Hark! hark...
73 bpm • F min • 01:25 • -25.88db
12% Popularity • 20% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Robert Schumann
Romanzen, Book 2, Op. 91: No. 5. Der Ble...
75 bpm • G min • 04:12 • -35.33db
11% Popularity • 14% Danceability • 1% Energy • 6% Liveness
66% Instrumentalness • 3% Positiveness
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Mårten Jansson
Missa Popularis: III. Credo
73 bpm • F Maj • 07:28 • -22.12db
9% Popularity • 9% Danceability • 8% Energy • 7% Liveness
20% Instrumentalness • 5% Positiveness
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Johannes Brahms
Vier Lieder aus dem Jungbrunnen, Op. 44:...
75 bpm • E Maj • 01:42 • -28.55db
15% Popularity • 19% Danceability • 2% Energy • 6% Liveness
49% Instrumentalness • 4% Positiveness
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John Stainer
The Crucifixion: IX. Chorus – God so l...
74 bpm • D Maj • 03:49 • -24.2db
8% Popularity • 9% Danceability • 9% Energy • 7% Liveness
82% Instrumentalness • 4% Positiveness
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Thomas Attwood Walmisley
Magnificat in D Minor
75 bpm • D min • 05:44 • -27db
8% Popularity • 9% Danceability • 5% Energy • 12% Liveness
5% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Psalm 100: "Jauchzet dem Herrn, alle Wel...
75 bpm • F Maj • 04:21 • -26.56db
9% Popularity • 10% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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William Gardiner
Where cross the crowded ways of life
73 bpm • G# Maj • 01:37 • -28.91db
10% Popularity • 20% Danceability • 7% Energy • 12% Liveness
17% Instrumentalness • 17% Positiveness
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Josef Rheinberger
Mass in E-Flat Major, Op. 109, IJR 75 "C...
73 bpm • D# Maj • 01:47 • -20.79db
10% Popularity • 20% Danceability • 21% Energy • 13% Liveness
44% Instrumentalness • 4% Positiveness
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Benedict Sheehan
Liturgy of St. John Chrysostom: No. 9, C...
73 bpm • C Maj • 08:05 • -22.03db
10% Popularity • 7% Danceability • 9% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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John Stainer
The Crucifixion: Recitative: And they ca...
74 bpm • C# min • 01:13 • -31.8db
2% Popularity • 21% Danceability • 4% Energy • 10% Liveness
7% Instrumentalness • 3% Positiveness
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Robert Ashfield
Psalm 10 "Why Standest Thou So Far Off, ...
73 bpm • F# min • 06:14 • -30.45db
8% Popularity • 11% Danceability • 4% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
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Christopher Walker
Lord, Let Me Love You More and More
75 bpm • F# min • 03:08 • -20.5db
8% Popularity • 19% Danceability • 15% Energy • 15% Liveness
12% Instrumentalness • 4% Positiveness
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Jacobus Vaet
Musica Dei donum optimi - Live
73 bpm • G min • 04:32 • -17.96db
9% Popularity • 18% Danceability • 23% Energy • 8% Liveness
1% Instrumentalness • 16% Positiveness
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Laestadian Lutheran Church
O Shepherd of the Sheep SHZ 269
75 bpm • G min • 05:44 • -22db
7% Popularity • 15% Danceability • 15% Energy • 10% Liveness
89% Instrumentalness • 9% Positiveness
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Maurice Duruflé
Quatre Motets sur des thèmes grégorien...
75 bpm • G min • 01:55 • -30.73db
0% Popularity • 26% Danceability • 7% Energy • 12% Liveness
3% Instrumentalness • 11% Positiveness
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John Stainer
Is It Nothing To You?
75 bpm • G min • 01:08 • -23.75db
7% Popularity • 25% Danceability • 13% Energy • 47% Liveness
0% Instrumentalness • 19% Positiveness
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John Ireland
Communion Service in C Major: Pater nost...
75 bpm • F Maj • 01:31 • -27.78db
15% Popularity • 28% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Edmund Rubbra
Dormi Jesu, Op. 3
72 bpm • E min • 01:40 • -28.57db
11% Popularity • 18% Danceability • 6% Energy • 11% Liveness
86% Instrumentalness • 8% Positiveness
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James MacMillan
St Anne’s Mass: III. Sanctus
76 bpm • D Maj • 01:43 • -25.98db
39% Popularity • 17% Danceability • 5% Energy • 9% Liveness
97% Instrumentalness • 5% Positiveness
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Charles Villiers Stanford
St. Patrick's Breastplate "I Bind unto M...
72 bpm • G min • 07:39 • -18db
16% Popularity • 12% Danceability • 24% Energy • 10% Liveness
50% Instrumentalness • 10% Positiveness
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Charles Wood
Oculi omnium
76 bpm • E Maj • 01:13 • -24db
21% Popularity • 23% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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John Stainer
The Crucifixion: 20. For the Love of Jes...
75 bpm • E Maj • 02:48 • -19.85db
1% Popularity • 14% Danceability • 12% Energy • 18% Liveness
3% Instrumentalness • 11% Positiveness
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Frank La Rocca
Mass of the Americas: VI. Agnus Dei
76 bpm • D min • 02:33 • -21.9db
6% Popularity • 17% Danceability • 15% Energy • 11% Liveness
76% Instrumentalness • 3% Positiveness
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Thomas Tomkins
Burial Sentences: I. I Am The Resurrecti...
72 bpm • F min • 01:17 • -27.56db
12% Popularity • 20% Danceability • 6% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
God Is Our Refuge
76 bpm • G min • 01:06 • -29.35db
17% Popularity • 18% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Ave verum corpus in E-Flat Major
76 bpm • D# Maj • 02:48 • -28db
17% Popularity • 7% Danceability • 2% Energy • 7% Liveness
11% Instrumentalness • 3% Positiveness
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Joseph Barnby
Psalm 7 "O Lord My God, in Thee Have I P...
76 bpm • A min • 05:02 • -32.84db
12% Popularity • 23% Danceability • 4% Energy • 9% Liveness
4% Instrumentalness • 5% Positiveness
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John Stainer
The Crucifixion: Hymn: All for Jesus
75 bpm • E Maj • 02:25 • -17.7db
2% Popularity • 11% Danceability • 18% Energy • 8% Liveness
97% Instrumentalness • 19% Positiveness
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Sally Beamish
Seven Songs: I. I Have a Bird
76 bpm • G Maj • 01:55 • -30.34db
11% Popularity • 22% Danceability • 2% Energy • 6% Liveness
34% Instrumentalness • 4% Positiveness
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Claudio Dall'Albero
Missa ‘De Angelis’: II. Gloria
72 bpm • B min • 07:34 • -27.77db
10% Popularity • 8% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Karl-Erik Welin
Vårmorgonen
76 bpm • E min • 02:20 • -33.07db
12% Popularity • 9% Danceability • 1% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
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Yves Castagnet
Castagnet: J'ai vu l'eau vive
72 bpm • A Maj • 03:22 • -15.9db
8% Popularity • 22% Danceability • 26% Energy • 10% Liveness
50% Instrumentalness • 7% Positiveness
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Frank La Rocca
Mass of the Americas: I. El cantico del ...
72 bpm • A Maj • 02:51 • -21.74db
12% Popularity • 18% Danceability • 15% Energy • 29% Liveness
93% Instrumentalness • 7% Positiveness
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John Stainer
The Agony
73 bpm • C# min • 06:31 • -23.2db
11% Popularity • 29% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 6% Positiveness
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Laestadian Lutheran Church
The Benediction
71 bpm • C Maj • 01:49 • -21.59db
18% Popularity • 23% Danceability • 18% Energy • 16% Liveness
87% Instrumentalness • 10% Positiveness
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Richard Redhead
Redhead 76 "Rock of Ages, Cleft for Me"
77 bpm • D# Maj • 02:41 • -24db
16% Popularity • 14% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Judith Weir
Drop down, ye heavens, from above
77 bpm • D min • 01:31 • -19.42db
7% Popularity • 28% Danceability • 13% Energy • 9% Liveness
1% Instrumentalness • 5% Positiveness
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The Choir of St George's Chapel, Windsor Castle
Thy Hand, O God, Has Guided
77 bpm • D Maj • 03:02 • -13db
21% Popularity • 12% Danceability • 24% Energy • 7% Liveness
88% Instrumentalness • 10% Positiveness
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Alejandro D. Consolacion II
Panginoon, Maawa Ka
77 bpm • C min • 03:00 • -32.08db
8% Popularity • 9% Danceability • 2% Energy • 10% Liveness
68% Instrumentalness • 3% Positiveness
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John Stainer
The Crucifixion: V. Hymn – The Mystery...
76 bpm • G# Maj • 04:45 • -16.67db
4% Popularity • 10% Danceability • 22% Energy • 9% Liveness
86% Instrumentalness • 16% Positiveness
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Laestadian Lutheran Church
O Jesus, Dearest Friend to Me SHZ 320
77 bpm • E min • 04:02 • -17.52db
14% Popularity • 14% Danceability • 22% Energy • 11% Liveness
89% Instrumentalness • 11% Positiveness
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Henry Ramsden Bramley
The Wassail Song
77 bpm • E Maj • 01:09 • -21.77db
0% Popularity • 38% Danceability • 7% Energy • 28% Liveness
0% Instrumentalness • 77% Positiveness
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Patrick Vu
Will There Really Be a "Morning"?
77 bpm • E Maj • 02:51 • -23.4db
8% Popularity • 16% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Charles Villiers Stanford
For Lo! I Raise Up - Live
71 bpm • F Maj • 07:12 • -16.33db
8% Popularity • 10% Danceability • 31% Energy • 68% Liveness
83% Instrumentalness • 4% Positiveness
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Maurice Duruflé
4 Motets sur des themes gregoriens, Op. ...
77 bpm • F# min • 01:53 • -28.7db
11% Popularity • 19% Danceability • 5% Energy • 24% Liveness
59% Instrumentalness • 4% Positiveness
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John Stainer
The Crucifixion: XI. Recit. and Chorus �...
76 bpm • A min • 00:50 • -36.23db
4% Popularity • 20% Danceability • 1% Energy • 8% Liveness
57% Instrumentalness • 18% Positiveness
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Henrik Rung
I al sin glans nu stråler solen
77 bpm • G Maj • 04:48 • -19db
9% Popularity • 23% Danceability • 11% Energy • 26% Liveness
20% Instrumentalness • 14% Positiveness
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Damijan Močnik
Acclamatio
77 bpm • G Maj • 03:04 • -22.63db
12% Popularity • 15% Danceability • 16% Energy • 8% Liveness
26% Instrumentalness • 3% Positiveness
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Heinrich Schütz
Verleih uns Frieden gnädiglich
71 bpm • D# min • 02:02 • -25.59db
7% Popularity • 17% Danceability • 11% Energy • 6% Liveness
27% Instrumentalness • 7% Positiveness
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Rejike
In the Lord
77 bpm • F# Maj • 02:25 • -14.84db
26% Popularity • 18% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Richard Farrant
Lord, for Thy Tender Mercy's Sake
77 bpm • G# Maj • 02:36 • -28db
19% Popularity • 11% Danceability • 7% Energy • 15% Liveness
93% Instrumentalness • 4% Positiveness
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John Stainer
The Crucifixion: XIX. Hymn – For the l...
76 bpm • E Maj • 03:00 • -15.15db
5% Popularity • 17% Danceability • 21% Energy • 13% Liveness
91% Instrumentalness • 23% Positiveness
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Yves Castagnet
Castagnet: Guéris nos cœurs, Seigneur ...
77 bpm • G Maj • 03:56 • -15db
9% Popularity • 12% Danceability • 27% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
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Antonio Lotti
Regina coeli
77 bpm • G Maj • 00:59 • -27db
22% Popularity • 26% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Max Reger
Der Mensch lebt und bestehet nur eine kl...
77 bpm • A min • 03:14 • -23.98db
8% Popularity • 8% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
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San Francisco Girls Chorus
Ave Verum, Op. 65, No. 1
78 bpm • A# min • 03:44 • -34db
16% Popularity • 13% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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James MacMillan
St Anne’s Mass: II. Gloria
78 bpm • D Maj • 02:30 • -27.08db
17% Popularity • 19% Danceability • 8% Energy • 11% Liveness
4% Instrumentalness • 6% Positiveness
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John Stainer
The Crucifixion: Recitative: Is it nothi...
72 bpm • C min • 01:03 • -26.78db
0% Popularity • 21% Danceability • 5% Energy • 28% Liveness
0% Instrumentalness • 6% Positiveness
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Jason Orange
Greatest Day (arr. J. Wikeley for choir)
78 bpm • C# Maj • 04:11 • -26.23db
9% Popularity • 10% Danceability • 10% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Frank Martin
Mass for unaccompanied double choir: III...
78 bpm • E min • 06:05 • -25.83db
12% Popularity • 10% Danceability • 7% Energy • 24% Liveness
16% Instrumentalness • 4% Positiveness
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Maurice Duruflé
Requiem, Op. 9: Libera me
70 bpm • D Maj • 05:14 • -20.69db
7% Popularity • 10% Danceability • 6% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
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Georgy Sviridov
Pesnopeniya i molitvi (Canticles and Pra...
78 bpm • F Maj • 02:00 • -27.51db
10% Popularity • 16% Danceability • 5% Energy • 10% Liveness
32% Instrumentalness • 4% Positiveness
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Laestadian Lutheran Church
I Recall the Day of Rapture SHZ 315
78 bpm • G min • 03:22 • -22db
9% Popularity • 21% Danceability • 21% Energy • 10% Liveness
82% Instrumentalness • 8% Positiveness
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John Stainer
The Crucifixion: Hymn. Litany of the Pas...
76 bpm • A Maj • 04:51 • -28.74db
4% Popularity • 16% Danceability • 8% Energy • 9% Liveness
94% Instrumentalness • 14% Positiveness
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César Franck
Franck: Dextera Domini, FWV 65
78 bpm • A# Maj • 10:27 • -19.3db
10% Popularity • 8% Danceability • 12% Energy • 11% Liveness
96% Instrumentalness • 5% Positiveness
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Edward Bairstow
Jesu, the Very Thought of Thee
78 bpm • D# Maj • 02:01 • -34.06db
8% Popularity • 7% Danceability • 2% Energy • 8% Liveness
7% Instrumentalness • 4% Positiveness
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The Monteverdi Choir
Love Is Come Again
78 bpm • F Maj • 02:00 • -19.51db
20% Popularity • 29% Danceability • 25% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
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Anton Bruckner
Libera me, WAB 21
70 bpm • F Maj • 02:18 • -20.63db
16% Popularity • 25% Danceability • 19% Energy • 10% Liveness
40% Instrumentalness • 24% Positiveness
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Alexander Gretchaninov
Passion Week, Op. 58: II. I See Thy Brid...
70 bpm • G# min • 02:40 • -26db
9% Popularity • 14% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
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John Stainer
The Crucifixion: Chorus: God so loved th...
76 bpm • D Maj • 03:39 • -28.75db
14% Popularity • 13% Danceability • 4% Energy • 9% Liveness
2% Instrumentalness • 6% Positiveness
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Richard Farrant
Lord, for thy tender mercy's sake
78 bpm • G# Maj • 01:49 • -30db
16% Popularity • 15% Danceability • 3% Energy • 11% Liveness
41% Instrumentalness • 15% Positiveness
► Preview
Pavel Chesnokov
All-night Vigil, Op. 44: Svete tihiy
78 bpm • D min • 03:54 • -23.77db
8% Popularity • 14% Danceability • 6% Energy • 20% Liveness
7% Instrumentalness • 4% Positiveness
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Walter Garnet Picart Chambers
アンティグア・バーブーダ 麗...
78 bpm • A# Maj • 01:15 • -13.59db
14% Popularity • 30% Danceability • 38% Energy • 11% Liveness
71% Instrumentalness • 15% Positiveness
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Leoš Janáček
Láska opravdivá, JW IV/8
78 bpm • G Maj • 01:54 • -37db
11% Popularity • 15% Danceability • 1% Energy • 8% Liveness
2% Instrumentalness • 7% Positiveness
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Johannes Brahms
O Schöne Nacht, Op. 92, No. 1
70 bpm • E Maj • 03:29 • -18.59db
15% Popularity • 16% Danceability • 11% Energy • 10% Liveness
76% Instrumentalness • 13% Positiveness
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John Stainer
The Crucifixion: Chorus: Processional to...
72 bpm • C Maj • 10:20 • -23.54db
1% Popularity • 10% Danceability • 5% Energy • 11% Liveness
64% Instrumentalness • 4% Positiveness
► Preview
Clive Osgood
Three Shakespeare Songs: No. 2, Under th...
70 bpm • D Maj • 04:15 • -20.85db
17% Popularity • 16% Danceability • 16% Energy • 12% Liveness
40% Instrumentalness • 3% Positiveness
► Preview
Hubert Parry
Crossing the Bar
70 bpm • D Maj • 02:40 • -27.74db
15% Popularity • 21% Danceability • 10% Energy • 15% Liveness
69% Instrumentalness • 7% Positiveness
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Benjamin Britten
Five Flower Songs, Op. 47: IV. The Eveni...
79 bpm • B Maj • 02:42 • -33.03db
8% Popularity • 17% Danceability • 2% Energy • 8% Liveness
7% Instrumentalness • 4% Positiveness
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The Crucifixion: Recitative: And they came to a pl...