Songs like The Crucifixion: Recitative & men's chorus: Jesus said "Father, forgive them" by John Stainer
Based on a tempo of (+/- 10%) and a similar genre
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Benjamin Britten
Advance Democracy
132 bpm • D# Maj • 03:25 • -23.39db
10% Popularity • 29% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
10% Popularity • 29% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Laestadian Lutheran Church
Alleluia! Sing to Jesus! SHZ 340
132 bpm • D# Maj • 03:54 • -14.81db
13% Popularity • 18% Danceability • 24% Energy • 11% Liveness
69% Instrumentalness • 8% Positiveness
13% Popularity • 18% Danceability • 24% Energy • 11% Liveness
69% Instrumentalness • 8% Positiveness
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Brahe Djäknar
Stjärnorna
132 bpm • B Maj • 03:21 • -24.64db
9% Popularity • 19% Danceability • 10% Energy • 10% Liveness
3% Instrumentalness • 9% Positiveness
9% Popularity • 19% Danceability • 10% Energy • 10% Liveness
3% Instrumentalness • 9% Positiveness
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Maurice Duruflé
Requiem, Op. 9: VIII. Libera me
132 bpm • A Maj • 05:16 • -19.01db
8% Popularity • 19% Danceability • 15% Energy • 11% Liveness
65% Instrumentalness • 3% Positiveness
8% Popularity • 19% Danceability • 15% Energy • 11% Liveness
65% Instrumentalness • 3% Positiveness
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Jane Hawes
North Port - the Fifth Word
132 bpm • A min • 02:32 • -19.59db
1% Popularity • 24% Danceability • 15% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
1% Popularity • 24% Danceability • 15% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Thomas Weelkes
Hosanna to the Son of David
132 bpm • A# min • 02:00 • -24.11db
18% Popularity • 19% Danceability • 15% Energy • 6% Liveness
7% Instrumentalness • 14% Positiveness
18% Popularity • 19% Danceability • 15% Energy • 6% Liveness
7% Instrumentalness • 14% Positiveness
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Harry Bramma
People, Look East
132 bpm • D# Maj • 02:04 • -23.14db
8% Popularity • 23% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 23% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Methodist Central Hall Choir, Westminster
Wesley: Lo! He Comes with Clouds Descend...
131 bpm • G Maj • 01:01 • -24db
27% Popularity • 17% Danceability • 8% Energy • 45% Liveness
5% Instrumentalness • 44% Positiveness
27% Popularity • 17% Danceability • 8% Energy • 45% Liveness
5% Instrumentalness • 44% Positiveness
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John Blow
Salvator mundi
133 bpm • D Maj • 03:57 • -21.47db
8% Popularity • 22% Danceability • 10% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
8% Popularity • 22% Danceability • 10% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Basilica of the National Shrine of the Immaculate Conception Choir
Christus vincit
133 bpm • G Maj • 03:47 • -20.07db
18% Popularity • 22% Danceability • 19% Energy • 8% Liveness
55% Instrumentalness • 11% Positiveness
18% Popularity • 22% Danceability • 19% Energy • 8% Liveness
55% Instrumentalness • 11% Positiveness
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Maurice Duruflé
Requiem, Op. 9: VII. Lux æterna
131 bpm • A# Maj • 03:52 • -28.71db
8% Popularity • 16% Danceability • 2% Energy • 10% Liveness
57% Instrumentalness • 4% Positiveness
8% Popularity • 16% Danceability • 2% Energy • 10% Liveness
57% Instrumentalness • 4% Positiveness
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Charles Villiers Stanford
Magnificat in B-Flat
131 bpm • A# Maj • 03:58 • -26db
13% Popularity • 19% Danceability • 6% Energy • 24% Liveness
47% Instrumentalness • 7% Positiveness
13% Popularity • 19% Danceability • 6% Energy • 24% Liveness
47% Instrumentalness • 7% Positiveness
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Christendom College Choir
Jesus My Lord, My God, My All
131 bpm • F# Maj • 02:50 • -26.94db
9% Popularity • 22% Danceability • 5% Energy • 12% Liveness
86% Instrumentalness • 9% Positiveness
9% Popularity • 22% Danceability • 5% Energy • 12% Liveness
86% Instrumentalness • 9% Positiveness
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Alexander Dmitriyevich Kastalsky
Znamenny Chant: Today the Virgin, Op. 7b
131 bpm • A# Maj • 01:53 • -24.06db
9% Popularity • 18% Danceability • 15% Energy • 15% Liveness
84% Instrumentalness • 15% Positiveness
9% Popularity • 18% Danceability • 15% Energy • 15% Liveness
84% Instrumentalness • 15% Positiveness
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The National Lutheran Choir
God So Loved the World
133 bpm • D Maj • 03:39 • -27db
14% Popularity • 17% Danceability • 5% Energy • 10% Liveness
44% Instrumentalness • 4% Positiveness
14% Popularity • 17% Danceability • 5% Energy • 10% Liveness
44% Instrumentalness • 4% Positiveness
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Johann Kuhnau
Tristis Est Anima Mea
134 bpm • F min • 03:48 • -24.17db
11% Popularity • 20% Danceability • 13% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
11% Popularity • 20% Danceability • 13% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Athesinus Consort Berlin
Ich liege und schlafe
134 bpm • D Maj • 01:59 • -25.35db
23% Popularity • 16% Danceability • 6% Energy • 12% Liveness
5% Instrumentalness • 4% Positiveness
23% Popularity • 16% Danceability • 6% Energy • 12% Liveness
5% Instrumentalness • 4% Positiveness
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Archangel Voices
Eis polla ~ Priest Georgi Izvekov
130 bpm • A# Maj • 01:24 • -23.19db
10% Popularity • 20% Danceability • 4% Energy • 9% Liveness
57% Instrumentalness • 4% Positiveness
10% Popularity • 20% Danceability • 4% Energy • 9% Liveness
57% Instrumentalness • 4% Positiveness
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Lege Artis Chamber Choir
Liturgy Of St. John Chrysostom, Op. 31: ...
134 bpm • A Maj • 01:15 • -27.57db
15% Popularity • 16% Danceability • 3% Energy • 6% Liveness
95% Instrumentalness • 4% Positiveness
15% Popularity • 16% Danceability • 3% Energy • 6% Liveness
95% Instrumentalness • 4% Positiveness
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Frank Martin
Mass for Double Choir: Sanctus
130 bpm • D Maj • 04:31 • -22db
14% Popularity • 22% Danceability • 11% Energy • 5% Liveness
5% Instrumentalness • 6% Positiveness
14% Popularity • 22% Danceability • 11% Energy • 5% Liveness
5% Instrumentalness • 6% Positiveness
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Frank Martin
Mass for unaccompanied double choir: I. ...
130 bpm • E min • 05:52 • -27db
14% Popularity • 18% Danceability • 4% Energy • 6% Liveness
36% Instrumentalness • 4% Positiveness
14% Popularity • 18% Danceability • 4% Energy • 6% Liveness
36% Instrumentalness • 4% Positiveness
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Fernand Laloux
Tantum ergo
134 bpm • E min • 02:01 • -31.69db
11% Popularity • 18% Danceability • 3% Energy • 8% Liveness
62% Instrumentalness • 7% Positiveness
11% Popularity • 18% Danceability • 3% Energy • 8% Liveness
62% Instrumentalness • 7% Positiveness
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Hubert Parry
I was glad when they said unto me, Op. 5...
130 bpm • A# Maj • 04:58 • -20db
9% Popularity • 17% Danceability • 15% Energy • 5% Liveness
96% Instrumentalness • 4% Positiveness
9% Popularity • 17% Danceability • 15% Energy • 5% Liveness
96% Instrumentalness • 4% Positiveness
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Francis Poulenc
Dialogues des Carmélites, FP 159: Ave M...
134 bpm • B min • 01:46 • -29.48db
12% Popularity • 19% Danceability • 5% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
12% Popularity • 19% Danceability • 5% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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George de La Hèle
Missa Praeter rerum seriem: V. Benedictu...
130 bpm • G# min • 02:40 • -20.86db
10% Popularity • 19% Danceability • 11% Energy • 11% Liveness
22% Instrumentalness • 6% Positiveness
10% Popularity • 19% Danceability • 11% Energy • 11% Liveness
22% Instrumentalness • 6% Positiveness
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Salt Lake Vocal Artists
O Filii Et Filiae
134 bpm • G# Maj • 03:46 • -18.09db
10% Popularity • 20% Danceability • 15% Energy • 8% Liveness
49% Instrumentalness • 7% Positiveness
10% Popularity • 20% Danceability • 15% Energy • 8% Liveness
49% Instrumentalness • 7% Positiveness
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Johann Crüger
Deck Thyself, My Soul, with Gladness
130 bpm • D# Maj • 04:47 • -24.31db
8% Popularity • 20% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 20% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Blackburn Cathedral Choir
Brewer: Nunc Dimittis in D
135 bpm • D Maj • 03:07 • -25db
13% Popularity • 16% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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Ola Gjeilo
Sacred Heart (Ubi Caritas III)
129 bpm • G# Maj • 05:09 • -26.68db
18% Popularity • 17% Danceability • 9% Energy • 17% Liveness
79% Instrumentalness • 4% Positiveness
18% Popularity • 17% Danceability • 9% Energy • 17% Liveness
79% Instrumentalness • 4% Positiveness
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George Frideric Handel
Israel in Egypt, HWV 54, Pt 3. "Moses' S...
135 bpm • D# Maj • 01:15 • -20.38db
16% Popularity • 21% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
16% Popularity • 21% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Louis Vierne
Messe Solennelle, Op. 16 - Agnus Dei
135 bpm • G# Maj • 05:33 • -22.98db
8% Popularity • 16% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
8% Popularity • 16% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
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Charles Villiers Stanford
Nunc Dimittis in B-Flat
135 bpm • A# Maj • 03:21 • -29db
10% Popularity • 15% Danceability • 3% Energy • 12% Liveness
58% Instrumentalness • 5% Positiveness
10% Popularity • 15% Danceability • 3% Energy • 12% Liveness
58% Instrumentalness • 5% Positiveness
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John Stainer
The Crucifixion: Recitative: He made him...
129 bpm • C Maj • 01:13 • -29.95db
1% Popularity • 32% Danceability • 5% Energy • 30% Liveness
0% Instrumentalness • 8% Positiveness
1% Popularity • 32% Danceability • 5% Energy • 30% Liveness
0% Instrumentalness • 8% Positiveness
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The Wartburg Choir
I Will Not Leave You Comfortless
136 bpm • A Maj • 01:41 • -19db
10% Popularity • 20% Danceability • 22% Energy • 10% Liveness
97% Instrumentalness • 28% Positiveness
10% Popularity • 20% Danceability • 22% Energy • 10% Liveness
97% Instrumentalness • 28% Positiveness
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Methodist Central Hall Choir, Westminster
Wesley: What Shall I Do My God to Love (...
128 bpm • A Maj • 00:47 • -22.12db
19% Popularity • 16% Danceability • 12% Energy • 26% Liveness
91% Instrumentalness • 31% Positiveness
19% Popularity • 16% Danceability • 12% Energy • 26% Liveness
91% Instrumentalness • 31% Positiveness
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George Frideric Handel
Israel in Egypt, HWV 54: Part II, The Ex...
129 bpm • E min • 02:40 • -30db
14% Popularity • 19% Danceability • 2% Energy • 14% Liveness
2% Instrumentalness • 3% Positiveness
14% Popularity • 19% Danceability • 2% Energy • 14% Liveness
2% Instrumentalness • 3% Positiveness
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Jake Runestad
I Will Lift Mine Eyes
128 bpm • C# Maj • 04:36 • -26db
16% Popularity • 17% Danceability • 5% Energy • 11% Liveness
81% Instrumentalness • 3% Positiveness
16% Popularity • 17% Danceability • 5% Energy • 11% Liveness
81% Instrumentalness • 3% Positiveness
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Gerald Finzi
Seven Poems of Robert Bridges, Op. 17: I...
136 bpm • F# min • 01:38 • -26db
11% Popularity • 22% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
11% Popularity • 22% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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John Stainer
I Saw the Lord
129 bpm • D Maj • 07:19 • -20.39db
1% Popularity • 20% Danceability • 8% Energy • 9% Liveness
9% Instrumentalness • 4% Positiveness
1% Popularity • 20% Danceability • 8% Energy • 9% Liveness
9% Instrumentalness • 4% Positiveness
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Maurice Duruflé
Requiem, Op. 9: IX. In Paradisum
128 bpm • F# Maj • 02:54 • -40.45db
11% Popularity • 16% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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James Whitbourn
Annelies (chamber version): VI. Courage
137 bpm • B min • 04:18 • -24.87db
12% Popularity • 22% Danceability • 4% Energy • 10% Liveness
12% Instrumentalness • 4% Positiveness
12% Popularity • 22% Danceability • 4% Energy • 10% Liveness
12% Instrumentalness • 4% Positiveness
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Laestadian Lutheran Church
The Lord's My Shepherd SHZ 371b
128 bpm • G Maj • 03:05 • -22.86db
13% Popularity • 20% Danceability • 20% Energy • 17% Liveness
96% Instrumentalness • 13% Positiveness
13% Popularity • 20% Danceability • 20% Energy • 17% Liveness
96% Instrumentalness • 13% Positiveness
► Preview
Hans Leo Hassler
Cantate Domino canticum novum
128 bpm • D Maj • 01:39 • -19.4db
28% Popularity • 25% Danceability • 11% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
28% Popularity • 25% Danceability • 11% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
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Sven-David Sandström
Four Songs of Love: II. Until the Daybre...
137 bpm • G# Maj • 02:23 • -34.11db
9% Popularity • 15% Danceability • 2% Energy • 11% Liveness
50% Instrumentalness • 4% Positiveness
9% Popularity • 15% Danceability • 2% Energy • 11% Liveness
50% Instrumentalness • 4% Positiveness
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Tapestry Chamber Singers
Love the Lord
127 bpm • D# Maj • 01:56 • -23.38db
10% Popularity • 26% Danceability • 11% Energy • 12% Liveness
4% Instrumentalness • 24% Positiveness
10% Popularity • 26% Danceability • 11% Energy • 12% Liveness
4% Instrumentalness • 24% Positiveness
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Robert Lucas Pearsall
Tu es Petrus
137 bpm • D# Maj • 02:48 • -29db
20% Popularity • 15% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
20% Popularity • 15% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Peter Hurford
Psalm 117 "O Praise the Lord, All Ye Hea...
127 bpm • E Maj • 01:10 • -15db
14% Popularity • 25% Danceability • 26% Energy • 12% Liveness
16% Instrumentalness • 8% Positiveness
14% Popularity • 25% Danceability • 26% Energy • 12% Liveness
16% Instrumentalness • 8% Positiveness
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Herbert Sumsion
Magnificat in A Major
137 bpm • F# min • 05:02 • -27db
9% Popularity • 17% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
9% Popularity • 17% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
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Adrian Batten
O sing joyfully
128 bpm • G# Maj • 01:35 • -21.5db
18% Popularity • 28% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
18% Popularity • 28% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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John Stainer
The Crucifixion: Hymn. The Mystery of In...
127 bpm • C# Maj • 05:11 • -24.71db
4% Popularity • 19% Danceability • 15% Energy • 11% Liveness
75% Instrumentalness • 8% Positiveness
4% Popularity • 19% Danceability • 15% Energy • 11% Liveness
75% Instrumentalness • 8% Positiveness
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Hope Singers
God of Mercy
138 bpm • D Maj • 02:21 • -18.96db
13% Popularity • 16% Danceability • 18% Energy • 19% Liveness
34% Instrumentalness • 3% Positiveness
13% Popularity • 16% Danceability • 18% Energy • 19% Liveness
34% Instrumentalness • 3% Positiveness
► Preview
Gregorian Chants
Dominus Dixit
138 bpm • G min • 05:07 • -25.17db
15% Popularity • 20% Danceability • 12% Energy • 12% Liveness
25% Instrumentalness • 5% Positiveness
15% Popularity • 20% Danceability • 12% Energy • 12% Liveness
25% Instrumentalness • 5% Positiveness
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Johannes Brahms
Fest- und Gedenksprüche, Op. 109: I. Un...
127 bpm • F Maj • 02:07 • -19.79db
11% Popularity • 25% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
11% Popularity • 25% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Ola Gjeilo
Ubi Caritas II (Through Infinite Ages)
138 bpm • C Maj • 03:58 • -25.66db
15% Popularity • 17% Danceability • 11% Energy • 14% Liveness
76% Instrumentalness • 6% Positiveness
15% Popularity • 17% Danceability • 11% Energy • 14% Liveness
76% Instrumentalness • 6% Positiveness
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Percy Grainger
Australian Up-Country Song
138 bpm • F Maj • 01:41 • -27.11db
10% Popularity • 15% Danceability • 8% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
10% Popularity • 15% Danceability • 8% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
► Preview
Knut Nystedt
Missa Brevis, Op. 102: II. Gloria
127 bpm • A min • 02:06 • -21db
10% Popularity • 28% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 28% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Pedro de Cristo
Ay, mi Dios
126 bpm • G# Maj • 02:04 • -23.93db
13% Popularity • 31% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
13% Popularity • 31% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
James Whitbourn
Son of God Mass: Gloria
138 bpm • D Maj • 03:45 • -20db
17% Popularity • 16% Danceability • 11% Energy • 15% Liveness
56% Instrumentalness • 4% Positiveness
17% Popularity • 16% Danceability • 11% Energy • 15% Liveness
56% Instrumentalness • 4% Positiveness
► Preview
Craig Hella Johnson
Considering Matthew Shepard, Passion: No...
126 bpm • A Maj • 05:14 • -24.12db
12% Popularity • 21% Danceability • 5% Energy • 9% Liveness
9% Instrumentalness • 3% Positiveness
12% Popularity • 21% Danceability • 5% Energy • 9% Liveness
9% Instrumentalness • 3% Positiveness
► Preview
Frank Martin
Mass for unaccompanied double choir: II....
138 bpm • A min • 05:52 • -27db
13% Popularity • 17% Danceability • 7% Energy • 7% Liveness
4% Instrumentalness • 4% Positiveness
13% Popularity • 17% Danceability • 7% Energy • 7% Liveness
4% Instrumentalness • 4% Positiveness
► Preview
Blackburn Cathedral Choir
Lord For the Years
126 bpm • C Maj • 04:12 • -22.46db
14% Popularity • 17% Danceability • 14% Energy • 12% Liveness
92% Instrumentalness • 7% Positiveness
14% Popularity • 17% Danceability • 14% Energy • 12% Liveness
92% Instrumentalness • 7% Positiveness
► Preview
William Crotch
Psalm 41 "Blessed Is He That Considereth...
126 bpm • G# Maj • 03:50 • -28db
10% Popularity • 25% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
10% Popularity • 25% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
MÃ¥rten Jansson
Missa Popularis: V. Agnus Dei
139 bpm • B min • 06:28 • -22.1db
8% Popularity • 15% Danceability • 8% Energy • 9% Liveness
62% Instrumentalness • 4% Positiveness
8% Popularity • 15% Danceability • 8% Energy • 9% Liveness
62% Instrumentalness • 4% Positiveness
► Preview
John Stainer
The Crucifixion: XVII. Chorus – The Ap...
139 bpm • G Maj • 06:58 • -20.65db
3% Popularity • 19% Danceability • 12% Energy • 16% Liveness
63% Instrumentalness • 4% Positiveness
3% Popularity • 19% Danceability • 12% Energy • 16% Liveness
63% Instrumentalness • 4% Positiveness
► Preview
Mike Dixon
3 Love Songs: No. 1. To Love and be Belo...
139 bpm • A# Maj • 02:57 • -23.04db
10% Popularity • 21% Danceability • 10% Energy • 26% Liveness
15% Instrumentalness • 9% Positiveness
10% Popularity • 21% Danceability • 10% Energy • 26% Liveness
15% Instrumentalness • 9% Positiveness
► Preview
Stacey Philipps
Close Distancing
125 bpm • G Maj • 02:45 • -25.44db
11% Popularity • 20% Danceability • 7% Energy • 6% Liveness
84% Instrumentalness • 4% Positiveness
11% Popularity • 20% Danceability • 7% Energy • 6% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Charles Wood
O Most Merciful
139 bpm • G min • 01:28 • -28db
12% Popularity • 15% Danceability • 3% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
12% Popularity • 15% Danceability • 3% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Anton Bruckner
Locus iste, WAB 23
125 bpm • C Maj • 03:21 • -26.29db
20% Popularity • 17% Danceability • 3% Energy • 8% Liveness
4% Instrumentalness • 3% Positiveness
20% Popularity • 17% Danceability • 3% Energy • 8% Liveness
4% Instrumentalness • 3% Positiveness
► Preview
Laestadian Lutheran Church
Jesus, Oh, Remember Me SHZ 440
125 bpm • A min • 04:34 • -21.46db
15% Popularity • 17% Danceability • 8% Energy • 11% Liveness
82% Instrumentalness • 6% Positiveness
15% Popularity • 17% Danceability • 8% Energy • 11% Liveness
82% Instrumentalness • 6% Positiveness
► Preview
John Stainer
The Crucifixion: Recitative & men's chor...
125 bpm • G Maj • 02:45 • -27.58db
0% Popularity • 21% Danceability • 5% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
0% Popularity • 21% Danceability • 5% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
► Preview
The Choir Of Waltham Abbey
Brahms: How Lovely are Thy Dwellings
125 bpm • D# Maj • 05:19 • -24db
9% Popularity • 21% Danceability • 9% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
9% Popularity • 21% Danceability • 9% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
► Preview
William Croft
Burial Sentences: VI. Thou Knowest, Lord
124 bpm • A# Maj • 02:14 • -26db
17% Popularity • 21% Danceability • 6% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
17% Popularity • 21% Danceability • 6% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Frank Martin
Mass for Double Choir: Agnus Dei
125 bpm • E min • 05:05 • -26.37db
12% Popularity • 18% Danceability • 4% Energy • 6% Liveness
84% Instrumentalness • 3% Positiveness
12% Popularity • 18% Danceability • 4% Energy • 6% Liveness
84% Instrumentalness • 3% Positiveness
► Preview
Anton Bruckner
Tantum ergo, WAB 42
140 bpm • D Maj • 02:42 • -23.22db
15% Popularity • 14% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
15% Popularity • 14% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
► Preview
AntonÃn Dvořák
Mass in D Major, Op. 86, B. 153: IV. San...
140 bpm • D Maj • 02:05 • -20.38db
19% Popularity • 21% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
19% Popularity • 21% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
► Preview
Healey Willan
Rise Up My Love
124 bpm • C# Maj • 01:53 • -28.97db
11% Popularity • 18% Danceability • 10% Energy • 12% Liveness
84% Instrumentalness • 5% Positiveness
11% Popularity • 18% Danceability • 10% Energy • 12% Liveness
84% Instrumentalness • 5% Positiveness
► Preview
Five Creates
My Belief
123 bpm • G# Maj • 03:45 • -28.7db
22% Popularity • 24% Danceability • 4% Energy • 11% Liveness
18% Instrumentalness • 12% Positiveness
22% Popularity • 24% Danceability • 4% Energy • 11% Liveness
18% Instrumentalness • 12% Positiveness
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Philippe Rogier
Regina caeli
142 bpm • G Maj • 02:53 • -18.62db
8% Popularity • 19% Danceability • 22% Energy • 6% Liveness
7% Instrumentalness • 11% Positiveness
8% Popularity • 19% Danceability • 22% Energy • 6% Liveness
7% Instrumentalness • 11% Positiveness
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Friedrich Cerha
4 Hölderlin-Fragmente: No. 4, Ihr wande...
141 bpm • F# min • 03:36 • -29.88db
8% Popularity • 20% Danceability • 5% Energy • 7% Liveness
18% Instrumentalness • 3% Positiveness
8% Popularity • 20% Danceability • 5% Energy • 7% Liveness
18% Instrumentalness • 3% Positiveness
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Margaret Bonds
Joy: Joy
123 bpm • F Maj • 02:13 • -13.42db
13% Popularity • 27% Danceability • 33% Energy • 12% Liveness
66% Instrumentalness • 35% Positiveness
13% Popularity • 27% Danceability • 33% Energy • 12% Liveness
66% Instrumentalness • 35% Positiveness
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John Stainer
The Crucifixion: Recitative: After this,...
122 bpm • E Maj • 02:09 • -34.81db
12% Popularity • 17% Danceability • 2% Energy • 34% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 17% Danceability • 2% Energy • 34% Liveness
0% Instrumentalness • 4% Positiveness
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Emil RÃ¥berg
The Tyger
143 bpm • F min • 03:28 • -29.28db
12% Popularity • 18% Danceability • 3% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
12% Popularity • 18% Danceability • 3% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
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Margaret Rizza
Jesus, You Are the Way
143 bpm • E Maj • 03:27 • -22.58db
10% Popularity • 23% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 23% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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William Croft
Burial Sentences: II. I Know That My Red...
144 bpm • C min • 01:10 • -23.05db
20% Popularity • 18% Danceability • 12% Energy • 26% Liveness
0% Instrumentalness • 5% Positiveness
20% Popularity • 18% Danceability • 12% Energy • 26% Liveness
0% Instrumentalness • 5% Positiveness
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Johann Stadlmayr
Missa Jubilate Deo: Agnus Die
121 bpm • G min • 01:43 • -22.43db
24% Popularity • 18% Danceability • 9% Energy • 10% Liveness
69% Instrumentalness • 4% Positiveness
24% Popularity • 18% Danceability • 9% Energy • 10% Liveness
69% Instrumentalness • 4% Positiveness
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Lorenzo Perosi
Missa Pontificalis: Benedictus
144 bpm • F Maj • 01:35 • -32.21db
21% Popularity • 13% Danceability • 1% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
21% Popularity • 13% Danceability • 1% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
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Gittan Glans
When Breathing like a Bird
120 bpm • D Maj • 01:57 • -23.06db
22% Popularity • 25% Danceability • 16% Energy • 12% Liveness
25% Instrumentalness • 22% Positiveness
22% Popularity • 25% Danceability • 16% Energy • 12% Liveness
25% Instrumentalness • 22% Positiveness
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John Stainer
I Saw the Lord
145 bpm • G Maj • 07:26 • -15.27db
0% Popularity • 17% Danceability • 25% Energy • 9% Liveness
1% Instrumentalness • 5% Positiveness
0% Popularity • 17% Danceability • 25% Energy • 9% Liveness
1% Instrumentalness • 5% Positiveness
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Smooth Moment
Maria jumping mountains
120 bpm • C Maj • 03:26 • -19.47db
9% Popularity • 20% Danceability • 18% Energy • 17% Liveness
88% Instrumentalness • 8% Positiveness
9% Popularity • 20% Danceability • 18% Energy • 17% Liveness
88% Instrumentalness • 8% Positiveness
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Johannes Brahms
4 Quartets, Op. 92: II. Spätherbst
145 bpm • E min • 01:55 • -25.54db
8% Popularity • 16% Danceability • 12% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
8% Popularity • 16% Danceability • 12% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
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Paul Hindemith
Six chansons: I. La biche
120 bpm • E Maj • 01:14 • -29.84db
10% Popularity • 21% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
10% Popularity • 21% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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David Crown
Bogoroditse Devo - Live
119 bpm • F Maj • 02:48 • -23.9db
9% Popularity • 19% Danceability • 18% Energy • 66% Liveness
0% Instrumentalness • 7% Positiveness
9% Popularity • 19% Danceability • 18% Energy • 66% Liveness
0% Instrumentalness • 7% Positiveness
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Methodist Central Hall Choir, Westminster
Wesley: And Can It Be That I Should Gain...
119 bpm • G Maj • 00:58 • -24.96db
23% Popularity • 22% Danceability • 9% Energy • 40% Liveness
0% Instrumentalness • 47% Positiveness
23% Popularity • 22% Danceability • 9% Energy • 40% Liveness
0% Instrumentalness • 47% Positiveness
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Peter Philips
Ecce vicit Leo
118 bpm • A# Maj • 02:24 • -18.87db
12% Popularity • 36% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
12% Popularity • 36% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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The Redeemer Choir Austin Texas
Humbly I Adore Thee (ADORO DEVOTE)
117 bpm • D Maj • 02:41 • -23.98db
9% Popularity • 17% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
9% Popularity • 17% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
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The Coventry Singers
Now May He Who from the Dead
117 bpm • C Maj • 01:20 • -13.4db
15% Popularity • 26% Danceability • 27% Energy • 12% Liveness
86% Instrumentalness • 12% Positiveness
15% Popularity • 26% Danceability • 27% Energy • 12% Liveness
86% Instrumentalness • 12% Positiveness
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George Dyson
Magnificat in C Minor
118 bpm • C min • 02:58 • -23.51db
10% Popularity • 28% Danceability • 16% Energy • 31% Liveness
0% Instrumentalness • 15% Positiveness
10% Popularity • 28% Danceability • 16% Energy • 31% Liveness
0% Instrumentalness • 15% Positiveness
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Herbert Murrill
Magnificat in E Major
116 bpm • F# min • 04:29 • -24.52db
9% Popularity • 21% Danceability • 13% Energy • 10% Liveness
4% Instrumentalness • 6% Positiveness
9% Popularity • 21% Danceability • 13% Energy • 10% Liveness
4% Instrumentalness • 6% Positiveness
