Songs like The Curious Case of Benjamin Button: Postcards / Daisy's Ballet Career by Royal Philharmonic Orchestra
Based on a tempo of (+/- 10%) and a similar genre
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Mark Isham
I Built Myself A Life
82 bpm • G# Maj • 05:48 • -19.93db
21% Popularity • 10% Danceability • 7% Energy • 9% Liveness
64% Instrumentalness • 4% Positiveness
21% Popularity • 10% Danceability • 7% Energy • 9% Liveness
64% Instrumentalness • 4% Positiveness
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Craig Armstrong
Armstrong: Opening
82 bpm • C min • 01:31 • -8.26db
30% Popularity • 21% Danceability • 67% Energy • 32% Liveness
96% Instrumentalness • 32% Positiveness
30% Popularity • 21% Danceability • 67% Energy • 32% Liveness
96% Instrumentalness • 32% Positiveness
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George Fenton
Empty Store
82 bpm • G Maj • 02:51 • -15.63db
31% Popularity • 37% Danceability • 6% Energy • 42% Liveness
76% Instrumentalness • 5% Positiveness
31% Popularity • 37% Danceability • 6% Energy • 42% Liveness
76% Instrumentalness • 5% Positiveness
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Andrea Guerra
Cross tempo
82 bpm • G# Maj • 01:55 • -36db
46% Popularity • 19% Danceability • 0% Energy • 7% Liveness
74% Instrumentalness • 4% Positiveness
46% Popularity • 19% Danceability • 0% Energy • 7% Liveness
74% Instrumentalness • 4% Positiveness
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Gabriel Yared
To All The Ships At Sea
82 bpm • D min • 04:05 • -14.37db
21% Popularity • 19% Danceability • 22% Energy • 36% Liveness
95% Instrumentalness • 4% Positiveness
21% Popularity • 19% Danceability • 22% Energy • 36% Liveness
95% Instrumentalness • 4% Positiveness
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Royal Philharmonic Orchestra
Star Wars: Attack of the Clones: Across ...
82 bpm • C min • 05:44 • -15db
20% Popularity • 12% Danceability • 23% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
20% Popularity • 12% Danceability • 23% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Mark Isham
A River Runs Through It
82 bpm • G Maj • 02:23 • -16db
36% Popularity • 18% Danceability • 13% Energy • 19% Liveness
27% Instrumentalness • 12% Positiveness
36% Popularity • 18% Danceability • 13% Energy • 19% Liveness
27% Instrumentalness • 12% Positiveness
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Craig Armstrong
Bathsheba and Oak Unite
82 bpm • G Maj • 01:35 • -17.66db
48% Popularity • 17% Danceability • 21% Energy • 32% Liveness
88% Instrumentalness • 4% Positiveness
48% Popularity • 17% Danceability • 21% Energy • 32% Liveness
88% Instrumentalness • 4% Positiveness
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Joe Hisaishi
Bygone Days - from 'Porco Rosso'
82 bpm • D# Maj • 04:26 • -19.03db
38% Popularity • 35% Danceability • 14% Energy • 13% Liveness
89% Instrumentalness • 8% Positiveness
38% Popularity • 35% Danceability • 14% Energy • 13% Liveness
89% Instrumentalness • 8% Positiveness
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Abel Korzeniowski
Gates of Tomorrow
83 bpm • F# Maj • 02:14 • -14.66db
12% Popularity • 15% Danceability • 30% Energy • 13% Liveness
78% Instrumentalness • 10% Positiveness
12% Popularity • 15% Danceability • 30% Energy • 13% Liveness
78% Instrumentalness • 10% Positiveness
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Gabriel Yared
Theresa
82 bpm • D min • 03:02 • -15.99db
29% Popularity • 19% Danceability • 19% Energy • 14% Liveness
94% Instrumentalness • 19% Positiveness
29% Popularity • 19% Danceability • 19% Energy • 14% Liveness
94% Instrumentalness • 19% Positiveness
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The Chamber Orchestra Of London
Downton Abbey - The Suite
82 bpm • A min • 07:08 • -14db
44% Popularity • 14% Danceability • 28% Energy • 10% Liveness
89% Instrumentalness • 11% Positiveness
44% Popularity • 14% Danceability • 28% Energy • 10% Liveness
89% Instrumentalness • 11% Positiveness
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Royal Philharmonic Orchestra
The Curious Case of Benjamin Button: Pos...
82 bpm • B Maj • 04:52 • -21.58db
12% Popularity • 13% Danceability • 6% Energy • 11% Liveness
51% Instrumentalness • 8% Positiveness
12% Popularity • 13% Danceability • 6% Energy • 11% Liveness
51% Instrumentalness • 8% Positiveness
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Cedar Lane Soundtrack Orchestra
Theme From To Kill A Mockingbird
81 bpm • A Maj • 03:20 • -13db
11% Popularity • 29% Danceability • 9% Energy • 12% Liveness
90% Instrumentalness • 6% Positiveness
11% Popularity • 29% Danceability • 9% Energy • 12% Liveness
90% Instrumentalness • 6% Positiveness
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Joe Hisaishi
A Journey (A Kingdom of Dreams) - from '...
83 bpm • D Maj • 03:18 • -16.29db
36% Popularity • 11% Danceability • 19% Energy • 13% Liveness
88% Instrumentalness • 8% Positiveness
36% Popularity • 11% Danceability • 19% Energy • 13% Liveness
88% Instrumentalness • 8% Positiveness
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Michael Giacchino
Jupiter Ascending - 1st Movement
83 bpm • C min • 04:12 • -15.75db
9% Popularity • 12% Danceability • 9% Energy • 29% Liveness
93% Instrumentalness • 4% Positiveness
9% Popularity • 12% Danceability • 9% Energy • 29% Liveness
93% Instrumentalness • 4% Positiveness
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Zbigniew Preisner
Happily Ever After
83 bpm • E Maj • 02:25 • -15.66db
33% Popularity • 17% Danceability • 18% Energy • 12% Liveness
62% Instrumentalness • 6% Positiveness
33% Popularity • 17% Danceability • 18% Energy • 12% Liveness
62% Instrumentalness • 6% Positiveness
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Clint Eastwood
They're Amateurs
81 bpm • G Maj • 01:16 • -23.08db
41% Popularity • 9% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
41% Popularity • 9% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Royal Philharmonic Orchestra
Atonement: Elegy for Dunkirk
81 bpm • B min • 05:24 • -20.85db
14% Popularity • 13% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
14% Popularity • 13% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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John Lunn
One Hundred Years Of Downton
81 bpm • A min • 05:13 • -17db
32% Popularity • 16% Danceability • 21% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
32% Popularity • 16% Danceability • 21% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
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Ludwig van Beethoven
Beethoven: Epilogue ( Beethoven Piano Co...
81 bpm • B Maj • 03:57 • -29.33db
26% Popularity • 26% Danceability • 3% Energy • 5% Liveness
92% Instrumentalness • 4% Positiveness
26% Popularity • 26% Danceability • 3% Energy • 5% Liveness
92% Instrumentalness • 4% Positiveness
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Michael Giacchino
There's No Place Like Home
81 bpm • D Maj • 02:35 • -18.8db
32% Popularity • 12% Danceability • 6% Energy • 9% Liveness
86% Instrumentalness • 5% Positiveness
32% Popularity • 12% Danceability • 6% Energy • 9% Liveness
86% Instrumentalness • 5% Positiveness
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The Chamber Orchestra Of London
Telegram
81 bpm • G# min • 01:44 • -12.98db
31% Popularity • 27% Danceability • 31% Energy • 12% Liveness
82% Instrumentalness • 16% Positiveness
31% Popularity • 27% Danceability • 31% Energy • 12% Liveness
82% Instrumentalness • 16% Positiveness
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Ralph Vaughan Williams
Fantasia on a Theme by Thomas Tallis - E...
83 bpm • C min • 05:14 • -19db
29% Popularity • 14% Danceability • 18% Energy • 27% Liveness
78% Instrumentalness • 4% Positiveness
29% Popularity • 14% Danceability • 18% Energy • 27% Liveness
78% Instrumentalness • 4% Positiveness
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Royal Philharmonic Orchestra
The Lord of The Rings: The Fellowship of...
81 bpm • D Maj • 05:29 • -15.53db
36% Popularity • 9% Danceability • 16% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
36% Popularity • 9% Danceability • 16% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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John Barry
Chaplin: End Titles (Arr. N. Raine for o...
83 bpm • F Maj • 05:06 • -18.23db
7% Popularity • 14% Danceability • 12% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
7% Popularity • 14% Danceability • 12% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Jan A.P. Kaczmarek
Video On The Bed
83 bpm • A min • 01:21 • -26.69db
41% Popularity • 13% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
41% Popularity • 13% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Ilan Eshkeri
Austenland Symphony: III. Minuet & Waltz
83 bpm • C Maj • 03:54 • -13.63db
15% Popularity • 14% Danceability • 25% Energy • 10% Liveness
85% Instrumentalness • 9% Positiveness
15% Popularity • 14% Danceability • 25% Energy • 10% Liveness
85% Instrumentalness • 9% Positiveness
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Ludwig van Beethoven
String Quartet in C-sharp minor, Op. 131...
81 bpm • G# min • 02:10 • -24.27db
26% Popularity • 15% Danceability • 16% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
26% Popularity • 15% Danceability • 16% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Gabriel Yared
Anthem
81 bpm • D Maj • 03:24 • -20.59db
22% Popularity • 19% Danceability • 6% Energy • 58% Liveness
91% Instrumentalness • 4% Positiveness
22% Popularity • 19% Danceability • 6% Energy • 58% Liveness
91% Instrumentalness • 4% Positiveness
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Edvard Grieg
Grieg: Peer Gynt, Op. 23, Act 3: No. 12,...
83 bpm • G Maj • 05:59 • -28.58db
3% Popularity • 13% Danceability • 1% Energy • 10% Liveness
51% Instrumentalness • 3% Positiveness
3% Popularity • 13% Danceability • 1% Energy • 10% Liveness
51% Instrumentalness • 3% Positiveness
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Carter Burwell
Ride to Death
83 bpm • G Maj • 02:28 • -20.92db
30% Popularity • 27% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 15% Positiveness
30% Popularity • 27% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 15% Positiveness
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The Starlite Orchestra & Singers
The Patriot (Main Theme)
81 bpm • C Maj • 06:35 • -13.17db
20% Popularity • 13% Danceability • 28% Energy • 17% Liveness
60% Instrumentalness • 10% Positiveness
20% Popularity • 13% Danceability • 28% Energy • 17% Liveness
60% Instrumentalness • 10% Positiveness
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Claudio Capponi
Tema di Jane Eyre
81 bpm • A Maj • 02:38 • -16.21db
17% Popularity • 11% Danceability • 17% Energy • 8% Liveness
90% Instrumentalness • 8% Positiveness
17% Popularity • 11% Danceability • 17% Energy • 8% Liveness
90% Instrumentalness • 8% Positiveness
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Royal Philharmonic Orchestra
Licence to Kill: Title Song
80 bpm • F# min • 03:15 • -9.51db
12% Popularity • 38% Danceability • 39% Energy • 17% Liveness
26% Instrumentalness • 18% Positiveness
12% Popularity • 38% Danceability • 39% Energy • 17% Liveness
26% Instrumentalness • 18% Positiveness
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Joe Hisaishi
The Legend of Ashitaka - from 'Princess ...
81 bpm • F min • 01:57 • -13.38db
46% Popularity • 12% Danceability • 21% Energy • 55% Liveness
97% Instrumentalness • 17% Positiveness
46% Popularity • 12% Danceability • 21% Energy • 55% Liveness
97% Instrumentalness • 17% Positiveness
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Rael Jones
Precious to Me
80 bpm • E min • 01:49 • -27.77db
40% Popularity • 19% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
40% Popularity • 19% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Howard Shore
Hugo's Father
80 bpm • A min • 03:24 • -29.15db
17% Popularity • 10% Danceability • 3% Energy • 17% Liveness
90% Instrumentalness • 5% Positiveness
17% Popularity • 10% Danceability • 3% Energy • 17% Liveness
90% Instrumentalness • 5% Positiveness
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Alexander Borodin
Borodin: Prince Igor, Act II, Polovtsian...
84 bpm • A Maj • 01:33 • -20db
21% Popularity • 14% Danceability • 28% Energy • 31% Liveness
37% Instrumentalness • 29% Positiveness
21% Popularity • 14% Danceability • 28% Energy • 31% Liveness
37% Instrumentalness • 29% Positiveness
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The Chamber Orchestra Of London
Violet
84 bpm • A min • 01:54 • -16db
34% Popularity • 13% Danceability • 14% Energy • 22% Liveness
93% Instrumentalness • 4% Positiveness
34% Popularity • 13% Danceability • 14% Energy • 22% Liveness
93% Instrumentalness • 4% Positiveness
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Royal Philharmonic Orchestra
How Far I'll Go
84 bpm • E Maj • 02:48 • -14.8db
47% Popularity • 18% Danceability • 27% Energy • 32% Liveness
90% Instrumentalness • 10% Positiveness
47% Popularity • 18% Danceability • 27% Energy • 32% Liveness
90% Instrumentalness • 10% Positiveness
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Ralph Vaughan Williams
Fantasia on a Theme by Thomas Tallis (ex...
80 bpm • C min • 06:24 • -26.06db
29% Popularity • 8% Danceability • 5% Energy • 34% Liveness
53% Instrumentalness • 4% Positiveness
29% Popularity • 8% Danceability • 5% Energy • 34% Liveness
53% Instrumentalness • 4% Positiveness
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Joe Hisaishi
Heartbroken Kiki - from 'Kiki's Delivery...
84 bpm • A min • 01:17 • -21.61db
43% Popularity • 19% Danceability • 5% Energy • 8% Liveness
42% Instrumentalness • 8% Positiveness
43% Popularity • 19% Danceability • 5% Energy • 8% Liveness
42% Instrumentalness • 8% Positiveness
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Howard Shore
Papa Georges Made Movies
80 bpm • D Maj • 01:52 • -30.2db
23% Popularity • 14% Danceability • 2% Energy • 24% Liveness
29% Instrumentalness • 4% Positiveness
23% Popularity • 14% Danceability • 2% Energy • 24% Liveness
29% Instrumentalness • 4% Positiveness
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John Barry
Midnight Cowboy: Main Theme (Arr. N. Rai...
84 bpm • D min • 04:40 • -16.36db
10% Popularity • 14% Danceability • 16% Energy • 7% Liveness
65% Instrumentalness • 4% Positiveness
10% Popularity • 14% Danceability • 16% Energy • 7% Liveness
65% Instrumentalness • 4% Positiveness
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Patrick Doyle
Please Wait
80 bpm • G min • 03:21 • -26.29db
20% Popularity • 14% Danceability • 8% Energy • 9% Liveness
81% Instrumentalness • 5% Positiveness
20% Popularity • 14% Danceability • 8% Energy • 9% Liveness
81% Instrumentalness • 5% Positiveness
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Royal Philharmonic Orchestra
Out of Africa: Main Theme
80 bpm • C Maj • 03:28 • -14db
37% Popularity • 18% Danceability • 30% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
37% Popularity • 18% Danceability • 30% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Zbigniew Preisner
Colin Senses Craven
84 bpm • B Maj • 01:33 • -17.53db
27% Popularity • 27% Danceability • 14% Energy • 9% Liveness
86% Instrumentalness • 15% Positiveness
27% Popularity • 27% Danceability • 14% Energy • 9% Liveness
86% Instrumentalness • 15% Positiveness
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Joe Hisaishi
The Bird Man - from 'Nausicaä of the Va...
80 bpm • G min • 03:45 • -11.37db
38% Popularity • 10% Danceability • 36% Energy • 6% Liveness
88% Instrumentalness • 10% Positiveness
38% Popularity • 10% Danceability • 36% Energy • 6% Liveness
88% Instrumentalness • 10% Positiveness
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Nigel Hess
Ladies in Lavender
84 bpm • D Maj • 04:03 • -17db
35% Popularity • 15% Danceability • 22% Energy • 11% Liveness
41% Instrumentalness • 7% Positiveness
35% Popularity • 15% Danceability • 22% Energy • 11% Liveness
41% Instrumentalness • 7% Positiveness
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Mark Isham
In Half-Light of the Canyon
80 bpm • F Maj • 02:47 • -15db
29% Popularity • 24% Danceability • 18% Energy • 9% Liveness
87% Instrumentalness • 5% Positiveness
29% Popularity • 24% Danceability • 18% Energy • 9% Liveness
87% Instrumentalness • 5% Positiveness
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Samuel Barber
Barber: Adagio for Strings, Op. 11
80 bpm • A# min • 06:21 • -21.58db
39% Popularity • 12% Danceability • 9% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
39% Popularity • 12% Danceability • 9% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
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Royal Philharmonic Orchestra
Beauty and the Beast
84 bpm • G# Maj • 02:46 • -19.22db
50% Popularity • 10% Danceability • 13% Energy • 10% Liveness
89% Instrumentalness • 11% Positiveness
50% Popularity • 10% Danceability • 13% Energy • 10% Liveness
89% Instrumentalness • 11% Positiveness
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Alexander Glazunov
Mélodie, Op. 20, No. 1
84 bpm • D Maj • 06:39 • -23db
43% Popularity • 9% Danceability • 10% Energy • 19% Liveness
90% Instrumentalness • 8% Positiveness
43% Popularity • 9% Danceability • 10% Energy • 19% Liveness
90% Instrumentalness • 8% Positiveness
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Michael Kamen
Band Of Brothers Suite Two - Instrumenta...
80 bpm • D# Maj • 09:13 • -14.67db
30% Popularity • 8% Danceability • 25% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
30% Popularity • 8% Danceability • 25% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Anne Dudley
Suite from Poldark
84 bpm • A min • 05:31 • -17db
33% Popularity • 12% Danceability • 18% Energy • 32% Liveness
76% Instrumentalness • 6% Positiveness
33% Popularity • 12% Danceability • 18% Energy • 32% Liveness
76% Instrumentalness • 6% Positiveness
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John Corigliano
I. Cremona, Main Title
80 bpm • G# Maj • 02:42 • -26.12db
19% Popularity • 7% Danceability • 4% Energy • 61% Liveness
89% Instrumentalness • 3% Positiveness
19% Popularity • 7% Danceability • 4% Energy • 61% Liveness
89% Instrumentalness • 3% Positiveness
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David Hirschfelder
Elizabeth - Original Motion Picture Soun...
80 bpm • A# Maj • 01:49 • -25.21db
32% Popularity • 13% Danceability • 8% Energy • 34% Liveness
85% Instrumentalness • 4% Positiveness
32% Popularity • 13% Danceability • 8% Energy • 34% Liveness
85% Instrumentalness • 4% Positiveness
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Joe Hisaishi
Mother’s Broom - from 'Kiki's Delivery...
80 bpm • C Maj • 03:49 • -15.85db
48% Popularity • 18% Danceability • 20% Energy • 13% Liveness
9% Instrumentalness • 8% Positiveness
48% Popularity • 18% Danceability • 20% Energy • 13% Liveness
9% Instrumentalness • 8% Positiveness
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Geoffrey Burgon
Sebastian's Summer
85 bpm • D Maj • 05:35 • -22.22db
22% Popularity • 23% Danceability • 13% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
22% Popularity • 23% Danceability • 13% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Edvard Grieg
Morning Mood
80 bpm • E Maj • 01:44 • -30db
33% Popularity • 13% Danceability • 2% Energy • 25% Liveness
90% Instrumentalness • 4% Positiveness
33% Popularity • 13% Danceability • 2% Energy • 25% Liveness
90% Instrumentalness • 4% Positiveness
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Craig Armstrong
Dream Violin
85 bpm • C Maj • 03:23 • -17.17db
28% Popularity • 14% Danceability • 21% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
28% Popularity • 14% Danceability • 21% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
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The Chamber Orchestra Of London
Damaged
79 bpm • E min • 05:23 • -20.19db
26% Popularity • 11% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 6% Positiveness
26% Popularity • 11% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 6% Positiveness
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Anne Dudley
The Endless River
79 bpm • C# min • 02:04 • -16db
45% Popularity • 20% Danceability • 17% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
45% Popularity • 20% Danceability • 17% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Gabriel Yared
Ada Plays
79 bpm • D Maj • 03:18 • -21.92db
31% Popularity • 25% Danceability • 4% Energy • 13% Liveness
94% Instrumentalness • 6% Positiveness
31% Popularity • 25% Danceability • 4% Energy • 13% Liveness
94% Instrumentalness • 6% Positiveness
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Franz von Suppé
Light Cavalry Overture
85 bpm • A Maj • 06:45 • -16.9db
33% Popularity • 24% Danceability • 30% Energy • 20% Liveness
92% Instrumentalness • 12% Positiveness
33% Popularity • 24% Danceability • 30% Energy • 20% Liveness
92% Instrumentalness • 12% Positiveness
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Patrick Doyle
The Wedding Night
79 bpm • C Maj • 02:05 • -18db
26% Popularity • 18% Danceability • 25% Energy • 13% Liveness
91% Instrumentalness • 7% Positiveness
26% Popularity • 18% Danceability • 25% Energy • 13% Liveness
91% Instrumentalness • 7% Positiveness
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Royal Philharmonic Orchestra
Go The Distance
85 bpm • D Maj • 04:22 • -13.84db
40% Popularity • 16% Danceability • 25% Energy • 30% Liveness
86% Instrumentalness • 11% Positiveness
40% Popularity • 16% Danceability • 25% Energy • 30% Liveness
86% Instrumentalness • 11% Positiveness
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John Lunn
Gleam And Sparkle
79 bpm • A min • 02:48 • -16.7db
27% Popularity • 13% Danceability • 18% Energy • 17% Liveness
94% Instrumentalness • 6% Positiveness
27% Popularity • 13% Danceability • 18% Energy • 17% Liveness
94% Instrumentalness • 6% Positiveness
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Craig Armstrong
You Kept My Letters
85 bpm • D min • 01:22 • -23.93db
33% Popularity • 10% Danceability • 4% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
33% Popularity • 10% Danceability • 4% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
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Fred Steiner
Main Title And Closing Theme
79 bpm • A min • 01:23 • -13.66db
24% Popularity • 16% Danceability • 34% Energy • 5% Liveness
95% Instrumentalness • 4% Positiveness
24% Popularity • 16% Danceability • 34% Energy • 5% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
1812 Festival Overture, Op. 49: 1812 Ove...
85 bpm • D# Maj • 03:49 • -13db
34% Popularity • 23% Danceability • 54% Energy • 8% Liveness
77% Instrumentalness • 9% Positiveness
34% Popularity • 23% Danceability • 54% Energy • 8% Liveness
77% Instrumentalness • 9% Positiveness
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Ludovico Einaudi
Svanire
79 bpm • F Maj • 07:19 • -23.43db
32% Popularity • 10% Danceability • 13% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
32% Popularity • 10% Danceability • 13% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
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Leonard Bernstein
Maria from West Side Story Suite - Instr...
85 bpm • A Maj • 03:45 • -23.44db
8% Popularity • 14% Danceability • 7% Energy • 20% Liveness
2% Instrumentalness • 4% Positiveness
8% Popularity • 14% Danceability • 7% Energy • 20% Liveness
2% Instrumentalness • 4% Positiveness
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Gabriel Yared
Calm After Storm
85 bpm • G Maj • 02:15 • -19.93db
17% Popularity • 19% Danceability • 20% Energy • 21% Liveness
77% Instrumentalness • 3% Positiveness
17% Popularity • 19% Danceability • 20% Energy • 21% Liveness
77% Instrumentalness • 3% Positiveness
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Roberto Cacciapaglia
Tree of Life Suite: Wild Side
85 bpm • B min • 02:57 • -9db
42% Popularity • 12% Danceability • 41% Energy • 10% Liveness
96% Instrumentalness • 28% Positiveness
42% Popularity • 12% Danceability • 41% Energy • 10% Liveness
96% Instrumentalness • 28% Positiveness
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Academy of St. Martin in the Fields
Why Picton?
79 bpm • E min • 01:09 • -20.64db
31% Popularity • 20% Danceability • 5% Energy • 27% Liveness
90% Instrumentalness • 4% Positiveness
31% Popularity • 20% Danceability • 5% Energy • 27% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Ulrich Herkenhoff
The English Patient: Convento di Sant'An...
85 bpm • G Maj • 03:31 • -20.84db
20% Popularity • 28% Danceability • 11% Energy • 14% Liveness
93% Instrumentalness • 13% Positiveness
20% Popularity • 28% Danceability • 11% Energy • 14% Liveness
93% Instrumentalness • 13% Positiveness
► Preview
Royal Philharmonic Orchestra
Almost There
79 bpm • G Maj • 02:26 • -12.42db
45% Popularity • 34% Danceability • 27% Energy • 10% Liveness
87% Instrumentalness • 22% Positiveness
45% Popularity • 34% Danceability • 27% Energy • 10% Liveness
87% Instrumentalness • 22% Positiveness
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Nino Rota
The Godfather: Sicilian Pastorale
85 bpm • A# min • 01:32 • -36db
19% Popularity • 20% Danceability • 1% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
19% Popularity • 20% Danceability • 1% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
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Frédéric Chopin
Nocturne No. 2 in E-Flat Major, Op. 9 No...
86 bpm • A Maj • 04:33 • -26db
35% Popularity • 18% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
35% Popularity • 18% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
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Alex North
Unchained - Unchained Melody
86 bpm • A Maj • 03:26 • -24db
18% Popularity • 9% Danceability • 5% Energy • 11% Liveness
89% Instrumentalness • 5% Positiveness
18% Popularity • 9% Danceability • 5% Energy • 11% Liveness
89% Instrumentalness • 5% Positiveness
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Michael Kamen
Austria - Instrumental
86 bpm • A# Maj • 01:59 • -22db
37% Popularity • 16% Danceability • 12% Energy • 18% Liveness
94% Instrumentalness • 8% Positiveness
37% Popularity • 16% Danceability • 12% Energy • 18% Liveness
94% Instrumentalness • 8% Positiveness
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Joe Hisaishi
A Journey (A Dream of Flight) - from 'Th...
79 bpm • G Maj • 02:17 • -20.61db
37% Popularity • 36% Danceability • 12% Energy • 59% Liveness
78% Instrumentalness • 7% Positiveness
37% Popularity • 36% Danceability • 12% Energy • 59% Liveness
78% Instrumentalness • 7% Positiveness
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Pietro Mascagni
Cavalleria Rusticana: Intermezzo (Godfat...
78 bpm • F Maj • 03:39 • -22.62db
28% Popularity • 13% Danceability • 6% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
28% Popularity • 13% Danceability • 6% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Bournemouth Symphony Orchestra
A Heart Full of Love / The Waltz of Trea...
86 bpm • D min • 04:15 • -23.14db
14% Popularity • 10% Danceability • 7% Energy • 50% Liveness
55% Instrumentalness • 4% Positiveness
14% Popularity • 10% Danceability • 7% Energy • 50% Liveness
55% Instrumentalness • 4% Positiveness
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John Barry
Dances with Wolves: The John Dunbar Them...
86 bpm • F Maj • 03:51 • -15.32db
21% Popularity • 12% Danceability • 32% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
21% Popularity • 12% Danceability • 32% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
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Adrian Johnston
Brideshead Revisited: No. 24, Always Sum...
78 bpm • A# Maj • 02:29 • -25db
36% Popularity • 34% Danceability • 9% Energy • 14% Liveness
92% Instrumentalness • 10% Positiveness
36% Popularity • 34% Danceability • 9% Energy • 14% Liveness
92% Instrumentalness • 10% Positiveness
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City of Prague Orchestra
The English Patient
86 bpm • B min • 04:27 • -13.78db
23% Popularity • 14% Danceability • 23% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
23% Popularity • 14% Danceability • 23% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Joe Hisaishi
The Legend of the Wind - from 'Nausicaä...
78 bpm • G min • 02:08 • -19.23db
39% Popularity • 32% Danceability • 10% Energy • 17% Liveness
95% Instrumentalness • 6% Positiveness
39% Popularity • 32% Danceability • 10% Energy • 17% Liveness
95% Instrumentalness • 6% Positiveness
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Royal Philharmonic Orchestra
Reflection
86 bpm • A# Maj • 02:34 • -15.46db
41% Popularity • 10% Danceability • 21% Energy • 37% Liveness
89% Instrumentalness • 5% Positiveness
41% Popularity • 10% Danceability • 21% Energy • 37% Liveness
89% Instrumentalness • 5% Positiveness
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Andrew Lloyd Webber
The Phantom of the Opera: All I Ask of Y...
86 bpm • C# Maj • 05:58 • -15.09db
10% Popularity • 18% Danceability • 22% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
10% Popularity • 18% Danceability • 22% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
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John C. Williams
Once Upon a Time in America
78 bpm • E Maj • 05:12 • -20.14db
8% Popularity • 14% Danceability • 9% Energy • 13% Liveness
84% Instrumentalness • 4% Positiveness
8% Popularity • 14% Danceability • 9% Energy • 13% Liveness
84% Instrumentalness • 4% Positiveness
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Roberto Cacciapaglia
Tree of Life Suite: Fiamme
86 bpm • C Maj • 02:06 • -11.99db
32% Popularity • 20% Danceability • 37% Energy • 9% Liveness
90% Instrumentalness • 7% Positiveness
32% Popularity • 20% Danceability • 37% Energy • 9% Liveness
90% Instrumentalness • 7% Positiveness
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Patrick Doyle
Violin Romance
86 bpm • C# Maj • 05:04 • -21.53db
20% Popularity • 13% Danceability • 14% Energy • 5% Liveness
45% Instrumentalness • 8% Positiveness
20% Popularity • 13% Danceability • 14% Energy • 5% Liveness
45% Instrumentalness • 8% Positiveness
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Pietro Mascagni
Intermezzo From Cavalleria Rusticana
86 bpm • F Maj • 03:19 • -21.17db
39% Popularity • 9% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
39% Popularity • 9% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Carlo Savina
Love Theme Of Ben-Hur
78 bpm • F Maj • 02:51 • -21.83db
7% Popularity • 14% Danceability • 8% Energy • 13% Liveness
71% Instrumentalness • 4% Positiveness
7% Popularity • 14% Danceability • 8% Energy • 13% Liveness
71% Instrumentalness • 4% Positiveness
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Alan Menken
Main Titles - The Little Mermaid
86 bpm • G Maj • 01:26 • -16db
53% Popularity • 9% Danceability • 20% Energy • 27% Liveness
79% Instrumentalness • 16% Positiveness
53% Popularity • 9% Danceability • 20% Energy • 27% Liveness
79% Instrumentalness • 16% Positiveness
