Songs like The Cushion Dance / Jenny Pluck Pears / The Cuckoo's Nest by The Roses
Based on a tempo of (+/- 10%) and a similar genre
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Hanneke Cassel
Raise Your Glass / DFC
101 bpm • G Maj • 04:33 • -7.81db
12% Popularity • 39% Danceability • 59% Energy • 15% Liveness
3% Instrumentalness • 77% Positiveness
12% Popularity • 39% Danceability • 59% Energy • 15% Liveness
3% Instrumentalness • 77% Positiveness
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Scottish Fish
Three Kings
101 bpm • E min • 06:30 • -15.48db
8% Popularity • 33% Danceability • 14% Energy • 7% Liveness
24% Instrumentalness • 21% Positiveness
8% Popularity • 33% Danceability • 14% Energy • 7% Liveness
24% Instrumentalness • 21% Positiveness
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The Red River Ramblers
Louis Riel Reel
101 bpm • D Maj • 02:31 • -9.19db
8% Popularity • 59% Danceability • 86% Energy • 7% Liveness
41% Instrumentalness • 91% Positiveness
8% Popularity • 59% Danceability • 86% Energy • 7% Liveness
41% Instrumentalness • 91% Positiveness
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Siger
Downhill Drifters
101 bpm • G min • 03:45 • -13.17db
12% Popularity • 55% Danceability • 42% Energy • 10% Liveness
56% Instrumentalness • 55% Positiveness
12% Popularity • 55% Danceability • 42% Energy • 10% Liveness
56% Instrumentalness • 55% Positiveness
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The Roses
The Cushion Dance / Jenny Pluck Pears / ...
101 bpm • F Maj • 05:05 • -13.36db
0% Popularity • 30% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
0% Popularity • 30% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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SeeD
The Hall of the Goblin Queen
101 bpm • E min • 04:16 • -9.72db
8% Popularity • 55% Danceability • 36% Energy • 67% Liveness
54% Instrumentalness • 56% Positiveness
8% Popularity • 55% Danceability • 36% Energy • 67% Liveness
54% Instrumentalness • 56% Positiveness
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Jason Silver
Grace & Peace to You (Gal. 1:3-5)
100 bpm • E Maj • 03:27 • -9.57db
9% Popularity • 37% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
9% Popularity • 37% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Inge Gjevre
Ære
102 bpm • E Maj • 03:25 • -12.93db
8% Popularity • 26% Danceability • 19% Energy • 32% Liveness
0% Instrumentalness • 29% Positiveness
8% Popularity • 26% Danceability • 19% Energy • 32% Liveness
0% Instrumentalness • 29% Positiveness
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Apolline
Dream Gardens
102 bpm • B min • 05:24 • -13.14db
8% Popularity • 47% Danceability • 25% Energy • 12% Liveness
69% Instrumentalness • 26% Positiveness
8% Popularity • 47% Danceability • 25% Energy • 12% Liveness
69% Instrumentalness • 26% Positiveness
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Jackie Oates
Being on Chagford Allotments on a May Mo...
102 bpm • G Maj • 03:30 • -11.3db
10% Popularity • 39% Danceability • 22% Energy • 9% Liveness
2% Instrumentalness • 33% Positiveness
10% Popularity • 39% Danceability • 22% Energy • 9% Liveness
2% Instrumentalness • 33% Positiveness
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Sean Orr
Jennie's Chickens
100 bpm • B min • 01:29 • -4.82db
10% Popularity • 61% Danceability • 95% Energy • 30% Liveness
67% Instrumentalness • 84% Positiveness
10% Popularity • 61% Danceability • 95% Energy • 30% Liveness
67% Instrumentalness • 84% Positiveness
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Seán Ó Riada
Marcshlua Uí Néill (O'Neill's Cavalry ...
102 bpm • A# min • 03:28 • -11.6db
29% Popularity • 34% Danceability • 72% Energy • 70% Liveness
55% Instrumentalness • 28% Positiveness
29% Popularity • 34% Danceability • 72% Energy • 70% Liveness
55% Instrumentalness • 28% Positiveness
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Guifrog
Beyond the Warriors
100 bpm • E min • 01:59 • -7.91db
15% Popularity • 42% Danceability • 75% Energy • 8% Liveness
50% Instrumentalness • 57% Positiveness
15% Popularity • 42% Danceability • 75% Energy • 8% Liveness
50% Instrumentalness • 57% Positiveness
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Anonymous
Czaldy-Waldy
100 bpm • E Maj • 01:08 • -9.88db
16% Popularity • 34% Danceability • 6% Energy • 26% Liveness
79% Instrumentalness • 21% Positiveness
16% Popularity • 34% Danceability • 6% Energy • 26% Liveness
79% Instrumentalness • 21% Positiveness
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YOLANDA MILLERA
DEJANDO ATRAS
100 bpm • C min • 03:03 • -9.45db
8% Popularity • 34% Danceability • 74% Energy • 8% Liveness
76% Instrumentalness • 21% Positiveness
8% Popularity • 34% Danceability • 74% Energy • 8% Liveness
76% Instrumentalness • 21% Positiveness
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Algal
When The Rain Comes
100 bpm • C Maj • 03:28 • -5.18db
22% Popularity • 44% Danceability • 54% Energy • 15% Liveness
37% Instrumentalness • 46% Positiveness
22% Popularity • 44% Danceability • 54% Energy • 15% Liveness
37% Instrumentalness • 46% Positiveness
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Bryn Terfel
Leave Her, Johnny
100 bpm • F Maj • 04:02 • -15.86db
12% Popularity • 52% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
12% Popularity • 52% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Joel Bezerra
Dark Elves' March
100 bpm • C Maj • 01:51 • -7.37db
22% Popularity • 42% Danceability • 50% Energy • 24% Liveness
18% Instrumentalness • 58% Positiveness
22% Popularity • 42% Danceability • 50% Energy • 24% Liveness
18% Instrumentalness • 58% Positiveness
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Austral
Thylacine
100 bpm • G Maj • 04:00 • -13.92db
16% Popularity • 61% Danceability • 21% Energy • 12% Liveness
86% Instrumentalness • 50% Positiveness
16% Popularity • 61% Danceability • 21% Energy • 12% Liveness
86% Instrumentalness • 50% Positiveness
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Brandon Vance
Black Jock
102 bpm • G# Maj • 03:50 • -7.16db
9% Popularity • 45% Danceability • 23% Energy • 9% Liveness
27% Instrumentalness • 96% Positiveness
9% Popularity • 45% Danceability • 23% Energy • 9% Liveness
27% Instrumentalness • 96% Positiveness
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Leslie Fish
Iron Mistress
102 bpm • C min • 02:37 • -7.96db
9% Popularity • 44% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 57% Positiveness
9% Popularity • 44% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 57% Positiveness
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Johnny Irish Murphy
Chorus Jig
102 bpm • G Maj • 01:59 • -14.68db
12% Popularity • 58% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
12% Popularity • 58% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
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Oisín Mac Cinnéide
John's Christening
102 bpm • C Maj • 01:20 • -15.36db
13% Popularity • 72% Danceability • 30% Energy • 34% Liveness
96% Instrumentalness • 89% Positiveness
13% Popularity • 72% Danceability • 30% Energy • 34% Liveness
96% Instrumentalness • 89% Positiveness
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The Sherwood Consort
Missal Estampie
102 bpm • G min • 03:50 • -13.15db
12% Popularity • 48% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
12% Popularity • 48% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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Dancing Hare
Ostara's Story
100 bpm • E min • 04:16 • -17.55db
10% Popularity • 48% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
10% Popularity • 48% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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The Roses
O'Carolan's Jig / Shaughnessy's Jig / Th...
102 bpm • B min • 03:32 • -7.59db
0% Popularity • 32% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
0% Popularity • 32% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
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Kalos
Wendell's Wedding
100 bpm • F# min • 05:15 • -14.84db
16% Popularity • 37% Danceability • 15% Energy • 23% Liveness
8% Instrumentalness • 15% Positiveness
16% Popularity • 37% Danceability • 15% Energy • 23% Liveness
8% Instrumentalness • 15% Positiveness
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Louise Bichan
The Lost Summer
100 bpm • D Maj • 04:37 • -15.23db
9% Popularity • 59% Danceability • 42% Energy • 13% Liveness
4% Instrumentalness • 37% Positiveness
9% Popularity • 59% Danceability • 42% Energy • 13% Liveness
4% Instrumentalness • 37% Positiveness
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Archer Jonathan
The Scotch Tunenewcastle
100 bpm • E Maj • 03:57 • -9.5db
22% Popularity • 43% Danceability • 39% Energy • 11% Liveness
15% Instrumentalness • 71% Positiveness
22% Popularity • 43% Danceability • 39% Energy • 11% Liveness
15% Instrumentalness • 71% Positiveness
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The Kraken Consort
Kathrine Oggie (Arr. for Ensemble by The...
99 bpm • D Maj • 04:34 • -9.49db
8% Popularity • 38% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
8% Popularity • 38% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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The OK Factor
Mary and the Soldier
99 bpm • F Maj • 06:13 • -13.1db
9% Popularity • 33% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
9% Popularity • 33% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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The Roses
Basse Danse L'ennuy Qui Me Tourmente / B...
102 bpm • D Maj • 04:04 • -9.13db
0% Popularity • 41% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
0% Popularity • 41% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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McAnna´s Band
The Road to Lisdoonvarna
99 bpm • D Maj • 02:05 • -13.32db
11% Popularity • 45% Danceability • 36% Energy • 12% Liveness
1% Instrumentalness • 96% Positiveness
11% Popularity • 45% Danceability • 36% Energy • 12% Liveness
1% Instrumentalness • 96% Positiveness
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Morgan Hewitt
Together
99 bpm • D Maj • 03:17 • -10.14db
21% Popularity • 75% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
21% Popularity • 75% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
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Gregers Lundh
Perelandra
99 bpm • G Maj • 01:40 • -16.04db
12% Popularity • 39% Danceability • 27% Energy • 10% Liveness
95% Instrumentalness • 42% Positiveness
12% Popularity • 39% Danceability • 27% Energy • 10% Liveness
95% Instrumentalness • 42% Positiveness
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Martin Fay
Kathleen Tyreli
103 bpm • D Maj • 01:52 • -13.46db
7% Popularity • 22% Danceability • 14% Energy • 16% Liveness
39% Instrumentalness • 29% Positiveness
7% Popularity • 22% Danceability • 14% Energy • 16% Liveness
39% Instrumentalness • 29% Positiveness
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Skolvan
My Favorite Things
99 bpm • A min • 04:07 • -7.07db
16% Popularity • 53% Danceability • 77% Energy • 31% Liveness
75% Instrumentalness • 86% Positiveness
16% Popularity • 53% Danceability • 77% Energy • 31% Liveness
75% Instrumentalness • 86% Positiveness
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Desertuna - Tuna Académica da Universidade da Beira Interior
Odisseia, Cap. I: Praia Lusitana
99 bpm • D Maj • 03:54 • -16.99db
10% Popularity • 30% Danceability • 54% Energy • 67% Liveness
92% Instrumentalness • 26% Positiveness
10% Popularity • 30% Danceability • 54% Energy • 67% Liveness
92% Instrumentalness • 26% Positiveness
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McKasson & McDonald
Theme for Scotland
99 bpm • D Maj • 03:03 • -13.8db
19% Popularity • 28% Danceability • 8% Energy • 20% Liveness
82% Instrumentalness • 30% Positiveness
19% Popularity • 28% Danceability • 8% Energy • 20% Liveness
82% Instrumentalness • 30% Positiveness
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Caldo
Chulinha das Cacharelas
103 bpm • F Maj • 03:20 • -10.01db
9% Popularity • 54% Danceability • 29% Energy • 11% Liveness
19% Instrumentalness • 36% Positiveness
9% Popularity • 54% Danceability • 29% Energy • 11% Liveness
19% Instrumentalness • 36% Positiveness
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Calum Stewart
True North
103 bpm • D Maj • 04:01 • -9.14db
16% Popularity • 14% Danceability • 1% Energy • 10% Liveness
81% Instrumentalness • 12% Positiveness
16% Popularity • 14% Danceability • 1% Energy • 10% Liveness
81% Instrumentalness • 12% Positiveness
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Mario Chaanning
Delicious City Of New Orleans
104 bpm • G Maj • 03:55 • -12.2db
16% Popularity • 60% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
16% Popularity • 60% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Northern Resonance
Kansas City
99 bpm • D Maj • 04:19 • -11.13db
9% Popularity • 31% Danceability • 15% Energy • 9% Liveness
79% Instrumentalness • 21% Positiveness
9% Popularity • 31% Danceability • 15% Energy • 9% Liveness
79% Instrumentalness • 21% Positiveness
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The Roses
Washing a Bear on the Mesa: The Bear Dan...
98 bpm • C Maj • 06:07 • -5.5db
0% Popularity • 22% Danceability • 71% Energy • 9% Liveness
10% Instrumentalness • 79% Positiveness
0% Popularity • 22% Danceability • 71% Energy • 9% Liveness
10% Instrumentalness • 79% Positiveness
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Dryante
Deep Water
104 bpm • A Maj • 02:22 • -8.41db
8% Popularity • 65% Danceability • 62% Energy • 15% Liveness
1% Instrumentalness • 78% Positiveness
8% Popularity • 65% Danceability • 62% Energy • 15% Liveness
1% Instrumentalness • 78% Positiveness
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Erasmus Talbot
Cuckolds All in a Row
104 bpm • G Maj • 01:26 • -10.24db
13% Popularity • 73% Danceability • 17% Energy • 25% Liveness
17% Instrumentalness • 92% Positiveness
13% Popularity • 73% Danceability • 17% Energy • 25% Liveness
17% Instrumentalness • 92% Positiveness
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Robert Matheson
I Imagined
98 bpm • E Maj • 04:32 • -18.75db
13% Popularity • 40% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 6% Positiveness
13% Popularity • 40% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 6% Positiveness
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Mario Chaanning
Elegant Jazz Waltz No
98 bpm • G# Maj • 03:24 • -15.79db
16% Popularity • 74% Danceability • 21% Energy • 9% Liveness
84% Instrumentalness • 74% Positiveness
16% Popularity • 74% Danceability • 21% Energy • 9% Liveness
84% Instrumentalness • 74% Positiveness
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Rosalind Jehanne
The Lament of Two Ladies
98 bpm • A# Maj • 03:06 • -13.4db
9% Popularity • 72% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
9% Popularity • 72% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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JenliSisters
Celtic Ballad
104 bpm • A min • 01:46 • -16.77db
16% Popularity • 25% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
16% Popularity • 25% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Andrea Mack
Jacobites
104 bpm • G min • 05:26 • -8.27db
27% Popularity • 39% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 39% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 34% Positiveness
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ECV the 23rd
Learning a Scandal's Variant
105 bpm • A min • 00:59 • -14.81db
8% Popularity • 42% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
8% Popularity • 42% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Dylan&Brian
Sunset
104 bpm • G Maj • 04:37 • -15.18db
11% Popularity • 69% Danceability • 36% Energy • 16% Liveness
70% Instrumentalness • 35% Positiveness
11% Popularity • 69% Danceability • 36% Energy • 16% Liveness
70% Instrumentalness • 35% Positiveness
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Andrea Vittori
Farewell to Rivendell
105 bpm • C min • 04:16 • -12.06db
9% Popularity • 47% Danceability • 34% Energy • 44% Liveness
14% Instrumentalness • 31% Positiveness
9% Popularity • 47% Danceability • 34% Energy • 44% Liveness
14% Instrumentalness • 31% Positiveness
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Logan Epic Canto
The Land Of Gnomes
105 bpm • B min • 02:09 • -7.32db
7% Popularity • 54% Danceability • 75% Energy • 8% Liveness
60% Instrumentalness • 26% Positiveness
7% Popularity • 54% Danceability • 75% Energy • 8% Liveness
60% Instrumentalness • 26% Positiveness
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Traditional
Traditional, De Courson & Le Berre: Bunc...
97 bpm • D Maj • 01:56 • -9.34db
9% Popularity • 46% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
9% Popularity • 46% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Ulvens döttrar
Havsandar
105 bpm • C Maj • 04:32 • -10.7db
8% Popularity • 62% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
8% Popularity • 62% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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The Bardicans
Trickster
105 bpm • D min • 02:14 • -12.48db
11% Popularity • 57% Danceability • 32% Energy • 11% Liveness
93% Instrumentalness • 28% Positiveness
11% Popularity • 57% Danceability • 32% Energy • 11% Liveness
93% Instrumentalness • 28% Positiveness
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Siger
Barbaren
105 bpm • C Maj • 02:47 • -16.6db
9% Popularity • 44% Danceability • 28% Energy • 7% Liveness
96% Instrumentalness • 67% Positiveness
9% Popularity • 44% Danceability • 28% Energy • 7% Liveness
96% Instrumentalness • 67% Positiveness
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Maree Docia
Turn Hate To Love
105 bpm • A Maj • 02:07 • -24.9db
20% Popularity • 27% Danceability • 6% Energy • 10% Liveness
27% Instrumentalness • 20% Positiveness
20% Popularity • 27% Danceability • 6% Energy • 10% Liveness
27% Instrumentalness • 20% Positiveness
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Sara & Maynard Johnson with Rogues' Consort
So Merrily Dance the Quaker
96 bpm • G Maj • 02:08 • -2.76db
15% Popularity • 54% Danceability • 45% Energy • 16% Liveness
9% Instrumentalness • 95% Positiveness
15% Popularity • 54% Danceability • 45% Energy • 16% Liveness
9% Instrumentalness • 95% Positiveness
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The Roses
I Kissed an Angel
106 bpm • A Maj • 02:17 • -5.27db
0% Popularity • 51% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
0% Popularity • 51% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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The Kraken Consort
Oft in the Stilly Night (Arr. for Ensemb...
106 bpm • D Maj • 07:18 • -7.59db
9% Popularity • 30% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
9% Popularity • 30% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Mark Grobner & Ken Kolodner
Missouri
96 bpm • E min • 02:56 • -14.47db
8% Popularity • 39% Danceability • 31% Energy • 9% Liveness
94% Instrumentalness • 20% Positiveness
8% Popularity • 39% Danceability • 31% Energy • 9% Liveness
94% Instrumentalness • 20% Positiveness
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Aly Bain
Sjung Høyt Min Sjel
106 bpm • A min • 01:08 • -15.76db
16% Popularity • 15% Danceability • 13% Energy • 7% Liveness
94% Instrumentalness • 48% Positiveness
16% Popularity • 15% Danceability • 13% Energy • 7% Liveness
94% Instrumentalness • 48% Positiveness
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Rum Ragged
Thomas Trim
96 bpm • F Maj • 03:12 • -10.94db
23% Popularity • 63% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
23% Popularity • 63% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Jacob Jolliff
Vera
96 bpm • E min • 06:10 • -10.64db
17% Popularity • 61% Danceability • 44% Energy • 12% Liveness
71% Instrumentalness • 47% Positiveness
17% Popularity • 61% Danceability • 44% Energy • 12% Liveness
71% Instrumentalness • 47% Positiveness
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Genticorum
Loken
96 bpm • F Maj • 03:56 • -13.88db
10% Popularity • 33% Danceability • 18% Energy • 15% Liveness
48% Instrumentalness • 20% Positiveness
10% Popularity • 33% Danceability • 18% Energy • 15% Liveness
48% Instrumentalness • 20% Positiveness
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Shiuan Chang
Daydreaming By The Country Road - for vi...
106 bpm • D Maj • 10:27 • -20.48db
7% Popularity • 40% Danceability • 4% Energy • 4% Liveness
0% Instrumentalness • 7% Positiveness
7% Popularity • 40% Danceability • 4% Energy • 4% Liveness
0% Instrumentalness • 7% Positiveness
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John Playford
The English Dancing Master: Gathering Pe...
107 bpm • G Maj • 03:06 • -18.72db
8% Popularity • 53% Danceability • 11% Energy • 31% Liveness
0% Instrumentalness • 78% Positiveness
8% Popularity • 53% Danceability • 11% Energy • 31% Liveness
0% Instrumentalness • 78% Positiveness
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James Ferham
Free
96 bpm • B Maj • 01:25 • -16.79db
15% Popularity • 30% Danceability • 43% Energy • 11% Liveness
93% Instrumentalness • 14% Positiveness
15% Popularity • 30% Danceability • 43% Energy • 11% Liveness
93% Instrumentalness • 14% Positiveness
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Ivan Duch
One Hundred Friend's Tavern - Remix
107 bpm • D Maj • 01:07 • -14.24db
19% Popularity • 52% Danceability • 22% Energy • 32% Liveness
18% Instrumentalness • 72% Positiveness
19% Popularity • 52% Danceability • 22% Energy • 32% Liveness
18% Instrumentalness • 72% Positiveness
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James Ross
The Swilkie
95 bpm • D Maj • 03:22 • -11.64db
14% Popularity • 52% Danceability • 28% Energy • 11% Liveness
20% Instrumentalness • 65% Positiveness
14% Popularity • 52% Danceability • 28% Energy • 11% Liveness
20% Instrumentalness • 65% Positiveness
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Dryante
Bard Dance
107 bpm • D min • 02:52 • -9.02db
9% Popularity • 62% Danceability • 52% Energy • 11% Liveness
33% Instrumentalness • 56% Positiveness
9% Popularity • 62% Danceability • 52% Energy • 11% Liveness
33% Instrumentalness • 56% Positiveness
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Bargainatt
Rue Enclos Rey - Poretto Village
95 bpm • G Maj • 03:56 • -11.58db
10% Popularity • 54% Danceability • 38% Energy • 11% Liveness
60% Instrumentalness • 77% Positiveness
10% Popularity • 54% Danceability • 38% Energy • 11% Liveness
60% Instrumentalness • 77% Positiveness
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The Roses
Kathren Oggie / The Highland Reel / King...
95 bpm • E min • 04:57 • -7.15db
0% Popularity • 28% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
0% Popularity • 28% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
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Jim's Red Pants
Mr. Sloane's Fiddle / Reverend Richard V...
95 bpm • D Maj • 03:05 • -8.72db
7% Popularity • 43% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
7% Popularity • 43% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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The McKassons
Harry Bradshaw/The Torrent/Take My Heart
107 bpm • D Maj • 06:02 • -7.23db
10% Popularity • 43% Danceability • 71% Energy • 12% Liveness
84% Instrumentalness • 60% Positiveness
10% Popularity • 43% Danceability • 71% Energy • 12% Liveness
84% Instrumentalness • 60% Positiveness
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Carlos Núñez
Celtic Sea Symphony II - Le voyage : Lan...
107 bpm • G Maj • 01:57 • -10.95db
15% Popularity • 75% Danceability • 34% Energy • 14% Liveness
2% Instrumentalness • 89% Positiveness
15% Popularity • 75% Danceability • 34% Energy • 14% Liveness
2% Instrumentalness • 89% Positiveness
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Oli Julian
The Reluctant Highwaywoman
107 bpm • C Maj • 01:16 • -14db
21% Popularity • 55% Danceability • 44% Energy • 14% Liveness
95% Instrumentalness • 65% Positiveness
21% Popularity • 55% Danceability • 44% Energy • 14% Liveness
95% Instrumentalness • 65% Positiveness
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Mason Daring
Family Rows
95 bpm • G Maj • 01:00 • -14.13db
14% Popularity • 21% Danceability • 14% Energy • 19% Liveness
82% Instrumentalness • 13% Positiveness
14% Popularity • 21% Danceability • 14% Energy • 19% Liveness
82% Instrumentalness • 13% Positiveness
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Ensemble Galilei
Banish Misfortune - Langstrom's Pony
95 bpm • G Maj • 03:38 • -11.58db
13% Popularity • 39% Danceability • 32% Energy • 12% Liveness
57% Instrumentalness • 62% Positiveness
13% Popularity • 39% Danceability • 32% Energy • 12% Liveness
57% Instrumentalness • 62% Positiveness
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Hollywood Film Music Orchestra
Irish Evolution
95 bpm • C Maj • 02:09 • -8.69db
2% Popularity • 44% Danceability • 60% Energy • 5% Liveness
50% Instrumentalness • 22% Positiveness
2% Popularity • 44% Danceability • 60% Energy • 5% Liveness
50% Instrumentalness • 22% Positiveness
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ชัยภัค ภัทรจินดา
แขกมอญ - 2 ชั้น
107 bpm • C min • 05:45 • -8.89db
9% Popularity • 34% Danceability • 52% Energy • 21% Liveness
99% Instrumentalness • 34% Positiveness
9% Popularity • 34% Danceability • 52% Energy • 21% Liveness
99% Instrumentalness • 34% Positiveness
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Rainleaf
Jumana Webster
108 bpm • A# Maj • 00:46 • -12.96db
8% Popularity • 22% Danceability • 32% Energy • 79% Liveness
99% Instrumentalness • 22% Positiveness
8% Popularity • 22% Danceability • 32% Energy • 79% Liveness
99% Instrumentalness • 22% Positiveness
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Ryan Young
Bang Your Frog on the Sofa / Mrs MacGuga...
108 bpm • D min • 04:48 • -10.69db
17% Popularity • 44% Danceability • 44% Energy • 6% Liveness
74% Instrumentalness • 75% Positiveness
17% Popularity • 44% Danceability • 44% Energy • 6% Liveness
74% Instrumentalness • 75% Positiveness
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Hanneke Cassel
Lovely Liddy / Teagan's Trip
108 bpm • F Maj • 04:53 • -7.65db
10% Popularity • 54% Danceability • 44% Energy • 10% Liveness
28% Instrumentalness • 76% Positiveness
10% Popularity • 54% Danceability • 44% Energy • 10% Liveness
28% Instrumentalness • 76% Positiveness
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The Kraken Consort
The Emigrant’s Farewell (Arr. for Ense...
108 bpm • D Maj • 04:55 • -7.84db
7% Popularity • 31% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
7% Popularity • 31% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Rosalind Jehanne
Song of Roland
108 bpm • C# Maj • 02:56 • -11.68db
9% Popularity • 89% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
9% Popularity • 89% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Ken Kolodner
Richard Dwyer's
108 bpm • A min • 01:28 • -17.22db
24% Popularity • 58% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
24% Popularity • 58% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
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Niall O'Callaghan
Make You Burn
108 bpm • G Maj • 03:57 • -5.31db
9% Popularity • 63% Danceability • 81% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
9% Popularity • 63% Danceability • 81% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
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Ian Fontova
A New Place
108 bpm • B min • 02:16 • -14.06db
10% Popularity • 71% Danceability • 18% Energy • 12% Liveness
91% Instrumentalness • 81% Positiveness
10% Popularity • 71% Danceability • 18% Energy • 12% Liveness
91% Instrumentalness • 81% Positiveness
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Elben Schutte
Cunti Simus Concanentes
108 bpm • C Maj • 05:30 • -16.69db
3% Popularity • 40% Danceability • 32% Energy • 5% Liveness
71% Instrumentalness • 27% Positiveness
3% Popularity • 40% Danceability • 32% Energy • 5% Liveness
71% Instrumentalness • 27% Positiveness
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Traditional
Instrumental Irish Music
108 bpm • A# min • 03:37 • -12.91db
11% Popularity • 57% Danceability • 70% Energy • 18% Liveness
48% Instrumentalness • 71% Positiveness
11% Popularity • 57% Danceability • 70% Energy • 18% Liveness
48% Instrumentalness • 71% Positiveness
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The Roses
Paradetas
108 bpm • C Maj • 04:56 • -8.58db
0% Popularity • 46% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
0% Popularity • 46% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Chris Norman
Richard Dwyer's
108 bpm • A min • 01:10 • -23.56db
14% Popularity • 52% Danceability • 14% Energy • 17% Liveness
96% Instrumentalness • 87% Positiveness
14% Popularity • 52% Danceability • 14% Energy • 17% Liveness
96% Instrumentalness • 87% Positiveness
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Lars-Luis Linek
Hurdy Gurdy Dance
94 bpm • C Maj • 00:48 • -7.12db
7% Popularity • 19% Danceability • 18% Energy • 22% Liveness
98% Instrumentalness • 4% Positiveness
7% Popularity • 19% Danceability • 18% Energy • 22% Liveness
98% Instrumentalness • 4% Positiveness
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Grimwater
Song Of The Wind
94 bpm • C min • 02:54 • -13.93db
16% Popularity • 54% Danceability • 17% Energy • 12% Liveness
84% Instrumentalness • 18% Positiveness
16% Popularity • 54% Danceability • 17% Energy • 12% Liveness
84% Instrumentalness • 18% Positiveness
