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The Dance
Songs like
The Dance
by
Countdown Nashville
Based on a tempo of (+/- 10%) and a similar genre
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Countdown Nashville
When I Stop Leaving
139 bpm • A# Maj • 02:55 • -15.02db
0% Popularity • 57% Danceability • 43% Energy • 11% Liveness
87% Instrumentalness • 76% Positiveness
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Moore
This Truck And Me
139 bpm • D Maj • 02:38 • -7db
11% Popularity • 44% Danceability • 48% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
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Larry Cunningham
Heartache By the Number
139 bpm • D Maj • 03:01 • -10db
26% Popularity • 61% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Calvin Lengwood
Devil Woman
138 bpm • D Maj • 03:02 • -14.23db
16% Popularity • 62% Danceability • 48% Energy • 30% Liveness
0% Instrumentalness • 78% Positiveness
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Ricky Skaggs
Something in My Heart
138 bpm • F Maj • 02:59 • -9.22db
27% Popularity • 64% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Sons of the Pioneers
Wine Me Up
140 bpm • A Maj • 02:24 • -16.95db
34% Popularity • 54% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 90% Positiveness
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Eddie Rabbitt
Plain as the Pain on My Face - 2008 Vers...
138 bpm • C# min • 02:23 • -8.86db
33% Popularity • 73% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
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Major Dundee
You Ain't What You Ain't
140 bpm • B Maj • 02:31 • -8.07db
17% Popularity • 76% Danceability • 58% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
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George Hamilton IV
You Are My Sunshine
138 bpm • E Maj • 02:11 • -15.87db
37% Popularity • 52% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Dottsy
I'll Be Your San Antone Rose
137 bpm • G Maj • 03:10 • -9.92db
16% Popularity • 54% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
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Ricky Skaggs
I Wouldn't Change You If I Could
138 bpm • F Maj • 02:59 • -10.94db
41% Popularity • 60% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Merle Haggard & The Strangers
What Have You Got Planned Tonight Diana
140 bpm • D Maj • 03:11 • -15.39db
15% Popularity • 50% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Highway 101
Walkin', Talkin', Cryin', Barely Beatin'...
141 bpm • D# Maj • 02:35 • -12.25db
32% Popularity • 67% Danceability • 63% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
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Countdown Nashville
I Wouldn't Change You If I Could
141 bpm • F Maj • 02:56 • -9.89db
0% Popularity • 56% Danceability • 52% Energy • 10% Liveness
78% Instrumentalness • 67% Positiveness
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Johnny Duncan
A Song In the Night
137 bpm • A# Maj • 02:41 • -11db
21% Popularity • 55% Danceability • 52% Energy • 25% Liveness
0% Instrumentalness • 86% Positiveness
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Randy Travis
Singing the Blues
137 bpm • D Maj • 02:17 • -12.31db
17% Popularity • 73% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Niamh Lynn
Once a Day
137 bpm • F Maj • 02:56 • -4db
23% Popularity • 47% Danceability • 64% Energy • 35% Liveness
0% Instrumentalness • 78% Positiveness
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Johnny Lee
Country Party
141 bpm • D Maj • 03:18 • -11.85db
24% Popularity • 62% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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The Blue Boys
Games People Play
141 bpm • E Maj • 03:08 • -9.91db
18% Popularity • 75% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
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Countdown Nashville
If I Give My Heart to You
141 bpm • G Maj • 02:33 • -11.73db
0% Popularity • 48% Danceability • 33% Energy • 19% Liveness
33% Instrumentalness • 38% Positiveness
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The Bellamy Brothers
Bird Dog
141 bpm • D Maj • 02:28 • -15.95db
15% Popularity • 70% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
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Red Sovine
Bringing Mary Home
136 bpm • C# Maj • 03:15 • -9.15db
29% Popularity • 55% Danceability • 34% Energy • 37% Liveness
0% Instrumentalness • 67% Positiveness
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Merle Haggard & The Strangers
The Way It Was In '51
136 bpm • E Maj • 03:21 • -12.87db
20% Popularity • 69% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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Earl Thomas Conley
I Have Loved You Girl (But Not Like This...
142 bpm • E Maj • 02:37 • -12db
32% Popularity • 55% Danceability • 43% Energy • 27% Liveness
0% Instrumentalness • 43% Positiveness
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Dawn Sears
Half As Much
136 bpm • A Maj • 02:54 • -11.72db
33% Popularity • 66% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Countdown Nashville
When Will I Be Loved
137 bpm • E Maj • 02:02 • -8.37db
1% Popularity • 58% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Porter Wagoner
Teardrops Falling In The Snow
136 bpm • F Maj • 03:48 • -9.39db
6% Popularity • 69% Danceability • 44% Energy • 29% Liveness
0% Instrumentalness • 51% Positiveness
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Ernest Ashworth
Talk Back Trembling Lips
136 bpm • A Maj • 02:37 • -10db
25% Popularity • 58% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
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Vern Gosdin
Dim Lights, Thick Smoke (And Loud, Loud ...
142 bpm • E Maj • 03:30 • -13.01db
32% Popularity • 59% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Johnny Lee
Pickin' Up Strangers
136 bpm • C Maj • 03:03 • -13db
41% Popularity • 62% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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Heather Myles
Nashville's Gone Hollywood
143 bpm • G# Maj • 02:57 • -5.69db
31% Popularity • 68% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Roy Rogers
Hold On Partner
135 bpm • E Maj • 02:00 • -8.27db
21% Popularity • 78% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Dawn Sears
Close Up the Honky Tonks
135 bpm • F Maj • 02:45 • -8.73db
35% Popularity • 64% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 84% Positiveness
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Leroy Van Dyke
If a Woman Answers
143 bpm • C Maj • 02:15 • -11.34db
30% Popularity • 57% Danceability • 45% Energy • 70% Liveness
0% Instrumentalness • 96% Positiveness
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Ann Shepard
Walkin' After Midnight
135 bpm • C Maj • 02:24 • -10.2db
21% Popularity • 56% Danceability • 47% Energy • 46% Liveness
0% Instrumentalness • 74% Positiveness
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Johnny Lee
Pickin' up Strangers
135 bpm • D min • 02:23 • -15.39db
24% Popularity • 63% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Countdown Nashville
Wedding Bells
143 bpm • E Maj • 03:01 • -9.4db
1% Popularity • 53% Danceability • 44% Energy • 14% Liveness
92% Instrumentalness • 81% Positiveness
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Becky Hobbs
Mama Was A Working Man
135 bpm • A Maj • 03:49 • -13.31db
6% Popularity • 66% Danceability • 38% Energy • 29% Liveness
0% Instrumentalness • 73% Positiveness
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Joni Harms
We Work It Out
135 bpm • A Maj • 03:03 • -4.96db
32% Popularity • 74% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 62% Positiveness
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Johnny Chester
Lord I'd Forgotten
135 bpm • E Maj • 03:17 • -9.65db
10% Popularity • 59% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Charly McClain
Who's Cheatin' Who
135 bpm • C Maj • 02:14 • -11.56db
40% Popularity • 78% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Eddie Rabbitt
Two Dollars in the Jukebox - 2008 Remast...
134 bpm • F Maj • 02:22 • -12.54db
50% Popularity • 76% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Countdown Nashville
Goodnight, Irene
144 bpm • D Maj • 02:12 • -9.94db
1% Popularity • 44% Danceability • 35% Energy • 13% Liveness
6% Instrumentalness • 69% Positiveness
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Robert Mizzell
Rose Of My Heart
144 bpm • G Maj • 02:46 • -10db
27% Popularity • 64% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Bill Anderson
I Get The Fever
144 bpm • D Maj • 02:21 • -14.53db
33% Popularity • 65% Danceability • 46% Energy • 28% Liveness
0% Instrumentalness • 97% Positiveness
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Soulful Serenades
Midnight Train to New Orleans
144 bpm • G# Maj • 01:32 • -13.19db
23% Popularity • 79% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Nashville Line Dance Riders
All My Ex's Live In Texas, Line Dancing
134 bpm • A Maj • 03:13 • -5db
12% Popularity • 65% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Sweethearts of the Rodeo
Everywhere I Turn
134 bpm • B Maj • 03:09 • -9.61db
17% Popularity • 74% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Collin Raye
Every Second
145 bpm • F Maj • 02:25 • -9.52db
33% Popularity • 65% Danceability • 49% Energy • 35% Liveness
0% Instrumentalness • 84% Positiveness
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Tom T. Hall
Country Is
145 bpm • C Maj • 02:09 • -13.4db
50% Popularity • 55% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Dawn Sears
My Ears Should Burn (When Fools Are Talk...
133 bpm • A# Maj • 02:33 • -12.59db
16% Popularity • 64% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Countdown Nashville
Talking in Your Sleep
133 bpm • G# Maj • 03:03 • -15.49db
4% Popularity • 18% Danceability • 27% Energy • 11% Liveness
75% Instrumentalness • 6% Positiveness
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Gail Davies
It's A Lovely Lovely World
133 bpm • B Maj • 02:17 • -9.01db
19% Popularity • 61% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Vern Gosdin
Mother Country Music
133 bpm • A Maj • 02:53 • -13db
34% Popularity • 56% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Countdown Nashville
Hey Good Lookin'
146 bpm • G Maj • 02:50 • -8.57db
16% Popularity • 61% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Tom T. Hall
Ravishing Ruby - Single Version
145 bpm • C# Maj • 02:29 • -16db
42% Popularity • 58% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Becky Hobbs
Jones On The Jukebox
146 bpm • C# Maj • 02:58 • -13.93db
22% Popularity • 65% Danceability • 43% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
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Rodney Hayden
You Don't Talk I Don't Listen
132 bpm • G Maj • 02:26 • -4.5db
28% Popularity • 61% Danceability • 77% Energy • 33% Liveness
0% Instrumentalness • 93% Positiveness
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Jim Reeves
Don't Let Me Cross Over
147 bpm • C# Maj • 02:19 • -13.73db
44% Popularity • 52% Danceability • 23% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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The Statlers
Atlanta Blue
132 bpm • D Maj • 02:49 • -17.56db
31% Popularity • 59% Danceability • 25% Energy • 6% Liveness
8% Instrumentalness • 48% Positiveness
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Countdown Nashville
Midnight, Me and and the Blues
131 bpm • E Maj • 02:48 • -12.52db
0% Popularity • 59% Danceability • 34% Energy • 32% Liveness
0% Instrumentalness • 50% Positiveness
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Bill Green
Under A Neon Halo
131 bpm • G Maj • 02:58 • -4.24db
12% Popularity • 64% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Gail Davies
Waiting Here For You
147 bpm • E Maj • 02:08 • -7db
22% Popularity • 68% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Anita Perras
One Smokey Rose
131 bpm • E Maj • 02:48 • -4.62db
9% Popularity • 68% Danceability • 59% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
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Jim Glaser
If I Had You To Love Over Again
131 bpm • A# min • 03:15 • -8.05db
9% Popularity • 43% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Jerry Kilgore
Lonesome Love List
148 bpm • A# Maj • 02:20 • -5.21db
22% Popularity • 57% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Ailish McBride
What Part of No Don't You Understand
131 bpm • E Maj • 02:44 • -10.06db
36% Popularity • 73% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 81% Positiveness
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Eddie Rabbitt
On Second Thought
131 bpm • A Maj • 03:38 • -9db
38% Popularity • 55% Danceability • 66% Energy • 27% Liveness
0% Instrumentalness • 94% Positiveness
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Becky Hobbs
Talk Back Tremblin' Lips
148 bpm • E Maj • 02:56 • -5db
20% Popularity • 63% Danceability • 73% Energy • 37% Liveness
0% Instrumentalness • 90% Positiveness
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Highway 101
Somewhere Tonight
130 bpm • B Maj • 03:17 • -10.16db
22% Popularity • 67% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Johnny Chester
Highway 31
130 bpm • E Maj • 03:27 • -15.46db
18% Popularity • 80% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
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Leroy Van Dyke
Be a Good Girl
149 bpm • D Maj • 02:07 • -12.44db
24% Popularity • 55% Danceability • 44% Energy • 52% Liveness
0% Instrumentalness • 79% Positiveness
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Honkey Tonk Darlings
Rose Garden
130 bpm • C Maj • 02:51 • -11db
23% Popularity • 75% Danceability • 45% Energy • 32% Liveness
0% Instrumentalness • 86% Positiveness
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The Statler Brothers
I Was There
130 bpm • G Maj • 02:49 • -14.11db
12% Popularity • 43% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Faron Young
It's Four in the Morning
130 bpm • A Maj • 02:49 • -12db
38% Popularity • 55% Danceability • 26% Energy • 40% Liveness
0% Instrumentalness • 52% Positiveness
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Holly Dunn
There Goes My Heart Again
149 bpm • C# Maj • 02:37 • -9.43db
35% Popularity • 66% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 91% Positiveness
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Eddy Raven
COWBOYS DON'T CRY
149 bpm • C Maj • 03:12 • -8.7db
28% Popularity • 59% Danceability • 74% Energy • 23% Liveness
0% Instrumentalness • 88% Positiveness
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Heather Myles
Make A Fool Out Of Me
129 bpm • C Maj • 03:15 • -7.15db
27% Popularity • 68% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 71% Positiveness
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Larry Gatlin & The Gatlin Brothers
Houston (Means I'm One Day Closer To You...
149 bpm • B min • 02:54 • -14.09db
24% Popularity • 62% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
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Tanya Tucker
Let Me Be There
129 bpm • B Maj • 02:56 • -12.92db
20% Popularity • 61% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
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Tracy Byrd
You Lied To Me
129 bpm • A Maj • 02:55 • -6.98db
21% Popularity • 65% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
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Becky Hobbs
Cowgirl's Heart
129 bpm • A# Maj • 03:23 • -15.81db
6% Popularity • 68% Danceability • 28% Energy • 21% Liveness
0% Instrumentalness • 48% Positiveness
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Eddy Raven
In A Letter To You
129 bpm • C# Maj • 03:22 • -10db
36% Popularity • 75% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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The Hot Billys
Elvira
128 bpm • C Maj • 02:39 • -11.38db
26% Popularity • 86% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
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Faron Young
Country Girl
128 bpm • F Maj • 02:35 • -9.47db
33% Popularity • 60% Danceability • 44% Energy • 25% Liveness
0% Instrumentalness • 80% Positiveness
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Declan Nerney
Three Way Love Affair
128 bpm • C Maj • 03:11 • -5.07db
28% Popularity • 78% Danceability • 71% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
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George Ducas
In No Time At All
128 bpm • A# Maj • 03:08 • -6.85db
26% Popularity • 54% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
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Heather Myles
Playin' Every Honky Tonk In Town
128 bpm • D Maj • 02:39 • -5.06db
30% Popularity • 62% Danceability • 79% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
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Dwight Yoakam
Send a Message to My Heart
128 bpm • A# Maj • 03:15 • -7.81db
29% Popularity • 60% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Eddie Rabbitt
Drinkin' My Baby (Off My Mind) - 2009 Re...
128 bpm • E min • 02:25 • -7db
45% Popularity • 61% Danceability • 71% Energy • 31% Liveness
0% Instrumentalness • 87% Positiveness
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Ricky Skaggs
Crying My Heart Out Over You (excerpt)
128 bpm • G Maj • 02:58 • -9.54db
42% Popularity • 60% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Porter Wagoner
An Old Log Cabin for Sale
152 bpm • B Maj • 02:54 • -12.29db
9% Popularity • 52% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Johnny Duncan
Thinkin' of a Rendezvous - Single Versio...
127 bpm • A Maj • 03:22 • -9.9db
41% Popularity • 67% Danceability • 55% Energy • 27% Liveness
0% Instrumentalness • 79% Positiveness
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Heather Myles
Kiss An Angel Good Morning
128 bpm • E Maj • 02:34 • -5db
36% Popularity • 77% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 93% Positiveness
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Jim Reeves
Little Ole Dime
127 bpm • G Maj • 03:22 • -13.14db
33% Popularity • 59% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Tommy Overstreet
That's When My Woman Begins
127 bpm • G Maj • 02:36 • -16.39db
11% Popularity • 75% Danceability • 29% Energy • 12% Liveness
1% Instrumentalness • 90% Positiveness
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Ricky Skaggs
I Don't Care
127 bpm • F Maj • 02:16 • -10.18db
34% Popularity • 62% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Porter Wagoner
Cold Hard Facts Of Life
127 bpm • B Maj • 03:23 • -10.25db
13% Popularity • 69% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Martin Delray
I Let Love Do My Talkin'
127 bpm • G# Maj • 03:46 • -10db
12% Popularity • 82% Danceability • 65% Energy • 27% Liveness
0% Instrumentalness • 87% Positiveness
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Johnny Duncan
It Couldn't Have Been Any Better
126 bpm • G Maj • 03:02 • -12db
32% Popularity • 65% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 94% Positiveness
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The Dance