Songs like The Dark End of the Street by James Carr
Based on a tempo of (+/- 10%) and a similar genre
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James Carr
A Man Needs a Woman
75 bpm • G# Maj • 02:49 • -8db
28% Popularity • 55% Danceability • 37% Energy • 24% Liveness
0% Instrumentalness • 44% Positiveness
28% Popularity • 55% Danceability • 37% Energy • 24% Liveness
0% Instrumentalness • 44% Positiveness
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Swamp Dogg
I Was Born Blue
75 bpm • C Maj • 03:01 • -14.55db
18% Popularity • 70% Danceability • 38% Energy • 28% Liveness
0% Instrumentalness • 75% Positiveness
18% Popularity • 70% Danceability • 38% Energy • 28% Liveness
0% Instrumentalness • 75% Positiveness
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The Impressions
Man Oh Man
76 bpm • C# Maj • 03:12 • -11.05db
29% Popularity • 61% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
29% Popularity • 61% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Jimmy Hughes
Why Not Tonight
74 bpm • C# Maj • 03:01 • -9.83db
17% Popularity • 57% Danceability • 33% Energy • 10% Liveness
34% Instrumentalness • 57% Positiveness
17% Popularity • 57% Danceability • 33% Energy • 10% Liveness
34% Instrumentalness • 57% Positiveness
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Sharon Jones & The Dap-Kings
Pass Me By
74 bpm • B min • 03:20 • -11db
59% Popularity • 76% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
59% Popularity • 76% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Jimmy Holiday
The Turning Point
74 bpm • D Maj • 02:50 • -8.28db
12% Popularity • 52% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
12% Popularity • 52% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
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James Carr
The Dark End of the Street
76 bpm • G Maj • 02:33 • -8db
50% Popularity • 52% Danceability • 40% Energy • 11% Liveness
4% Instrumentalness • 36% Positiveness
50% Popularity • 52% Danceability • 40% Energy • 11% Liveness
4% Instrumentalness • 36% Positiveness
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Tony Ashly & The Delicates
All Along I've Loved You
74 bpm • F Maj • 03:14 • -8.99db
16% Popularity • 49% Danceability • 49% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
16% Popularity • 49% Danceability • 49% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
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Bill Wright
You're the Only Thing I've Got Going for...
74 bpm • D Maj • 03:00 • -12db
23% Popularity • 48% Danceability • 41% Energy • 24% Liveness
0% Instrumentalness • 53% Positiveness
23% Popularity • 48% Danceability • 41% Energy • 24% Liveness
0% Instrumentalness • 53% Positiveness
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Mitty Collier
My Babe
77 bpm • A min • 02:11 • -5.72db
30% Popularity • 48% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
30% Popularity • 48% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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Mable John
Left Over Love
77 bpm • C# Maj • 02:32 • -13.98db
12% Popularity • 66% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
12% Popularity • 66% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Laura Lee
I Need To Belong To Someone
72 bpm • D Maj • 02:25 • -15.19db
11% Popularity • 40% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
11% Popularity • 40% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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James Carr
The Dark End of the Street
76 bpm • G Maj • 02:34 • -8.69db
23% Popularity • 53% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
23% Popularity • 53% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Little Willie John
I'm Shakin'
72 bpm • F Maj • 02:31 • -14db
42% Popularity • 68% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
42% Popularity • 68% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Freddie Scott
Cry to Me
72 bpm • E Maj • 03:18 • -13.1db
17% Popularity • 46% Danceability • 22% Energy • 41% Liveness
0% Instrumentalness • 36% Positiveness
17% Popularity • 46% Danceability • 22% Energy • 41% Liveness
0% Instrumentalness • 36% Positiveness
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The Sweet Inspirations
Let It Be Me
78 bpm • F Maj • 02:41 • -22.6db
14% Popularity • 56% Danceability • 9% Energy • 15% Liveness
5% Instrumentalness • 46% Positiveness
14% Popularity • 56% Danceability • 9% Energy • 15% Liveness
5% Instrumentalness • 46% Positiveness
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Helene Smith
I Am Controlled By Your Love
79 bpm • B min • 03:07 • -6.83db
39% Popularity • 58% Danceability • 48% Energy • 11% Liveness
3% Instrumentalness • 46% Positiveness
39% Popularity • 58% Danceability • 48% Energy • 11% Liveness
3% Instrumentalness • 46% Positiveness
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Otis Clay
That's How It Is
79 bpm • B min • 03:41 • -7.02db
1% Popularity • 69% Danceability • 64% Energy • 10% Liveness
6% Instrumentalness • 75% Positiveness
1% Popularity • 69% Danceability • 64% Energy • 10% Liveness
6% Instrumentalness • 75% Positiveness
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James Carr
Everybody Needs Somebody
77 bpm • C Maj • 02:42 • -8.62db
11% Popularity • 65% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
11% Popularity • 65% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
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Sugar Pie DeSanto
Slip-In Mules
79 bpm • B Maj • 02:47 • -8.66db
43% Popularity • 81% Danceability • 52% Energy • 3% Liveness
0% Instrumentalness • 83% Positiveness
43% Popularity • 81% Danceability • 52% Energy • 3% Liveness
0% Instrumentalness • 83% Positiveness
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Syl Johnson
Wind, Blow Her Back My Way
71 bpm • F min • 02:25 • -9.23db
26% Popularity • 57% Danceability • 44% Energy • 17% Liveness
10% Instrumentalness • 62% Positiveness
26% Popularity • 57% Danceability • 44% Energy • 17% Liveness
10% Instrumentalness • 62% Positiveness
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Laura Lee
Another Man's Woman
79 bpm • F Maj • 02:39 • -13.18db
14% Popularity • 53% Danceability • 37% Energy • 60% Liveness
0% Instrumentalness • 76% Positiveness
14% Popularity • 53% Danceability • 37% Energy • 60% Liveness
0% Instrumentalness • 76% Positiveness
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The Sweet Inspirations
To Love Somebody
79 bpm • D Maj • 02:43 • -11.13db
12% Popularity • 57% Danceability • 35% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
12% Popularity • 57% Danceability • 35% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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Garnet Mimms & The Enchanters
Anytime You Want Me
79 bpm • F Maj • 02:58 • -11.6db
15% Popularity • 57% Danceability • 36% Energy • 60% Liveness
0% Instrumentalness • 38% Positiveness
15% Popularity • 57% Danceability • 36% Energy • 60% Liveness
0% Instrumentalness • 38% Positiveness
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James Carr
That's the Way Love Turned out for Me
77 bpm • G Maj • 03:18 • -7.49db
15% Popularity • 55% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
15% Popularity • 55% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
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Yvonne Fair
If I Knew
71 bpm • B min • 02:24 • -10.02db
18% Popularity • 63% Danceability • 37% Energy • 73% Liveness
0% Instrumentalness • 55% Positiveness
18% Popularity • 63% Danceability • 37% Energy • 73% Liveness
0% Instrumentalness • 55% Positiveness
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Baby Washington
I've Got A Feeling
79 bpm • G# Maj • 02:54 • -11db
29% Popularity • 58% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
29% Popularity • 58% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Lee Dorsey
Ya Ya
70 bpm • F Maj • 02:26 • -10.11db
36% Popularity • 76% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 86% Positiveness
36% Popularity • 76% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 86% Positiveness
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Willie Hightower
Back Road Into Town
80 bpm • C min • 03:49 • -9.78db
8% Popularity • 64% Danceability • 65% Energy • 69% Liveness
0% Instrumentalness • 93% Positiveness
8% Popularity • 64% Danceability • 65% Energy • 69% Liveness
0% Instrumentalness • 93% Positiveness
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Dozzy Daniel
Need Somebody
80 bpm • G# min • 03:57 • -5.22db
0% Popularity • 30% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
0% Popularity • 30% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
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Earl King
Those Lonely, Lonely Nights (1955)
70 bpm • A# Maj • 02:26 • -6.2db
16% Popularity • 44% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 47% Positiveness
16% Popularity • 44% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 47% Positiveness
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Garnet Mimms & The Enchanters
The Truth Hurts
80 bpm • G Maj • 02:38 • -12.75db
20% Popularity • 64% Danceability • 28% Energy • 24% Liveness
0% Instrumentalness • 42% Positiveness
20% Popularity • 64% Danceability • 28% Energy • 24% Liveness
0% Instrumentalness • 42% Positiveness
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James Carr
My Adorable One
80 bpm • C# Maj • 03:29 • -8.93db
14% Popularity • 54% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
14% Popularity • 54% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Spencer Wiggins
The Power of a Woman
81 bpm • C Maj • 03:34 • -8.25db
18% Popularity • 52% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
18% Popularity • 52% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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LaVern Baker
Soul on Fire
70 bpm • D# Maj • 03:05 • -12db
31% Popularity • 56% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
31% Popularity • 56% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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The Sweet Inspirations
Why (Am I Treated so Bad) - Single Versi...
81 bpm • E Maj • 02:49 • -23.55db
17% Popularity • 64% Danceability • 10% Energy • 12% Liveness
8% Instrumentalness • 58% Positiveness
17% Popularity • 64% Danceability • 10% Energy • 12% Liveness
8% Instrumentalness • 58% Positiveness
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The Impressions
Fool for You
81 bpm • D# min • 02:52 • -8db
37% Popularity • 46% Danceability • 66% Energy • 50% Liveness
0% Instrumentalness • 53% Positiveness
37% Popularity • 46% Danceability • 66% Energy • 50% Liveness
0% Instrumentalness • 53% Positiveness
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Detroit Emeralds
Baby Let Me Take You (In My Arms)
81 bpm • F# min • 03:50 • -9.15db
46% Popularity • 68% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
46% Popularity • 68% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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Johnny Adams
Part of Me
82 bpm • G# Maj • 02:55 • -13.64db
15% Popularity • 52% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
15% Popularity • 52% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Ann Sexton
You're Letting Me Down
82 bpm • A# Maj • 03:00 • -9.54db
13% Popularity • 63% Danceability • 32% Energy • 33% Liveness
9% Instrumentalness • 40% Positiveness
13% Popularity • 63% Danceability • 32% Energy • 33% Liveness
9% Instrumentalness • 40% Positiveness
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Freddie Scott
Let It Be Me
82 bpm • G Maj • 03:09 • -11.56db
7% Popularity • 47% Danceability • 37% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
7% Popularity • 47% Danceability • 37% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
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James Carr
Forgetting You
82 bpm • G# Maj • 02:54 • -7.23db
26% Popularity • 43% Danceability • 49% Energy • 90% Liveness
0% Instrumentalness • 54% Positiveness
26% Popularity • 43% Danceability • 49% Energy • 90% Liveness
0% Instrumentalness • 54% Positiveness
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The Impressions
It's All Right - Single Version
82 bpm • C# Maj • 02:47 • -15db
48% Popularity • 56% Danceability • 36% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
48% Popularity • 56% Danceability • 36% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
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The Persuasions
The Man In Me
82 bpm • C# min • 03:06 • -15.67db
14% Popularity • 54% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
14% Popularity • 54% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Caesar Nelson
Crying Eroticism
82 bpm • A min • 02:32 • -6.66db
14% Popularity • 81% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
14% Popularity • 81% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Clarence Reid
Don't Be a Fool
83 bpm • G min • 02:18 • -6.97db
19% Popularity • 50% Danceability • 58% Energy • 46% Liveness
0% Instrumentalness • 59% Positiveness
19% Popularity • 50% Danceability • 58% Energy • 46% Liveness
0% Instrumentalness • 59% Positiveness
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O.V. Wright
That's How Strong My Love Is
83 bpm • A min • 02:59 • -6.28db
24% Popularity • 52% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
24% Popularity • 52% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
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James Carr
Forgetting You
83 bpm • G# Maj • 02:57 • -7.19db
11% Popularity • 48% Danceability • 45% Energy • 81% Liveness
0% Instrumentalness • 56% Positiveness
11% Popularity • 48% Danceability • 45% Energy • 81% Liveness
0% Instrumentalness • 56% Positiveness
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The Delfonics
Ready or Not Here I Come (Can't Hide fro...
83 bpm • D# Maj • 01:59 • -6.22db
49% Popularity • 55% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
49% Popularity • 55% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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Aaron Neville
Over You
83 bpm • B min • 02:18 • -11.7db
20% Popularity • 51% Danceability • 54% Energy • 36% Liveness
0% Instrumentalness • 91% Positiveness
20% Popularity • 51% Danceability • 54% Energy • 36% Liveness
0% Instrumentalness • 91% Positiveness
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Garnet Mimms & The Enchanters
For Your Precious Love
83 bpm • D Maj • 03:03 • -14.42db
26% Popularity • 35% Danceability • 24% Energy • 22% Liveness
0% Instrumentalness • 24% Positiveness
26% Popularity • 35% Danceability • 24% Energy • 22% Liveness
0% Instrumentalness • 24% Positiveness
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Johnny "Guitar" Watson
Cuttin' In
83 bpm • A# Maj • 03:15 • -7.91db
28% Popularity • 53% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 53% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Doris Troy
One More Chance
83 bpm • C Maj • 02:26 • -9.17db
15% Popularity • 52% Danceability • 42% Energy • 66% Liveness
0% Instrumentalness • 61% Positiveness
15% Popularity • 52% Danceability • 42% Energy • 66% Liveness
0% Instrumentalness • 61% Positiveness
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James Carr
Life Turned Her That Way
83 bpm • D Maj • 02:38 • -6.22db
8% Popularity • 35% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
8% Popularity • 35% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Magic Sam
My Love Will Never Die
67 bpm • D min • 04:11 • -11.77db
4% Popularity • 46% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
4% Popularity • 46% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Smiley Lewis
I Hear You Knocking
83 bpm • D# Maj • 02:45 • -11db
37% Popularity • 35% Danceability • 46% Energy • 20% Liveness
3% Instrumentalness • 86% Positiveness
37% Popularity • 35% Danceability • 46% Energy • 20% Liveness
3% Instrumentalness • 86% Positiveness
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Jimmy Hughes
I Like Everything About You
83 bpm • A# Maj • 02:54 • -14.69db
30% Popularity • 40% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
30% Popularity • 40% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Ben E. King
It's All Over
84 bpm • F Maj • 03:17 • -11.94db
19% Popularity • 52% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
19% Popularity • 52% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
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Barbara & The Browns
Can't Find No Happiness
85 bpm • C min • 02:17 • -9.85db
12% Popularity • 51% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
12% Popularity • 51% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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James Carr
To Love Somebody
83 bpm • A# Maj • 03:18 • -7.78db
25% Popularity • 42% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
25% Popularity • 42% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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Lou Rawls
Tobacco Road - 2006 Remaster
85 bpm • C Maj • 04:01 • -8.08db
25% Popularity • 52% Danceability • 20% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
25% Popularity • 52% Danceability • 20% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
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Johnny Adams
A Losing Battle
86 bpm • A# Maj • 02:50 • -13db
13% Popularity • 54% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
13% Popularity • 54% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Lee Moses
Every Boy and Girl
86 bpm • C min • 02:41 • -11.37db
15% Popularity • 41% Danceability • 44% Energy • 27% Liveness
0% Instrumentalness • 36% Positiveness
15% Popularity • 41% Danceability • 44% Energy • 27% Liveness
0% Instrumentalness • 36% Positiveness
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The James Hunter Six
(Baby) Hold On
86 bpm • F min • 02:45 • -5db
45% Popularity • 69% Danceability • 75% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
45% Popularity • 69% Danceability • 75% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
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Edd Henry
Crooked Woman
86 bpm • A# min • 02:53 • -3.93db
18% Popularity • 39% Danceability • 82% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
18% Popularity • 39% Danceability • 82% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
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Garnet Mimms & The Enchanters
Baby Don't You Weep
87 bpm • D Maj • 03:29 • -11.48db
17% Popularity • 43% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
17% Popularity • 43% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Sharon Jones & The Dap-Kings
Just Give Me Your Time
64 bpm • G min • 02:29 • -10.96db
34% Popularity • 33% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
34% Popularity • 33% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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Johnny Adams
Real Live Living Hurtin' Man
86 bpm • E Maj • 03:09 • -12.01db
14% Popularity • 59% Danceability • 50% Energy • 30% Liveness
3% Instrumentalness • 75% Positiveness
14% Popularity • 59% Danceability • 50% Energy • 30% Liveness
3% Instrumentalness • 75% Positiveness
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Freddie Scott
He Ain't Give You None
88 bpm • A Maj • 02:54 • -6.89db
19% Popularity • 73% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
19% Popularity • 73% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Sugar Pie DeSanto
Soulful Dress
88 bpm • G min • 02:49 • -9.78db
50% Popularity • 77% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
50% Popularity • 77% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
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The Coasters
Shoppin' for Clothes - 2007 Remaster Ste...
89 bpm • G min • 02:58 • -14.01db
18% Popularity • 64% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
18% Popularity • 64% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
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Garnet Mimms & The Enchanters
Until You Were Gone
88 bpm • F Maj • 03:21 • -10.73db
15% Popularity • 43% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
15% Popularity • 43% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Syl Johnson
Let Yourself Go
88 bpm • G# Maj • 03:11 • -10.07db
35% Popularity • 66% Danceability • 54% Energy • 12% Liveness
4% Instrumentalness • 54% Positiveness
35% Popularity • 66% Danceability • 54% Energy • 12% Liveness
4% Instrumentalness • 54% Positiveness
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Johnny Adams
Georgia Morning Dew
87 bpm • D Maj • 03:17 • -11.17db
32% Popularity • 53% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
32% Popularity • 53% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
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Jean Knight
You Think You're Hot Stuff
89 bpm • G# Maj • 02:29 • -13.2db
29% Popularity • 81% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
29% Popularity • 81% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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The Supremes
My World Is Empty Without You
89 bpm • F# min • 02:34 • -9.38db
50% Popularity • 47% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
50% Popularity • 47% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Swamp Dogg
Synthetic World
89 bpm • A# Maj • 03:25 • -16db
37% Popularity • 79% Danceability • 34% Energy • 13% Liveness
1% Instrumentalness • 88% Positiveness
37% Popularity • 79% Danceability • 34% Energy • 13% Liveness
1% Instrumentalness • 88% Positiveness
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James Carr
Life Turned Her That Way
89 bpm • D Maj • 02:57 • -8.21db
13% Popularity • 36% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
13% Popularity • 36% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Four Tops
7-Rooms Of Gloom
89 bpm • D# min • 02:34 • -8.55db
32% Popularity • 45% Danceability • 69% Energy • 27% Liveness
0% Instrumentalness • 87% Positiveness
32% Popularity • 45% Danceability • 69% Energy • 27% Liveness
0% Instrumentalness • 87% Positiveness
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Johnny Adams
Release Me
88 bpm • A# Maj • 02:50 • -12.1db
23% Popularity • 36% Danceability • 40% Energy • 42% Liveness
0% Instrumentalness • 29% Positiveness
23% Popularity • 36% Danceability • 40% Energy • 42% Liveness
0% Instrumentalness • 29% Positiveness
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Lee Dorsey
Get out of My Life Woman
90 bpm • F# Maj • 02:26 • -11db
44% Popularity • 84% Danceability • 38% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
44% Popularity • 84% Danceability • 38% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
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Roy C
I'll Never Leave You Lonely
90 bpm • C Maj • 03:04 • -9.61db
23% Popularity • 59% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
23% Popularity • 59% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Otis Clay
I Can't Make It Alone
90 bpm • C Maj • 02:55 • -7.79db
0% Popularity • 57% Danceability • 59% Energy • 16% Liveness
20% Instrumentalness • 60% Positiveness
0% Popularity • 57% Danceability • 59% Energy • 16% Liveness
20% Instrumentalness • 60% Positiveness
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James Carr
Gonna Send You Back to Georgia
89 bpm • G# Maj • 02:17 • -5.89db
18% Popularity • 69% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
18% Popularity • 69% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
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Fontella Bass
Baby What You Want Me To Do
90 bpm • A# Maj • 03:13 • -7.51db
14% Popularity • 82% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
14% Popularity • 82% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Betty Wright
Clean up Woman
90 bpm • F Maj • 02:49 • -9.05db
56% Popularity • 86% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
56% Popularity • 86% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Jimmy Hughes
Midnight Affair
90 bpm • C# Maj • 02:30 • -8.02db
17% Popularity • 62% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
17% Popularity • 62% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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The Impressions
For Your Precious Love
91 bpm • C# Maj • 02:45 • -8.12db
44% Popularity • 37% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
44% Popularity • 37% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
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Bettye Swann
Then You Can Tell Me Goodbye
91 bpm • B Maj • 03:46 • -18db
51% Popularity • 50% Danceability • 15% Energy • 10% Liveness
1% Instrumentalness • 45% Positiveness
51% Popularity • 50% Danceability • 15% Energy • 10% Liveness
1% Instrumentalness • 45% Positiveness
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Nina Simone
To Love Somebody
91 bpm • A Maj • 02:38 • -10.93db
54% Popularity • 55% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
54% Popularity • 55% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Dozzy Daniel
To Love Somebody Confession
91 bpm • G# Maj • 00:58 • -8.02db
2% Popularity • 50% Danceability • 63% Energy • 32% Liveness
1% Instrumentalness • 65% Positiveness
2% Popularity • 50% Danceability • 63% Energy • 32% Liveness
1% Instrumentalness • 65% Positiveness
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Mickey Murray
Lonely Room - Remastered 2022
91 bpm • A# Maj • 02:27 • -6.78db
7% Popularity • 57% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
7% Popularity • 57% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Baby Huey
Hard Times
91 bpm • A min • 03:23 • -5.82db
51% Popularity • 66% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
51% Popularity • 66% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Fontella Bass
I'm A Woman
92 bpm • C min • 02:28 • -9.76db
20% Popularity • 60% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
20% Popularity • 60% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
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Syl Johnson
I Hear the Love Chimes
92 bpm • G# min • 02:44 • -10.2db
47% Popularity • 77% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
47% Popularity • 77% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Solomon Burke
Can't Nobody Love You
92 bpm • F Maj • 02:33 • -9.66db
43% Popularity • 61% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
43% Popularity • 61% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Otis Clay
You Can't Keep Running From My Love
92 bpm • D# Maj • 02:51 • -6.7db
0% Popularity • 63% Danceability • 48% Energy • 32% Liveness
49% Instrumentalness • 62% Positiveness
0% Popularity • 63% Danceability • 48% Energy • 32% Liveness
49% Instrumentalness • 62% Positiveness
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Johnny "Guitar" Watson
Those Lonely, Lonely Nights
93 bpm • E Maj • 02:49 • -8db
26% Popularity • 75% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
26% Popularity • 75% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness