Songs like The Day You Went Away by The Rubens
Based on a tempo of (+/- 10%) and a similar genre
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Peking Duk
Sugar
97 bpm • G# Maj • 03:11 • -5.93db
43% Popularity • 53% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 47% Positiveness
43% Popularity • 53% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 47% Positiveness
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The Rubens
Apple
97 bpm • E Maj • 03:07 • -5.48db
19% Popularity • 60% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
19% Popularity • 60% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Maddy Jane
Unwritten - triple j Like A Version
97 bpm • A# Maj • 03:49 • -5.34db
31% Popularity • 54% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
31% Popularity • 54% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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The Preatures
Ordinary
97 bpm • B min • 03:48 • -8db
28% Popularity • 62% Danceability • 71% Energy • 29% Liveness
0% Instrumentalness • 51% Positiveness
28% Popularity • 62% Danceability • 71% Energy • 29% Liveness
0% Instrumentalness • 51% Positiveness
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Middle Kids
Never Start
97 bpm • C Maj • 03:17 • -5db
38% Popularity • 45% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
38% Popularity • 45% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Urthboy
The Arrow
96 bpm • G min • 04:10 • -9.01db
31% Popularity • 73% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
31% Popularity • 73% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Tyne-James Organ
Something New
97 bpm • B min • 03:30 • -5db
24% Popularity • 55% Danceability • 97% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
24% Popularity • 55% Danceability • 97% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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Art of Sleeping
If Only You Could Ease My Mind
98 bpm • D min • 03:36 • -6.97db
46% Popularity • 55% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
46% Popularity • 55% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Hilltop Hoods
Chase That Feeling
98 bpm • A min • 03:29 • -5db
54% Popularity • 61% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
54% Popularity • 61% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Shag Rock
Deep Froth
98 bpm • B Maj • 03:22 • -9.36db
42% Popularity • 68% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
42% Popularity • 68% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Meg Mac
Low Blows
98 bpm • G# Maj • 03:32 • -6db
40% Popularity • 71% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
40% Popularity • 71% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Death by Denim
Watermelon Sugar - triple j Like A Versi...
98 bpm • C Maj • 03:21 • -10.01db
34% Popularity • 46% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 48% Positiveness
34% Popularity • 46% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 48% Positiveness
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The Rubens
Explosions
96 bpm • C Maj • 02:37 • -5db
20% Popularity • 64% Danceability • 82% Energy • 52% Liveness
0% Instrumentalness • 69% Positiveness
20% Popularity • 64% Danceability • 82% Energy • 52% Liveness
0% Instrumentalness • 69% Positiveness
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Faker
Hurricane
96 bpm • C# min • 03:19 • -2.07db
34% Popularity • 41% Danceability • 91% Energy • 28% Liveness
4% Instrumentalness • 59% Positiveness
34% Popularity • 41% Danceability • 91% Energy • 28% Liveness
4% Instrumentalness • 59% Positiveness
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Hilltop Hoods
Clark Griswold
96 bpm • A# min • 03:48 • -5.75db
50% Popularity • 82% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
50% Popularity • 82% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Ruby Fields
Trouble
95 bpm • C Maj • 02:24 • -5db
39% Popularity • 41% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
39% Popularity • 41% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
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E^ST
Get Money!
96 bpm • F min • 03:19 • -8.46db
20% Popularity • 62% Danceability • 56% Energy • 69% Liveness
0% Instrumentalness • 68% Positiveness
20% Popularity • 62% Danceability • 56% Energy • 69% Liveness
0% Instrumentalness • 68% Positiveness
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Seth Sentry
Dear Science
95 bpm • G Maj • 04:10 • -6.62db
42% Popularity • 58% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
42% Popularity • 58% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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Alex Lahey
I Haven’t Been Taking Care Of Myself
95 bpm • A# Maj • 03:46 • -4.39db
33% Popularity • 54% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
33% Popularity • 54% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Art of Sleeping
Bleeding Out
95 bpm • A Maj • 03:26 • -6.66db
28% Popularity • 49% Danceability • 86% Energy • 16% Liveness
32% Instrumentalness • 70% Positiveness
28% Popularity • 49% Danceability • 86% Energy • 16% Liveness
32% Instrumentalness • 70% Positiveness
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The Rubens
Million Man
99 bpm • A Maj • 03:12 • -5.61db
38% Popularity • 47% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
38% Popularity • 47% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Ball Park Music
It's Nice to Be Alive
94 bpm • G# Maj • 03:28 • -7db
50% Popularity • 45% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
50% Popularity • 45% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Meg Mac
Never Be
100 bpm • A# min • 04:13 • -8.2db
39% Popularity • 57% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
39% Popularity • 57% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Peking Duk
Fire
100 bpm • C# min • 03:46 • -2.74db
52% Popularity • 68% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
52% Popularity • 68% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Hein Cooper
Like That
100 bpm • C Maj • 03:26 • -7.14db
23% Popularity • 65% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
23% Popularity • 65% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Art of Sleeping
Above The Water
94 bpm • A Maj • 03:41 • -5.49db
23% Popularity • 52% Danceability • 63% Energy • 5% Liveness
0% Instrumentalness • 28% Positiveness
23% Popularity • 52% Danceability • 63% Energy • 5% Liveness
0% Instrumentalness • 28% Positiveness
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Gang of Youths
What Can I Do If the Fire Goes Out?
100 bpm • D Maj • 04:55 • -3.5db
45% Popularity • 40% Danceability • 99% Energy • 6% Liveness
15% Instrumentalness • 10% Positiveness
45% Popularity • 40% Danceability • 99% Energy • 6% Liveness
15% Instrumentalness • 10% Positiveness
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The Rubens
Time Of My Life
95 bpm • D Maj • 02:35 • -5db
36% Popularity • 49% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
36% Popularity • 49% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Ball Park Music
The Perfect Life Does Not Exist
94 bpm • F# Maj • 03:21 • -7.49db
37% Popularity • 44% Danceability • 65% Energy • 37% Liveness
0% Instrumentalness • 45% Positiveness
37% Popularity • 44% Danceability • 65% Energy • 37% Liveness
0% Instrumentalness • 45% Positiveness
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Spacey Jane
Weightless
100 bpm • C Maj • 04:11 • -4.63db
48% Popularity • 49% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
48% Popularity • 49% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Seth Sentry
Float Away
100 bpm • G Maj • 03:14 • -8db
47% Popularity • 72% Danceability • 77% Energy • 35% Liveness
0% Instrumentalness • 69% Positiveness
47% Popularity • 72% Danceability • 77% Energy • 35% Liveness
0% Instrumentalness • 69% Positiveness
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Oriental Cravings
Never Ever - Oriental Cravings Remix
100 bpm • C# min • 04:41 • -3.42db
1% Popularity • 84% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
1% Popularity • 84% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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The Terrys
Good Day
100 bpm • C# min • 03:08 • -5.99db
44% Popularity • 71% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
44% Popularity • 71% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Birds Of Tokyo
The Greatest Mistakes
100 bpm • G Maj • 02:34 • -4.69db
40% Popularity • 63% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
40% Popularity • 63% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Jack River
Adolescent
100 bpm • G Maj • 02:44 • -5db
23% Popularity • 55% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
23% Popularity • 55% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Cub Sport
Chasin'
94 bpm • F Maj • 03:11 • -6.4db
40% Popularity • 47% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
40% Popularity • 47% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Sycco
Dribble
94 bpm • B min • 04:00 • -5.92db
49% Popularity • 58% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
49% Popularity • 58% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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The Jungle Giants
Come and Be Alone With Me
94 bpm • A Maj • 03:06 • -5.4db
46% Popularity • 67% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
46% Popularity • 67% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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The Terrys
Hopscotch
94 bpm • E Maj • 03:39 • -5.65db
43% Popularity • 51% Danceability • 84% Energy • 31% Liveness
0% Instrumentalness • 73% Positiveness
43% Popularity • 51% Danceability • 84% Energy • 31% Liveness
0% Instrumentalness • 73% Positiveness
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Bootleg Rascal
Drop The Gun
94 bpm • B min • 03:52 • -3.52db
40% Popularity • 59% Danceability • 85% Energy • 35% Liveness
28% Instrumentalness • 46% Positiveness
40% Popularity • 59% Danceability • 85% Energy • 35% Liveness
28% Instrumentalness • 46% Positiveness
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Matt Corby
Brother
100 bpm • A Maj • 04:14 • -4.93db
57% Popularity • 66% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
57% Popularity • 66% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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Eves Karydas
Couch
100 bpm • F Maj • 03:34 • -7db
31% Popularity • 70% Danceability • 64% Energy • 11% Liveness
6% Instrumentalness • 30% Positiveness
31% Popularity • 70% Danceability • 64% Energy • 11% Liveness
6% Instrumentalness • 30% Positiveness
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Vera Blue
Regular Touch
94 bpm • G# min • 03:28 • -7.84db
49% Popularity • 62% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
49% Popularity • 62% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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The Jungle Giants
She's a Riot
100 bpm • G Maj • 03:41 • -3.8db
59% Popularity • 49% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
59% Popularity • 49% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Baker Boy
Move
101 bpm • F min • 02:46 • -3.88db
36% Popularity • 72% Danceability • 90% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
36% Popularity • 72% Danceability • 90% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
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Lime Cordiale
Inappropriate Behaviour
93 bpm • C Maj • 04:13 • -8.47db
57% Popularity • 61% Danceability • 73% Energy • 12% Liveness
1% Instrumentalness • 68% Positiveness
57% Popularity • 61% Danceability • 73% Energy • 12% Liveness
1% Instrumentalness • 68% Positiveness
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Thirsty Merc
20 Good Reasons
93 bpm • C# Maj • 03:49 • -5db
50% Popularity • 42% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 15% Positiveness
50% Popularity • 42% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 15% Positiveness
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Gang of Youths
Magnolia
92 bpm • F# Maj • 05:11 • -6.99db
52% Popularity • 43% Danceability • 66% Energy • 10% Liveness
1% Instrumentalness • 32% Positiveness
52% Popularity • 43% Danceability • 66% Energy • 10% Liveness
1% Instrumentalness • 32% Positiveness
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Ocean Alley
Touch Back Down
102 bpm • F Maj • 04:15 • -4.15db
50% Popularity • 50% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
50% Popularity • 50% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Sticky Fingers
Gold Snafu
102 bpm • C Maj • 03:38 • -5.97db
62% Popularity • 66% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
62% Popularity • 66% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Peking Duk
Fake Magic
102 bpm • E min • 02:47 • -2.98db
48% Popularity • 73% Danceability • 86% Energy • 63% Liveness
20% Instrumentalness • 70% Positiveness
48% Popularity • 73% Danceability • 86% Energy • 63% Liveness
20% Instrumentalness • 70% Positiveness
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L D R U
Keeping Score
92 bpm • F min • 03:02 • -6db
42% Popularity • 63% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
42% Popularity • 63% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Winston Surfshirt
Be About You
92 bpm • G# min • 04:08 • -10db
48% Popularity • 76% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
48% Popularity • 76% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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The Rubens
Woman Oh Woman
92 bpm • G Maj • 03:43 • -6.4db
16% Popularity • 66% Danceability • 72% Energy • 18% Liveness
1% Instrumentalness • 50% Positiveness
16% Popularity • 66% Danceability • 72% Energy • 18% Liveness
1% Instrumentalness • 50% Positiveness
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Polish Club
Come Party
92 bpm • F# min • 02:48 • -3.72db
23% Popularity • 42% Danceability • 97% Energy • 20% Liveness
1% Instrumentalness • 32% Positiveness
23% Popularity • 42% Danceability • 97% Energy • 20% Liveness
1% Instrumentalness • 32% Positiveness
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Pacific Avenue
Excuse Me
92 bpm • C# min • 04:03 • -5db
48% Popularity • 43% Danceability • 92% Energy • 21% Liveness
9% Instrumentalness • 42% Positiveness
48% Popularity • 43% Danceability • 92% Energy • 21% Liveness
9% Instrumentalness • 42% Positiveness
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Shag Rock
Back in our Day
92 bpm • G# Maj • 03:56 • -7db
29% Popularity • 62% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
29% Popularity • 62% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
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Montaigne
Till It Kills Me
102 bpm • C Maj • 03:11 • -2.98db
29% Popularity • 57% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
29% Popularity • 57% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Missy Higgins
Scar
92 bpm • C Maj • 03:33 • -5.67db
56% Popularity • 65% Danceability • 79% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
56% Popularity • 65% Danceability • 79% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
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Bluejuice
Work
103 bpm • D# Maj • 02:47 • -5.59db
30% Popularity • 67% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
30% Popularity • 67% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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Didirri
Blue Mood Rising
103 bpm • E Maj • 02:53 • -10db
35% Popularity • 58% Danceability • 50% Energy • 11% Liveness
2% Instrumentalness • 81% Positiveness
35% Popularity • 58% Danceability • 50% Energy • 11% Liveness
2% Instrumentalness • 81% Positiveness
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The Rubens
Back To Back
103 bpm • A Maj • 03:14 • -4.47db
21% Popularity • 71% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
21% Popularity • 71% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
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Birds Of Tokyo
Plans
103 bpm • A# Maj • 03:38 • -9.39db
55% Popularity • 61% Danceability • 60% Energy • 34% Liveness
0% Instrumentalness • 28% Positiveness
55% Popularity • 61% Danceability • 60% Energy • 34% Liveness
0% Instrumentalness • 28% Positiveness
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Kim Churchill
Second Hand Car
103 bpm • E min • 03:41 • -5.57db
39% Popularity • 65% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
39% Popularity • 65% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Meg Mac
Bridges - triple j Like A Version
91 bpm • C min • 03:36 • -7.3db
32% Popularity • 54% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
32% Popularity • 54% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Hilltop Hoods
I Love It
91 bpm • B min • 03:46 • -6.28db
59% Popularity • 68% Danceability • 87% Energy • 30% Liveness
0% Instrumentalness • 52% Positiveness
59% Popularity • 68% Danceability • 87% Energy • 30% Liveness
0% Instrumentalness • 52% Positiveness
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Bluejuice
Facelift
91 bpm • D Maj • 02:08 • -4.27db
12% Popularity • 68% Danceability • 92% Energy • 9% Liveness
2% Instrumentalness • 96% Positiveness
12% Popularity • 68% Danceability • 92% Energy • 9% Liveness
2% Instrumentalness • 96% Positiveness
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South Summit
Sidelines
91 bpm • E Maj • 03:28 • -4.73db
38% Popularity • 48% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
38% Popularity • 48% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Art of Sleeping
Like A Thief
104 bpm • G Maj • 03:48 • -6.55db
14% Popularity • 49% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
14% Popularity • 49% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
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The Rubens
Live In Life
104 bpm • F min • 03:35 • -4.41db
46% Popularity • 67% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
46% Popularity • 67% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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Meg Mac
Maybe It’s My First Time
91 bpm • B min • 03:33 • -6.52db
33% Popularity • 70% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
33% Popularity • 70% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
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Mallrat
Better
104 bpm • C# Maj • 03:13 • -5db
39% Popularity • 56% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
39% Popularity • 56% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Ball Park Music
Spark Up!
104 bpm • G# Maj • 04:19 • -5.4db
30% Popularity • 61% Danceability • 89% Energy • 16% Liveness
4% Instrumentalness • 45% Positiveness
30% Popularity • 61% Danceability • 89% Energy • 16% Liveness
4% Instrumentalness • 45% Positiveness
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Old Mervs
Cellphone
90 bpm • C Maj • 02:58 • -7.6db
52% Popularity • 27% Danceability • 75% Energy • 22% Liveness
1% Instrumentalness • 45% Positiveness
52% Popularity • 27% Danceability • 75% Energy • 22% Liveness
1% Instrumentalness • 45% Positiveness
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Alice Ivy
Better Man
90 bpm • F min • 03:22 • -7db
25% Popularity • 68% Danceability • 53% Energy • 29% Liveness
16% Instrumentalness • 46% Positiveness
25% Popularity • 68% Danceability • 53% Energy • 29% Liveness
16% Instrumentalness • 46% Positiveness
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Hilltop Hoods
Won't Let You Down
90 bpm • D Maj • 04:27 • -9db
47% Popularity • 64% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
47% Popularity • 64% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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The Rubens
SOSO
90 bpm • C Maj • 02:32 • -5.13db
16% Popularity • 60% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
16% Popularity • 60% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Lime Cordiale
No Plans To Make Plans
90 bpm • F Maj • 04:18 • -10db
45% Popularity • 81% Danceability • 50% Energy • 69% Liveness
0% Instrumentalness • 71% Positiveness
45% Popularity • 81% Danceability • 50% Energy • 69% Liveness
0% Instrumentalness • 71% Positiveness
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Allday
Girl in the Sun
105 bpm • F Maj • 02:43 • -6.33db
43% Popularity • 88% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 71% Positiveness
43% Popularity • 88% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 71% Positiveness
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George Alice
Circles
105 bpm • C# min • 03:04 • -8.32db
39% Popularity • 53% Danceability • 53% Energy • 43% Liveness
0% Instrumentalness • 16% Positiveness
39% Popularity • 53% Danceability • 53% Energy • 43% Liveness
0% Instrumentalness • 16% Positiveness
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Spacey Jane
It's Been a Long Day
105 bpm • A# Maj • 04:04 • -6db
51% Popularity • 58% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
51% Popularity • 58% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Skegss
Up In The Clouds
105 bpm • C Maj • 02:29 • -9.25db
51% Popularity • 55% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
51% Popularity • 55% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
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The Rubens
Mary
90 bpm • C Maj • 03:12 • -6.04db
14% Popularity • 70% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
14% Popularity • 70% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Peking Duk
Stranger
105 bpm • C# min • 03:26 • -3.03db
50% Popularity • 53% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
50% Popularity • 53% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Tyne-James Organ
Naïve - triple j Like A Version
105 bpm • F# Maj • 03:04 • -8db
37% Popularity • 34% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
37% Popularity • 34% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Gang of Youths
The Heart Is a Muscle
107 bpm • B Maj • 05:23 • -5.27db
47% Popularity • 50% Danceability • 86% Energy • 28% Liveness
1% Instrumentalness • 40% Positiveness
47% Popularity • 50% Danceability • 86% Energy • 28% Liveness
1% Instrumentalness • 40% Positiveness
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Spacey Jane
Feeding the Family
105 bpm • C Maj • 04:44 • -4.65db
60% Popularity • 53% Danceability • 86% Energy • 18% Liveness
1% Instrumentalness • 57% Positiveness
60% Popularity • 53% Danceability • 86% Energy • 18% Liveness
1% Instrumentalness • 57% Positiveness
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Gretta Ray
Drive
106 bpm • A Maj • 05:02 • -9db
43% Popularity • 72% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
43% Popularity • 72% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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The Rubens
Heavy Weather
90 bpm • G# min • 03:25 • -4db
31% Popularity • 62% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
31% Popularity • 62% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
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Jack River
Fault Line
88 bpm • A Maj • 02:51 • -5.25db
38% Popularity • 49% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
38% Popularity • 49% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Thelma Plum
Woke Blokes
88 bpm • C min • 02:34 • -9db
35% Popularity • 80% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
35% Popularity • 80% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Lime Cordiale
Not That Easy
88 bpm • F min • 03:41 • -6db
49% Popularity • 60% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
49% Popularity • 60% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
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Birds Of Tokyo
Anchor
88 bpm • F Maj • 03:36 • -5db
42% Popularity • 60% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
42% Popularity • 60% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
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Drapht
Don Quixote
107 bpm • E min • 03:52 • -5.58db
45% Popularity • 87% Danceability • 87% Energy • 50% Liveness
0% Instrumentalness • 81% Positiveness
45% Popularity • 87% Danceability • 87% Energy • 50% Liveness
0% Instrumentalness • 81% Positiveness
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The Rubens
Go On
90 bpm • D Maj • 02:44 • -5db
18% Popularity • 76% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
18% Popularity • 76% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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E^ST
Life Goes On
107 bpm • C Maj • 03:30 • -6.02db
45% Popularity • 70% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
45% Popularity • 70% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Seth Sentry
Room For Rent
107 bpm • C# Maj • 03:19 • -7.1db
41% Popularity • 77% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
41% Popularity • 77% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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Thelma Plum
These Days
88 bpm • C Maj • 03:23 • -8.68db
43% Popularity • 55% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
43% Popularity • 55% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
