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The Doze Nose
Songs like
The Doze Nose
by
Jackalope
Based on a tempo of (+/- 10%) and a similar genre
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Adam Levy
Vermouth
134 bpm • C Maj • 03:46 • -14.34db
13% Popularity • 37% Danceability • 32% Energy • 16% Liveness
94% Instrumentalness • 48% Positiveness
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Jackalope
On the Loose
134 bpm • E Maj • 06:42 • -13.66db
0% Popularity • 54% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Freddie Colonal
Sinking Fears
134 bpm • G min • 01:52 • -22.33db
18% Popularity • 32% Danceability • 4% Energy • 10% Liveness
77% Instrumentalness • 33% Positiveness
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Joe Melnicove
Monday Night II
134 bpm • B min • 01:09 • -11.71db
11% Popularity • 21% Danceability • 34% Energy • 14% Liveness
2% Instrumentalness • 13% Positiveness
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Gard Nilssen Acoustic Unity
Dreignau
134 bpm • G min • 03:14 • -18.42db
12% Popularity • 55% Danceability • 24% Energy • 13% Liveness
87% Instrumentalness • 43% Positiveness
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David Friedman
Amiga
134 bpm • G Maj • 02:52 • -19.51db
19% Popularity • 61% Danceability • 13% Energy • 9% Liveness
85% Instrumentalness • 30% Positiveness
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Wadada Leo Smith
Central Park at Sunset
134 bpm • F min • 05:17 • -15.91db
22% Popularity • 38% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 18% Positiveness
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Jackalope
The Doze Nose
134 bpm • B Maj • 09:03 • -17.12db
1% Popularity • 43% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Arne Torvik Trio
For Roman
134 bpm • A min • 05:48 • -16.57db
11% Popularity • 44% Danceability • 28% Energy • 31% Liveness
77% Instrumentalness • 19% Positiveness
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Itamar Borochov
Dirge
134 bpm • G# min • 07:06 • -13.22db
8% Popularity • 33% Danceability • 42% Energy • 17% Liveness
70% Instrumentalness • 32% Positiveness
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Michael Olivera
Moaning por Bulerías
133 bpm • F min • 06:07 • -17.72db
9% Popularity • 42% Danceability • 40% Energy • 8% Liveness
89% Instrumentalness • 74% Positiveness
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Wajdi Riahi
Agree, Hypocrite or Leave
133 bpm • C Maj • 03:38 • -24.73db
11% Popularity • 37% Danceability • 9% Energy • 9% Liveness
78% Instrumentalness • 16% Positiveness
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Benson Kennedy
Arachnid
135 bpm • A# Maj • 03:45 • -16db
24% Popularity • 47% Danceability • 18% Energy • 13% Liveness
75% Instrumentalness • 7% Positiveness
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Jackalope
Chicken
133 bpm • F# min • 05:28 • -15.57db
0% Popularity • 42% Danceability • 25% Energy • 15% Liveness
3% Instrumentalness • 28% Positiveness
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Mary Halvorson Quartet
Jesodoth
135 bpm • C min • 01:51 • -15.57db
15% Popularity • 52% Danceability • 47% Energy • 14% Liveness
94% Instrumentalness • 60% Positiveness
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Elenata Harmony
Midnight Serenade, Pt. 4
133 bpm • A# min • 01:20 • -22.09db
18% Popularity • 75% Danceability • 2% Energy • 9% Liveness
87% Instrumentalness • 54% Positiveness
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New 4
Arms Arms
136 bpm • C# Maj • 07:21 • -14.48db
11% Popularity • 49% Danceability • 25% Energy • 9% Liveness
87% Instrumentalness • 27% Positiveness
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Scott McLemore
Knowing
135 bpm • C# Maj • 03:31 • -22.85db
14% Popularity • 55% Danceability • 14% Energy • 11% Liveness
86% Instrumentalness • 22% Positiveness
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Matīss Čudars
Bēniņu Ēniņā
132 bpm • D Maj • 04:37 • -17.58db
9% Popularity • 44% Danceability • 30% Energy • 10% Liveness
93% Instrumentalness • 16% Positiveness
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Wajdi Riahi
Akahaw
136 bpm • C min • 01:04 • -28.33db
20% Popularity • 55% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 47% Positiveness
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Julieta Eugenio
Sunday Stranger
136 bpm • G# Maj • 05:37 • -9.9db
7% Popularity • 47% Danceability • 39% Energy • 10% Liveness
6% Instrumentalness • 53% Positiveness
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Hamrå Orkester
Titlych
132 bpm • C min • 06:23 • -10.74db
7% Popularity • 47% Danceability • 52% Energy • 23% Liveness
80% Instrumentalness • 42% Positiveness
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Andrew Vogt
Awakening
136 bpm • A Maj • 03:00 • -15.6db
13% Popularity • 25% Danceability • 17% Energy • 11% Liveness
86% Instrumentalness • 8% Positiveness
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Ole Amund Gjersvik
Bare Barnet
132 bpm • G Maj • 03:20 • -38.65db
12% Popularity • 38% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 53% Positiveness
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Melissa Aldana
A Purpose
131 bpm • B min • 04:59 • -14.51db
20% Popularity • 56% Danceability • 29% Energy • 11% Liveness
89% Instrumentalness • 31% Positiveness
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Emil de Waal
Generøs
131 bpm • E min • 04:51 • -17.48db
10% Popularity • 37% Danceability • 29% Energy • 6% Liveness
21% Instrumentalness • 5% Positiveness
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Julieta Eugenio
Blue
131 bpm • E Maj • 09:03 • -13.98db
9% Popularity • 48% Danceability • 19% Energy • 11% Liveness
21% Instrumentalness • 21% Positiveness
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Srdjan Ivanovic
Fee Fee
131 bpm • A# min • 05:24 • -11.81db
8% Popularity • 41% Danceability • 43% Energy • 7% Liveness
96% Instrumentalness • 35% Positiveness
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Rêve D'éléphant Orchestra
Danse, danse, danse
131 bpm • G Maj • 09:25 • -12.49db
19% Popularity • 62% Danceability • 42% Energy • 10% Liveness
44% Instrumentalness • 45% Positiveness
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Travel Collective
OSAKA BRIDGES
138 bpm • F# Maj • 05:27 • -14.45db
0% Popularity • 39% Danceability • 26% Energy • 11% Liveness
96% Instrumentalness • 7% Positiveness
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Erlend Skomsvoll Trio
Rimfrost
138 bpm • A min • 08:02 • -21.66db
10% Popularity • 56% Danceability • 18% Energy • 11% Liveness
93% Instrumentalness • 48% Positiveness
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Willy Rodriguez
Guani
138 bpm • D Maj • 05:31 • -9.7db
8% Popularity • 40% Danceability • 71% Energy • 12% Liveness
83% Instrumentalness • 38% Positiveness
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Ethan Snyder
Faces of Intimacy
138 bpm • F Maj • 01:27 • -9.93db
14% Popularity • 45% Danceability • 69% Energy • 14% Liveness
89% Instrumentalness • 45% Positiveness
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David John Ricci
Hey! FlyBoy
130 bpm • G# Maj • 03:43 • -7.37db
13% Popularity • 30% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
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Zac Carson
Final Move
130 bpm • A Maj • 01:26 • -30.35db
21% Popularity • 49% Danceability • 7% Energy • 11% Liveness
96% Instrumentalness • 32% Positiveness
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Kei Matsumaru
interlude | ˈkænsl̩?
130 bpm • E min • 01:28 • -13.17db
8% Popularity • 48% Danceability • 41% Energy • 13% Liveness
90% Instrumentalness • 53% Positiveness
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Emiliano Lasansky
Dependence
130 bpm • B min • 05:44 • -9.38db
13% Popularity • 43% Danceability • 50% Energy • 11% Liveness
30% Instrumentalness • 27% Positiveness
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Dave Douglas
Gifts
130 bpm • E min • 10:54 • -10.6db
13% Popularity • 29% Danceability • 39% Energy • 9% Liveness
69% Instrumentalness • 8% Positiveness
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Piotr Szlempo
After Shave
130 bpm • F min • 04:46 • -9.87db
14% Popularity • 46% Danceability • 48% Energy • 22% Liveness
35% Instrumentalness • 59% Positiveness
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SONIC SCRIBE05
All About Jazz
129 bpm • D min • 01:55 • -7.26db
26% Popularity • 56% Danceability • 68% Energy • 25% Liveness
77% Instrumentalness • 62% Positiveness
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Hamrå Orkester
The Moon
139 bpm • D min • 05:55 • -12.82db
10% Popularity • 37% Danceability • 32% Energy • 11% Liveness
91% Instrumentalness • 21% Positiveness
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Jessica Williams
The Weapon of Truth
129 bpm • D Maj • 06:26 • -13.76db
9% Popularity • 54% Danceability • 45% Energy • 13% Liveness
85% Instrumentalness • 57% Positiveness
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Kathrine Windfeld
First Speech
139 bpm • C min • 07:18 • -11.36db
9% Popularity • 32% Danceability • 40% Energy • 12% Liveness
90% Instrumentalness • 12% Positiveness
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Äktaro
Mellan Branta Stränder
139 bpm • F# min • 02:24 • -22.6db
11% Popularity • 37% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 36% Positiveness
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Yoav Eshed
Sad Song For Happy Times
139 bpm • F Maj • 04:45 • -16.05db
12% Popularity • 40% Danceability • 40% Energy • 9% Liveness
91% Instrumentalness • 50% Positiveness
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Dayna Stephens
ESP
129 bpm • G min • 05:51 • -9.74db
13% Popularity • 46% Danceability • 46% Energy • 10% Liveness
23% Instrumentalness • 44% Positiveness
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Frank Cassara
Dharma
139 bpm • D Maj • 06:17 • -16.2db
9% Popularity • 38% Danceability • 28% Energy • 11% Liveness
46% Instrumentalness • 35% Positiveness
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Wajdi Riahi
Hymn to Stambeli
140 bpm • C Maj • 07:43 • -16.11db
10% Popularity • 40% Danceability • 46% Energy • 9% Liveness
93% Instrumentalness • 63% Positiveness
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John Zorn
Kedushah
128 bpm • F min • 09:59 • -13.12db
9% Popularity • 41% Danceability • 26% Energy • 10% Liveness
27% Instrumentalness • 15% Positiveness
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Lage Lund
Vashkar
128 bpm • B Maj • 04:15 • -14.85db
16% Popularity • 54% Danceability • 40% Energy • 13% Liveness
74% Instrumentalness • 50% Positiveness
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ピアノジャズ 贅沢
セレクト-リラックス
140 bpm • E min • 02:03 • -22.28db
17% Popularity • 78% Danceability • 16% Energy • 9% Liveness
91% Instrumentalness • 34% Positiveness
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Dayna Stephens
The Nomad
128 bpm • E Maj • 06:09 • -11.32db
11% Popularity • 49% Danceability • 38% Energy • 8% Liveness
12% Instrumentalness • 37% Positiveness
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Phil Slater
Heirloom
140 bpm • A min • 09:17 • -15.68db
8% Popularity • 48% Danceability • 29% Energy • 10% Liveness
89% Instrumentalness • 32% Positiveness
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John Denis
Chasing
140 bpm • C# min • 04:10 • -14.77db
9% Popularity • 56% Danceability • 45% Energy • 12% Liveness
39% Instrumentalness • 18% Positiveness
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Kjetil Mulelid
A Prayer for Peace
140 bpm • C min • 06:16 • -9.37db
14% Popularity • 20% Danceability • 37% Energy • 31% Liveness
70% Instrumentalness • 7% Positiveness
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Ed Partyka Jazz Orchestra
My One and Only Love
140 bpm • C Maj • 06:44 • -16.76db
21% Popularity • 26% Danceability • 12% Energy • 9% Liveness
17% Instrumentalness • 9% Positiveness
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Gard Nilssen Acoustic Unity
Spending Time with Ludvig
141 bpm • A# Maj • 04:03 • -15db
8% Popularity • 44% Danceability • 31% Energy • 10% Liveness
84% Instrumentalness • 58% Positiveness
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Dayna Stephens
Blue Poles
128 bpm • C# min • 03:59 • -11.21db
7% Popularity • 35% Danceability • 31% Energy • 10% Liveness
9% Instrumentalness • 11% Positiveness
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Roisel Suàrez
If I Were to lose you
128 bpm • G Maj • 05:17 • -11.95db
12% Popularity • 48% Danceability • 22% Energy • 13% Liveness
89% Instrumentalness • 10% Positiveness
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Félix Zurstrassen
Syatco
127 bpm • A# min • 02:11 • -9.94db
10% Popularity • 43% Danceability • 58% Energy • 13% Liveness
1% Instrumentalness • 51% Positiveness
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ピアノジャズ 贅沢
BGM-リラックス
141 bpm • G Maj • 02:02 • -22.66db
19% Popularity • 67% Danceability • 20% Energy • 10% Liveness
91% Instrumentalness • 25% Positiveness
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Travel Collective
RAIN IN SEOUL
141 bpm • C Maj • 05:19 • -9.5db
5% Popularity • 60% Danceability • 50% Energy • 14% Liveness
80% Instrumentalness • 34% Positiveness
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Lage Lund
Elephants
141 bpm • B Maj • 04:57 • -14.02db
9% Popularity • 33% Danceability • 44% Energy • 13% Liveness
89% Instrumentalness • 37% Positiveness
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Dayna Stephens
Bubbly
127 bpm • A Maj • 05:15 • -12.68db
12% Popularity • 48% Danceability • 37% Energy • 10% Liveness
8% Instrumentalness • 42% Positiveness
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Prism Quartet
Reflections: IV. Con La Primavera by Jos...
127 bpm • F min • 04:16 • -15.14db
11% Popularity • 40% Danceability • 8% Energy • 11% Liveness
84% Instrumentalness • 27% Positiveness
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Tony Glausi
natalia
141 bpm • D Maj • 06:30 • -17.69db
10% Popularity • 38% Danceability • 10% Energy • 9% Liveness
89% Instrumentalness • 9% Positiveness
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Chivicke
Love Away
127 bpm • A# min • 05:12 • -13.46db
13% Popularity • 30% Danceability • 18% Energy • 8% Liveness
1% Instrumentalness • 12% Positiveness
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Alexis Valet
Myrtle
142 bpm • F min • 05:27 • -9.84db
27% Popularity • 37% Danceability • 62% Energy • 13% Liveness
53% Instrumentalness • 57% Positiveness
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Patrick Bartley Trio
Featherdream
127 bpm • D Maj • 07:32 • -14.71db
9% Popularity • 52% Danceability • 11% Energy • 9% Liveness
6% Instrumentalness • 21% Positiveness
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Magnus Lindgren
Ps and Qs
142 bpm • A min • 06:30 • -15.73db
8% Popularity • 46% Danceability • 17% Energy • 10% Liveness
93% Instrumentalness • 47% Positiveness
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Fabrizio Savino
Wisdom
142 bpm • F min • 05:39 • -16db
12% Popularity • 42% Danceability • 41% Energy • 10% Liveness
96% Instrumentalness • 45% Positiveness
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Holger Marjamaa
Rush Hour
126 bpm • G# Maj • 06:36 • -12.66db
9% Popularity • 32% Danceability • 82% Energy • 14% Liveness
87% Instrumentalness • 77% Positiveness
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Maria Kannegaard Trio
Dokking - Live
142 bpm • G# Maj • 09:24 • -23.52db
8% Popularity • 41% Danceability • 15% Energy • 11% Liveness
88% Instrumentalness • 47% Positiveness
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Alessandro Collina
M° Kerpatenko
126 bpm • C Maj • 06:02 • -13.91db
14% Popularity • 67% Danceability • 21% Energy • 11% Liveness
50% Instrumentalness • 17% Positiveness
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Billy Mohler
Sorrow
142 bpm • E min • 01:18 • -18.52db
18% Popularity • 18% Danceability • 13% Energy • 13% Liveness
97% Instrumentalness • 18% Positiveness
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Magnus Lindgren
Shifting Dunes
126 bpm • E min • 05:33 • -15.95db
10% Popularity • 50% Danceability • 16% Energy • 13% Liveness
89% Instrumentalness • 40% Positiveness
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Dayna Stephens
Te
143 bpm • A Maj • 05:47 • -11.34db
7% Popularity • 37% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
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Mátyás Szandai Quartet
Nine Pines
143 bpm • A Maj • 02:58 • -10.63db
18% Popularity • 40% Danceability • 57% Energy • 10% Liveness
58% Instrumentalness • 43% Positiveness
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Thomas Sejthen Trio
Goodbye Charlie
126 bpm • B min • 02:23 • -33db
12% Popularity • 59% Danceability • 3% Energy • 11% Liveness
97% Instrumentalness • 32% Positiveness
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Nacho Maldonado
Wirikuta Wild
143 bpm • C Maj • 07:36 • -20.31db
11% Popularity • 38% Danceability • 17% Energy • 11% Liveness
77% Instrumentalness • 6% Positiveness
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Ansgar Striepens
Maybe Later Tonight
143 bpm • C Maj • 08:18 • -14.5db
27% Popularity • 45% Danceability • 31% Energy • 36% Liveness
72% Instrumentalness • 38% Positiveness
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Christian Spering
Pied à Terre
125 bpm • C min • 06:40 • -15.75db
14% Popularity • 44% Danceability • 26% Energy • 11% Liveness
68% Instrumentalness • 31% Positiveness
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Makiko Hirabayashi
Skorpio Recital
143 bpm • B Maj • 03:43 • -18.45db
10% Popularity • 41% Danceability • 50% Energy • 11% Liveness
86% Instrumentalness • 57% Positiveness
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Nicola Caminiti
Cloudy In(to) the Sky
125 bpm • A min • 04:13 • -10db
8% Popularity • 46% Danceability • 48% Energy • 12% Liveness
81% Instrumentalness • 39% Positiveness
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Erlend Skomsvoll Trio
Post Decision Blues
143 bpm • F min • 06:46 • -19.7db
9% Popularity • 54% Danceability • 12% Energy • 12% Liveness
82% Instrumentalness • 16% Positiveness
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Freddie Colonal
Indian Summer
125 bpm • G Maj • 00:56 • -21.41db
13% Popularity • 27% Danceability • 4% Energy • 9% Liveness
98% Instrumentalness • 73% Positiveness
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Jackalope
Darling Clementine
125 bpm • E min • 04:21 • -13.15db
0% Popularity • 41% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
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Martin Schack
The Dikers
144 bpm • B min • 04:51 • -16.72db
7% Popularity • 60% Danceability • 33% Energy • 11% Liveness
80% Instrumentalness • 49% Positiveness
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Lukmil Perez
Componedores
125 bpm • A Maj • 04:13 • -13.4db
8% Popularity • 73% Danceability • 42% Energy • 8% Liveness
92% Instrumentalness • 32% Positiveness
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Matīss Čudars
Medus Bauska
125 bpm • B Maj • 04:40 • -21.5db
11% Popularity • 53% Danceability • 35% Energy • 10% Liveness
86% Instrumentalness • 52% Positiveness
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Charlie Ballantine
Blues For Baltimorrow
125 bpm • C min • 04:25 • -12.41db
12% Popularity • 46% Danceability • 57% Energy • 10% Liveness
94% Instrumentalness • 40% Positiveness
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Tomasz Dąbrowski
Concerns
144 bpm • D Maj • 03:46 • -10.94db
13% Popularity • 49% Danceability • 44% Energy • 12% Liveness
71% Instrumentalness • 37% Positiveness
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Fabrizio Savino
Her Fears
125 bpm • G# Maj • 07:15 • -20.63db
11% Popularity • 46% Danceability • 21% Energy • 12% Liveness
93% Instrumentalness • 22% Positiveness
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Nicole Glover
The Fox
144 bpm • F# Maj • 04:47 • -7.45db
30% Popularity • 38% Danceability • 74% Energy • 11% Liveness
2% Instrumentalness • 60% Positiveness
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Larry Goldings
In Walked Bud
124 bpm • G# Maj • 04:57 • -12.17db
10% Popularity • 70% Danceability • 26% Energy • 7% Liveness
94% Instrumentalness • 19% Positiveness
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Dayna Stephens
Placate
124 bpm • F Maj • 04:12 • -16.03db
9% Popularity • 35% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Sebastian Sternal
Ancient Song
145 bpm • C# min • 03:15 • -17.27db
8% Popularity • 31% Danceability • 22% Energy • 12% Liveness
90% Instrumentalness • 20% Positiveness
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Erlend Skomsvoll Trio
Ambivertilismer
124 bpm • F min • 06:19 • -19.1db
10% Popularity • 75% Danceability • 22% Energy • 11% Liveness
91% Instrumentalness • 73% Positiveness
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Anna Lundqvist
Ashes to Fire
124 bpm • G# min • 03:40 • -10.21db
13% Popularity • 48% Danceability • 46% Energy • 11% Liveness
54% Instrumentalness • 41% Positiveness
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Andreas Polyzogopoulos
Ariadne's Scent
145 bpm • D min • 06:34 • -16.16db
11% Popularity • 28% Danceability • 14% Energy • 11% Liveness
88% Instrumentalness • 15% Positiveness
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The Doze Nose