Songs like The Elephant Never Forgets by Jean-Jacques Perrey
Based on a tempo of (+/- 10%) and a similar genre
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Jean-Jacques Perrey
The Elephant Never Forgets
93 bpm • D min • 02:29 • -11.74db
35% Popularity • 89% Danceability • 72% Energy • 9% Liveness
88% Instrumentalness • 93% Positiveness
35% Popularity • 89% Danceability • 72% Energy • 9% Liveness
88% Instrumentalness • 93% Positiveness
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Jon Jelmer
Hawaiian Breeze
93 bpm • B min • 01:05 • -13.17db
41% Popularity • 74% Danceability • 28% Energy • 14% Liveness
92% Instrumentalness • 33% Positiveness
41% Popularity • 74% Danceability • 28% Energy • 14% Liveness
92% Instrumentalness • 33% Positiveness
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Manfred Minnich
Waltzing Flutes - Remastered
93 bpm • A Maj • 02:10 • -7.76db
24% Popularity • 47% Danceability • 54% Energy • 36% Liveness
90% Instrumentalness • 63% Positiveness
24% Popularity • 47% Danceability • 54% Energy • 36% Liveness
90% Instrumentalness • 63% Positiveness
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Various Artists
Crème De La Crème
93 bpm • F Maj • 02:29 • -15.57db
18% Popularity • 34% Danceability • 32% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
18% Popularity • 34% Danceability • 32% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
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Charlie Chaplin
The Fight
93 bpm • C# Maj • 04:55 • -10db
11% Popularity • 74% Danceability • 46% Energy • 16% Liveness
62% Instrumentalness • 93% Positiveness
11% Popularity • 74% Danceability • 46% Energy • 16% Liveness
62% Instrumentalness • 93% Positiveness
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Manfred Minnich Strings
Waltzing Flutes
93 bpm • A Maj • 02:12 • -11db
35% Popularity • 46% Danceability • 42% Energy • 13% Liveness
83% Instrumentalness • 73% Positiveness
35% Popularity • 46% Danceability • 42% Energy • 13% Liveness
83% Instrumentalness • 73% Positiveness
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Dana Countryman
The Good Old Days
93 bpm • D Maj • 02:38 • -11.26db
5% Popularity • 86% Danceability • 44% Energy • 10% Liveness
4% Instrumentalness • 88% Positiveness
5% Popularity • 86% Danceability • 44% Energy • 10% Liveness
4% Instrumentalness • 88% Positiveness
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Perrey and Kingsley
Baroque Hoedown
93 bpm • F Maj • 02:27 • -15db
22% Popularity • 72% Danceability • 65% Energy • 5% Liveness
1% Instrumentalness • 93% Positiveness
22% Popularity • 72% Danceability • 65% Energy • 5% Liveness
1% Instrumentalness • 93% Positiveness
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Larry Robbins
Stars and Games
92 bpm • F Maj • 02:22 • -8.57db
18% Popularity • 72% Danceability • 54% Energy • 20% Liveness
74% Instrumentalness • 90% Positiveness
18% Popularity • 72% Danceability • 54% Energy • 20% Liveness
74% Instrumentalness • 90% Positiveness
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Jean-Jacques Perrey
Hello Dolly
92 bpm • D min • 02:00 • -10db
13% Popularity • 82% Danceability • 67% Energy • 6% Liveness
40% Instrumentalness • 78% Positiveness
13% Popularity • 82% Danceability • 67% Energy • 6% Liveness
40% Instrumentalness • 78% Positiveness
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Brian Bennett
Holy Mackerel!
94 bpm • A min • 02:20 • -14db
13% Popularity • 72% Danceability • 37% Energy • 31% Liveness
80% Instrumentalness • 95% Positiveness
13% Popularity • 72% Danceability • 37% Energy • 31% Liveness
80% Instrumentalness • 95% Positiveness
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Banda de Musica Escuela de Cadetes Policia Federal Argentina
Los Padrinos Magicos
94 bpm • D Maj • 01:35 • -7.13db
14% Popularity • 78% Danceability • 54% Energy • 3% Liveness
0% Instrumentalness • 86% Positiveness
14% Popularity • 78% Danceability • 54% Energy • 3% Liveness
0% Instrumentalness • 86% Positiveness
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Lalo Schifrin
Mission: Impossible
91 bpm • G min • 02:32 • -8.73db
38% Popularity • 60% Danceability • 79% Energy • 28% Liveness
93% Instrumentalness • 86% Positiveness
38% Popularity • 60% Danceability • 79% Energy • 28% Liveness
93% Instrumentalness • 86% Positiveness
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Perrey and Kingsley
Barnyard In Orbit
92 bpm • C Maj • 02:26 • -14.32db
16% Popularity • 74% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
16% Popularity • 74% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Terence Yucca
Curley Shirley
92 bpm • C# Maj • 02:57 • -13.28db
15% Popularity • 54% Danceability • 36% Energy • 16% Liveness
82% Instrumentalness • 58% Positiveness
15% Popularity • 54% Danceability • 36% Energy • 16% Liveness
82% Instrumentalness • 58% Positiveness
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DJ Magic
The Sorcerer's Apprentice...Back to Work
94 bpm • E min • 02:16 • -11.13db
0% Popularity • 37% Danceability • 42% Energy • 11% Liveness
85% Instrumentalness • 19% Positiveness
0% Popularity • 37% Danceability • 42% Energy • 11% Liveness
85% Instrumentalness • 19% Positiveness
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Jean-Jacques Perrey
The Rose And The Cross
92 bpm • A Maj • 02:39 • -14.51db
16% Popularity • 28% Danceability • 25% Energy • 8% Liveness
92% Instrumentalness • 22% Positiveness
16% Popularity • 28% Danceability • 25% Energy • 8% Liveness
92% Instrumentalness • 22% Positiveness
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King Palmer
Hackney Carriage
95 bpm • C Maj • 01:54 • -12.58db
18% Popularity • 70% Danceability • 33% Energy • 25% Liveness
25% Instrumentalness • 93% Positiveness
18% Popularity • 70% Danceability • 33% Energy • 25% Liveness
25% Instrumentalness • 93% Positiveness
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Dana Countryman
Harry's Rag
95 bpm • D Maj • 03:20 • -8.42db
8% Popularity • 88% Danceability • 62% Energy • 10% Liveness
16% Instrumentalness • 96% Positiveness
8% Popularity • 88% Danceability • 62% Energy • 10% Liveness
16% Instrumentalness • 96% Positiveness
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Gary Caroll
Mod Ghost
91 bpm • B Maj • 03:16 • -12.18db
3% Popularity • 66% Danceability • 61% Energy • 10% Liveness
62% Instrumentalness • 66% Positiveness
3% Popularity • 66% Danceability • 61% Energy • 10% Liveness
62% Instrumentalness • 66% Positiveness
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Bill Conti
Going The Distance
91 bpm • A min • 02:38 • -9.37db
63% Popularity • 47% Danceability • 60% Energy • 17% Liveness
83% Instrumentalness • 20% Positiveness
63% Popularity • 47% Danceability • 60% Energy • 17% Liveness
83% Instrumentalness • 20% Positiveness
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Ford Kinder
Opening The Cobra Strikes
91 bpm • G Maj • 01:05 • -10.09db
14% Popularity • 44% Danceability • 44% Energy • 29% Liveness
3% Instrumentalness • 81% Positiveness
14% Popularity • 44% Danceability • 44% Energy • 29% Liveness
3% Instrumentalness • 81% Positiveness
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Jean-Jacques Perrey
Barnyard in Orbit
95 bpm • C Maj • 02:16 • -17.19db
0% Popularity • 83% Danceability • 32% Energy • 6% Liveness
37% Instrumentalness • 92% Positiveness
0% Popularity • 83% Danceability • 32% Energy • 6% Liveness
37% Instrumentalness • 92% Positiveness
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Jon Jelmer
Hawaiian Breeze
95 bpm • B min • 01:02 • -20.08db
23% Popularity • 72% Danceability • 14% Energy • 16% Liveness
82% Instrumentalness • 39% Positiveness
23% Popularity • 72% Danceability • 14% Energy • 16% Liveness
82% Instrumentalness • 39% Positiveness
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Alan Moorhouse
Waltzing in Dreamland
91 bpm • C# Maj • 02:36 • -18db
19% Popularity • 24% Danceability • 13% Energy • 9% Liveness
71% Instrumentalness • 27% Positiveness
19% Popularity • 24% Danceability • 13% Energy • 9% Liveness
71% Instrumentalness • 27% Positiveness
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Franz Loeffler
Speaking Guitar - Remastered
90 bpm • G Maj • 02:11 • -8.01db
6% Popularity • 49% Danceability • 64% Energy • 6% Liveness
67% Instrumentalness • 88% Positiveness
6% Popularity • 49% Danceability • 64% Energy • 6% Liveness
67% Instrumentalness • 88% Positiveness
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Ivan Mladek
Twelfth Street Rag
96 bpm • C# Maj • 02:18 • -20db
31% Popularity • 63% Danceability • 16% Energy • 10% Liveness
88% Instrumentalness • 88% Positiveness
31% Popularity • 63% Danceability • 16% Energy • 10% Liveness
88% Instrumentalness • 88% Positiveness
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Kapono Beamer
On the Beach - Remastered
90 bpm • G Maj • 01:57 • -8.06db
36% Popularity • 39% Danceability • 63% Energy • 17% Liveness
90% Instrumentalness • 69% Positiveness
36% Popularity • 39% Danceability • 63% Energy • 17% Liveness
90% Instrumentalness • 69% Positiveness
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Jean-Jacques Perrey
You Moog Me
95 bpm • G Maj • 03:30 • -6.99db
4% Popularity • 56% Danceability • 78% Energy • 32% Liveness
11% Instrumentalness • 50% Positiveness
4% Popularity • 56% Danceability • 78% Energy • 32% Liveness
11% Instrumentalness • 50% Positiveness
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Ben Morfitt (SquidPhysics)
GTA III Theme
90 bpm • D min • 01:35 • -6.31db
37% Popularity • 57% Danceability • 78% Energy • 28% Liveness
0% Instrumentalness • 34% Positiveness
37% Popularity • 57% Danceability • 78% Energy • 28% Liveness
0% Instrumentalness • 34% Positiveness
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The Fly Guy Five
Tiny Pockets
96 bpm • C# Maj • 01:45 • -5.62db
27% Popularity • 85% Danceability • 59% Energy • 7% Liveness
81% Instrumentalness • 96% Positiveness
27% Popularity • 85% Danceability • 59% Energy • 7% Liveness
81% Instrumentalness • 96% Positiveness
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Kevin MacLeod
Carefree
96 bpm • F Maj • 03:25 • -20.02db
40% Popularity • 85% Danceability • 12% Energy • 11% Liveness
55% Instrumentalness • 64% Positiveness
40% Popularity • 85% Danceability • 12% Energy • 11% Liveness
55% Instrumentalness • 64% Positiveness
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Dana Countryman
Edith Von Aachenburg
90 bpm • A# Maj • 03:23 • -11.4db
6% Popularity • 81% Danceability • 23% Energy • 8% Liveness
16% Instrumentalness • 69% Positiveness
6% Popularity • 81% Danceability • 23% Energy • 8% Liveness
16% Instrumentalness • 69% Positiveness
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Chanfle Inc.
El Chavo del Ocho
96 bpm • A# Maj • 01:32 • -10.27db
28% Popularity • 72% Danceability • 59% Energy • 8% Liveness
79% Instrumentalness • 89% Positiveness
28% Popularity • 72% Danceability • 59% Energy • 8% Liveness
79% Instrumentalness • 89% Positiveness
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Lalo Schifrin
Magnum Force Theme
90 bpm • F min • 02:10 • -10db
35% Popularity • 47% Danceability • 51% Energy • 7% Liveness
90% Instrumentalness • 53% Positiveness
35% Popularity • 47% Danceability • 51% Energy • 7% Liveness
90% Instrumentalness • 53% Positiveness
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Heinz Kiessling
Temptation Sensation (Main Title)
96 bpm • A Maj • 02:52 • -8.23db
35% Popularity • 36% Danceability • 46% Energy • 14% Liveness
52% Instrumentalness • 35% Positiveness
35% Popularity • 36% Danceability • 46% Energy • 14% Liveness
52% Instrumentalness • 35% Positiveness
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Ennio Morricone
The Trio - Il Triello - Extended Version
97 bpm • D min • 07:14 • -3.08db
42% Popularity • 19% Danceability • 63% Energy • 19% Liveness
77% Instrumentalness • 15% Positiveness
42% Popularity • 19% Danceability • 63% Energy • 19% Liveness
77% Instrumentalness • 15% Positiveness
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Kevin MacLeod
Zazie
90 bpm • E Maj • 03:33 • -12.17db
9% Popularity • 78% Danceability • 44% Energy • 11% Liveness
71% Instrumentalness • 97% Positiveness
9% Popularity • 78% Danceability • 44% Energy • 11% Liveness
71% Instrumentalness • 97% Positiveness
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Sam Fonteyn
Galloping Gertie
97 bpm • B Maj • 01:08 • -11.3db
19% Popularity • 45% Danceability • 45% Energy • 31% Liveness
92% Instrumentalness • 96% Positiveness
19% Popularity • 45% Danceability • 45% Energy • 31% Liveness
92% Instrumentalness • 96% Positiveness
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Dick Walter
Mini Minuet
89 bpm • E Maj • 01:02 • -18.85db
27% Popularity • 56% Danceability • 18% Energy • 18% Liveness
97% Instrumentalness • 63% Positiveness
27% Popularity • 56% Danceability • 18% Energy • 18% Liveness
97% Instrumentalness • 63% Positiveness
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John Fiddy
Happy Whistler
89 bpm • G min • 01:46 • -7.89db
22% Popularity • 78% Danceability • 50% Energy • 8% Liveness
48% Instrumentalness • 85% Positiveness
22% Popularity • 78% Danceability • 50% Energy • 8% Liveness
48% Instrumentalness • 85% Positiveness
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The Mexicali Brass
El Choclo
97 bpm • G min • 02:40 • -15.66db
31% Popularity • 53% Danceability • 23% Energy • 10% Liveness
92% Instrumentalness • 65% Positiveness
31% Popularity • 53% Danceability • 23% Energy • 10% Liveness
92% Instrumentalness • 65% Positiveness
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Aedo Museo
Espartaco y el Sol Bajo el Mar (Instrume...
89 bpm • E min • 04:07 • -12.41db
8% Popularity • 63% Danceability • 80% Energy • 11% Liveness
86% Instrumentalness • 20% Positiveness
8% Popularity • 63% Danceability • 80% Energy • 11% Liveness
86% Instrumentalness • 20% Positiveness
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julie on the internet
hello blues (spongebob music)
97 bpm • A Maj • 01:18 • -7.49db
21% Popularity • 76% Danceability • 39% Energy • 8% Liveness
84% Instrumentalness • 92% Positiveness
21% Popularity • 76% Danceability • 39% Energy • 8% Liveness
84% Instrumentalness • 92% Positiveness
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Michal Ratkowski
Suburbia
89 bpm • G Maj • 01:03 • -7.71db
16% Popularity • 60% Danceability • 44% Energy • 23% Liveness
18% Instrumentalness • 94% Positiveness
16% Popularity • 60% Danceability • 44% Energy • 23% Liveness
18% Instrumentalness • 94% Positiveness
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Tony Hymas
Puff Along
98 bpm • G Maj • 02:29 • -16.27db
19% Popularity • 74% Danceability • 36% Energy • 38% Liveness
91% Instrumentalness • 91% Positiveness
19% Popularity • 74% Danceability • 36% Energy • 38% Liveness
91% Instrumentalness • 91% Positiveness
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Jean-Jacques Perrey
Frere Jacques
98 bpm • C# Maj • 04:12 • -5.87db
5% Popularity • 80% Danceability • 48% Energy • 9% Liveness
25% Instrumentalness • 42% Positiveness
5% Popularity • 80% Danceability • 48% Energy • 9% Liveness
25% Instrumentalness • 42% Positiveness
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Ben Morfitt (SquidPhysics)
Bully Theme
98 bpm • E min • 03:20 • -12.93db
27% Popularity • 68% Danceability • 35% Energy • 11% Liveness
55% Instrumentalness • 24% Positiveness
27% Popularity • 68% Danceability • 35% Energy • 11% Liveness
55% Instrumentalness • 24% Positiveness
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Cocktail Shakers
Girl from Petaluma
88 bpm • C# Maj • 01:03 • -8.47db
20% Popularity • 66% Danceability • 72% Energy • 12% Liveness
97% Instrumentalness • 66% Positiveness
20% Popularity • 66% Danceability • 72% Energy • 12% Liveness
97% Instrumentalness • 66% Positiveness
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Harry Breuer
Brazilian Chick
98 bpm • C Maj • 02:34 • -11.81db
2% Popularity • 78% Danceability • 44% Energy • 16% Liveness
55% Instrumentalness • 89% Positiveness
2% Popularity • 78% Danceability • 44% Energy • 16% Liveness
55% Instrumentalness • 89% Positiveness
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Billy Munn
Dream Away
98 bpm • F# Maj • 02:41 • -18db
27% Popularity • 40% Danceability • 21% Energy • 14% Liveness
88% Instrumentalness • 24% Positiveness
27% Popularity • 40% Danceability • 21% Energy • 14% Liveness
88% Instrumentalness • 24% Positiveness
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Mark Snow
Materia Primoris: The X-Files Theme (Mai...
88 bpm • A min • 03:22 • -17.66db
33% Popularity • 27% Danceability • 25% Energy • 16% Liveness
13% Instrumentalness • 6% Positiveness
33% Popularity • 27% Danceability • 25% Energy • 16% Liveness
13% Instrumentalness • 6% Positiveness
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Robert Sharples
Big Show Theme
87 bpm • F Maj • 01:59 • -9.8db
8% Popularity • 24% Danceability • 46% Energy • 6% Liveness
42% Instrumentalness • 62% Positiveness
8% Popularity • 24% Danceability • 46% Energy • 6% Liveness
42% Instrumentalness • 62% Positiveness
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Kevin MacLeod
Sneaky Snitch
87 bpm • D Maj • 02:16 • -22.76db
50% Popularity • 90% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 43% Positiveness
50% Popularity • 90% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 43% Positiveness
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Gil Flat
Wooden Bear
99 bpm • C Maj • 03:00 • -19.63db
35% Popularity • 91% Danceability • 4% Energy • 9% Liveness
22% Instrumentalness • 55% Positiveness
35% Popularity • 91% Danceability • 4% Energy • 9% Liveness
22% Instrumentalness • 55% Positiveness
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Tiny Tim
Livin' in the Sunlight, Lovin' in the Mo...
100 bpm • E Maj • 02:05 • -19.24db
52% Popularity • 60% Danceability • 28% Energy • 48% Liveness
0% Instrumentalness • 86% Positiveness
52% Popularity • 60% Danceability • 28% Energy • 48% Liveness
0% Instrumentalness • 86% Positiveness
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Redeemin'
Some Catalan Mysteries
87 bpm • F Maj • 02:17 • -14db
33% Popularity • 82% Danceability • 59% Energy • 12% Liveness
90% Instrumentalness • 97% Positiveness
33% Popularity • 82% Danceability • 59% Energy • 12% Liveness
90% Instrumentalness • 97% Positiveness
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John Fiddy
Walking the Dog
100 bpm • E min • 01:01 • -17.26db
17% Popularity • 82% Danceability • 45% Energy • 7% Liveness
74% Instrumentalness • 83% Positiveness
17% Popularity • 82% Danceability • 45% Energy • 7% Liveness
74% Instrumentalness • 83% Positiveness
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Ennio Morricone
El Éxtasis Del Oro - L'Estasi Dell'Oro ...
100 bpm • C Maj • 03:23 • -5.27db
26% Popularity • 14% Danceability • 71% Energy • 7% Liveness
77% Instrumentalness • 13% Positiveness
26% Popularity • 14% Danceability • 71% Energy • 7% Liveness
77% Instrumentalness • 13% Positiveness
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Gilbert Sigrist
Circus of Life
100 bpm • A min • 04:08 • -7.58db
1% Popularity • 47% Danceability • 55% Energy • 66% Liveness
13% Instrumentalness • 73% Positiveness
1% Popularity • 47% Danceability • 55% Energy • 66% Liveness
13% Instrumentalness • 73% Positiveness
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Joe E. Lee
Oahu Stargazing
100 bpm • G Maj • 02:09 • -7.06db
7% Popularity • 82% Danceability • 69% Energy • 38% Liveness
68% Instrumentalness • 74% Positiveness
7% Popularity • 82% Danceability • 69% Energy • 38% Liveness
68% Instrumentalness • 74% Positiveness
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The Simpsons
The Simpsons Main Title Theme (Extended ...
87 bpm • F Maj • 01:37 • -9db
19% Popularity • 47% Danceability • 52% Energy • 7% Liveness
33% Instrumentalness • 29% Positiveness
19% Popularity • 47% Danceability • 52% Energy • 7% Liveness
33% Instrumentalness • 29% Positiveness
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Tele Music
Lovers Theme
100 bpm • C min • 03:31 • -11.96db
18% Popularity • 63% Danceability • 52% Energy • 18% Liveness
11% Instrumentalness • 41% Positiveness
18% Popularity • 63% Danceability • 52% Energy • 18% Liveness
11% Instrumentalness • 41% Positiveness
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Bohoman
Gypsy
100 bpm • G Maj • 01:24 • -6.79db
29% Popularity • 95% Danceability • 61% Energy • 8% Liveness
82% Instrumentalness • 96% Positiveness
29% Popularity • 95% Danceability • 61% Energy • 8% Liveness
82% Instrumentalness • 96% Positiveness
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Dana Countryman
Pizzicato Samba
100 bpm • G Maj • 02:41 • -11.9db
15% Popularity • 83% Danceability • 84% Energy • 9% Liveness
71% Instrumentalness • 55% Positiveness
15% Popularity • 83% Danceability • 84% Energy • 9% Liveness
71% Instrumentalness • 55% Positiveness
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Lapso Producciones
Curiosidades
100 bpm • C Maj • 02:28 • -11.06db
10% Popularity • 65% Danceability • 39% Energy • 14% Liveness
46% Instrumentalness • 62% Positiveness
10% Popularity • 65% Danceability • 39% Energy • 14% Liveness
46% Instrumentalness • 62% Positiveness
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Laurie Johnson
Lonely Stranger
86 bpm • G# Maj • 02:22 • -15db
15% Popularity • 14% Danceability • 24% Energy • 8% Liveness
6% Instrumentalness • 3% Positiveness
15% Popularity • 14% Danceability • 24% Energy • 8% Liveness
6% Instrumentalness • 3% Positiveness
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Paddy Kingsland
Furtive Footsteps
100 bpm • C# Maj • 01:46 • -19.68db
8% Popularity • 53% Danceability • 2% Energy • 12% Liveness
91% Instrumentalness • 35% Positiveness
8% Popularity • 53% Danceability • 2% Energy • 12% Liveness
91% Instrumentalness • 35% Positiveness
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Peter Thomas Sound Orchester
Big Boss Theme
100 bpm • A# Maj • 02:18 • -7.76db
23% Popularity • 49% Danceability • 73% Energy • 42% Liveness
85% Instrumentalness • 65% Positiveness
23% Popularity • 49% Danceability • 73% Energy • 42% Liveness
85% Instrumentalness • 65% Positiveness
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Jean-Jacques Perrey
The Little Ships
101 bpm • C Maj • 02:19 • -10db
34% Popularity • 86% Danceability • 83% Energy • 34% Liveness
42% Instrumentalness • 99% Positiveness
34% Popularity • 86% Danceability • 83% Energy • 34% Liveness
42% Instrumentalness • 99% Positiveness
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De Vol
The Fuzz
101 bpm • F min • 02:33 • -12.25db
8% Popularity • 59% Danceability • 42% Energy • 13% Liveness
25% Instrumentalness • 83% Positiveness
8% Popularity • 59% Danceability • 42% Energy • 13% Liveness
25% Instrumentalness • 83% Positiveness
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The Dutch National Folk and Dance Orchestra
Horlepiep
101 bpm • F Maj • 01:42 • -11.19db
37% Popularity • 94% Danceability • 45% Energy • 4% Liveness
52% Instrumentalness • 98% Positiveness
37% Popularity • 94% Danceability • 45% Energy • 4% Liveness
52% Instrumentalness • 98% Positiveness
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Richard Myhill
Woe Is Me!
86 bpm • C Maj • 01:03 • -12.8db
35% Popularity • 25% Danceability • 19% Energy • 26% Liveness
84% Instrumentalness • 45% Positiveness
35% Popularity • 25% Danceability • 19% Energy • 26% Liveness
84% Instrumentalness • 45% Positiveness
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Paddy Kingsland
Tamariu
101 bpm • A min • 02:45 • -13.62db
11% Popularity • 40% Danceability • 20% Energy • 8% Liveness
13% Instrumentalness • 47% Positiveness
11% Popularity • 40% Danceability • 20% Energy • 8% Liveness
13% Instrumentalness • 47% Positiveness
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Ennio Morricone
Morale ipocrita borghese
85 bpm • A Maj • 02:48 • -11.1db
14% Popularity • 66% Danceability • 29% Energy • 8% Liveness
74% Instrumentalness • 35% Positiveness
14% Popularity • 66% Danceability • 29% Energy • 8% Liveness
74% Instrumentalness • 35% Positiveness
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Jean-Jacques Perrey
Cat In The Night
101 bpm • F min • 03:34 • -9.88db
21% Popularity • 52% Danceability • 79% Energy • 10% Liveness
53% Instrumentalness • 91% Positiveness
21% Popularity • 52% Danceability • 79% Energy • 10% Liveness
53% Instrumentalness • 91% Positiveness
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Heimo Rhonda
Sunshine in Hawaii
102 bpm • B Maj • 02:41 • -14db
28% Popularity • 60% Danceability • 49% Energy • 9% Liveness
81% Instrumentalness • 37% Positiveness
28% Popularity • 60% Danceability • 49% Energy • 9% Liveness
81% Instrumentalness • 37% Positiveness
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Silent Partner
Blue Skies
85 bpm • C Maj • 02:43 • -9.35db
24% Popularity • 67% Danceability • 60% Energy • 12% Liveness
92% Instrumentalness • 67% Positiveness
24% Popularity • 67% Danceability • 60% Energy • 12% Liveness
92% Instrumentalness • 67% Positiveness
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Gilbert Sigrist
La Funambule de l'Espace
102 bpm • F Maj • 02:42 • -12.81db
1% Popularity • 30% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
1% Popularity • 30% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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David Gold
Spanish Waltz
102 bpm • G min • 02:42 • -11.98db
8% Popularity • 36% Danceability • 42% Energy • 11% Liveness
93% Instrumentalness • 68% Positiveness
8% Popularity • 36% Danceability • 42% Energy • 11% Liveness
93% Instrumentalness • 68% Positiveness
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Little Jacob
Spider-Man 2 pizza theme
102 bpm • B Maj • 01:27 • -4.18db
46% Popularity • 70% Danceability • 16% Energy • 38% Liveness
4% Instrumentalness • 81% Positiveness
46% Popularity • 70% Danceability • 16% Energy • 38% Liveness
4% Instrumentalness • 81% Positiveness
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Jean-Jacques Perrey
Moog Indigo
102 bpm • F Maj • 02:57 • -12.72db
13% Popularity • 74% Danceability • 56% Energy • 36% Liveness
79% Instrumentalness • 92% Positiveness
13% Popularity • 74% Danceability • 56% Energy • 36% Liveness
79% Instrumentalness • 92% Positiveness
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John Fox
Lonely Heart's Club
102 bpm • D# min • 01:55 • -15db
18% Popularity • 38% Danceability • 11% Energy • 10% Liveness
29% Instrumentalness • 12% Positiveness
18% Popularity • 38% Danceability • 11% Energy • 10% Liveness
29% Instrumentalness • 12% Positiveness
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The Addy Flor Orchestra
Forgotten Dreams - Slow
84 bpm • D Maj • 02:48 • -11.79db
18% Popularity • 34% Danceability • 46% Energy • 17% Liveness
86% Instrumentalness • 56% Positiveness
18% Popularity • 34% Danceability • 46% Energy • 17% Liveness
86% Instrumentalness • 56% Positiveness
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Banda Plástica De Tepetlaxca
Ob-La-Di, Ob la Da
102 bpm • F Maj • 02:54 • -14.42db
14% Popularity • 63% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
14% Popularity • 63% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Armando Trovajoli
Il magnifico cornuto - M11
103 bpm • D# Maj • 01:41 • -11.25db
24% Popularity • 58% Danceability • 59% Energy • 9% Liveness
86% Instrumentalness • 74% Positiveness
24% Popularity • 58% Danceability • 59% Energy • 9% Liveness
86% Instrumentalness • 74% Positiveness
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Otto Sieben
Background Blues
103 bpm • C Maj • 01:56 • -7.44db
21% Popularity • 71% Danceability • 35% Energy • 10% Liveness
86% Instrumentalness • 63% Positiveness
21% Popularity • 71% Danceability • 35% Energy • 10% Liveness
86% Instrumentalness • 63% Positiveness
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Jean-Jacques Perrey
Soul City
102 bpm • C Maj • 02:05 • -9.04db
13% Popularity • 56% Danceability • 87% Energy • 10% Liveness
2% Instrumentalness • 72% Positiveness
13% Popularity • 56% Danceability • 87% Energy • 10% Liveness
2% Instrumentalness • 72% Positiveness
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Roberto Pregadio
Ballata per un pistolero II
84 bpm • D Maj • 03:30 • -8db
22% Popularity • 11% Danceability • 41% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
22% Popularity • 11% Danceability • 41% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
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Billy Goldenberg
Dandelion Wine
84 bpm • C Maj • 00:58 • -22.98db
10% Popularity • 20% Danceability • 2% Energy • 15% Liveness
86% Instrumentalness • 14% Positiveness
10% Popularity • 20% Danceability • 2% Energy • 15% Liveness
86% Instrumentalness • 14% Positiveness
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John Cameron
Half Forgotten Daydreams
84 bpm • A# Maj • 01:44 • -11.32db
36% Popularity • 39% Danceability • 50% Energy • 13% Liveness
86% Instrumentalness • 74% Positiveness
36% Popularity • 39% Danceability • 50% Energy • 13% Liveness
86% Instrumentalness • 74% Positiveness
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Gary Caroll
Krazy Cat Rag
104 bpm • G Maj • 02:45 • -9.28db
2% Popularity • 65% Danceability • 56% Energy • 26% Liveness
70% Instrumentalness • 92% Positiveness
2% Popularity • 65% Danceability • 56% Energy • 26% Liveness
70% Instrumentalness • 92% Positiveness
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Kapono Beamer
Stack of Leis
83 bpm • G Maj • 01:46 • -18db
36% Popularity • 40% Danceability • 15% Energy • 12% Liveness
88% Instrumentalness • 23% Positiveness
36% Popularity • 40% Danceability • 15% Energy • 12% Liveness
88% Instrumentalness • 23% Positiveness
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Kenny Salmon
Smooth Nylons
104 bpm • D# min • 02:48 • -10.01db
33% Popularity • 59% Danceability • 44% Energy • 11% Liveness
92% Instrumentalness • 34% Positiveness
33% Popularity • 59% Danceability • 44% Energy • 11% Liveness
92% Instrumentalness • 34% Positiveness
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Brian Bennet
Flying Fists
104 bpm • A min • 01:44 • -14.99db
14% Popularity • 67% Danceability • 83% Energy • 11% Liveness
92% Instrumentalness • 90% Positiveness
14% Popularity • 67% Danceability • 83% Energy • 11% Liveness
92% Instrumentalness • 90% Positiveness
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Gilbert Sigrist
Charley's Stoned
104 bpm • G Maj • 03:18 • -6.99db
1% Popularity • 91% Danceability • 90% Energy • 5% Liveness
24% Instrumentalness • 93% Positiveness
1% Popularity • 91% Danceability • 90% Energy • 5% Liveness
24% Instrumentalness • 93% Positiveness
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Armando Trovajoli
Eritrea - Bossa
104 bpm • F min • 02:19 • -8.66db
17% Popularity • 62% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 93% Positiveness
17% Popularity • 62% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 93% Positiveness
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Jean-Jacques Perrey
The Old Bell Ringer
103 bpm • C Maj • 01:13 • -15.31db
3% Popularity • 70% Danceability • 47% Energy • 79% Liveness
87% Instrumentalness • 70% Positiveness
3% Popularity • 70% Danceability • 47% Energy • 79% Liveness
87% Instrumentalness • 70% Positiveness
