Songs like The "Ella B" - Remastered by Amazing Rhythm Aces
Based on a tempo of (+/- 10%) and a similar genre
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Delbert McClinton & Glen Clark
Been Around a Long Time
121 bpm • D Maj • 03:38 • -10.3db
21% Popularity • 68% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
21% Popularity • 68% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
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Lou Ann Barton
Sugar Coated Love
121 bpm • C# Maj • 03:56 • -11.21db
23% Popularity • 63% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
23% Popularity • 63% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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The Derailers
Mohair Sam
121 bpm • A Maj • 02:57 • -7.99db
20% Popularity • 68% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
20% Popularity • 68% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
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Southern Culture on the Skids
Drunk And Lonesome (Again)
121 bpm • G Maj • 02:53 • -5.48db
25% Popularity • 73% Danceability • 64% Energy • 31% Liveness
0% Instrumentalness • 91% Positiveness
25% Popularity • 73% Danceability • 64% Energy • 31% Liveness
0% Instrumentalness • 91% Positiveness
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Tom Rush
Life is Fine
121 bpm • F Maj • 03:39 • -10.92db
23% Popularity • 74% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
23% Popularity • 74% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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John Hiatt
Drive South
121 bpm • E Maj • 03:55 • -14.08db
19% Popularity • 67% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
19% Popularity • 67% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Mudcrutch
House of Stone
121 bpm • E Maj • 03:00 • -12.04db
26% Popularity • 70% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
26% Popularity • 70% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Duke Robillard
Love Slipped In
121 bpm • D# Maj • 03:50 • -9.45db
27% Popularity • 62% Danceability • 75% Energy • 8% Liveness
5% Instrumentalness • 90% Positiveness
27% Popularity • 62% Danceability • 75% Energy • 8% Liveness
5% Instrumentalness • 90% Positiveness
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Amazing Rhythm Aces
The "Ella B" - Remastered
121 bpm • F# min • 04:33 • -10.56db
34% Popularity • 68% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
34% Popularity • 68% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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Junior Brown
My Wife Thinks You're Dead
121 bpm • E Maj • 03:48 • -13db
38% Popularity • 64% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
38% Popularity • 64% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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The Rhythm Rockers
Annie Maybe
120 bpm • G Maj • 02:53 • -5.96db
20% Popularity • 73% Danceability • 80% Energy • 5% Liveness
10% Instrumentalness • 96% Positiveness
20% Popularity • 73% Danceability • 80% Energy • 5% Liveness
10% Instrumentalness • 96% Positiveness
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The Gourds
Everybody's Missing the Sun
122 bpm • G Maj • 02:59 • -9.4db
31% Popularity • 68% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
31% Popularity • 68% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
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Alejandro Escovedo
Outlaw for You
122 bpm • E Maj • 03:26 • -5db
32% Popularity • 65% Danceability • 84% Energy • 30% Liveness
41% Instrumentalness • 54% Positiveness
32% Popularity • 65% Danceability • 84% Energy • 30% Liveness
41% Instrumentalness • 54% Positiveness
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Nick Moss Band
The High Cost Of Low Living
122 bpm • D Maj • 04:04 • -2db
28% Popularity • 57% Danceability • 92% Energy • 32% Liveness
0% Instrumentalness • 90% Positiveness
28% Popularity • 57% Danceability • 92% Energy • 32% Liveness
0% Instrumentalness • 90% Positiveness
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The Ozark Mountain Daredevils
Black Sky
120 bpm • E Maj • 03:08 • -13.89db
32% Popularity • 76% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
32% Popularity • 76% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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The Subdudes
Social Aid And Pleasure Club
120 bpm • B min • 03:25 • -5.45db
32% Popularity • 89% Danceability • 79% Energy • 28% Liveness
0% Instrumentalness • 96% Positiveness
32% Popularity • 89% Danceability • 79% Energy • 28% Liveness
0% Instrumentalness • 96% Positiveness
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Amazing Rhythm Aces
Lipstick Traces (on a Cigarette)
122 bpm • G Maj • 03:46 • -12.23db
21% Popularity • 79% Danceability • 46% Energy • 3% Liveness
0% Instrumentalness • 79% Positiveness
21% Popularity • 79% Danceability • 46% Energy • 3% Liveness
0% Instrumentalness • 79% Positiveness
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Steve Forbert
You Cannot Win If You Do Not Play
122 bpm • A Maj • 04:32 • -11db
18% Popularity • 68% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
18% Popularity • 68% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
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A.J. Croce
Name Of The Game
120 bpm • E Maj • 03:10 • -9.82db
20% Popularity • 89% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
20% Popularity • 89% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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The Jimmy Rogers All Stars
Blow Wind Blow
120 bpm • A# Maj • 05:00 • -6.26db
24% Popularity • 66% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
24% Popularity • 66% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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North Mississippi Allstars
Stealin
122 bpm • G Maj • 02:54 • -9.01db
19% Popularity • 76% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
19% Popularity • 76% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Bobby Charles
Save Me Jesus
122 bpm • E Maj • 05:17 • -10.57db
26% Popularity • 62% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
26% Popularity • 62% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Amazing Rhythm Aces
Life's Railway to Heaven - Remastered
120 bpm • D Maj • 04:21 • -10.98db
17% Popularity • 52% Danceability • 46% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
17% Popularity • 52% Danceability • 46% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
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Guy Verlinde
I've Got You
120 bpm • D Maj • 02:33 • -7.43db
31% Popularity • 70% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 93% Positiveness
31% Popularity • 70% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 93% Positiveness
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John Hammond
'Till The Money Runs Out
120 bpm • G Maj • 04:02 • -7.44db
18% Popularity • 74% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
18% Popularity • 74% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Jimmie Vaughan
Hey Yeah
122 bpm • G Maj • 03:43 • -9db
36% Popularity • 75% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
36% Popularity • 75% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Eilen Jewell
Nothing in Rambling
120 bpm • C Maj • 03:04 • -5.55db
31% Popularity • 77% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
31% Popularity • 77% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Doug Sahm
Dealer's Blues
120 bpm • F min • 02:59 • -10db
20% Popularity • 78% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
20% Popularity • 78% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Amazing Rhythm Aces
Out of the Blue (Live)
120 bpm • D Maj • 04:39 • -7.83db
6% Popularity • 74% Danceability • 70% Energy • 73% Liveness
1% Instrumentalness • 74% Positiveness
6% Popularity • 74% Danceability • 70% Energy • 73% Liveness
1% Instrumentalness • 74% Positiveness
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Downchild Blues Band
I Got Everything I Need (Almost)
120 bpm • A Maj • 02:42 • -9.21db
31% Popularity • 80% Danceability • 65% Energy • 7% Liveness
3% Instrumentalness • 96% Positiveness
31% Popularity • 80% Danceability • 65% Energy • 7% Liveness
3% Instrumentalness • 96% Positiveness
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The Blasters
Border Radio
122 bpm • G Maj • 02:44 • -8.19db
21% Popularity • 84% Danceability • 68% Energy • 39% Liveness
0% Instrumentalness • 97% Positiveness
21% Popularity • 84% Danceability • 68% Energy • 39% Liveness
0% Instrumentalness • 97% Positiveness
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Jeffrey Foucault
4&20 Blues
122 bpm • G Maj • 02:58 • -12db
41% Popularity • 79% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
41% Popularity • 79% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Dr. John
Stack-A-Lee
119 bpm • G Maj • 03:29 • -11.97db
31% Popularity • 70% Danceability • 54% Energy • 14% Liveness
40% Instrumentalness • 65% Positiveness
31% Popularity • 70% Danceability • 54% Energy • 14% Liveness
40% Instrumentalness • 65% Positiveness
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Danny Gatton
Sun Medley: Mystery Train / My Baby Left...
122 bpm • A Maj • 05:05 • -9.08db
25% Popularity • 52% Danceability • 92% Energy • 12% Liveness
1% Instrumentalness • 58% Positiveness
25% Popularity • 52% Danceability • 92% Energy • 12% Liveness
1% Instrumentalness • 58% Positiveness
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Marcia Ball
Good Rockin Daddy
123 bpm • D Maj • 02:20 • -6.21db
23% Popularity • 62% Danceability • 78% Energy • 53% Liveness
0% Instrumentalness • 96% Positiveness
23% Popularity • 62% Danceability • 78% Energy • 53% Liveness
0% Instrumentalness • 96% Positiveness
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The Black Lillies
Peach Pickin'
119 bpm • E Maj • 04:00 • -7.02db
30% Popularity • 70% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
30% Popularity • 70% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Johnny Winter
Ain't Nothing To Me
123 bpm • G Maj • 03:05 • -10.74db
29% Popularity • 65% Danceability • 45% Energy • 8% Liveness
1% Instrumentalness • 68% Positiveness
29% Popularity • 65% Danceability • 45% Energy • 8% Liveness
1% Instrumentalness • 68% Positiveness
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Mudcrutch
The Wrong Thing to Do
119 bpm • G Maj • 04:09 • -6db
31% Popularity • 57% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
31% Popularity • 57% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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The Kentucky Headhunters
Stumblin'
123 bpm • D Maj • 03:08 • -5db
32% Popularity • 76% Danceability • 94% Energy • 15% Liveness
0% Instrumentalness • 93% Positiveness
32% Popularity • 76% Danceability • 94% Energy • 15% Liveness
0% Instrumentalness • 93% Positiveness
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Donnie Fritts
Why Is My Day so Long
119 bpm • D Maj • 02:31 • -7.69db
11% Popularity • 73% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
11% Popularity • 73% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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Paul Thorn
Holy Hottie Toddy
119 bpm • E Maj • 03:35 • -11.26db
19% Popularity • 73% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
19% Popularity • 73% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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Jimmie Vaughan
Baby, Please Come Home
123 bpm • D# Maj • 02:54 • -5.84db
41% Popularity • 64% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 90% Positiveness
41% Popularity • 64% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 90% Positiveness
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Amazing Rhythm Aces
Fool for the Woman - Remastered
123 bpm • D Maj • 02:41 • -10.09db
22% Popularity • 73% Danceability • 64% Energy • 9% Liveness
5% Instrumentalness • 74% Positiveness
22% Popularity • 73% Danceability • 64% Energy • 9% Liveness
5% Instrumentalness • 74% Positiveness
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Jimmy LaFave
Bad Bad Girl
123 bpm • G Maj • 04:45 • -10db
15% Popularity • 73% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 73% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
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Commander Cody and His Lost Planet Airmen
Wine Do Yer Stuff
119 bpm • G Maj • 03:06 • -12.58db
20% Popularity • 56% Danceability • 48% Energy • 35% Liveness
1% Instrumentalness • 80% Positiveness
20% Popularity • 56% Danceability • 48% Energy • 35% Liveness
1% Instrumentalness • 80% Positiveness
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Ray Bonneville
Good Times
123 bpm • G# Maj • 03:55 • -9.99db
37% Popularity • 72% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
37% Popularity • 72% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Donnie Fritts
Tuscaloosa 1962
119 bpm • F Maj • 03:22 • -6.18db
21% Popularity • 80% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
21% Popularity • 80% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Peter Green Splinter Group
I'm A Steady Rollin' Man - Studio
124 bpm • G Maj • 03:34 • -13.53db
25% Popularity • 72% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
25% Popularity • 72% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Joe Louis Walker
Old Time Used to Be
123 bpm • A Maj • 05:17 • -9.8db
36% Popularity • 65% Danceability • 62% Energy • 20% Liveness
30% Instrumentalness • 76% Positiveness
36% Popularity • 65% Danceability • 62% Energy • 20% Liveness
30% Instrumentalness • 76% Positiveness
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Doug Sahm
Papa Ain't Salty
124 bpm • C Maj • 04:30 • -10.4db
11% Popularity • 69% Danceability • 56% Energy • 39% Liveness
1% Instrumentalness • 63% Positiveness
11% Popularity • 69% Danceability • 56% Energy • 39% Liveness
1% Instrumentalness • 63% Positiveness
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Susan Tedeschi
Little By Little
124 bpm • D Maj • 03:49 • -6.32db
36% Popularity • 66% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
36% Popularity • 66% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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Dion
My Baby Loves To Boogie
124 bpm • E min • 05:19 • -7.15db
18% Popularity • 67% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
18% Popularity • 67% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Pure Prairie League
I'll Change Your Flat Tire, Merle
118 bpm • A Maj • 02:09 • -10.59db
25% Popularity • 64% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
25% Popularity • 64% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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John Hiatt & The Goners
My Baby Blue
124 bpm • A min • 04:35 • -5.36db
21% Popularity • 58% Danceability • 79% Energy • 33% Liveness
30% Instrumentalness • 66% Positiveness
21% Popularity • 58% Danceability • 79% Energy • 33% Liveness
30% Instrumentalness • 66% Positiveness
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Mudcrutch
Orphan of the Storm
124 bpm • G Maj • 04:06 • -10.09db
27% Popularity • 56% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
27% Popularity • 56% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
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Doug Sahm
(Is Anybody Going To) San Antone - Singl...
124 bpm • A Maj • 03:09 • -9db
31% Popularity • 68% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
31% Popularity • 68% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
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Kieran Kane
Postcard from Mexico
118 bpm • A Maj • 02:34 • -8.24db
30% Popularity • 80% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
30% Popularity • 80% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Kenny Vaughan
Okolona Tennessee
118 bpm • D Maj • 03:50 • -6.97db
14% Popularity • 74% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
14% Popularity • 74% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
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Lonnie Mack
Asphalt Outlaw Hero
118 bpm • G Maj • 03:04 • -7.29db
17% Popularity • 54% Danceability • 88% Energy • 34% Liveness
2% Instrumentalness • 88% Positiveness
17% Popularity • 54% Danceability • 88% Energy • 34% Liveness
2% Instrumentalness • 88% Positiveness
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Chuck Prophet
Ford Econoline
124 bpm • A Maj • 03:41 • -2.87db
32% Popularity • 50% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
32% Popularity • 50% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Ray Bonneville
Tomorrow's Yesterday
117 bpm • B min • 03:19 • -13db
32% Popularity • 78% Danceability • 40% Energy • 14% Liveness
3% Instrumentalness • 70% Positiveness
32% Popularity • 78% Danceability • 40% Energy • 14% Liveness
3% Instrumentalness • 70% Positiveness
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Atlanta Rhythm Section
Georgia Rhythm
117 bpm • C Maj • 04:52 • -13db
37% Popularity • 72% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
37% Popularity • 72% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
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Loudon Wainwright III
East Indian Princess
117 bpm • A Maj • 02:56 • -9.4db
27% Popularity • 73% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
27% Popularity • 73% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Chris Hillman
Here She Comes Again
125 bpm • C Maj • 02:31 • -2.37db
25% Popularity • 56% Danceability • 76% Energy • 32% Liveness
34% Instrumentalness • 58% Positiveness
25% Popularity • 56% Danceability • 76% Energy • 32% Liveness
34% Instrumentalness • 58% Positiveness
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Delbert McClinton & Glen Clark
Good as I Feel Today
117 bpm • G Maj • 03:09 • -10.41db
17% Popularity • 75% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
17% Popularity • 75% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
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Jesse Winchester
Wear Me Out
125 bpm • G min • 02:37 • -10.82db
23% Popularity • 80% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
23% Popularity • 80% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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Paul Thorn
You Might Be Wrong
117 bpm • A Maj • 03:29 • -12.75db
24% Popularity • 85% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
24% Popularity • 85% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Amazing Rhythm Aces
Amazing Grace (Used to Be Her Favorite S...
125 bpm • G Maj • 03:17 • -11.6db
21% Popularity • 64% Danceability • 36% Energy • 38% Liveness
0% Instrumentalness • 58% Positiveness
21% Popularity • 64% Danceability • 36% Energy • 38% Liveness
0% Instrumentalness • 58% Positiveness
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Wet Willie
Grits Ain't Groceries
117 bpm • C Maj • 03:03 • -13.97db
30% Popularity • 78% Danceability • 45% Energy • 17% Liveness
2% Instrumentalness • 93% Positiveness
30% Popularity • 78% Danceability • 45% Energy • 17% Liveness
2% Instrumentalness • 93% Positiveness
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Jimmy Thackery And The Drivers
Cool Guitars
125 bpm • A Maj • 03:43 • -9.08db
31% Popularity • 61% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
31% Popularity • 61% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Dickey Betts
Mr. Blues Man
125 bpm • A Maj • 04:11 • -13.4db
13% Popularity • 43% Danceability • 33% Energy • 17% Liveness
21% Instrumentalness • 38% Positiveness
13% Popularity • 43% Danceability • 33% Energy • 17% Liveness
21% Instrumentalness • 38% Positiveness
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Lukas Nelson and Promise of the Real
Die Alone
125 bpm • B min • 02:37 • -5.13db
38% Popularity • 69% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
38% Popularity • 69% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Commander Cody and His Lost Planet Airmen
Southbound
126 bpm • A Maj • 02:20 • -7.97db
17% Popularity • 72% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
17% Popularity • 72% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Luther Dickinson
Bang Bang Lulu
126 bpm • G min • 03:43 • -9.42db
12% Popularity • 74% Danceability • 75% Energy • 36% Liveness
0% Instrumentalness • 97% Positiveness
12% Popularity • 74% Danceability • 75% Energy • 36% Liveness
0% Instrumentalness • 97% Positiveness
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Little Feat
Don't Ya Just Know It
126 bpm • A Maj • 03:43 • -4.66db
12% Popularity • 60% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
12% Popularity • 60% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
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Doyle Bramhall
Too Sorry
116 bpm • A Maj • 02:45 • -7.5db
29% Popularity • 63% Danceability • 81% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
29% Popularity • 63% Danceability • 81% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
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Amazing Rhythm Aces
The Lonely One
116 bpm • G Maj • 03:27 • -12.78db
7% Popularity • 54% Danceability • 50% Energy • 16% Liveness
14% Instrumentalness • 47% Positiveness
7% Popularity • 54% Danceability • 50% Energy • 16% Liveness
14% Instrumentalness • 47% Positiveness
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Dickey Betts
Nothing You Can Do
116 bpm • C Maj • 05:03 • -9.81db
18% Popularity • 46% Danceability • 77% Energy • 16% Liveness
6% Instrumentalness • 75% Positiveness
18% Popularity • 46% Danceability • 77% Energy • 16% Liveness
6% Instrumentalness • 75% Positiveness
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Commander Cody and His Lost Planet Airmen
Lost In The Ozone
126 bpm • E Maj • 02:13 • -11.53db
29% Popularity • 67% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
29% Popularity • 67% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Ray Bonneville
Roll It Down
116 bpm • F Maj • 03:00 • -10.92db
28% Popularity • 79% Danceability • 50% Energy • 26% Liveness
1% Instrumentalness • 81% Positiveness
28% Popularity • 79% Danceability • 50% Energy • 26% Liveness
1% Instrumentalness • 81% Positiveness
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Jimmy LaFave
Deep South 61 Delta Highway Blues
116 bpm • D Maj • 04:00 • -15.51db
8% Popularity • 55% Danceability • 45% Energy • 27% Liveness
0% Instrumentalness • 81% Positiveness
8% Popularity • 55% Danceability • 45% Energy • 27% Liveness
0% Instrumentalness • 81% Positiveness
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James McMurtry
Talkin At The Texaco
126 bpm • B min • 04:10 • -13.7db
23% Popularity • 87% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
23% Popularity • 87% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Amazing Rhythm Aces
Third Rate Romance - Remastered
116 bpm • A Maj • 03:21 • -10.17db
43% Popularity • 82% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
43% Popularity • 82% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
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John Hammond
Nadine
116 bpm • C Maj • 03:45 • -12db
23% Popularity • 78% Danceability • 52% Energy • 12% Liveness
1% Instrumentalness • 97% Positiveness
23% Popularity • 78% Danceability • 52% Energy • 12% Liveness
1% Instrumentalness • 97% Positiveness
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Little
Brickyard Blues (Play Something Sweet)
116 bpm • G Maj • 03:01 • -11.94db
36% Popularity • 75% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
36% Popularity • 75% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Cowboy
Please Be With Me
116 bpm • D Maj • 03:42 • -18db
38% Popularity • 55% Danceability • 23% Energy • 14% Liveness
1% Instrumentalness • 33% Positiveness
38% Popularity • 55% Danceability • 23% Energy • 14% Liveness
1% Instrumentalness • 33% Positiveness
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Rusty Wier
Don't It Make You Wanna Dance
126 bpm • A Maj • 03:45 • -7.64db
33% Popularity • 72% Danceability • 89% Energy • 36% Liveness
0% Instrumentalness • 84% Positiveness
33% Popularity • 72% Danceability • 89% Energy • 36% Liveness
0% Instrumentalness • 84% Positiveness
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Colvin & Earle
Tobacco Road
127 bpm • C Maj • 02:49 • -8.13db
17% Popularity • 62% Danceability • 66% Energy • 35% Liveness
0% Instrumentalness • 77% Positiveness
17% Popularity • 62% Danceability • 66% Energy • 35% Liveness
0% Instrumentalness • 77% Positiveness
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The Kentucky Headhunters
Walking With The Wolf
115 bpm • D Maj • 03:28 • -6db
23% Popularity • 54% Danceability • 92% Energy • 38% Liveness
14% Instrumentalness • 78% Positiveness
23% Popularity • 54% Danceability • 92% Energy • 38% Liveness
14% Instrumentalness • 78% Positiveness
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John Hammond
2:19
126 bpm • G Maj • 04:42 • -9.66db
28% Popularity • 80% Danceability • 56% Energy • 25% Liveness
11% Instrumentalness • 78% Positiveness
28% Popularity • 80% Danceability • 56% Energy • 25% Liveness
11% Instrumentalness • 78% Positiveness
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The Marshall Tucker Band
Long Hard Ride
127 bpm • G Maj • 03:53 • -6.59db
24% Popularity • 52% Danceability • 88% Energy • 23% Liveness
79% Instrumentalness • 91% Positiveness
24% Popularity • 52% Danceability • 88% Energy • 23% Liveness
79% Instrumentalness • 91% Positiveness
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Amazing Rhythm Aces
Dancing the Night Away - Remastered
127 bpm • A Maj • 05:40 • -13db
27% Popularity • 46% Danceability • 56% Energy • 29% Liveness
0% Instrumentalness • 57% Positiveness
27% Popularity • 46% Danceability • 56% Energy • 29% Liveness
0% Instrumentalness • 57% Positiveness
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Chris Hillman
Walk Right Back
127 bpm • D Maj • 02:30 • -6db
28% Popularity • 64% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
28% Popularity • 64% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Ramsay Midwood
Alligator's Lament
115 bpm • A Maj • 02:55 • -9.94db
18% Popularity • 78% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
18% Popularity • 78% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Delaney & Bonnie
Only You Know And I Know
115 bpm • F min • 03:26 • -10.37db
29% Popularity • 61% Danceability • 57% Energy • 66% Liveness
0% Instrumentalness • 57% Positiveness
29% Popularity • 61% Danceability • 57% Energy • 66% Liveness
0% Instrumentalness • 57% Positiveness
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Doug Sahm
Beautiful Texas Sunshine
115 bpm • G Maj • 03:22 • -8.41db
23% Popularity • 58% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
23% Popularity • 58% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Jesse Winchester
Nothing But A Breeze
115 bpm • G Maj • 04:34 • -11.45db
25% Popularity • 77% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
25% Popularity • 77% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
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The Flatlanders
Dallas
115 bpm • E Maj • 03:01 • -8.36db
27% Popularity • 55% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
27% Popularity • 55% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
