Songs like The Encounter and Main Title by Fernando Velázquez
Based on a tempo of (+/- 10%) and a similar genre
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Rob Lane
Merlin's Arrival at Camelot
94 bpm • G# Maj • 03:08 • -16db
36% Popularity • 15% Danceability • 32% Energy • 24% Liveness
92% Instrumentalness • 6% Positiveness
36% Popularity • 15% Danceability • 32% Energy • 24% Liveness
92% Instrumentalness • 6% Positiveness
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Mark Isham
The Nevers
94 bpm • F min • 01:39 • -15.49db
32% Popularity • 33% Danceability • 36% Energy • 13% Liveness
96% Instrumentalness • 13% Positiveness
32% Popularity • 33% Danceability • 36% Energy • 13% Liveness
96% Instrumentalness • 13% Positiveness
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Steve Jablonsky
Merlin's Staff
94 bpm • C Maj • 05:49 • -17.89db
31% Popularity • 12% Danceability • 19% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
31% Popularity • 12% Danceability • 19% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Fernando Velázquez
The Encounter and Main Title
94 bpm • C# Maj • 02:51 • -14.76db
16% Popularity • 11% Danceability • 19% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
16% Popularity • 11% Danceability • 19% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
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John Powell
Whirlpool Of Love
95 bpm • B min • 02:02 • -16.38db
15% Popularity • 16% Danceability • 18% Energy • 61% Liveness
93% Instrumentalness • 4% Positiveness
15% Popularity • 16% Danceability • 18% Energy • 61% Liveness
93% Instrumentalness • 4% Positiveness
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Mark McKenzie
What's Your Dream?
93 bpm • G Maj • 02:37 • -20.66db
31% Popularity • 14% Danceability • 7% Energy • 13% Liveness
88% Instrumentalness • 6% Positiveness
31% Popularity • 14% Danceability • 7% Energy • 13% Liveness
88% Instrumentalness • 6% Positiveness
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Atli Örvarsson
Clary's Theme
95 bpm • D min • 03:22 • -18db
26% Popularity • 14% Danceability • 14% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
26% Popularity • 14% Danceability • 14% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Harald Kloser
Hall's Plan
95 bpm • D# Maj • 00:53 • -26.62db
38% Popularity • 12% Danceability • 5% Energy • 11% Liveness
99% Instrumentalness • 4% Positiveness
38% Popularity • 12% Danceability • 5% Energy • 11% Liveness
99% Instrumentalness • 4% Positiveness
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Steven Price
Gravity
93 bpm • G# min • 04:35 • -15.36db
50% Popularity • 12% Danceability • 26% Energy • 20% Liveness
98% Instrumentalness • 6% Positiveness
50% Popularity • 12% Danceability • 26% Energy • 20% Liveness
98% Instrumentalness • 6% Positiveness
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Carlos Rafael Rivera
Main Title
93 bpm • C Maj • 01:49 • -10.98db
52% Popularity • 47% Danceability • 61% Energy • 41% Liveness
82% Instrumentalness • 49% Positiveness
52% Popularity • 47% Danceability • 61% Energy • 41% Liveness
82% Instrumentalness • 49% Positiveness
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Pinar Toprak
New Clothes
93 bpm • G# Maj • 01:04 • -21.79db
37% Popularity • 18% Danceability • 7% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
37% Popularity • 18% Danceability • 7% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
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Mark Mothersbaugh
Where To?
95 bpm • F Maj • 02:22 • -17db
29% Popularity • 12% Danceability • 13% Energy • 24% Liveness
89% Instrumentalness • 4% Positiveness
29% Popularity • 12% Danceability • 13% Energy • 24% Liveness
89% Instrumentalness • 4% Positiveness
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Fernando Velázquez
McMichael
93 bpm • G Maj • 01:05 • -21db
37% Popularity • 19% Danceability • 6% Energy • 6% Liveness
92% Instrumentalness • 18% Positiveness
37% Popularity • 19% Danceability • 6% Energy • 6% Liveness
92% Instrumentalness • 18% Positiveness
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Michael Kamen
Band Of Brothers Suite One - Instrumenta...
92 bpm • D Maj • 06:31 • -15.19db
30% Popularity • 15% Danceability • 25% Energy • 10% Liveness
81% Instrumentalness • 7% Positiveness
30% Popularity • 15% Danceability • 25% Energy • 10% Liveness
81% Instrumentalness • 7% Positiveness
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Bernard Herrmann
Main Title
96 bpm • C Maj • 01:11 • -10.3db
4% Popularity • 27% Danceability • 52% Energy • 9% Liveness
72% Instrumentalness • 14% Positiveness
4% Popularity • 27% Danceability • 52% Energy • 9% Liveness
72% Instrumentalness • 14% Positiveness
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Rohan Stevenson
Hiding Excalibur
96 bpm • E min • 02:05 • -15db
32% Popularity • 15% Danceability • 19% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
32% Popularity • 15% Danceability • 19% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
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Javier Navarrete
Wrath Of The Titans
92 bpm • A# Maj • 02:15 • -14db
18% Popularity • 36% Danceability • 50% Energy • 6% Liveness
89% Instrumentalness • 14% Positiveness
18% Popularity • 36% Danceability • 50% Energy • 6% Liveness
89% Instrumentalness • 14% Positiveness
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John Powell
His and Hers
92 bpm • A Maj • 02:45 • -18.93db
14% Popularity • 50% Danceability • 55% Energy • 10% Liveness
80% Instrumentalness • 31% Positiveness
14% Popularity • 50% Danceability • 55% Energy • 10% Liveness
80% Instrumentalness • 31% Positiveness
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Wojciech Kilar
The Hunt Builds
96 bpm • F min • 03:25 • -24.93db
27% Popularity • 35% Danceability • 27% Energy • 11% Liveness
96% Instrumentalness • 11% Positiveness
27% Popularity • 35% Danceability • 27% Energy • 11% Liveness
96% Instrumentalness • 11% Positiveness
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Thomas Wander
Bombing Six
92 bpm • C min • 03:38 • -16.22db
21% Popularity • 28% Danceability • 45% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
21% Popularity • 28% Danceability • 45% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Bernard Herrmann
The Garden / The Statue
96 bpm • E Maj • 01:53 • -41.52db
9% Popularity • 16% Danceability • 0% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness
9% Popularity • 16% Danceability • 0% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness
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Anne Nikitin
The First Taste Of Salmon
96 bpm • G Maj • 01:44 • -15.78db
40% Popularity • 38% Danceability • 30% Energy • 26% Liveness
91% Instrumentalness • 26% Positiveness
40% Popularity • 38% Danceability • 30% Energy • 26% Liveness
91% Instrumentalness • 26% Positiveness
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Marc Streitenfeld
Sherwood Forest
91 bpm • A min • 02:19 • -21db
58% Popularity • 27% Danceability • 13% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
58% Popularity • 27% Danceability • 13% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
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Stuart Earl
RSVP
97 bpm • C min • 01:34 • -15.15db
14% Popularity • 42% Danceability • 48% Energy • 10% Liveness
95% Instrumentalness • 16% Positiveness
14% Popularity • 42% Danceability • 48% Energy • 10% Liveness
95% Instrumentalness • 16% Positiveness
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Abel Korzeniowski
Demimonde (Main Title)
97 bpm • A min • 01:36 • -15.04db
36% Popularity • 16% Danceability • 40% Energy • 27% Liveness
96% Instrumentalness • 7% Positiveness
36% Popularity • 16% Danceability • 40% Energy • 27% Liveness
96% Instrumentalness • 7% Positiveness
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Steven Price
This Is Our Planet
97 bpm • A# Maj • 03:43 • -16db
39% Popularity • 26% Danceability • 33% Energy • 36% Liveness
94% Instrumentalness • 8% Positiveness
39% Popularity • 26% Danceability • 33% Energy • 36% Liveness
94% Instrumentalness • 8% Positiveness
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Bernard Herrmann
Devotion / Binoculars
91 bpm • G Maj • 01:00 • -21.74db
9% Popularity • 24% Danceability • 7% Energy • 7% Liveness
78% Instrumentalness • 3% Positiveness
9% Popularity • 24% Danceability • 7% Energy • 7% Liveness
78% Instrumentalness • 3% Positiveness
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Alexandre Desplat
Courtyard Apocalypse
97 bpm • C# Maj • 02:00 • -17.09db
54% Popularity • 14% Danceability • 31% Energy • 11% Liveness
92% Instrumentalness • 13% Positiveness
54% Popularity • 14% Danceability • 31% Energy • 11% Liveness
92% Instrumentalness • 13% Positiveness
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Marc Streitenfeld
Fate Has Smiled Upon Us
91 bpm • E min • 02:02 • -13.98db
61% Popularity • 28% Danceability • 39% Energy • 22% Liveness
89% Instrumentalness • 4% Positiveness
61% Popularity • 28% Danceability • 39% Energy • 22% Liveness
89% Instrumentalness • 4% Positiveness
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Jeff Beal
One Bite At A Time
91 bpm • F Maj • 02:30 • -17db
36% Popularity • 40% Danceability • 23% Energy • 11% Liveness
91% Instrumentalness • 17% Positiveness
36% Popularity • 40% Danceability • 23% Energy • 11% Liveness
91% Instrumentalness • 17% Positiveness
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Rohan Stevenson
Finale - The Sword in the Stone
91 bpm • A# min • 07:13 • -17.74db
26% Popularity • 13% Danceability • 14% Energy • 9% Liveness
75% Instrumentalness • 3% Positiveness
26% Popularity • 13% Danceability • 14% Energy • 9% Liveness
75% Instrumentalness • 3% Positiveness
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Benjamin Wallfisch
Derry
90 bpm • E min • 02:24 • -24.14db
24% Popularity • 10% Danceability • 8% Energy • 12% Liveness
97% Instrumentalness • 3% Positiveness
24% Popularity • 10% Danceability • 8% Energy • 12% Liveness
97% Instrumentalness • 3% Positiveness
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Abel Korzeniowski
Wayward Sisters
98 bpm • F# min • 02:55 • -12.56db
47% Popularity • 28% Danceability • 44% Energy • 16% Liveness
92% Instrumentalness • 6% Positiveness
47% Popularity • 28% Danceability • 44% Energy • 16% Liveness
92% Instrumentalness • 6% Positiveness
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Mychael Danna
Dad
98 bpm • C# min • 02:52 • -14db
28% Popularity • 19% Danceability • 20% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
28% Popularity • 19% Danceability • 20% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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Bernard Herrmann
Encounter
98 bpm • G Maj • 01:32 • -23.83db
11% Popularity • 19% Danceability • 11% Energy • 12% Liveness
87% Instrumentalness • 5% Positiveness
11% Popularity • 19% Danceability • 11% Energy • 12% Liveness
87% Instrumentalness • 5% Positiveness
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Bear McCreary
10 Cloverfield Lane
90 bpm • A Maj • 06:23 • -17db
15% Popularity • 33% Danceability • 30% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
15% Popularity • 33% Danceability • 30% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
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Christian Henson
Necromancer
90 bpm • D Maj • 01:34 • -23.15db
32% Popularity • 52% Danceability • 14% Energy • 11% Liveness
87% Instrumentalness • 7% Positiveness
32% Popularity • 52% Danceability • 14% Energy • 11% Liveness
87% Instrumentalness • 7% Positiveness
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Nicholas Hooper
Loved Ones and Leaving
90 bpm • D Maj • 03:15 • -22.28db
47% Popularity • 22% Danceability • 7% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
47% Popularity • 22% Danceability • 7% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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West Dylan Thordson
Rejoice
90 bpm • E Maj • 03:18 • -26.12db
26% Popularity • 24% Danceability • 12% Energy • 8% Liveness
88% Instrumentalness • 3% Positiveness
26% Popularity • 24% Danceability • 12% Energy • 8% Liveness
88% Instrumentalness • 3% Positiveness
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Marc Streitenfeld
Charge
99 bpm • E min • 01:18 • -18db
62% Popularity • 18% Danceability • 52% Energy • 63% Liveness
78% Instrumentalness • 10% Positiveness
62% Popularity • 18% Danceability • 52% Energy • 63% Liveness
78% Instrumentalness • 10% Positiveness
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Steven Price
Fury Drives Into Camp
90 bpm • G min • 01:50 • -18db
34% Popularity • 23% Danceability • 37% Energy • 10% Liveness
95% Instrumentalness • 10% Positiveness
34% Popularity • 23% Danceability • 37% Energy • 10% Liveness
95% Instrumentalness • 10% Positiveness
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Fernando Velázquez
Finale
90 bpm • D# Maj • 01:52 • -8.63db
22% Popularity • 10% Danceability • 43% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
22% Popularity • 10% Danceability • 43% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
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Clinton Shorter
A Lifetime of Losing
89 bpm • A# Maj • 01:35 • -24.95db
39% Popularity • 10% Danceability • 11% Energy • 10% Liveness
88% Instrumentalness • 6% Positiveness
39% Popularity • 10% Danceability • 11% Energy • 10% Liveness
88% Instrumentalness • 6% Positiveness
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Nicholas Hooper
Harry & Hermione
90 bpm • C Maj • 02:52 • -29.09db
56% Popularity • 32% Danceability • 4% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
56% Popularity • 32% Danceability • 4% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
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Rob Lane
Opening Titles
99 bpm • D min • 02:44 • -11.22db
33% Popularity • 47% Danceability • 56% Energy • 11% Liveness
91% Instrumentalness • 27% Positiveness
33% Popularity • 47% Danceability • 56% Energy • 11% Liveness
91% Instrumentalness • 27% Positiveness
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Carter Burwell
Tree of Memory
89 bpm • D min • 04:01 • -25.44db
12% Popularity • 11% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
12% Popularity • 11% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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West Dylan Thordson
Ordinary Man
89 bpm • G min • 02:07 • -19.23db
46% Popularity • 10% Danceability • 16% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
46% Popularity • 10% Danceability • 16% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Fernando Velázquez
I Know Who You Are
90 bpm • G# Maj • 08:15 • -16.39db
10% Popularity • 11% Danceability • 27% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
10% Popularity • 11% Danceability • 27% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Mike Higham
Miss Peregrine's Home for Peculiar Child...
89 bpm • D Maj • 02:46 • -16.23db
26% Popularity • 24% Danceability • 26% Energy • 6% Liveness
91% Instrumentalness • 6% Positiveness
26% Popularity • 24% Danceability • 26% Energy • 6% Liveness
91% Instrumentalness • 6% Positiveness
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Münchner Symphoniker
Main Title
100 bpm • F Maj • 05:05 • -14.27db
28% Popularity • 13% Danceability • 23% Energy • 18% Liveness
93% Instrumentalness • 5% Positiveness
28% Popularity • 13% Danceability • 23% Energy • 18% Liveness
93% Instrumentalness • 5% Positiveness
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Geoff Zanelli
My Name Is Barbossa
89 bpm • F Maj • 05:33 • -10.54db
50% Popularity • 10% Danceability • 33% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
50% Popularity • 10% Danceability • 33% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Benjamin Wallfisch
Actually I'm Feeling Much Better
88 bpm • F min • 01:59 • -11.46db
10% Popularity • 19% Danceability • 47% Energy • 10% Liveness
94% Instrumentalness • 19% Positiveness
10% Popularity • 19% Danceability • 47% Energy • 10% Liveness
94% Instrumentalness • 19% Positiveness
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West Dylan Thordson
Kevin Wendell Crumb
100 bpm • F min • 02:41 • -28db
42% Popularity • 13% Danceability • 6% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
42% Popularity • 13% Danceability • 6% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
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Nicholas Hooper
Fireworks
100 bpm • D Maj • 01:45 • -14db
51% Popularity • 49% Danceability • 50% Energy • 12% Liveness
89% Instrumentalness • 7% Positiveness
51% Popularity • 49% Danceability • 50% Energy • 12% Liveness
89% Instrumentalness • 7% Positiveness
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Carlos Rafael Rivera
Methuen Home For Children 1957
100 bpm • B min • 01:14 • -29db
56% Popularity • 43% Danceability • 2% Energy • 11% Liveness
80% Instrumentalness • 8% Positiveness
56% Popularity • 43% Danceability • 2% Energy • 11% Liveness
80% Instrumentalness • 8% Positiveness
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Marc Streitenfeld
Pact Sworn in Blood
100 bpm • E min • 02:52 • -19db
51% Popularity • 14% Danceability • 12% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
51% Popularity • 14% Danceability • 12% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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Geoff Zanelli
Through the Tree
100 bpm • A min • 01:25 • -24db
38% Popularity • 52% Danceability • 10% Energy • 64% Liveness
43% Instrumentalness • 16% Positiveness
38% Popularity • 52% Danceability • 10% Energy • 64% Liveness
43% Instrumentalness • 16% Positiveness
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Andrew Lockington
Island Reveal
87 bpm • G Maj • 03:38 • -18.28db
15% Popularity • 14% Danceability • 13% Energy • 12% Liveness
78% Instrumentalness • 3% Positiveness
15% Popularity • 14% Danceability • 13% Energy • 12% Liveness
78% Instrumentalness • 3% Positiveness
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West Dylan Thordson
What's Wrong With Barry?
100 bpm • G Maj • 02:52 • -32.72db
34% Popularity • 55% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
34% Popularity • 55% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
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Nicholas Hooper
Journey To The Cave
88 bpm • D Maj • 03:08 • -22.55db
49% Popularity • 28% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
49% Popularity • 28% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Jan A.P. Kaczmarek
The Promise of Things to Come
87 bpm • C Maj • 03:00 • -10db
38% Popularity • 9% Danceability • 37% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
38% Popularity • 9% Danceability • 37% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Alexandre Desplat
Unbroken
87 bpm • G Maj • 02:26 • -15.18db
18% Popularity • 17% Danceability • 16% Energy • 14% Liveness
93% Instrumentalness • 4% Positiveness
18% Popularity • 17% Danceability • 16% Energy • 14% Liveness
93% Instrumentalness • 4% Positiveness
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Geoff Zanelli
El Matador Del Mar
88 bpm • C min • 08:04 • -11.76db
36% Popularity • 13% Danceability • 41% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
36% Popularity • 13% Danceability • 41% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
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Nitin Sawhney
The Wolf Boy
87 bpm • G min • 01:19 • -14.35db
23% Popularity • 19% Danceability • 56% Energy • 13% Liveness
1% Instrumentalness • 15% Positiveness
23% Popularity • 19% Danceability • 56% Energy • 13% Liveness
1% Instrumentalness • 15% Positiveness
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Michael Kamen
No Following
87 bpm • A min • 04:02 • -17db
24% Popularity • 10% Danceability • 9% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
24% Popularity • 10% Danceability • 9% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Harald Kloser
The End
102 bpm • F Maj • 03:18 • -15db
34% Popularity • 14% Danceability • 22% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
34% Popularity • 14% Danceability • 22% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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The Newton Brothers
The Overlook
102 bpm • C# Maj • 01:20 • -17.59db
21% Popularity • 20% Danceability • 32% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
21% Popularity • 20% Danceability • 32% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
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Stuart Earl
Journeys
87 bpm • C min • 02:02 • -15.7db
11% Popularity • 14% Danceability • 22% Energy • 9% Liveness
78% Instrumentalness • 4% Positiveness
11% Popularity • 14% Danceability • 22% Energy • 9% Liveness
78% Instrumentalness • 4% Positiveness
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Hildur Guðnadóttir
Penny Taken to the Hospital
87 bpm • A min • 01:49 • -14db
37% Popularity • 38% Danceability • 22% Energy • 10% Liveness
92% Instrumentalness • 49% Positiveness
37% Popularity • 38% Danceability • 22% Energy • 10% Liveness
92% Instrumentalness • 49% Positiveness
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Joe Kraemer
Solomon Lane
86 bpm • A min • 04:07 • -18.9db
26% Popularity • 12% Danceability • 8% Energy • 18% Liveness
90% Instrumentalness • 3% Positiveness
26% Popularity • 12% Danceability • 8% Energy • 18% Liveness
90% Instrumentalness • 3% Positiveness
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Wojciech Kilar
The Brides
102 bpm • D min • 04:56 • -22.51db
29% Popularity • 14% Danceability • 18% Energy • 7% Liveness
95% Instrumentalness • 5% Positiveness
29% Popularity • 14% Danceability • 18% Energy • 7% Liveness
95% Instrumentalness • 5% Positiveness
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Joseba Beristain
Elcano y Shamar
86 bpm • D Maj • 01:11 • -12.89db
4% Popularity • 9% Danceability • 32% Energy • 14% Liveness
91% Instrumentalness • 6% Positiveness
4% Popularity • 9% Danceability • 32% Energy • 14% Liveness
91% Instrumentalness • 6% Positiveness
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Christian Henson
Back Where It All Began
86 bpm • E min • 01:39 • -19.54db
30% Popularity • 21% Danceability • 14% Energy • 12% Liveness
74% Instrumentalness • 4% Positiveness
30% Popularity • 21% Danceability • 14% Energy • 12% Liveness
74% Instrumentalness • 4% Positiveness
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Ilan Eshkeri
Shogun's Sentence
103 bpm • C min • 02:04 • -21.92db
51% Popularity • 15% Danceability • 9% Energy • 9% Liveness
50% Instrumentalness • 3% Positiveness
51% Popularity • 15% Danceability • 9% Energy • 9% Liveness
50% Instrumentalness • 3% Positiveness
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Daniel Pemberton
Seeing Through Ghosts (Theme from The Aw...
103 bpm • G min • 01:44 • -32.88db
18% Popularity • 23% Danceability • 1% Energy • 9% Liveness
19% Instrumentalness • 4% Positiveness
18% Popularity • 23% Danceability • 1% Energy • 9% Liveness
19% Instrumentalness • 4% Positiveness
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Pinar Toprak
Dreams
86 bpm • A min • 01:03 • -18db
57% Popularity • 23% Danceability • 18% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
57% Popularity • 23% Danceability • 18% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
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Guy Farley
Alice Studies
86 bpm • G min • 01:46 • -24.92db
45% Popularity • 28% Danceability • 7% Energy • 10% Liveness
84% Instrumentalness • 12% Positiveness
45% Popularity • 28% Danceability • 7% Energy • 10% Liveness
84% Instrumentalness • 12% Positiveness
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joseph bishara
the Conjuring
86 bpm • D Maj • 00:59 • -15.49db
35% Popularity • 23% Danceability • 5% Energy • 9% Liveness
97% Instrumentalness • 2% Positiveness
35% Popularity • 23% Danceability • 5% Energy • 9% Liveness
97% Instrumentalness • 2% Positiveness
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Steven Price
The Ocean Returns The Favour
103 bpm • E min • 02:20 • -15db
38% Popularity • 40% Danceability • 36% Energy • 9% Liveness
66% Instrumentalness • 8% Positiveness
38% Popularity • 40% Danceability • 36% Energy • 9% Liveness
66% Instrumentalness • 8% Positiveness
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Mark McKenzie
Of My Heart To Thee I Give
85 bpm • C Maj • 01:43 • -18.2db
19% Popularity • 18% Danceability • 19% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
19% Popularity • 18% Danceability • 19% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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Chris Bacon
Bates Motel
104 bpm • D min • 01:44 • -22db
11% Popularity • 25% Danceability • 24% Energy • 15% Liveness
94% Instrumentalness • 11% Positiveness
11% Popularity • 25% Danceability • 24% Energy • 15% Liveness
94% Instrumentalness • 11% Positiveness
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Christian Henson
Sea Horses
85 bpm • E min • 02:27 • -20.02db
31% Popularity • 32% Danceability • 14% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
31% Popularity • 32% Danceability • 14% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
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Éric Serra
Origin of the World
85 bpm • D Maj • 02:26 • -13.09db
21% Popularity • 41% Danceability • 53% Energy • 9% Liveness
97% Instrumentalness • 34% Positiveness
21% Popularity • 41% Danceability • 53% Energy • 9% Liveness
97% Instrumentalness • 34% Positiveness
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Fernando Velázquez
Optician
104 bpm • G min • 01:26 • -23.56db
22% Popularity • 29% Danceability • 12% Energy • 9% Liveness
75% Instrumentalness • 7% Positiveness
22% Popularity • 29% Danceability • 12% Energy • 9% Liveness
75% Instrumentalness • 7% Positiveness
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Steven Price
A Game of Strategy
85 bpm • B min • 03:17 • -18db
33% Popularity • 27% Danceability • 37% Energy • 14% Liveness
96% Instrumentalness • 20% Positiveness
33% Popularity • 27% Danceability • 37% Energy • 14% Liveness
96% Instrumentalness • 20% Positiveness
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Abel Korzeniowski
Cause I Have Faith
85 bpm • D# Maj • 03:32 • -24.19db
9% Popularity • 9% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
9% Popularity • 9% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Rohan Stevenson
Lancelot Leaves
85 bpm • A# min • 01:55 • -20.15db
38% Popularity • 9% Danceability • 6% Energy • 10% Liveness
50% Instrumentalness • 3% Positiveness
38% Popularity • 9% Danceability • 6% Energy • 10% Liveness
50% Instrumentalness • 3% Positiveness
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Geoff Zanelli
Dead Men Tell No Tales
85 bpm • D min • 01:51 • -18.2db
41% Popularity • 26% Danceability • 34% Energy • 5% Liveness
94% Instrumentalness • 4% Positiveness
41% Popularity • 26% Danceability • 34% Energy • 5% Liveness
94% Instrumentalness • 4% Positiveness
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Clinton Shorter
Heading Home
85 bpm • D min • 01:14 • -17.33db
34% Popularity • 27% Danceability • 18% Energy • 18% Liveness
88% Instrumentalness • 9% Positiveness
34% Popularity • 27% Danceability • 18% Energy • 18% Liveness
88% Instrumentalness • 9% Positiveness
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Fernando Velázquez
Credits
85 bpm • C min • 04:11 • -13db
24% Popularity • 20% Danceability • 25% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
24% Popularity • 20% Danceability • 25% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
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Pinar Toprak
Captain Marvel
105 bpm • C Maj • 02:15 • -14.81db
45% Popularity • 37% Danceability • 48% Energy • 12% Liveness
94% Instrumentalness • 11% Positiveness
45% Popularity • 37% Danceability • 48% Energy • 12% Liveness
94% Instrumentalness • 11% Positiveness
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Atli Örvarsson
The Fairy Tale
105 bpm • F min • 02:53 • -9db
9% Popularity • 18% Danceability • 44% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
9% Popularity • 18% Danceability • 44% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
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Jon Ekstrand
Godspeed, Doctor
84 bpm • C# Maj • 05:02 • -15db
14% Popularity • 8% Danceability • 22% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
14% Popularity • 8% Danceability • 22% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Geoff Zanelli
Mistress of Evil
84 bpm • D Maj • 01:33 • -12.01db
19% Popularity • 11% Danceability • 27% Energy • 21% Liveness
96% Instrumentalness • 4% Positiveness
19% Popularity • 11% Danceability • 27% Energy • 21% Liveness
96% Instrumentalness • 4% Positiveness
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William Ross
A King's Sadness
84 bpm • C min • 02:00 • -36.4db
58% Popularity • 18% Danceability • 1% Energy • 6% Liveness
96% Instrumentalness • 4% Positiveness
58% Popularity • 18% Danceability • 1% Energy • 6% Liveness
96% Instrumentalness • 4% Positiveness
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Nicholas Hooper
When Ginny Kissed Harry
84 bpm • E min • 02:38 • -28.26db
57% Popularity • 48% Danceability • 6% Energy • 4% Liveness
96% Instrumentalness • 8% Positiveness
57% Popularity • 48% Danceability • 6% Energy • 4% Liveness
96% Instrumentalness • 8% Positiveness
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Alexandre Desplat
Postcards
84 bpm • A min • 02:50 • -21db
31% Popularity • 30% Danceability • 8% Energy • 10% Liveness
81% Instrumentalness • 3% Positiveness
31% Popularity • 30% Danceability • 8% Energy • 10% Liveness
81% Instrumentalness • 3% Positiveness
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Dario Marianelli
Someone Loves Us
84 bpm • E Maj • 01:56 • -27db
53% Popularity • 18% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
53% Popularity • 18% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness