Songs like The End Of It All - 2015 mix by John Tejada
Based on a tempo of (+/- 10%) and a similar genre
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John Tejada
The End Of It All - 2015 mix
126 bpm • F# min • 06:37 • -8.05db
17% Popularity • 63% Danceability • 73% Energy • 20% Liveness
95% Instrumentalness • 52% Positiveness
17% Popularity • 63% Danceability • 73% Energy • 20% Liveness
95% Instrumentalness • 52% Positiveness
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Martin Buttrich
Hunter
126 bpm • C# Maj • 09:59 • -8.33db
11% Popularity • 80% Danceability • 80% Energy • 5% Liveness
87% Instrumentalness • 39% Positiveness
11% Popularity • 80% Danceability • 80% Energy • 5% Liveness
87% Instrumentalness • 39% Positiveness
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Gregor Tresher
A Thousand Nights - Dubfire Quiet Storm ...
126 bpm • A min • 07:48 • -9.12db
12% Popularity • 80% Danceability • 69% Energy • 11% Liveness
91% Instrumentalness • 40% Positiveness
12% Popularity • 80% Danceability • 69% Energy • 11% Liveness
91% Instrumentalness • 40% Positiveness
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Aril Brikha
Forever Frost - Original Mix
126 bpm • A# min • 08:02 • -11.75db
18% Popularity • 74% Danceability • 59% Energy • 10% Liveness
92% Instrumentalness • 76% Positiveness
18% Popularity • 74% Danceability • 59% Energy • 10% Liveness
92% Instrumentalness • 76% Positiveness
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Tale Of Us
Discochord
126 bpm • C Maj • 07:12 • -9db
25% Popularity • 81% Danceability • 69% Energy • 8% Liveness
92% Instrumentalness • 12% Positiveness
25% Popularity • 81% Danceability • 69% Energy • 8% Liveness
92% Instrumentalness • 12% Positiveness
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Phon.o
Schn33
126 bpm • E min • 06:34 • -9db
22% Popularity • 72% Danceability • 42% Energy • 9% Liveness
38% Instrumentalness • 17% Positiveness
22% Popularity • 72% Danceability • 42% Energy • 9% Liveness
38% Instrumentalness • 17% Positiveness
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John Tejada
Reactivation
126 bpm • F# Maj • 06:21 • -10.09db
14% Popularity • 74% Danceability • 72% Energy • 11% Liveness
96% Instrumentalness • 47% Positiveness
14% Popularity • 74% Danceability • 72% Energy • 11% Liveness
96% Instrumentalness • 47% Positiveness
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Sasha
Mongoose - Guy J Remix
126 bpm • B min • 09:01 • -11db
18% Popularity • 65% Danceability • 65% Energy • 8% Liveness
81% Instrumentalness • 25% Positiveness
18% Popularity • 65% Danceability • 65% Energy • 8% Liveness
81% Instrumentalness • 25% Positiveness
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Ben Klock
October
126 bpm • G# Maj • 08:44 • -11.35db
24% Popularity • 83% Danceability • 53% Energy • 11% Liveness
79% Instrumentalness • 76% Positiveness
24% Popularity • 83% Danceability • 53% Energy • 11% Liveness
79% Instrumentalness • 76% Positiveness
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Recondite
Caldera
126 bpm • A min • 08:53 • -13db
15% Popularity • 78% Danceability • 42% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
15% Popularity • 78% Danceability • 42% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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Gabriel Ananda
Let It in and Let It Out
126 bpm • A min • 09:51 • -9db
12% Popularity • 68% Danceability • 73% Energy • 6% Liveness
84% Instrumentalness • 39% Positiveness
12% Popularity • 68% Danceability • 73% Energy • 6% Liveness
84% Instrumentalness • 39% Positiveness
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DMX Krew
Spiritual Encounter
126 bpm • C Maj • 05:52 • -8.91db
15% Popularity • 80% Danceability • 51% Energy • 9% Liveness
88% Instrumentalness • 31% Positiveness
15% Popularity • 80% Danceability • 51% Energy • 9% Liveness
88% Instrumentalness • 31% Positiveness
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John Tejada
Moving 909s
126 bpm • C Maj • 06:36 • -9db
8% Popularity • 80% Danceability • 70% Energy • 9% Liveness
78% Instrumentalness • 61% Positiveness
8% Popularity • 80% Danceability • 70% Energy • 9% Liveness
78% Instrumentalness • 61% Positiveness
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wev
technobody (John Tejada Remix) - Edit
126 bpm • F min • 03:25 • -5.27db
7% Popularity • 80% Danceability • 69% Energy • 9% Liveness
90% Instrumentalness • 39% Positiveness
7% Popularity • 80% Danceability • 69% Energy • 9% Liveness
90% Instrumentalness • 39% Positiveness
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Gregor Tresher
About a Good Place
126 bpm • C Maj • 07:37 • -9.95db
10% Popularity • 87% Danceability • 63% Energy • 11% Liveness
31% Instrumentalness • 31% Positiveness
10% Popularity • 87% Danceability • 63% Energy • 11% Liveness
31% Instrumentalness • 31% Positiveness
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Benjamin Damage
Kansas
126 bpm • G Maj • 08:26 • -11.59db
12% Popularity • 83% Danceability • 66% Energy • 13% Liveness
92% Instrumentalness • 20% Positiveness
12% Popularity • 83% Danceability • 66% Energy • 13% Liveness
92% Instrumentalness • 20% Positiveness
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Dominik Eulberg
Opel Tantra
126 bpm • F Maj • 09:13 • -8db
28% Popularity • 81% Danceability • 58% Energy • 14% Liveness
88% Instrumentalness • 77% Positiveness
28% Popularity • 81% Danceability • 58% Energy • 14% Liveness
88% Instrumentalness • 77% Positiveness
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Kölsch
Basshund
126 bpm • F# min • 04:49 • -11.57db
35% Popularity • 80% Danceability • 88% Energy • 10% Liveness
83% Instrumentalness • 32% Positiveness
35% Popularity • 80% Danceability • 88% Energy • 10% Liveness
83% Instrumentalness • 32% Positiveness
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John Tejada
Prelude To Madness
126 bpm • G min • 06:07 • -6.82db
9% Popularity • 79% Danceability • 83% Energy • 15% Liveness
53% Instrumentalness • 43% Positiveness
9% Popularity • 79% Danceability • 83% Energy • 15% Liveness
53% Instrumentalness • 43% Positiveness
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Guy Gerber
Timing
126 bpm • C# Maj • 09:22 • -9.69db
21% Popularity • 76% Danceability • 80% Energy • 7% Liveness
92% Instrumentalness • 35% Positiveness
21% Popularity • 76% Danceability • 80% Energy • 7% Liveness
92% Instrumentalness • 35% Positiveness
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Carl Craig
At Les - Christian Smith's Tronic Treatm...
126 bpm • C# Maj • 09:41 • -9.85db
12% Popularity • 78% Danceability • 57% Energy • 11% Liveness
90% Instrumentalness • 28% Positiveness
12% Popularity • 78% Danceability • 57% Energy • 11% Liveness
90% Instrumentalness • 28% Positiveness
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Agoria
Speechless - Album Edit
126 bpm • G Maj • 08:41 • -8.87db
15% Popularity • 73% Danceability • 74% Energy • 10% Liveness
77% Instrumentalness • 12% Positiveness
15% Popularity • 73% Danceability • 74% Energy • 10% Liveness
77% Instrumentalness • 12% Positiveness
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Alan Fitzpatrick
Memories Of A Time Once Past But Long Fo...
126 bpm • D Maj • 07:57 • -10.03db
10% Popularity • 70% Danceability • 80% Energy • 9% Liveness
88% Instrumentalness • 21% Positiveness
10% Popularity • 70% Danceability • 80% Energy • 9% Liveness
88% Instrumentalness • 21% Positiveness
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Dauwd
Kindlinn
126 bpm • C# Maj • 06:06 • -13db
27% Popularity • 79% Danceability • 46% Energy • 10% Liveness
87% Instrumentalness • 33% Positiveness
27% Popularity • 79% Danceability • 46% Energy • 10% Liveness
87% Instrumentalness • 33% Positiveness
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John Tejada
Reminisce
126 bpm • D min • 06:10 • -8db
6% Popularity • 80% Danceability • 75% Energy • 9% Liveness
90% Instrumentalness • 80% Positiveness
6% Popularity • 80% Danceability • 75% Energy • 9% Liveness
90% Instrumentalness • 80% Positiveness
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The MFA
The Difference It Makes - Superpitcher R...
126 bpm • A Maj • 08:41 • -13.38db
23% Popularity • 66% Danceability • 27% Energy • 13% Liveness
55% Instrumentalness • 8% Positiveness
23% Popularity • 66% Danceability • 27% Energy • 13% Liveness
55% Instrumentalness • 8% Positiveness
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Fatima Yamaha
Araya
126 bpm • C# Maj • 05:58 • -10.03db
39% Popularity • 69% Danceability • 73% Energy • 10% Liveness
89% Instrumentalness • 41% Positiveness
39% Popularity • 69% Danceability • 73% Energy • 10% Liveness
89% Instrumentalness • 41% Positiveness
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Paperclip People
4 My Peepz - Dubfire Rework
126 bpm • A Maj • 08:26 • -8.6db
11% Popularity • 79% Danceability • 75% Energy • 10% Liveness
89% Instrumentalness • 32% Positiveness
11% Popularity • 79% Danceability • 75% Energy • 10% Liveness
89% Instrumentalness • 32% Positiveness
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Patrick Chardronnet
Eve By Day
126 bpm • D Maj • 09:26 • -15.05db
12% Popularity • 61% Danceability • 35% Energy • 5% Liveness
89% Instrumentalness • 12% Positiveness
12% Popularity • 61% Danceability • 35% Energy • 5% Liveness
89% Instrumentalness • 12% Positiveness
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Plaid
Maru - John Tejada Remix
126 bpm • C# Maj • 05:27 • -10.08db
7% Popularity • 57% Danceability • 84% Energy • 7% Liveness
80% Instrumentalness • 58% Positiveness
7% Popularity • 57% Danceability • 84% Energy • 7% Liveness
80% Instrumentalness • 58% Positiveness
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John Tejada
The Zone
126 bpm • D Maj • 06:08 • -12.9db
2% Popularity • 80% Danceability • 38% Energy • 9% Liveness
90% Instrumentalness • 30% Positiveness
2% Popularity • 80% Danceability • 38% Energy • 9% Liveness
90% Instrumentalness • 30% Positiveness
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Carl Craig
At Les - Christian Smith's Hypnotica Rem...
126 bpm • C# Maj • 09:14 • -12.08db
21% Popularity • 91% Danceability • 50% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
21% Popularity • 91% Danceability • 50% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Gui Boratto
Shebang
126 bpm • C# Maj • 07:27 • -7.54db
13% Popularity • 79% Danceability • 88% Energy • 6% Liveness
74% Instrumentalness • 5% Positiveness
13% Popularity • 79% Danceability • 88% Energy • 6% Liveness
74% Instrumentalness • 5% Positiveness
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Benjamin Damage
Up
126 bpm • G Maj • 07:13 • -9.55db
14% Popularity • 67% Danceability • 80% Energy • 12% Liveness
87% Instrumentalness • 6% Positiveness
14% Popularity • 67% Danceability • 80% Energy • 12% Liveness
87% Instrumentalness • 6% Positiveness
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Max Cooper
Darkroom - John Tejada Remix
126 bpm • F# min • 06:22 • -11.31db
8% Popularity • 80% Danceability • 73% Energy • 9% Liveness
90% Instrumentalness • 65% Positiveness
8% Popularity • 80% Danceability • 73% Energy • 9% Liveness
90% Instrumentalness • 65% Positiveness
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The MFA
The Difference It Makes - Original Mix
126 bpm • A Maj • 07:06 • -13.16db
19% Popularity • 68% Danceability • 45% Energy • 12% Liveness
80% Instrumentalness • 13% Positiveness
19% Popularity • 68% Danceability • 45% Energy • 12% Liveness
80% Instrumentalness • 13% Positiveness
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John Tejada
Irusu
126 bpm • G# min • 04:52 • -6.7db
14% Popularity • 80% Danceability • 76% Energy • 10% Liveness
91% Instrumentalness • 63% Positiveness
14% Popularity • 80% Danceability • 76% Energy • 10% Liveness
91% Instrumentalness • 63% Positiveness
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Lusine
Make It Easy - John Tejada Remix
126 bpm • B Maj • 06:21 • -8.84db
5% Popularity • 80% Danceability • 68% Energy • 10% Liveness
89% Instrumentalness • 36% Positiveness
5% Popularity • 80% Danceability • 68% Energy • 10% Liveness
89% Instrumentalness • 36% Positiveness
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Jonas Rathsman
Conium
126 bpm • A# min • 06:51 • -10.19db
21% Popularity • 59% Danceability • 91% Energy • 8% Liveness
93% Instrumentalness • 28% Positiveness
21% Popularity • 59% Danceability • 91% Energy • 8% Liveness
93% Instrumentalness • 28% Positiveness
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DJ Koze
Brutalga Square
126 bpm • A# min • 09:39 • -13.9db
14% Popularity • 69% Danceability • 67% Energy • 6% Liveness
90% Instrumentalness • 17% Positiveness
14% Popularity • 69% Danceability • 67% Energy • 6% Liveness
90% Instrumentalness • 17% Positiveness
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Schatrax
Mispent Years - Original Mix
126 bpm • F# Maj • 04:53 • -10.92db
22% Popularity • 73% Danceability • 68% Energy • 5% Liveness
94% Instrumentalness • 53% Positiveness
22% Popularity • 73% Danceability • 68% Energy • 5% Liveness
94% Instrumentalness • 53% Positiveness
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Miwon
Brother Mole - John Tejada Remix
126 bpm • G Maj • 06:08 • -10.02db
4% Popularity • 81% Danceability • 66% Energy • 11% Liveness
93% Instrumentalness • 43% Positiveness
4% Popularity • 81% Danceability • 66% Energy • 11% Liveness
93% Instrumentalness • 43% Positiveness
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John Tejada
Detector
126 bpm • F# min • 05:20 • -10.95db
10% Popularity • 72% Danceability • 72% Energy • 11% Liveness
82% Instrumentalness • 20% Positiveness
10% Popularity • 72% Danceability • 72% Energy • 11% Liveness
82% Instrumentalness • 20% Positiveness
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Superpitcher
Mushroom
126 bpm • C Maj • 06:31 • -16.19db
13% Popularity • 90% Danceability • 30% Energy • 9% Liveness
68% Instrumentalness • 48% Positiveness
13% Popularity • 90% Danceability • 30% Energy • 9% Liveness
68% Instrumentalness • 48% Positiveness
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Agoria
Baptême
126 bpm • C Maj • 08:06 • -8.49db
13% Popularity • 75% Danceability • 75% Energy • 9% Liveness
22% Instrumentalness • 27% Positiveness
13% Popularity • 75% Danceability • 75% Energy • 9% Liveness
22% Instrumentalness • 27% Positiveness
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Daphni
Tin
127 bpm • E min • 04:33 • -10db
29% Popularity • 62% Danceability • 83% Energy • 25% Liveness
92% Instrumentalness • 20% Positiveness
29% Popularity • 62% Danceability • 83% Energy • 25% Liveness
92% Instrumentalness • 20% Positiveness
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Walker & Royce
My Own Thang - John Tejada Dub
125 bpm • A# min • 05:39 • -8.91db
5% Popularity • 81% Danceability • 62% Energy • 9% Liveness
87% Instrumentalness • 44% Positiveness
5% Popularity • 81% Danceability • 62% Energy • 9% Liveness
87% Instrumentalness • 44% Positiveness
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Floorplan
Confess
125 bpm • E min • 06:31 • -7.28db
12% Popularity • 68% Danceability • 96% Energy • 38% Liveness
90% Instrumentalness • 32% Positiveness
12% Popularity • 68% Danceability • 96% Energy • 38% Liveness
90% Instrumentalness • 32% Positiveness
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John Tejada
Celerity
126 bpm • A min • 05:12 • -9.39db
2% Popularity • 85% Danceability • 73% Energy • 8% Liveness
76% Instrumentalness • 84% Positiveness
2% Popularity • 85% Danceability • 73% Energy • 8% Liveness
76% Instrumentalness • 84% Positiveness
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Michael Mayer
The Stickler
125 bpm • C Maj • 07:01 • -11.33db
8% Popularity • 72% Danceability • 58% Energy • 9% Liveness
66% Instrumentalness • 37% Positiveness
8% Popularity • 72% Danceability • 58% Energy • 9% Liveness
66% Instrumentalness • 37% Positiveness
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Gui Boratto
The Blessing
127 bpm • D Maj • 05:39 • -8.81db
22% Popularity • 80% Danceability • 82% Energy • 37% Liveness
95% Instrumentalness • 8% Positiveness
22% Popularity • 80% Danceability • 82% Energy • 37% Liveness
95% Instrumentalness • 8% Positiveness
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Agoria
Singing - Dixon Mix
127 bpm • C Maj • 09:10 • -10.07db
7% Popularity • 80% Danceability • 48% Energy • 9% Liveness
81% Instrumentalness • 23% Positiveness
7% Popularity • 80% Danceability • 48% Energy • 9% Liveness
81% Instrumentalness • 23% Positiveness
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efdemin
Le Ratafia
127 bpm • C# Maj • 06:03 • -12db
11% Popularity • 79% Danceability • 61% Energy • 6% Liveness
91% Instrumentalness • 73% Positiveness
11% Popularity • 79% Danceability • 61% Energy • 6% Liveness
91% Instrumentalness • 73% Positiveness
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Avalon Emerson
Synagogue of SoMa
125 bpm • C# min • 07:29 • -12.24db
12% Popularity • 91% Danceability • 60% Energy • 10% Liveness
77% Instrumentalness • 50% Positiveness
12% Popularity • 91% Danceability • 60% Energy • 10% Liveness
77% Instrumentalness • 50% Positiveness
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John Tejada
Subsumed
126 bpm • B Maj • 05:33 • -8.48db
10% Popularity • 54% Danceability • 55% Energy • 16% Liveness
87% Instrumentalness • 20% Positiveness
10% Popularity • 54% Danceability • 55% Energy • 16% Liveness
87% Instrumentalness • 20% Positiveness
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Deetron
Collide
125 bpm • A# min • 08:02 • -11.82db
13% Popularity • 62% Danceability • 40% Energy • 15% Liveness
89% Instrumentalness • 23% Positiveness
13% Popularity • 62% Danceability • 40% Energy • 15% Liveness
89% Instrumentalness • 23% Positiveness
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Guy Gerber
Sea of Sand - Original Mix
127 bpm • A min • 06:17 • -8db
23% Popularity • 82% Danceability • 67% Energy • 11% Liveness
37% Instrumentalness • 54% Positiveness
23% Popularity • 82% Danceability • 67% Energy • 11% Liveness
37% Instrumentalness • 54% Positiveness
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Gabriel Ananda
Rims And Prophet - Original Mix
125 bpm • A Maj • 05:16 • -11.18db
17% Popularity • 80% Danceability • 80% Energy • 8% Liveness
90% Instrumentalness • 50% Positiveness
17% Popularity • 80% Danceability • 80% Energy • 8% Liveness
90% Instrumentalness • 50% Positiveness
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Gui Boratto
Arquipelago
125 bpm • G# min • 06:07 • -11.15db
32% Popularity • 81% Danceability • 71% Energy • 9% Liveness
92% Instrumentalness • 37% Positiveness
32% Popularity • 81% Danceability • 71% Energy • 9% Liveness
92% Instrumentalness • 37% Positiveness
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Erosion Flow
Syvv
125 bpm • F# Maj • 04:31 • -12.92db
9% Popularity • 59% Danceability • 86% Energy • 8% Liveness
97% Instrumentalness • 37% Positiveness
9% Popularity • 59% Danceability • 86% Energy • 8% Liveness
97% Instrumentalness • 37% Positiveness
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John Tejada
The End Of It All
126 bpm • A Maj • 07:45 • -9db
22% Popularity • 78% Danceability • 58% Energy • 8% Liveness
90% Instrumentalness • 47% Positiveness
22% Popularity • 78% Danceability • 58% Energy • 8% Liveness
90% Instrumentalness • 47% Positiveness
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Yotam Avni
This Is How
125 bpm • C# Maj • 07:10 • -14.42db
10% Popularity • 81% Danceability • 51% Energy • 9% Liveness
84% Instrumentalness • 30% Positiveness
10% Popularity • 81% Danceability • 51% Energy • 9% Liveness
84% Instrumentalness • 30% Positiveness
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Jennifer Cardini
August in Paris
125 bpm • B min • 08:36 • -8.61db
24% Popularity • 80% Danceability • 63% Energy • 9% Liveness
58% Instrumentalness • 42% Positiveness
24% Popularity • 80% Danceability • 63% Energy • 9% Liveness
58% Instrumentalness • 42% Positiveness
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Ben Böhmer
Ground Control - John Tejada Remix
125 bpm • C# Maj • 06:40 • -7.57db
10% Popularity • 86% Danceability • 59% Energy • 11% Liveness
88% Instrumentalness • 48% Positiveness
10% Popularity • 86% Danceability • 59% Energy • 11% Liveness
88% Instrumentalness • 48% Positiveness
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Patrice Bäumel
The Vanishing
127 bpm • B min • 08:36 • -6.8db
8% Popularity • 63% Danceability • 93% Energy • 8% Liveness
88% Instrumentalness • 73% Positiveness
8% Popularity • 63% Danceability • 93% Energy • 8% Liveness
88% Instrumentalness • 73% Positiveness
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Soy Mustafa
Return of the Anunnaki - John Tejada Rem...
127 bpm • C# Maj • 07:05 • -7.73db
3% Popularity • 74% Danceability • 84% Energy • 8% Liveness
92% Instrumentalness • 34% Positiveness
3% Popularity • 74% Danceability • 84% Energy • 8% Liveness
92% Instrumentalness • 34% Positiveness
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John Tejada
Dr. Party
126 bpm • A min • 05:23 • -9.7db
17% Popularity • 74% Danceability • 60% Energy • 7% Liveness
92% Instrumentalness • 50% Positiveness
17% Popularity • 74% Danceability • 60% Energy • 7% Liveness
92% Instrumentalness • 50% Positiveness
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Brassica
Wryders
125 bpm • G# min • 07:31 • -8.6db
13% Popularity • 74% Danceability • 90% Energy • 16% Liveness
83% Instrumentalness • 12% Positiveness
13% Popularity • 74% Danceability • 90% Energy • 16% Liveness
83% Instrumentalness • 12% Positiveness
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Dense & Pika
Colt - George FitzGerald Remix
125 bpm • G# Maj • 05:58 • -10.15db
1% Popularity • 74% Danceability • 60% Energy • 7% Liveness
90% Instrumentalness • 14% Positiveness
1% Popularity • 74% Danceability • 60% Energy • 7% Liveness
90% Instrumentalness • 14% Positiveness
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Ben Böhmer
Ground Control - John Tejada Remix - Edi...
125 bpm • C# Maj • 04:24 • -7.36db
9% Popularity • 80% Danceability • 65% Energy • 11% Liveness
90% Instrumentalness • 50% Positiveness
9% Popularity • 80% Danceability • 65% Energy • 11% Liveness
90% Instrumentalness • 50% Positiveness
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Patrice Bäumel
This World
127 bpm • C# Maj • 06:54 • -15db
21% Popularity • 69% Danceability • 71% Energy • 6% Liveness
88% Instrumentalness • 6% Positiveness
21% Popularity • 69% Danceability • 71% Energy • 6% Liveness
88% Instrumentalness • 6% Positiveness
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Legowelt
Experiential Awakening
127 bpm • F# Maj • 08:08 • -13.87db
22% Popularity • 55% Danceability • 84% Energy • 35% Liveness
79% Instrumentalness • 69% Positiveness
22% Popularity • 55% Danceability • 84% Energy • 35% Liveness
79% Instrumentalness • 69% Positiveness
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John Tejada
The Looping Generation
126 bpm • D Maj • 04:35 • -10.45db
10% Popularity • 80% Danceability • 79% Energy • 11% Liveness
92% Instrumentalness • 42% Positiveness
10% Popularity • 80% Danceability • 79% Energy • 11% Liveness
92% Instrumentalness • 42% Positiveness
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Afrilounge
Lux Dementia
127 bpm • D Maj • 09:53 • -9db
15% Popularity • 89% Danceability • 32% Energy • 9% Liveness
86% Instrumentalness • 35% Positiveness
15% Popularity • 89% Danceability • 32% Energy • 9% Liveness
86% Instrumentalness • 35% Positiveness
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Tuff City Kids
Lambsgame
127 bpm • F min • 06:35 • -7.7db
9% Popularity • 70% Danceability • 82% Energy • 11% Liveness
89% Instrumentalness • 62% Positiveness
9% Popularity • 70% Danceability • 82% Energy • 11% Liveness
89% Instrumentalness • 62% Positiveness
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Michael Mayer
State Of The Nation
125 bpm • C Maj • 06:01 • -10.41db
23% Popularity • 74% Danceability • 71% Energy • 11% Liveness
87% Instrumentalness • 6% Positiveness
23% Popularity • 74% Danceability • 71% Energy • 11% Liveness
87% Instrumentalness • 6% Positiveness
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Trevino
Casino
125 bpm • D min • 09:08 • -8db
10% Popularity • 67% Danceability • 77% Energy • 54% Liveness
87% Instrumentalness • 30% Positiveness
10% Popularity • 67% Danceability • 77% Energy • 54% Liveness
87% Instrumentalness • 30% Positiveness
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Rodriguez Jr.
Kenopsia
125 bpm • F min • 07:20 • -10.44db
22% Popularity • 80% Danceability • 64% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
22% Popularity • 80% Danceability • 64% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
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John Tejada
Performance Review
126 bpm • C# min • 05:57 • -10.4db
10% Popularity • 80% Danceability • 64% Energy • 39% Liveness
88% Instrumentalness • 37% Positiveness
10% Popularity • 80% Danceability • 64% Energy • 39% Liveness
88% Instrumentalness • 37% Positiveness
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Minilogue
The Leopard - Extrawelt Remix
125 bpm • G# min • 06:58 • -11.54db
35% Popularity • 77% Danceability • 62% Energy • 11% Liveness
87% Instrumentalness • 22% Positiveness
35% Popularity • 77% Danceability • 62% Energy • 11% Liveness
87% Instrumentalness • 22% Positiveness
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Guy Gerber
After Love - Original Mix
127 bpm • A min • 07:58 • -5.9db
16% Popularity • 68% Danceability • 97% Energy • 22% Liveness
80% Instrumentalness • 39% Positiveness
16% Popularity • 68% Danceability • 97% Energy • 22% Liveness
80% Instrumentalness • 39% Positiveness
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Lauer
Fatigue
127 bpm • A# min • 05:53 • -7db
11% Popularity • 68% Danceability • 94% Energy • 40% Liveness
87% Instrumentalness • 44% Positiveness
11% Popularity • 68% Danceability • 94% Energy • 40% Liveness
87% Instrumentalness • 44% Positiveness
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Dorisburg
Cirkla
125 bpm • E min • 08:06 • -17.64db
17% Popularity • 58% Danceability • 41% Energy • 10% Liveness
94% Instrumentalness • 16% Positiveness
17% Popularity • 58% Danceability • 41% Energy • 10% Liveness
94% Instrumentalness • 16% Positiveness
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Agoria
Singing - Dixon Dub
127 bpm • E min • 09:39 • -10.66db
23% Popularity • 80% Danceability • 57% Energy • 10% Liveness
89% Instrumentalness • 29% Positiveness
23% Popularity • 80% Danceability • 57% Energy • 10% Liveness
89% Instrumentalness • 29% Positiveness
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John Tejada
Sweat (On The Walls)
127 bpm • D Maj • 05:49 • -9.29db
21% Popularity • 81% Danceability • 62% Energy • 10% Liveness
90% Instrumentalness • 61% Positiveness
21% Popularity • 81% Danceability • 62% Energy • 10% Liveness
90% Instrumentalness • 61% Positiveness
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Lawrence
Along The Wire (Superpitcher Remix)
125 bpm • D Maj • 09:30 • -10db
18% Popularity • 80% Danceability • 72% Energy • 9% Liveness
86% Instrumentalness • 15% Positiveness
18% Popularity • 80% Danceability • 72% Energy • 9% Liveness
86% Instrumentalness • 15% Positiveness
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Reset Robot
The Hanging Gardens of Babylon
125 bpm • D Maj • 07:58 • -8.17db
3% Popularity • 79% Danceability • 70% Energy • 9% Liveness
88% Instrumentalness • 56% Positiveness
3% Popularity • 79% Danceability • 70% Energy • 9% Liveness
88% Instrumentalness • 56% Positiveness
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Tom Demac
Sink Or Swim
125 bpm • E min • 06:42 • -9.2db
14% Popularity • 77% Danceability • 72% Energy • 8% Liveness
91% Instrumentalness • 15% Positiveness
14% Popularity • 77% Danceability • 72% Energy • 8% Liveness
91% Instrumentalness • 15% Positiveness
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Finnebassen
Rotundo
125 bpm • B min • 08:33 • -10.47db
15% Popularity • 80% Danceability • 62% Energy • 8% Liveness
91% Instrumentalness • 14% Positiveness
15% Popularity • 80% Danceability • 62% Energy • 8% Liveness
91% Instrumentalness • 14% Positiveness
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Octave One
Afterglow
125 bpm • F min • 06:57 • -6.44db
13% Popularity • 60% Danceability • 76% Energy • 25% Liveness
83% Instrumentalness • 40% Positiveness
13% Popularity • 60% Danceability • 76% Energy • 25% Liveness
83% Instrumentalness • 40% Positiveness
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John Tejada
Penumbra
125 bpm • A Maj • 05:22 • -10db
15% Popularity • 80% Danceability • 70% Energy • 9% Liveness
84% Instrumentalness • 79% Positiveness
15% Popularity • 80% Danceability • 70% Energy • 9% Liveness
84% Instrumentalness • 79% Positiveness
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Thomas Schumacher
I Won't Run
125 bpm • E min • 08:25 • -10.65db
13% Popularity • 74% Danceability • 55% Energy • 10% Liveness
86% Instrumentalness • 14% Positiveness
13% Popularity • 74% Danceability • 55% Energy • 10% Liveness
86% Instrumentalness • 14% Positiveness
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Trevino
Eclipse
127 bpm • D Maj • 07:03 • -8db
17% Popularity • 72% Danceability • 80% Energy • 5% Liveness
95% Instrumentalness • 7% Positiveness
17% Popularity • 72% Danceability • 80% Energy • 5% Liveness
95% Instrumentalness • 7% Positiveness
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Patrice Bäumel
Glutes
127 bpm • F min • 07:29 • -10.73db
32% Popularity • 85% Danceability • 59% Energy • 11% Liveness
94% Instrumentalness • 6% Positiveness
32% Popularity • 85% Danceability • 59% Energy • 11% Liveness
94% Instrumentalness • 6% Positiveness
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Lauer
Phlipper
125 bpm • C min • 06:50 • -9.62db
7% Popularity • 74% Danceability • 91% Energy • 29% Liveness
92% Instrumentalness • 57% Positiveness
7% Popularity • 74% Danceability • 91% Energy • 29% Liveness
92% Instrumentalness • 57% Positiveness
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Josh Wink
New Years Day Acid - John Tejada remix
125 bpm • F min • 08:27 • -8.66db
4% Popularity • 80% Danceability • 80% Energy • 8% Liveness
82% Instrumentalness • 66% Positiveness
4% Popularity • 80% Danceability • 80% Energy • 8% Liveness
82% Instrumentalness • 66% Positiveness
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John Tejada
Duty Cycle
125 bpm • E min • 05:17 • -10.8db
3% Popularity • 78% Danceability • 72% Energy • 12% Liveness
92% Instrumentalness • 58% Positiveness
3% Popularity • 78% Danceability • 72% Energy • 12% Liveness
92% Instrumentalness • 58% Positiveness
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Rodriguez Jr.
Pandora
125 bpm • C# Maj • 07:17 • -9.66db
25% Popularity • 80% Danceability • 73% Energy • 34% Liveness
86% Instrumentalness • 21% Positiveness
25% Popularity • 80% Danceability • 73% Energy • 34% Liveness
86% Instrumentalness • 21% Positiveness
