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The English Dancing Master: John Come Kiss Me Now
Songs like
The English Dancing Master: John Come Kiss Me Now
by
John Playford
Based on a tempo of (+/- 10%) and a similar genre
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Unicorn Ensemble
Saltarello No. 4
80 bpm • D Maj • 07:26 • -19db
14% Popularity • 40% Danceability • 37% Energy • 8% Liveness
60% Instrumentalness • 52% Positiveness
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John Playford
The English Dance Master, Vol. 1: Parson...
80 bpm • F Maj • 01:51 • -22.66db
42% Popularity • 47% Danceability • 4% Energy • 54% Liveness
0% Instrumentalness • 50% Positiveness
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Bernhard Joachim Hagen
Lute Sonata in F Minor [Augsburg manuscr...
80 bpm • E min • 03:32 • -20db
33% Popularity • 47% Danceability • 7% Energy • 11% Liveness
83% Instrumentalness • 12% Positiveness
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Shelley Phillips And Friends
Mr. Beveridge's_Hole in the Wall
80 bpm • A# Maj • 04:51 • -11db
14% Popularity • 47% Danceability • 19% Energy • 13% Liveness
56% Instrumentalness • 27% Positiveness
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Hopkinson Smith
Melancholy Galliard
80 bpm • G# Maj • 02:13 • -22.65db
34% Popularity • 42% Danceability • 9% Energy • 14% Liveness
89% Instrumentalness • 40% Positiveness
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Ensemble Galilei
Menuet & Caprice
80 bpm • D min • 02:46 • -18.79db
6% Popularity • 32% Danceability • 8% Energy • 34% Liveness
86% Instrumentalness • 28% Positiveness
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Unicorn Ensemble
Saltarello No. 1
80 bpm • E min • 02:36 • -17db
24% Popularity • 39% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Pierre de la Rue
Autant en emporte
80 bpm • G# min • 01:17 • -25db
23% Popularity • 24% Danceability • 5% Energy • 14% Liveness
99% Instrumentalness • 19% Positiveness
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Antoine Busnois
Alleluya
80 bpm • D# Maj • 01:25 • -20.8db
35% Popularity • 23% Danceability • 8% Energy • 7% Liveness
11% Instrumentalness • 9% Positiveness
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Philippe de Vitry
Colla iugo subdere - Bona condit cetera ...
79 bpm • A min • 01:40 • -23.46db
22% Popularity • 18% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Antonio da Cividale
Lo vegio per stasone
79 bpm • F Maj • 02:30 • -32.07db
14% Popularity • 39% Danceability • 4% Energy • 7% Liveness
90% Instrumentalness • 50% Positiveness
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Christopher Tye
In nomine: Rachell’s Weepinge
81 bpm • C# min • 02:50 • -26db
31% Popularity • 7% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
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John Playford
The English Dance Master, Part II: The E...
79 bpm • C# Maj • 02:10 • -24.62db
3% Popularity • 46% Danceability • 11% Energy • 36% Liveness
5% Instrumentalness • 42% Positiveness
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John Taverner
Kyrie, "Leroy": Kyrie Leroy
79 bpm • A# min • 06:37 • -27.51db
16% Popularity • 11% Danceability • 11% Energy • 8% Liveness
49% Instrumentalness • 4% Positiveness
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Unicorn Ensemble
Parlamento
79 bpm • D min • 04:51 • -31db
15% Popularity • 41% Danceability • 5% Energy • 8% Liveness
88% Instrumentalness • 13% Positiveness
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Edward Martin
Basse dance :La Roque: (Attaingnant)
79 bpm • C Maj • 01:40 • -25.99db
20% Popularity • 48% Danceability • 7% Energy • 10% Liveness
90% Instrumentalness • 84% Positiveness
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Matteo da Perugia
Rondeau-refrain
81 bpm • G min • 01:52 • -28.01db
11% Popularity • 31% Danceability • 2% Energy • 9% Liveness
24% Instrumentalness • 30% Positiveness
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Giorgio Mainerio
Schiarazula Marazula
81 bpm • G min • 03:37 • -28.32db
11% Popularity • 12% Danceability • 2% Energy • 11% Liveness
90% Instrumentalness • 9% Positiveness
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Vincenzo Capirola
Balletto
81 bpm • D Maj • 01:52 • -31db
25% Popularity • 44% Danceability • 4% Energy • 12% Liveness
96% Instrumentalness • 50% Positiveness
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Orlando Gibbons
Pavan
79 bpm • F# Maj • 04:22 • -24db
27% Popularity • 13% Danceability • 7% Energy • 16% Liveness
87% Instrumentalness • 15% Positiveness
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Johannes Ockeghem
Intemerata Dei mater
79 bpm • D min • 08:10 • -28db
32% Popularity • 7% Danceability • 8% Energy • 8% Liveness
8% Instrumentalness • 4% Positiveness
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Paolo D'Aragon
Toccate
79 bpm • E min • 03:26 • -21db
16% Popularity • 38% Danceability • 9% Energy • 9% Liveness
93% Instrumentalness • 42% Positiveness
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Luca Marenzio
Basciami Mille Volte a 5 Voci
81 bpm • G min • 02:02 • -19.35db
32% Popularity • 21% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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John Playford
Lilliburlero (Arr. William Lyons)
81 bpm • G Maj • 00:58 • -20.87db
16% Popularity • 12% Danceability • 15% Energy • 21% Liveness
84% Instrumentalness • 41% Positiveness
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Andrea da Firenze
Dolce speranza d'amoroso foco
81 bpm • A min • 03:13 • -24.7db
9% Popularity • 29% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Jacob Clemens non Papa
Adieu delices de mon ceur
79 bpm • D min • 01:58 • -33db
30% Popularity • 9% Danceability • 0% Energy • 12% Liveness
96% Instrumentalness • 23% Positiveness
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Rolf Lislevand
Tarantela
79 bpm • B Maj • 03:00 • -29.42db
14% Popularity • 32% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 30% Positiveness
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John Dowland
Lady Hunsdon's Puffe, P. 54
78 bpm • A# Maj • 01:49 • -20.52db
25% Popularity • 45% Danceability • 19% Energy • 8% Liveness
82% Instrumentalness • 78% Positiveness
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Antoine Brumel
Sicut lilium
82 bpm • G Maj • 01:50 • -32db
31% Popularity • 11% Danceability • 4% Energy • 9% Liveness
75% Instrumentalness • 3% Positiveness
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John Hilton
Dainty Fine / Hyde Park / Grimstock
78 bpm • B Maj • 05:14 • -10.22db
2% Popularity • 11% Danceability • 34% Energy • 14% Liveness
96% Instrumentalness • 34% Positiveness
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John Playford
The English Dance Master, Vol. 1: The Be...
78 bpm • F Maj • 01:53 • -22.87db
22% Popularity • 37% Danceability • 5% Energy • 43% Liveness
13% Instrumentalness • 53% Positiveness
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Guillaume de Machaut
Dame, ne regardes pas (Medieval Fiddles)
82 bpm • D# min • 01:51 • -29.03db
13% Popularity • 19% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 28% Positiveness
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Turlough O'Carolan
Edward Corcoran
78 bpm • D# min • 02:36 • -16.2db
14% Popularity • 32% Danceability • 16% Energy • 12% Liveness
86% Instrumentalness • 61% Positiveness
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Alessandro Piccinini
Ciaccona in G major
82 bpm • G Maj • 01:55 • -35.43db
19% Popularity • 47% Danceability • 2% Energy • 12% Liveness
98% Instrumentalness • 30% Positiveness
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Innocentio Alberti
Pavin of Albarti
78 bpm • E Maj • 01:16 • -27.77db
35% Popularity • 15% Danceability • 2% Energy • 12% Liveness
80% Instrumentalness • 17% Positiveness
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John Hilton
Stingo / Northern Catch
82 bpm • G min • 03:53 • -10.86db
2% Popularity • 51% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Andrew Lawrence-King
Folias (Imperfectas)
78 bpm • A min • 01:44 • -36.5db
29% Popularity • 34% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
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Claire van Kampen
Hoboekendans (Cromwell at York Place)
82 bpm • A min • 02:04 • -16.84db
13% Popularity • 24% Danceability • 8% Energy • 9% Liveness
25% Instrumentalness • 42% Positiveness
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Joan Ambrosio Dalza
Tastar de corde
82 bpm • C min • 01:28 • -35.72db
32% Popularity • 38% Danceability • 1% Energy • 11% Liveness
78% Instrumentalness • 25% Positiveness
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Giovanni Zamboni
Suonata: Sarabanda
78 bpm • G# Maj • 01:29 • -21db
25% Popularity • 59% Danceability • 5% Energy • 9% Liveness
80% Instrumentalness • 16% Positiveness
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Edward Martin
Haulberroys (Attaignant)
82 bpm • G min • 01:29 • -23.5db
19% Popularity • 49% Danceability • 6% Energy • 12% Liveness
88% Instrumentalness • 63% Positiveness
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The Tallis Scholars
Tallis: Lamentations of Jeremiah I - 2. ...
83 bpm • F min • 02:37 • -28.03db
37% Popularity • 8% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Gautier De Coincy
Chanson à la vierge
78 bpm • A min • 01:41 • -28.62db
20% Popularity • 22% Danceability • 1% Energy • 9% Liveness
62% Instrumentalness • 71% Positiveness
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Walter Frye
So ys emprentid
77 bpm • A min • 03:16 • -26.31db
13% Popularity • 19% Danceability • 1% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
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Giorgio Mainerio
Gagliarda
77 bpm • G Maj • 01:17 • -21.57db
18% Popularity • 46% Danceability • 17% Energy • 20% Liveness
63% Instrumentalness • 37% Positiveness
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Francesco Corbetta
Balletto fatto nella Bariera sopra la Sa...
77 bpm • C# min • 01:18 • -27.87db
28% Popularity • 47% Danceability • 3% Energy • 10% Liveness
73% Instrumentalness • 65% Positiveness
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Pierre Attaingnant
Basse danse la Magdalena
83 bpm • D min • 02:13 • -29db
15% Popularity • 25% Danceability • 1% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Heinrich Isaac
Missa Presulem ephebeatum: I. Kyrie
83 bpm • D min • 01:09 • -17.68db
39% Popularity • 18% Danceability • 15% Energy • 9% Liveness
1% Instrumentalness • 9% Positiveness
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John Dowland
Lady Rich, Her Galliard
83 bpm • F# Maj • 01:57 • -32.65db
38% Popularity • 30% Danceability • 2% Energy • 9% Liveness
82% Instrumentalness • 48% Positiveness
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Juan del Encina
Si abra en este baldres
83 bpm • F Maj • 01:28 • -15db
17% Popularity • 62% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
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John Johnson
Greensleeves
83 bpm • F Maj • 03:58 • -23db
36% Popularity • 35% Danceability • 16% Energy • 13% Liveness
78% Instrumentalness • 60% Positiveness
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Alfonso X El Sabio
Cantigas de Santa Maria, No. 60: Entre A...
84 bpm • F Maj • 03:20 • -20.89db
21% Popularity • 36% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Guglielmo Ebreo da Pesaro
Falla con misuras
84 bpm • E min • 01:26 • -27db
36% Popularity • 14% Danceability • 5% Energy • 10% Liveness
87% Instrumentalness • 24% Positiveness
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Hopkinson Smith
La Mallassis - Sarabande
76 bpm • F min • 02:35 • -28db
28% Popularity • 42% Danceability • 2% Energy • 11% Liveness
76% Instrumentalness • 13% Positiveness
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John Dowland
Pavana Lachrimae
83 bpm • C# min • 05:04 • -36db
16% Popularity • 36% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 8% Positiveness
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Baude Cordier
Tout par compas, Fol. 12 (Rondeau/Canon)
84 bpm • D# Maj • 02:49 • -20.68db
27% Popularity • 31% Danceability • 2% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Johann Daniel Mylius
Courante I
76 bpm • B min • 01:29 • -27db
17% Popularity • 30% Danceability • 9% Energy • 9% Liveness
84% Instrumentalness • 67% Positiveness
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Piffaro
Alta Trinita Beata
84 bpm • G Maj • 03:29 • -18db
8% Popularity • 9% Danceability • 23% Energy • 34% Liveness
60% Instrumentalness • 18% Positiveness
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Gherardello da Firenze
I' vo' bene
84 bpm • E min • 02:21 • -17.37db
10% Popularity • 35% Danceability • 10% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
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Pierre de la Rue
Mijn hert altijt heeft verlanghen
76 bpm • A min • 04:47 • -22.21db
17% Popularity • 13% Danceability • 4% Energy • 9% Liveness
20% Instrumentalness • 4% Positiveness
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John Dowland
George Whitehead
84 bpm • C Maj • 01:17 • -26.18db
14% Popularity • 57% Danceability • 2% Energy • 10% Liveness
78% Instrumentalness • 46% Positiveness
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Giorgio Mainerio
Schiarazula Marazula
76 bpm • G min • 01:23 • -17.11db
24% Popularity • 43% Danceability • 24% Energy • 15% Liveness
77% Instrumentalness • 34% Positiveness
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Diego Ortiz
Pass'emezzo antico: Recercada primera
76 bpm • G# min • 02:11 • -20db
28% Popularity • 51% Danceability • 21% Energy • 10% Liveness
96% Instrumentalness • 60% Positiveness
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Pérotin
Beata Viscera
85 bpm • G# min • 06:12 • -25db
23% Popularity • 20% Danceability • 3% Energy • 7% Liveness
1% Instrumentalness • 7% Positiveness
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Guillaume Dufay
Je me complains piteusement
75 bpm • A Maj • 02:06 • -30db
28% Popularity • 22% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Claude Gervaise
Pavane, Gaillarde & Branle de Champagne
85 bpm • G min • 04:47 • -14db
36% Popularity • 30% Danceability • 25% Energy • 8% Liveness
1% Instrumentalness • 37% Positiveness
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John Dowland
Preludio
85 bpm • G min • 01:12 • -25.69db
17% Popularity • 34% Danceability • 2% Energy • 23% Liveness
93% Instrumentalness • 68% Positiveness
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Nicolas Vallet
Pavanne en forme de complainte
85 bpm • G# min • 04:49 • -25db
30% Popularity • 47% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 25% Positiveness
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Giorgio Mainerio
Tedesca - Saltarello
85 bpm • E min • 01:15 • -20.99db
22% Popularity • 28% Danceability • 5% Energy • 14% Liveness
26% Instrumentalness • 50% Positiveness
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Béatrice de Die
Plang
85 bpm • E min • 02:01 • -25db
17% Popularity • 32% Danceability • 4% Energy • 6% Liveness
34% Instrumentalness • 76% Positiveness
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Francesco Landini
Echo la primavera
85 bpm • F Maj • 01:17 • -28db
28% Popularity • 22% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Heinrich Isaac
La mi la Sol
75 bpm • D# min • 02:10 • -21db
33% Popularity • 40% Danceability • 4% Energy • 9% Liveness
86% Instrumentalness • 53% Positiveness
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Claire van Kampen
Bassadansa (The Feast at Calais)
75 bpm • A Maj • 01:29 • -11db
12% Popularity • 53% Danceability • 24% Energy • 8% Liveness
98% Instrumentalness • 65% Positiveness
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Hildegard von Bingen
O Rubor Sanguinis: Antienne
75 bpm • F Maj • 01:32 • -30db
36% Popularity • 29% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Orlando Gibbons
Galliard
86 bpm • F# Maj • 02:56 • -25db
18% Popularity • 24% Danceability • 6% Energy • 29% Liveness
95% Instrumentalness • 33% Positiveness
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Tobias Hume
The First Part of Ayres, 1605: Love's Fa...
75 bpm • F# Maj • 01:52 • -27.24db
16% Popularity • 15% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 49% Positiveness
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William Byrd
In Nomine No. 2
75 bpm • C# min • 03:07 • -28.64db
11% Popularity • 15% Danceability • 1% Energy • 21% Liveness
5% Instrumentalness • 8% Positiveness
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Vincenzo Capirola
Lute music - Italy: Ricercar XIII
86 bpm • A# Maj • 03:31 • -22.68db
23% Popularity • 47% Danceability • 5% Energy • 16% Liveness
84% Instrumentalness • 32% Positiveness
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Hans Neusidler
Welscher Tantz Wascha mesa - Hupfauff
86 bpm • C Maj • 01:31 • -23.09db
15% Popularity • 41% Danceability • 26% Energy • 30% Liveness
96% Instrumentalness • 73% Positiveness
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John Hilton
Once I Loved a Maiden Fair / My Minstrel...
86 bpm • A# Maj • 05:03 • -10.32db
2% Popularity • 42% Danceability • 39% Energy • 28% Liveness
90% Instrumentalness • 47% Positiveness
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Adrian Willaert
Ricercar à 3
74 bpm • A# min • 01:39 • -31.09db
15% Popularity • 25% Danceability • 1% Energy • 14% Liveness
30% Instrumentalness • 57% Positiveness
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Carlo Farina
Correnta quarta
74 bpm • G min • 01:05 • -20.88db
18% Popularity • 24% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Robert de Visée
Prélude en ré mineur
86 bpm • C# min • 01:15 • -28db
35% Popularity • 25% Danceability • 4% Energy • 15% Liveness
76% Instrumentalness • 23% Positiveness
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Josquin des Prez
Scaramella Va Alla Guerra
86 bpm • A min • 01:30 • -18db
15% Popularity • 46% Danceability • 7% Energy • 15% Liveness
6% Instrumentalness • 42% Positiveness
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La Ninfea
Divisons on Jack´s health
74 bpm • F# Maj • 01:20 • -23.39db
0% Popularity • 37% Danceability • 4% Energy • 8% Liveness
1% Instrumentalness • 80% Positiveness
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Hans Neusidler
Der Judentantz
86 bpm • A Maj • 01:07 • -21db
17% Popularity • 32% Danceability • 12% Energy • 13% Liveness
92% Instrumentalness • 53% Positiveness
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Unicorn Ensemble
In Pro
74 bpm • D Maj • 04:31 • -20.26db
11% Popularity • 42% Danceability • 29% Energy • 5% Liveness
4% Instrumentalness • 40% Positiveness
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John Playford
Ground: Ground
87 bpm • D# min • 02:53 • -29.52db
2% Popularity • 52% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 47% Positiveness
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Bartolomeo Tromboncino
Ostinato vos seguire
87 bpm • F Maj • 03:32 • -15db
16% Popularity • 46% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Julian Bream
John Dowland: Melancholy Galliard
87 bpm • G# Maj • 03:50 • -23.02db
18% Popularity • 44% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 26% Positiveness
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Gace Brulé
Quant voi la flour boutener
87 bpm • C# Maj • 03:14 • -21.23db
9% Popularity • 12% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Thomas Morley
Pavin
87 bpm • A Maj • 04:56 • -38.39db
5% Popularity • 26% Danceability • 1% Energy • 12% Liveness
93% Instrumentalness • 43% Positiveness
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John Dowland
Lachrimae
87 bpm • F# min • 05:15 • -37db
31% Popularity • 32% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 21% Positiveness
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John Playford
The English Dance Master, Part I: The En...
87 bpm • B Maj • 02:15 • -18.98db
2% Popularity • 58% Danceability • 14% Energy • 18% Liveness
89% Instrumentalness • 54% Positiveness
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Cesare Negri
Lute music - Italy: Lo spagnoletto - Il ...
87 bpm • F Maj • 02:40 • -20db
10% Popularity • 47% Danceability • 21% Energy • 8% Liveness
89% Instrumentalness • 46% Positiveness
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Santiago De Murcia
Tarantelas
73 bpm • B Maj • 03:29 • -26.45db
12% Popularity • 42% Danceability • 5% Energy • 13% Liveness
96% Instrumentalness • 27% Positiveness
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Juan del Encina
Triste Espana (version 1)
88 bpm • G min • 01:19 • -21.21db
17% Popularity • 28% Danceability • 5% Energy • 10% Liveness
76% Instrumentalness • 14% Positiveness
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Johannes Ockeghem
Requiem: Kyrie
73 bpm • G Maj • 04:33 • -24db
27% Popularity • 11% Danceability • 9% Energy • 10% Liveness
76% Instrumentalness • 8% Positiveness
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Jacob Obrecht
Tsat een meskin: Stat ('tsaat) ein meski...
73 bpm • G Maj • 02:05 • -19db
28% Popularity • 51% Danceability • 16% Energy • 9% Liveness
98% Instrumentalness • 55% Positiveness
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John Playford
Northern Lasse's Lamentation / Sellinger...
87 bpm • C# min • 03:57 • -11.52db
3% Popularity • 49% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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The English Dancing Master: John Come Kiss Me Now