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The English Dancing Master: Scotch Cap
Songs like
The English Dancing Master: Scotch Cap
by
John Playford
Based on a tempo of (+/- 10%) and a similar genre
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John Playford
The English Dancing Master: Jenny Pluck ...
119 bpm • G Maj • 03:39 • -18db
5% Popularity • 46% Danceability • 10% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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Alonso Mudarra
Fantasia - Instrumental
119 bpm • F Maj • 01:34 • -24db
33% Popularity • 33% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 92% Positiveness
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Alfonso X El Sabio
Cantiga No. 10, "Rosa das rosas": Instru...
119 bpm • F Maj • 02:54 • -22db
24% Popularity • 20% Danceability • 10% Energy • 17% Liveness
24% Instrumentalness • 24% Positiveness
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Syntagma Musicum
L'Amor Donna, Ch'Io Te Porto (Anonymous)
119 bpm • A# Maj • 02:08 • -19db
9% Popularity • 54% Danceability • 13% Energy • 10% Liveness
8% Instrumentalness • 21% Positiveness
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Piffaro
Im Maien
119 bpm • E min • 01:37 • -14db
19% Popularity • 51% Danceability • 40% Energy • 18% Liveness
2% Instrumentalness • 10% Positiveness
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Hopkinson Smith
Frogg Galliard
119 bpm • G Maj • 02:44 • -22db
38% Popularity • 36% Danceability • 15% Energy • 17% Liveness
82% Instrumentalness • 44% Positiveness
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John Playford
Group Dances II
119 bpm • A min • 06:41 • -15.84db
3% Popularity • 62% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Elthin
Quant je suis mis au retour
120 bpm • C Maj • 02:44 • -14.21db
11% Popularity • 61% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Guillaume Dufay
Se la face ay pale
120 bpm • D# Maj • 02:28 • -18db
23% Popularity • 23% Danceability • 15% Energy • 13% Liveness
95% Instrumentalness • 46% Positiveness
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Syntagma Musicum
Basse Danse (Moderne)
120 bpm • D Maj • 01:21 • -25db
16% Popularity • 61% Danceability • 10% Energy • 10% Liveness
97% Instrumentalness • 82% Positiveness
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John Dowland
The King of Denmarks Galiard from Lachri...
120 bpm • D# Maj • 01:26 • -25.33db
22% Popularity • 50% Danceability • 6% Energy • 15% Liveness
75% Instrumentalness • 44% Positiveness
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Hopkinson Smith
A Dream
119 bpm • G min • 04:03 • -23.94db
23% Popularity • 43% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 36% Positiveness
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John Playford
Dances From the English Dancing Master: ...
119 bpm • G Maj • 01:40 • -22.76db
12% Popularity • 68% Danceability • 15% Energy • 18% Liveness
96% Instrumentalness • 91% Positiveness
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Robert Johnson
The first Witches Dance
120 bpm • D Maj • 01:57 • -17.56db
8% Popularity • 36% Danceability • 15% Energy • 8% Liveness
25% Instrumentalness • 32% Positiveness
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Diego Ortiz
Trattado de glosas: Recercada No. 4, "La...
120 bpm • D# min • 01:39 • -24.32db
14% Popularity • 47% Danceability • 10% Energy • 9% Liveness
46% Instrumentalness • 40% Positiveness
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Claude Gervaise
Allemandes - Arranged by Piffaro
118 bpm • G# Maj • 03:17 • -22db
12% Popularity • 38% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 42% Positiveness
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Rolf Lislevand
Folias Españolas
120 bpm • B Maj • 02:12 • -25db
16% Popularity • 41% Danceability • 6% Energy • 26% Liveness
82% Instrumentalness • 67% Positiveness
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Robert de Visée
Suite in G Major: VI. Chaconne
117 bpm • F Maj • 08:13 • -27.72db
32% Popularity • 34% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 36% Positiveness
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John Playford
A Cup of Old Stingo (Arr. for Baroque en...
119 bpm • F min • 03:02 • -12.3db
3% Popularity • 51% Danceability • 32% Energy • 30% Liveness
0% Instrumentalness • 69% Positiveness
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Alfonso X El Sabio
Cantigas de Santa Maria: Maravillosos e ...
121 bpm • C Maj • 03:04 • -20.28db
13% Popularity • 26% Danceability • 22% Energy • 20% Liveness
90% Instrumentalness • 37% Positiveness
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Oswald von Wolkenstein
Skak - Frolich geschrai so well wir mach...
117 bpm • D min • 01:13 • -18.24db
17% Popularity • 44% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Diego Ortiz
Passamezzo moderno: Recercada secunda
121 bpm • B Maj • 01:44 • -16db
18% Popularity • 70% Danceability • 29% Energy • 10% Liveness
97% Instrumentalness • 93% Positiveness
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John Dowland
Book of Songs, Book 2: Fine Knacks for L...
121 bpm • D Maj • 02:16 • -21.07db
16% Popularity • 52% Danceability • 18% Energy • 8% Liveness
60% Instrumentalness • 59% Positiveness
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Anónimo
O que Balteira ora quer vingar
117 bpm • G Maj • 05:14 • -26db
11% Popularity • 28% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Claude Gervaise
Allemande 4 - 1557
117 bpm • G min • 02:22 • -20db
23% Popularity • 57% Danceability • 22% Energy • 16% Liveness
96% Instrumentalness • 72% Positiveness
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Alfonso X El Sabio
Cantiga No. 10, "Rosa das rosas": Prolog...
117 bpm • C Maj • 02:17 • -18.6db
12% Popularity • 38% Danceability • 21% Energy • 11% Liveness
37% Instrumentalness • 5% Positiveness
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Andrea Falconieri
L’Eroica
117 bpm • G Maj • 04:19 • -15.63db
9% Popularity • 42% Danceability • 30% Energy • 15% Liveness
33% Instrumentalness • 56% Positiveness
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Gaspar Sanz
Paradetas
121 bpm • D Maj • 02:18 • -21.11db
17% Popularity • 53% Danceability • 20% Energy • 11% Liveness
55% Instrumentalness • 86% Positiveness
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anon arr Alan Crumpler
Sellenger's round
116 bpm • C Maj • 02:12 • -24.18db
8% Popularity • 64% Danceability • 6% Energy • 6% Liveness
96% Instrumentalness • 84% Positiveness
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Edward Martin
Pieces in A Minor: II. Courante
116 bpm • B Maj • 01:38 • -15db
22% Popularity • 66% Danceability • 24% Energy • 11% Liveness
88% Instrumentalness • 45% Positiveness
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Diego Ortiz
Recercada Passamezzo
116 bpm • C Maj • 01:57 • -15db
15% Popularity • 51% Danceability • 17% Energy • 10% Liveness
91% Instrumentalness • 46% Positiveness
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John Playford
Group Dances IV
122 bpm • D min • 04:11 • -12.2db
4% Popularity • 66% Danceability • 46% Energy • 14% Liveness
3% Instrumentalness • 74% Positiveness
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Domenico da Piacenza
Ballo 'La Giloxia'
122 bpm • G Maj • 02:08 • -24db
28% Popularity • 39% Danceability • 9% Energy • 12% Liveness
95% Instrumentalness • 19% Positiveness
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Diego Oritz
Recercada primera, quarta, ottava
116 bpm • C# min • 04:33 • -25db
36% Popularity • 42% Danceability • 7% Energy • 11% Liveness
87% Instrumentalness • 27% Positiveness
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David Murphy
Tiarna Mhaigh Eo
116 bpm • B Maj • 06:09 • -17.05db
8% Popularity • 38% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Claude Gervaise
Suite I: Gaillarde
116 bpm • A# Maj • 00:56 • -21.12db
18% Popularity • 49% Danceability • 18% Energy • 14% Liveness
94% Instrumentalness • 29% Positiveness
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The City Waites
The Dancing Master, Part II: Cuckolds Al...
116 bpm • F# Maj • 01:45 • -9db
13% Popularity • 63% Danceability • 42% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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John Playford
Newcastle: Round for Eight
122 bpm • F# Maj • 01:56 • -24.28db
1% Popularity • 49% Danceability • 14% Energy • 41% Liveness
1% Instrumentalness • 50% Positiveness
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Gautier De Coincy
Ma viële
116 bpm • D# Maj • 04:07 • -29.41db
11% Popularity • 19% Danceability • 3% Energy • 6% Liveness
1% Instrumentalness • 17% Positiveness
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Tylman Susato
Danserye: Ronde: Il estoit une filette
123 bpm • F Maj • 01:36 • -25db
11% Popularity • 39% Danceability • 22% Energy • 9% Liveness
94% Instrumentalness • 57% Positiveness
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Cuthbert Hely
Fantasia (I)
122 bpm • D# min • 04:03 • -31.65db
30% Popularity • 38% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 20% Positiveness
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Guillaume de Machaut
Douce dame jolie
123 bpm • A min • 03:31 • -21db
32% Popularity • 62% Danceability • 12% Energy • 11% Liveness
83% Instrumentalness • 49% Positiveness
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Alonso Mudarra
Pavana II
115 bpm • B min • 02:11 • -22.05db
23% Popularity • 51% Danceability • 7% Energy • 9% Liveness
80% Instrumentalness • 58% Positiveness
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John Playford
The Mulberry Garden
116 bpm • D min • 02:51 • -23db
20% Popularity • 61% Danceability • 17% Energy • 11% Liveness
46% Instrumentalness • 76% Positiveness
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Giovanni Girolamo Kapsberger
Bergamasca
123 bpm • D Maj • 03:32 • -14.5db
16% Popularity • 47% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
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Unicorn Ensemble
Bellicha
115 bpm • F Maj • 02:14 • -15db
19% Popularity • 40% Danceability • 59% Energy • 10% Liveness
70% Instrumentalness • 36% Positiveness
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William Mundy
In Nomine, "Fantasia": Fantasia
115 bpm • B Maj • 04:02 • -25db
15% Popularity • 17% Danceability • 4% Energy • 17% Liveness
88% Instrumentalness • 16% Positiveness
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Piffaro
Textless Carmen
115 bpm • D Maj • 01:04 • -20db
21% Popularity • 47% Danceability • 4% Energy • 21% Liveness
99% Instrumentalness • 51% Positiveness
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Manuel Machado
Dos estrellas le siguen
115 bpm • G min • 02:16 • -18.97db
11% Popularity • 38% Danceability • 17% Energy • 13% Liveness
39% Instrumentalness • 29% Positiveness
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John Playford
Dances From the English Dancing Master: ...
115 bpm • D min • 00:49 • -21.49db
8% Popularity • 32% Danceability • 15% Energy • 19% Liveness
87% Instrumentalness • 44% Positiveness
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Giovanni Zamboni
Suonata: Preludio
123 bpm • C min • 01:20 • -21db
21% Popularity • 44% Danceability • 15% Energy • 12% Liveness
85% Instrumentalness • 13% Positiveness
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Capella de Ministrers
Zappay [lo campo]
115 bpm • C Maj • 02:48 • -18.69db
13% Popularity • 54% Danceability • 25% Energy • 11% Liveness
90% Instrumentalness • 20% Positiveness
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Robert de Visée
Suite No. 9 en ré mineur: Sarabande
115 bpm • C# Maj • 01:46 • -27.52db
15% Popularity • 62% Danceability • 1% Energy • 8% Liveness
35% Instrumentalness • 35% Positiveness
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Giovanni Paolo Foscarini
Ciacona
123 bpm • F# Maj • 01:42 • -23.99db
23% Popularity • 68% Danceability • 8% Energy • 15% Liveness
3% Instrumentalness • 40% Positiveness
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Hopkinson Smith
Lachrimae Pavin
115 bpm • G min • 04:10 • -23.88db
24% Popularity • 44% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 22% Positiveness
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Giovanni Girolamo Kapsberger
Canarios: Canarios
115 bpm • F# Maj • 02:00 • -31.98db
31% Popularity • 41% Danceability • 10% Energy • 9% Liveness
94% Instrumentalness • 27% Positiveness
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Andrei Krylov
Viking Boaters Dancing in Scotland
124 bpm • C# Maj • 03:02 • -18db
36% Popularity • 60% Danceability • 23% Energy • 12% Liveness
92% Instrumentalness • 34% Positiveness
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Unicorn Ensemble
Isabella
114 bpm • G Maj • 08:48 • -25db
9% Popularity • 28% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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John Playford
An Italian Rant
124 bpm • D min • 01:34 • -17db
29% Popularity • 63% Danceability • 24% Energy • 24% Liveness
87% Instrumentalness • 97% Positiveness
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Claudin de Sermisy
Tant que vivrai
124 bpm • G Maj • 01:22 • -32db
33% Popularity • 18% Danceability • 0% Energy • 15% Liveness
98% Instrumentalness • 36% Positiveness
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Guiot de Dijon
Chanterai por mon corage
124 bpm • A min • 04:15 • -24.1db
10% Popularity • 41% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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John Hilton
Quick and Stephen / Parsons Farewell
124 bpm • F Maj • 02:37 • -7.81db
2% Popularity • 40% Danceability • 38% Energy • 30% Liveness
2% Instrumentalness • 37% Positiveness
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Bizarre Gurgney
Forest
114 bpm • D# min • 01:09 • -26.28db
14% Popularity • 38% Danceability • 15% Energy • 21% Liveness
88% Instrumentalness • 42% Positiveness
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Capella de Ministrers
La verdelete
124 bpm • A min • 03:04 • -22db
16% Popularity • 32% Danceability • 10% Energy • 9% Liveness
85% Instrumentalness • 8% Positiveness
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Thomas Ravenscroft
The three ravens
114 bpm • E min • 05:07 • -16.44db
9% Popularity • 45% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
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John Playford
The Dancing Master: Hyde Park
114 bpm • D Maj • 01:21 • -20db
23% Popularity • 51% Danceability • 10% Energy • 17% Liveness
90% Instrumentalness • 22% Positiveness
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Henry Playford
Cook's Humour (Arr. for Baroque ensemble...
114 bpm • C# Maj • 01:12 • -10.75db
15% Popularity • 54% Danceability • 36% Energy • 8% Liveness
13% Instrumentalness • 69% Positiveness
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John Dowland
Unquiet Thoughts
124 bpm • G min • 03:24 • -20db
8% Popularity • 44% Danceability • 5% Energy • 32% Liveness
1% Instrumentalness • 39% Positiveness
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Marco Dall'Aquila
Cara cossa: Gagliarda, "La cara cossa"
125 bpm • C Maj • 01:04 • -30db
35% Popularity • 43% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 60% Positiveness
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Giovanni Paolo Foscarini
Aria di Firenze per la C
114 bpm • D Maj • 01:07 • -25.9db
27% Popularity • 60% Danceability • 20% Energy • 13% Liveness
89% Instrumentalness • 96% Positiveness
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Erasmus Widmann
Sibylla and Agatha
125 bpm • D min • 03:16 • -13.25db
10% Popularity • 52% Danceability • 10% Energy • 11% Liveness
88% Instrumentalness • 20% Positiveness
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John Playford
The Dancing Master: Newcastle
114 bpm • G Maj • 01:54 • -24.8db
9% Popularity • 50% Danceability • 24% Energy • 10% Liveness
86% Instrumentalness • 17% Positiveness
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Trefoil
Baude Cordier: Tout par compas: Tout par...
113 bpm • C Maj • 01:31 • -32.38db
14% Popularity • 48% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 68% Positiveness
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Claudio Monteverdi
Introduzione al ballo, SV 154:1: Entrata...
113 bpm • G Maj • 02:04 • -19.86db
9% Popularity • 49% Danceability • 16% Energy • 12% Liveness
74% Instrumentalness • 54% Positiveness
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Walther von der Vogelweide
Palästinalied
113 bpm • E min • 03:18 • -23db
17% Popularity • 31% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Pierre Phalèse the Elder
Schiarazula Marazula
125 bpm • F Maj • 03:20 • -18.36db
8% Popularity • 29% Danceability • 28% Energy • 35% Liveness
19% Instrumentalness • 52% Positiveness
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Bertrand de Bacilly
J’avois juré l’autre jour / Acis et...
113 bpm • A# Maj • 03:39 • -21.1db
9% Popularity • 20% Danceability • 19% Energy • 22% Liveness
85% Instrumentalness • 32% Positiveness
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John Playford
The Glory of the Kitchen / Jamenko (Arr....
113 bpm • A Maj • 01:16 • -11.95db
10% Popularity • 69% Danceability • 31% Energy • 17% Liveness
4% Instrumentalness • 97% Positiveness
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Claire van Kampen
Saramella (Cromwell Is Happy)
126 bpm • E min • 01:04 • -12.05db
11% Popularity • 63% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Julian Bream
Benjamin Britten: Gloriana:Courtly Dance...
113 bpm • A Maj • 02:36 • -27.79db
6% Popularity • 39% Danceability • 4% Energy • 8% Liveness
61% Instrumentalness • 9% Positiveness
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Luis de Milán
Fantasia I
112 bpm • G min • 01:42 • -34db
27% Popularity • 42% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 44% Positiveness
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Robert Parsons
The Song called Trumpets
112 bpm • E Maj • 02:15 • -25db
27% Popularity • 25% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 39% Positiveness
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Giorgio Mainerio
Ungaresca - Saltarello
126 bpm • B min • 01:13 • -13.17db
12% Popularity • 48% Danceability • 24% Energy • 50% Liveness
97% Instrumentalness • 18% Positiveness
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John Playford
The Virgin Queen set
125 bpm • A min • 04:43 • -15.47db
15% Popularity • 51% Danceability • 30% Energy • 9% Liveness
29% Instrumentalness • 72% Positiveness
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Guillaume Morlaye
2ème livre de tabulature de leut: Fanta...
112 bpm • G min • 03:17 • -27.57db
30% Popularity • 48% Danceability • 5% Energy • 13% Liveness
80% Instrumentalness • 34% Positiveness
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Giraut de Bornelh
Reis glorios
112 bpm • A# min • 08:52 • -31db
13% Popularity • 26% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Simon Gorlier
Estantz assis aux rives aquatiques
112 bpm • D min • 02:34 • -27.33db
22% Popularity • 43% Danceability • 2% Energy • 9% Liveness
87% Instrumentalness • 54% Positiveness
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Aimeric de Belenoi
Nuls om en ren: melody only
112 bpm • A min • 01:20 • -37.73db
21% Popularity • 49% Danceability • 2% Energy • 8% Liveness
98% Instrumentalness • 47% Positiveness
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Tylman Susato
Susato: 12 Dances from the Danserye: III...
112 bpm • F Maj • 01:34 • -18db
17% Popularity • 56% Danceability • 23% Energy • 16% Liveness
92% Instrumentalness • 88% Positiveness
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John Playford
Jenny Pluck Pears: Round for Six
127 bpm • E Maj • 04:09 • -22.82db
1% Popularity • 39% Danceability • 7% Energy • 12% Liveness
59% Instrumentalness • 18% Positiveness
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Hildegard von Bingen
O pastor animarum
112 bpm • A# Maj • 01:29 • -27db
35% Popularity • 36% Danceability • 3% Energy • 8% Liveness
5% Instrumentalness • 6% Positiveness
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Giovanni Girolamo Kapsberger
Kapsberger
111 bpm • D Maj • 03:04 • -13.59db
13% Popularity • 49% Danceability • 33% Energy • 6% Liveness
78% Instrumentalness • 76% Positiveness
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Antonio de Santa Cruz
Canarios
111 bpm • D Maj • 03:03 • -24.49db
13% Popularity • 44% Danceability • 15% Energy • 7% Liveness
88% Instrumentalness • 77% Positiveness
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Ensemble Project Ars Nova
Biaute Paree De Valour
128 bpm • C Maj • 02:08 • -27db
16% Popularity • 29% Danceability • 3% Energy • 12% Liveness
80% Instrumentalness • 43% Positiveness
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Turlough O'Carolan
James Betagh / Lady Wrixon
111 bpm • F# Maj • 04:03 • -22.5db
7% Popularity • 40% Danceability • 8% Energy • 20% Liveness
96% Instrumentalness • 53% Positiveness
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John Playford
The English Dancing Master: Parson's Far...
112 bpm • C Maj • 01:51 • -22.5db
29% Popularity • 62% Danceability • 10% Energy • 6% Liveness
87% Instrumentalness • 60% Positiveness
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Alfonso X El Sabio
Cantiga 35: O que a Santa Maria (arr. J....
110 bpm • C Maj • 04:04 • -18db
18% Popularity • 43% Danceability • 14% Energy • 7% Liveness
1% Instrumentalness • 6% Positiveness
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John Dowland
My Lord Willoughby's welcome home
128 bpm • C min • 01:38 • -38.7db
15% Popularity • 47% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 65% Positiveness
► Preview
Claire van Kampen
My Lady Carey's Dompe (The Baby Princess...
110 bpm • D min • 03:02 • -17.79db
10% Popularity • 47% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Henry VIII
Pastime with Good Company
128 bpm • A# Maj • 01:25 • -37db
18% Popularity • 53% Danceability • 1% Energy • 6% Liveness
89% Instrumentalness • 43% Positiveness
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The English Dancing Master: Scotch Cap