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The Fall
Songs like
The Fall
by
Christopher Tin
Based on a tempo of (+/- 10%) and a similar genre
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Elizabeth Poston
Jesus Christ the Apple Tree
83 bpm • C Maj • 03:44 • -28.29db
15% Popularity • 21% Danceability • 5% Energy • 10% Liveness
60% Instrumentalness • 4% Positiveness
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Alexander Litvinovsky
Pelléas et Mélisande: VI. Ballade. Les...
83 bpm • E min • 03:09 • -19.81db
23% Popularity • 15% Danceability • 9% Energy • 11% Liveness
64% Instrumentalness • 4% Positiveness
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Hajime Mizoguchi
The Girl with the Flaxen Hair
83 bpm • G Maj • 03:02 • -27db
38% Popularity • 11% Danceability • 5% Energy • 10% Liveness
83% Instrumentalness • 5% Positiveness
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Ralph Vaughan Williams
Fantasia on a Theme by Thomas Tallis - E...
83 bpm • C min • 05:14 • -19db
29% Popularity • 14% Danceability • 18% Energy • 27% Liveness
78% Instrumentalness • 4% Positiveness
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Christopher Tin
The Fall
83 bpm • D Maj • 04:53 • -17.42db
24% Popularity • 12% Danceability • 20% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
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Richard Beddow
Napoleon Boneparte
83 bpm • D min • 02:12 • -12db
31% Popularity • 9% Danceability • 15% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Ludovico Einaudi
Experience
83 bpm • D Maj • 05:49 • -23.71db
32% Popularity • 12% Danceability • 3% Energy • 7% Liveness
86% Instrumentalness • 3% Positiveness
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Tan Dun
The Eternal Vow
83 bpm • D min • 02:57 • -24db
29% Popularity • 10% Danceability • 5% Energy • 30% Liveness
95% Instrumentalness • 11% Positiveness
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Roberto Cacciapaglia
Atlantico
83 bpm • D min • 03:49 • -12db
46% Popularity • 32% Danceability • 25% Energy • 10% Liveness
88% Instrumentalness • 16% Positiveness
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Carter Burwell
My Dear Anne
82 bpm • A min • 02:37 • -20.64db
41% Popularity • 14% Danceability • 4% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
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Regency Players
North and South Title Theme [2004 Versi...
82 bpm • D min • 02:44 • -11.32db
27% Popularity • 13% Danceability • 23% Energy • 7% Liveness
82% Instrumentalness • 12% Positiveness
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Colin Matthews (1946)
Matthews : Pluto, the Renewer
82 bpm • F Maj • 05:52 • -23.69db
3% Popularity • 8% Danceability • 4% Energy • 7% Liveness
22% Instrumentalness • 4% Positiveness
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Silkroad Ensemble
The Wounded Soldier
84 bpm • G min • 03:14 • -17.3db
20% Popularity • 16% Danceability • 10% Energy • 11% Liveness
88% Instrumentalness • 17% Positiveness
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Royal Philharmonic Orchestra
Main Theme
84 bpm • C Maj • 02:38 • -16.49db
9% Popularity • 36% Danceability • 26% Energy • 17% Liveness
85% Instrumentalness • 7% Positiveness
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Roberto Cacciapaglia
Oceano
82 bpm • G min • 04:11 • -11.95db
46% Popularity • 32% Danceability • 35% Energy • 13% Liveness
88% Instrumentalness • 7% Positiveness
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Chris Warner
Whirlpool Galaxy
84 bpm • A min • 03:13 • -13.02db
30% Popularity • 14% Danceability • 19% Energy • 5% Liveness
14% Instrumentalness • 7% Positiveness
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The Central Band of The Royal British Legion
I Vow To Thee - Instrumental
82 bpm • D min • 03:05 • -11.88db
21% Popularity • 38% Danceability • 38% Energy • 9% Liveness
94% Instrumentalness • 9% Positiveness
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Nigel Hess
Ladies in Lavender
84 bpm • D Maj • 04:03 • -17db
36% Popularity • 15% Danceability • 22% Energy • 11% Liveness
41% Instrumentalness • 7% Positiveness
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John Lunn
A Royal Command
82 bpm • A min • 04:49 • -16.24db
30% Popularity • 23% Danceability • 24% Energy • 11% Liveness
95% Instrumentalness • 8% Positiveness
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Alexander Glazunov
Mélodie, Op. 20, No. 1
84 bpm • D Maj • 06:39 • -23db
44% Popularity • 9% Danceability • 10% Energy • 19% Liveness
90% Instrumentalness • 8% Positiveness
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James Newton Howard
There Will Be No Mysteries
82 bpm • G Maj • 04:43 • -31.95db
20% Popularity • 16% Danceability • 2% Energy • 28% Liveness
15% Instrumentalness • 4% Positiveness
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Karl Jenkins
Benedictus
81 bpm • D Maj • 03:49 • -16db
23% Popularity • 14% Danceability • 6% Energy • 12% Liveness
10% Instrumentalness • 4% Positiveness
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Royal Philharmonic Orchestra
Go The Distance
85 bpm • D Maj • 04:22 • -13.84db
41% Popularity • 16% Danceability • 25% Energy • 30% Liveness
86% Instrumentalness • 11% Positiveness
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Franz von Suppé
Light Cavalry Overture
85 bpm • A Maj • 06:45 • -16.9db
33% Popularity • 24% Danceability • 30% Energy • 20% Liveness
92% Instrumentalness • 12% Positiveness
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James Devor
I Heard the Voice of Jesus Say
85 bpm • E min • 03:15 • -29.22db
3% Popularity • 21% Danceability • 6% Energy • 7% Liveness
62% Instrumentalness • 4% Positiveness
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Mari Samuelsen
Moonlight
85 bpm • C# min • 05:43 • -12.48db
29% Popularity • 9% Danceability • 31% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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James Newton Howard
A Hidden Life
82 bpm • F min • 02:50 • -27.16db
51% Popularity • 10% Danceability • 5% Energy • 9% Liveness
30% Instrumentalness • 6% Positiveness
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Peter Gregson
Sequence (Four) for Solo Violin and Stri...
85 bpm • D min • 06:09 • -11.51db
31% Popularity • 18% Danceability • 40% Energy • 73% Liveness
82% Instrumentalness • 7% Positiveness
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Jocelyn Pook
Requiem for a Queen
81 bpm • A# Maj • 03:36 • -14.98db
14% Popularity • 8% Danceability • 16% Energy • 9% Liveness
26% Instrumentalness • 8% Positiveness
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Royal Philharmonic Orchestra
Main Theme
85 bpm • C min • 02:55 • -13.16db
9% Popularity • 12% Danceability • 25% Energy • 12% Liveness
84% Instrumentalness • 8% Positiveness
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Pyotr Ilyich Tchaikovsky
1812 Festival Overture, Op. 49: 1812 Ove...
85 bpm • D# Maj • 03:49 • -13db
35% Popularity • 23% Danceability • 54% Energy • 8% Liveness
77% Instrumentalness • 9% Positiveness
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Selma Mutal
The Vanished Elephant - Main Theme
81 bpm • C min • 02:39 • -12.78db
24% Popularity • 8% Danceability • 19% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Thomas Newman
Fellowship
81 bpm • G min • 05:06 • -19.93db
39% Popularity • 31% Danceability • 15% Energy • 22% Liveness
94% Instrumentalness • 6% Positiveness
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Rachel Portman
We All Complete
85 bpm • D min • 05:06 • -19.93db
33% Popularity • 12% Danceability • 8% Energy • 5% Liveness
81% Instrumentalness • 4% Positiveness
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John Lunn
One Hundred Years Of Downton
81 bpm • A min • 05:13 • -17db
33% Popularity • 16% Danceability • 21% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
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Amy Beach
Peace I Leave with You
81 bpm • D# Maj • 01:39 • -27db
30% Popularity • 24% Danceability • 6% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Roberto Cacciapaglia
Tree of Life Suite: Wild Side
85 bpm • B min • 02:57 • -9db
43% Popularity • 12% Danceability • 41% Energy • 10% Liveness
96% Instrumentalness • 28% Positiveness
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Ludwig van Beethoven
String Quartet in C-sharp minor, Op. 131...
81 bpm • G# min • 02:10 • -24.27db
26% Popularity • 15% Danceability • 16% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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John Tavener
The Lamb
81 bpm • E min • 03:22 • -19.62db
11% Popularity • 8% Danceability • 18% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
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Ernesto de Curtis
Non ti scordar di me (Arr. for Soprano, ...
81 bpm • A Maj • 03:39 • -14.02db
31% Popularity • 18% Danceability • 19% Energy • 38% Liveness
0% Instrumentalness • 7% Positiveness
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James Newton Howard
Love and Suffering
85 bpm • F min • 07:45 • -35.28db
22% Popularity • 9% Danceability • 0% Energy • 17% Liveness
76% Instrumentalness • 4% Positiveness
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Gustav Holst
The Planets, Op. 32: II. Venus, the Brin...
85 bpm • F min • 08:44 • -39.08db
24% Popularity • 9% Danceability • 0% Energy • 7% Liveness
17% Instrumentalness • 3% Positiveness
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Oliver Davis
Dance: II. Second Movement
85 bpm • F# min • 03:08 • -21.01db
24% Popularity • 18% Danceability • 14% Energy • 13% Liveness
32% Instrumentalness • 9% Positiveness
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Dobrinka Tabakova
Concerto For Violoncello And Strings: II...
85 bpm • F Maj • 08:42 • -19db
30% Popularity • 14% Danceability • 15% Energy • 12% Liveness
87% Instrumentalness • 3% Positiveness
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Geirr Tveitt
Vél komne Med Aera
86 bpm • E min • 03:28 • -16.52db
13% Popularity • 14% Danceability • 12% Energy • 14% Liveness
6% Instrumentalness • 4% Positiveness
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Christopher Tin
Become Death
81 bpm • C# Maj • 02:57 • -17.77db
16% Popularity • 9% Danceability • 11% Energy • 12% Liveness
69% Instrumentalness • 3% Positiveness
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Joe Hisaishi
The Legend of Ashitaka - from 'Princess ...
81 bpm • F min • 01:57 • -13.38db
48% Popularity • 12% Danceability • 21% Energy • 55% Liveness
97% Instrumentalness • 17% Positiveness
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Michael Kamen
Austria - Instrumental
86 bpm • A# Maj • 01:59 • -22db
37% Popularity • 16% Danceability • 12% Energy • 18% Liveness
94% Instrumentalness • 8% Positiveness
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Frédéric Chopin
Nocturne No. 2 in E-Flat Major, Op. 9 No...
86 bpm • A Maj • 04:33 • -26db
35% Popularity • 18% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
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Johann Sebastian Bach
Come, Sweet Death, BWV 478 (Arr. for 5 C...
86 bpm • C min • 03:17 • -20.73db
55% Popularity • 10% Danceability • 9% Energy • 15% Liveness
87% Instrumentalness • 4% Positiveness
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James Newton Howard
Hope
80 bpm • A min • 02:30 • -35db
36% Popularity • 9% Danceability • 1% Energy • 8% Liveness
13% Instrumentalness • 6% Positiveness
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Christopher Tin
Dao Zai Fan Ye
80 bpm • D min • 03:15 • -21.76db
26% Popularity • 21% Danceability • 10% Energy • 8% Liveness
2% Instrumentalness • 11% Positiveness
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Joe Hisaishi
One Summer's Day (The Name of Life) - En...
80 bpm • C Maj • 04:04 • -20.35db
46% Popularity • 44% Danceability • 10% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
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MÄ›lnÃk Philharmonic Orchestra
E Lucevan Le Stelle - Instrumental
86 bpm • A# min • 02:22 • -16db
30% Popularity • 9% Danceability • 19% Energy • 12% Liveness
90% Instrumentalness • 7% Positiveness
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Nico Muhly
The Egg
86 bpm • G min • 01:06 • -35.49db
34% Popularity • 34% Danceability • 3% Energy • 19% Liveness
98% Instrumentalness • 15% Positiveness
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John Barry
Dances with Wolves: The John Dunbar Them...
86 bpm • F Maj • 03:51 • -15.32db
22% Popularity • 12% Danceability • 32% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
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John Tavener
Mother of God
86 bpm • F Maj • 03:01 • -28.8db
12% Popularity • 22% Danceability • 5% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Edward Elgar
Variations on an Original Theme, Op. 36 ...
86 bpm • D# Maj • 04:29 • -21db
20% Popularity • 9% Danceability • 7% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
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Joe Hisaishi
Nausicaä Requiem - from 'Nausicaä of t...
80 bpm • F min • 01:11 • -16.8db
41% Popularity • 25% Danceability • 14% Energy • 19% Liveness
1% Instrumentalness • 10% Positiveness
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Ralph Vaughan Williams
Fantasia on a Theme by Thomas Tallis (ex...
80 bpm • C min • 06:24 • -26.06db
30% Popularity • 8% Danceability • 5% Energy • 34% Liveness
53% Instrumentalness • 4% Positiveness
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Debbie Wiseman
Elizabeth I
80 bpm • A min • 04:21 • -20db
16% Popularity • 19% Danceability • 15% Energy • 8% Liveness
98% Instrumentalness • 7% Positiveness
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Roberto Cacciapaglia
Tree of Life Suite: Fiamme
86 bpm • C Maj • 02:06 • -11.99db
32% Popularity • 20% Danceability • 37% Energy • 9% Liveness
90% Instrumentalness • 7% Positiveness
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Alex Baranowski
A New Beginning
80 bpm • D min • 03:10 • -19.39db
34% Popularity • 8% Danceability • 13% Energy • 13% Liveness
95% Instrumentalness • 5% Positiveness
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Pietro Mascagni
Intermezzo From Cavalleria Rusticana
86 bpm • F Maj • 03:19 • -21.17db
40% Popularity • 9% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Vanessa-Mae
Classical Gas
80 bpm • E min • 03:24 • -10.25db
35% Popularity • 52% Danceability • 71% Energy • 29% Liveness
48% Instrumentalness • 64% Positiveness
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James Newton Howard
The Gravel Road - Score
86 bpm • G min • 04:31 • -22.88db
44% Popularity • 14% Danceability • 12% Energy • 21% Liveness
16% Instrumentalness • 10% Positiveness
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Joe Hisaishi
The Bird Man - from 'Nausicaä of the Va...
80 bpm • G min • 03:45 • -11.37db
40% Popularity • 10% Danceability • 36% Energy • 6% Liveness
88% Instrumentalness • 10% Positiveness
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Justin Hurwitz
The Landing
80 bpm • G min • 05:31 • -15.24db
45% Popularity • 17% Danceability • 32% Energy • 10% Liveness
93% Instrumentalness • 28% Positiveness
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Michael Kamen
Band Of Brothers Suite Two - Instrumenta...
80 bpm • D# Maj • 09:13 • -14.67db
31% Popularity • 8% Danceability • 25% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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David Arnold
The Fear
86 bpm • D min • 04:17 • -19db
20% Popularity • 10% Danceability • 12% Energy • 13% Liveness
92% Instrumentalness • 3% Positiveness
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Panu Aaltio
Forgiveness
86 bpm • D min • 02:55 • -15db
37% Popularity • 22% Danceability • 16% Energy • 10% Liveness
50% Instrumentalness • 5% Positiveness
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Eric Whitacre
The Seal Lullaby
80 bpm • C# Maj • 03:18 • -27.23db
12% Popularity • 26% Danceability • 3% Energy • 10% Liveness
97% Instrumentalness • 7% Positiveness
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Desmond Earley
Body of the Moon
87 bpm • E Maj • 07:50 • -29.49db
9% Popularity • 9% Danceability • 1% Energy • 7% Liveness
15% Instrumentalness • 4% Positiveness
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Joe Hisaishi
Mother’s Broom - from 'Kiki's Delivery...
80 bpm • C Maj • 03:49 • -15.85db
49% Popularity • 18% Danceability • 20% Energy • 13% Liveness
9% Instrumentalness • 8% Positiveness
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The Ayoub Sisters
Requiem: 5. Pie Jesu
87 bpm • A Maj • 03:18 • -19.74db
41% Popularity • 10% Danceability • 12% Energy • 8% Liveness
66% Instrumentalness • 5% Positiveness
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Edvard Grieg
Morning Mood
80 bpm • E Maj • 01:44 • -30db
33% Popularity • 13% Danceability • 2% Energy • 25% Liveness
90% Instrumentalness • 4% Positiveness
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Christopher Tin
Hymn Do Trójcy Świetęj
87 bpm • C Maj • 06:48 • -23.3db
22% Popularity • 18% Danceability • 8% Energy • 10% Liveness
13% Instrumentalness • 3% Positiveness
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Paolo Buonvino
Vision
87 bpm • F Maj • 03:31 • -18.12db
38% Popularity • 10% Danceability • 17% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Patrick Cassidy
Funeral March I
79 bpm • G Maj • 04:37 • -19db
15% Popularity • 16% Danceability • 14% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
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Carlos Hof
Singularity
79 bpm • A# Maj • 03:23 • -16.62db
18% Popularity • 7% Danceability • 22% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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James Newton Howard
Return
79 bpm • F min • 02:42 • -33.74db
26% Popularity • 7% Danceability • 2% Energy • 8% Liveness
64% Instrumentalness • 4% Positiveness
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Edvard Grieg
Grieg: Peer Gynt, Op. 23, Act 2: No. 7, ...
87 bpm • B min • 02:16 • -18db
17% Popularity • 35% Danceability • 25% Energy • 8% Liveness
93% Instrumentalness • 58% Positiveness
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Jocelyn Pook
The Dissolution
79 bpm • F min • 03:24 • -16.55db
15% Popularity • 17% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 6% Positiveness
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Fred Steiner
Main Title And Closing Theme
79 bpm • A min • 01:23 • -13.66db
25% Popularity • 16% Danceability • 34% Energy • 5% Liveness
95% Instrumentalness • 4% Positiveness
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Eric Whitacre
Lux Aurumque
79 bpm • C# min • 04:06 • -21.63db
13% Popularity • 8% Danceability • 21% Energy • 11% Liveness
85% Instrumentalness • 3% Positiveness
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Christopher Tin
Caoineadh
79 bpm • G min • 05:44 • -22.34db
23% Popularity • 8% Danceability • 6% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
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Ludovico Einaudi
Svanire
79 bpm • F Maj • 07:19 • -23.43db
32% Popularity • 10% Danceability • 13% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
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Metamorphose String Orchestra
Game of Thrones Theme
87 bpm • F Maj • 02:38 • -16.51db
23% Popularity • 26% Danceability • 19% Energy • 10% Liveness
97% Instrumentalness • 11% Positiveness
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John Ottman
They'll Remember You
79 bpm • A Maj • 04:19 • -21db
28% Popularity • 10% Danceability • 14% Energy • 34% Liveness
86% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Cum Dederit
79 bpm • A# min • 04:27 • -15.42db
22% Popularity • 10% Danceability • 15% Energy • 11% Liveness
8% Instrumentalness • 6% Positiveness
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Josef Rheinberger
Abendlied
79 bpm • F Maj • 02:54 • -20.72db
13% Popularity • 13% Danceability • 18% Energy • 7% Liveness
98% Instrumentalness • 3% Positiveness
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Hayley Westenra
Flood
79 bpm • G Maj • 03:08 • -19.22db
25% Popularity • 13% Danceability • 13% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
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Joe Hisaishi
The Distant Days - from 'Nausicaä of th...
87 bpm • F min • 01:47 • -17.79db
41% Popularity • 28% Danceability • 15% Energy • 78% Liveness
97% Instrumentalness • 39% Positiveness
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Chris Pilsner
Snow Falling in Autumn
88 bpm • G Maj • 08:53 • -18.42db
13% Popularity • 9% Danceability • 9% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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Christopher Tin
Lux Aeterna
88 bpm • D# Maj • 03:59 • -21.68db
24% Popularity • 15% Danceability • 4% Energy • 11% Liveness
69% Instrumentalness • 8% Positiveness
► Preview
Gustav Holst
The Planets - Suite For Orchestra, H. 12...
79 bpm • G# Maj • 06:59 • -16.04db
15% Popularity • 30% Danceability • 35% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
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Felix Mendelssohn
O For the Wings of a Dove - Arr. for Cho...
79 bpm • G Maj • 05:18 • -26.35db
3% Popularity • 12% Danceability • 4% Energy • 6% Liveness
98% Instrumentalness • 4% Positiveness
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Dexter Britain
Elegy
79 bpm • A min • 03:59 • -18.05db
14% Popularity • 13% Danceability • 13% Energy • 8% Liveness
71% Instrumentalness • 3% Positiveness
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Rob Lane
First Meeting
88 bpm • A min • 01:53 • -23.52db
32% Popularity • 14% Danceability • 9% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Joe Hisaishi
A Journey (A Dream of Flight) - from 'Th...
79 bpm • G Maj • 02:17 • -20.61db
39% Popularity • 36% Danceability • 12% Energy • 59% Liveness
78% Instrumentalness • 7% Positiveness
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The Fall