Songs like The Fifth Day of the Fifth Moon, H. 318 by Bohuslav Martinů
Based on a tempo of (+/- 10%) and a similar genre
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Bohuslav Martinů
Loutky, H. 137: No. 2. Nova loutka (The ...
103 bpm • C Maj • 01:25 • -18.53db
2% Popularity • 41% Danceability • 32% Energy • 11% Liveness
83% Instrumentalness • 49% Positiveness
2% Popularity • 41% Danceability • 32% Energy • 11% Liveness
83% Instrumentalness • 49% Positiveness
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Francis Poulenc
Poulenc: Concerto for Two Pianos in D Mi...
103 bpm • D# Maj • 08:23 • -25.2db
18% Popularity • 42% Danceability • 7% Energy • 6% Liveness
78% Instrumentalness • 6% Positiveness
18% Popularity • 42% Danceability • 7% Energy • 6% Liveness
78% Instrumentalness • 6% Positiveness
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Robert Schumann
IV. Nicht schnell
103 bpm • G Maj • 02:41 • -31.35db
8% Popularity • 20% Danceability • 2% Energy • 21% Liveness
26% Instrumentalness • 6% Positiveness
8% Popularity • 20% Danceability • 2% Energy • 21% Liveness
26% Instrumentalness • 6% Positiveness
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Sergei Prokofiev
Prokofiev: Piano Concerto No. 3 in C Maj...
103 bpm • C Maj • 10:03 • -21.8db
21% Popularity • 36% Danceability • 15% Energy • 8% Liveness
90% Instrumentalness • 12% Positiveness
21% Popularity • 36% Danceability • 15% Energy • 8% Liveness
90% Instrumentalness • 12% Positiveness
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Ralph Vaughan Williams
The Lark Ascending: IV. Senza misura
103 bpm • G Maj • 01:54 • -35.77db
11% Popularity • 24% Danceability • 5% Energy • 9% Liveness
6% Instrumentalness • 9% Positiveness
11% Popularity • 24% Danceability • 5% Energy • 9% Liveness
6% Instrumentalness • 9% Positiveness
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Cécile Chaminade
Callirhoé, suite de ballet: II. Pas des...
104 bpm • G# Maj • 04:48 • -28.29db
9% Popularity • 18% Danceability • 2% Energy • 14% Liveness
54% Instrumentalness • 8% Positiveness
9% Popularity • 18% Danceability • 2% Energy • 14% Liveness
54% Instrumentalness • 8% Positiveness
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Bohuslav Martinů
Loutky, H. 116: No. 2. Harlekyn (Harlequ...
103 bpm • A# Maj • 01:46 • -18.28db
3% Popularity • 47% Danceability • 12% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
3% Popularity • 47% Danceability • 12% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Serenade for Strings in C Major, Op. 48,...
104 bpm • D Maj • 09:45 • -32.84db
9% Popularity • 15% Danceability • 2% Energy • 14% Liveness
34% Instrumentalness • 4% Positiveness
9% Popularity • 15% Danceability • 2% Energy • 14% Liveness
34% Instrumentalness • 4% Positiveness
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William Walton
Concerto for Viola and Orchestra: I. And...
102 bpm • A min • 07:50 • -29db
14% Popularity • 22% Danceability • 6% Energy • 11% Liveness
25% Instrumentalness • 9% Positiveness
14% Popularity • 22% Danceability • 6% Energy • 11% Liveness
25% Instrumentalness • 9% Positiveness
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Sergei Bortkiewicz
Piano Concerto No. 2, Op. 28: I. Allegro...
102 bpm • D# min • 06:14 • -19db
14% Popularity • 22% Danceability • 15% Energy • 37% Liveness
72% Instrumentalness • 6% Positiveness
14% Popularity • 22% Danceability • 15% Energy • 37% Liveness
72% Instrumentalness • 6% Positiveness
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Ottorino Respighi
Suite in G Major, P. 58 : III. Pastorale...
104 bpm • D min • 04:36 • -25db
14% Popularity • 16% Danceability • 9% Energy • 20% Liveness
51% Instrumentalness • 3% Positiveness
14% Popularity • 16% Danceability • 9% Energy • 20% Liveness
51% Instrumentalness • 3% Positiveness
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Antonín Dvořák
Partita Suite No. 1 for String Orchestra...
104 bpm • G Maj • 02:57 • -16.36db
5% Popularity • 54% Danceability • 36% Energy • 29% Liveness
94% Instrumentalness • 22% Positiveness
5% Popularity • 54% Danceability • 36% Energy • 29% Liveness
94% Instrumentalness • 22% Positiveness
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Bohuslav Martinů
Loutky, H. 116: No. 1. Loutkove divadlo ...
105 bpm • D Maj • 02:08 • -20.4db
2% Popularity • 37% Danceability • 13% Energy • 11% Liveness
94% Instrumentalness • 20% Positiveness
2% Popularity • 37% Danceability • 13% Energy • 11% Liveness
94% Instrumentalness • 20% Positiveness
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Richard Strauss
Oboe Concerto in D Major TrV292: I. Alle...
104 bpm • D Maj • 08:44 • -16.53db
9% Popularity • 24% Danceability • 20% Energy • 21% Liveness
91% Instrumentalness • 20% Positiveness
9% Popularity • 24% Danceability • 20% Energy • 21% Liveness
91% Instrumentalness • 20% Positiveness
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Dmitri Shostakovich
Symphony No. 14, Op. 135: II. Malagueña
101 bpm • C Maj • 02:58 • -18.47db
8% Popularity • 42% Danceability • 22% Energy • 53% Liveness
18% Instrumentalness • 31% Positiveness
8% Popularity • 42% Danceability • 22% Energy • 53% Liveness
18% Instrumentalness • 31% Positiveness
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Enrique Granados
Suite Oriental (Suite Árabe): II. Seren...
105 bpm • G Maj • 04:21 • -37.8db
12% Popularity • 15% Danceability • 0% Energy • 12% Liveness
81% Instrumentalness • 6% Positiveness
12% Popularity • 15% Danceability • 0% Energy • 12% Liveness
81% Instrumentalness • 6% Positiveness
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Sergei Rachmaninoff
Rhapsody on a Theme of Paganini, Op. 43:...
105 bpm • F# Maj • 01:51 • -31.66db
15% Popularity • 26% Danceability • 1% Energy • 14% Liveness
12% Instrumentalness • 10% Positiveness
15% Popularity • 26% Danceability • 1% Energy • 14% Liveness
12% Instrumentalness • 10% Positiveness
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Augusta Holmès
Trois petites pièces: Gigue
105 bpm • F Maj • 01:23 • -24db
20% Popularity • 58% Danceability • 18% Energy • 14% Liveness
89% Instrumentalness • 88% Positiveness
20% Popularity • 58% Danceability • 18% Energy • 14% Liveness
89% Instrumentalness • 88% Positiveness
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Hector Berlioz
Béatrice et Bénédict, Op. 27, H 138: ...
101 bpm • G Maj • 08:13 • -23.12db
14% Popularity • 26% Danceability • 4% Energy • 13% Liveness
83% Instrumentalness • 11% Positiveness
14% Popularity • 26% Danceability • 4% Energy • 13% Liveness
83% Instrumentalness • 11% Positiveness
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Richard Strauss
Also sprach Zarathustra, Op. 30: III. Vo...
105 bpm • G Maj • 02:07 • -16db
35% Popularity • 17% Danceability • 11% Energy • 66% Liveness
89% Instrumentalness • 4% Positiveness
35% Popularity • 17% Danceability • 11% Energy • 66% Liveness
89% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Symphony No. 4, Op. 90, "Italian": IV. S...
101 bpm • A min • 05:26 • -20.18db
14% Popularity • 40% Danceability • 18% Energy • 21% Liveness
91% Instrumentalness • 39% Positiveness
14% Popularity • 40% Danceability • 18% Energy • 21% Liveness
91% Instrumentalness • 39% Positiveness
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Germaine Tailleferre
Concerto pour piano
105 bpm • D Maj • 04:52 • -17.47db
10% Popularity • 46% Danceability • 24% Energy • 25% Liveness
88% Instrumentalness • 50% Positiveness
10% Popularity • 46% Danceability • 24% Energy • 25% Liveness
88% Instrumentalness • 50% Positiveness
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Franz Schubert
4 Impromptus, Op. 90, D. 899: No. 1 in C...
105 bpm • C min • 09:06 • -24db
29% Popularity • 42% Danceability • 2% Energy • 6% Liveness
91% Instrumentalness • 6% Positiveness
29% Popularity • 42% Danceability • 2% Energy • 6% Liveness
91% Instrumentalness • 6% Positiveness
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Antonín Dvořák
Partita Suite No. 1 for String Orchestra...
100 bpm • F Maj • 03:30 • -16.38db
4% Popularity • 40% Danceability • 41% Energy • 46% Liveness
89% Instrumentalness • 45% Positiveness
4% Popularity • 40% Danceability • 41% Energy • 46% Liveness
89% Instrumentalness • 45% Positiveness
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Max Reger
Variation 1: Piu andante
106 bpm • A Maj • 01:10 • -20.79db
16% Popularity • 32% Danceability • 24% Energy • 28% Liveness
97% Instrumentalness • 19% Positiveness
16% Popularity • 32% Danceability • 24% Energy • 28% Liveness
97% Instrumentalness • 19% Positiveness
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Darius Milhaud
Printemps, Op. 18
100 bpm • A Maj • 02:31 • -20db
8% Popularity • 26% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
8% Popularity • 26% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Bohuslav Martinů
Piano Trio No. 3 in C Major, H. 332: I. ...
106 bpm • F Maj • 07:02 • -16.96db
4% Popularity • 29% Danceability • 18% Energy • 13% Liveness
74% Instrumentalness • 13% Positiveness
4% Popularity • 29% Danceability • 18% Energy • 13% Liveness
74% Instrumentalness • 13% Positiveness
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Carl Nielsen
Symphony No. 3, Op. 27, FS 60 "Sinfonia ...
106 bpm • C Maj • 10:48 • -19.86db
10% Popularity • 29% Danceability • 12% Energy • 23% Liveness
83% Instrumentalness • 21% Positiveness
10% Popularity • 29% Danceability • 12% Energy • 23% Liveness
83% Instrumentalness • 21% Positiveness
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Edvard Grieg
Norwegian Dances, Op. 35: No. 2 in A Maj...
106 bpm • A Maj • 02:27 • -28.51db
17% Popularity • 25% Danceability • 2% Energy • 15% Liveness
95% Instrumentalness • 15% Positiveness
17% Popularity • 25% Danceability • 2% Energy • 15% Liveness
95% Instrumentalness • 15% Positiveness
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Antonín Dvořák
8 Slavonic Dances, Op. 46, B.83: No. 1 i...
106 bpm • G Maj • 04:25 • -12.98db
30% Popularity • 44% Danceability • 24% Energy • 7% Liveness
92% Instrumentalness • 38% Positiveness
30% Popularity • 44% Danceability • 24% Energy • 7% Liveness
92% Instrumentalness • 38% Positiveness
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Witold Lutosławski
Dance Preludes *: No. 1. Allegro molto
100 bpm • B Maj • 00:52 • -19db
13% Popularity • 56% Danceability • 28% Energy • 9% Liveness
95% Instrumentalness • 38% Positiveness
13% Popularity • 56% Danceability • 28% Energy • 9% Liveness
95% Instrumentalness • 38% Positiveness
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Pablo de Sarasate
Carmen Fantasy, Op. 25: Introduction. Al...
100 bpm • D min • 03:13 • -24db
24% Popularity • 32% Danceability • 12% Energy • 33% Liveness
8% Instrumentalness • 34% Positiveness
24% Popularity • 32% Danceability • 12% Energy • 33% Liveness
8% Instrumentalness • 34% Positiveness
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Bohuslav Martinů
Jaro v zahrade (Spring in the Garden), H...
107 bpm • G Maj • 01:46 • -22.8db
1% Popularity • 51% Danceability • 22% Energy • 12% Liveness
86% Instrumentalness • 23% Positiveness
1% Popularity • 51% Danceability • 22% Energy • 12% Liveness
86% Instrumentalness • 23% Positiveness
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Guy Braunstein
Abbey Road concerto for Violin and Orche...
99 bpm • A Maj • 03:10 • -18.38db
19% Popularity • 47% Danceability • 18% Energy • 11% Liveness
77% Instrumentalness • 32% Positiveness
19% Popularity • 47% Danceability • 18% Energy • 11% Liveness
77% Instrumentalness • 32% Positiveness
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Peter Warlock
Capriol Suite: III. Tordion
107 bpm • G min • 01:04 • -26.17db
12% Popularity • 72% Danceability • 4% Energy • 18% Liveness
12% Instrumentalness • 80% Positiveness
12% Popularity • 72% Danceability • 4% Energy • 18% Liveness
12% Instrumentalness • 80% Positiveness
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Niccolò Paganini
Violin Concerto No. 1 in D Major, Op. 6:...
99 bpm • D Maj • 10:26 • -22.37db
26% Popularity • 45% Danceability • 9% Energy • 7% Liveness
32% Instrumentalness • 27% Positiveness
26% Popularity • 45% Danceability • 9% Energy • 7% Liveness
32% Instrumentalness • 27% Positiveness
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Steve Elcock
Violin Concerto: III. Passacaglia. Andan...
107 bpm • G min • 06:49 • -20.18db
22% Popularity • 24% Danceability • 16% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
22% Popularity • 24% Danceability • 16% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
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Fernand de la Tombelle
Rêverie
99 bpm • E Maj • 02:24 • -22.93db
14% Popularity • 13% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
14% Popularity • 13% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
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Bohuslav Martinů
Film en miniature, H. 148: IV. Valse
100 bpm • D min • 02:34 • -22.82db
1% Popularity • 43% Danceability • 10% Energy • 11% Liveness
87% Instrumentalness • 20% Positiveness
1% Popularity • 43% Danceability • 10% Energy • 11% Liveness
87% Instrumentalness • 20% Positiveness
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Claude Debussy
Debussy: String Quartet in G Minor, Op. ...
107 bpm • D# Maj • 04:03 • -22.43db
19% Popularity • 47% Danceability • 14% Energy • 13% Liveness
79% Instrumentalness • 37% Positiveness
19% Popularity • 47% Danceability • 14% Energy • 13% Liveness
79% Instrumentalness • 37% Positiveness
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Franz Schubert
String Quintet in C Major, D. 956: III. ...
107 bpm • C Maj • 10:02 • -16.54db
23% Popularity • 42% Danceability • 16% Energy • 6% Liveness
91% Instrumentalness • 10% Positiveness
23% Popularity • 42% Danceability • 16% Energy • 6% Liveness
91% Instrumentalness • 10% Positiveness
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Mikhail Glinka
Waltz-Fantasy: Waltz-Fantasy
107 bpm • B min • 08:44 • -17.35db
9% Popularity • 34% Danceability • 11% Energy • 81% Liveness
87% Instrumentalness • 13% Positiveness
9% Popularity • 34% Danceability • 11% Energy • 81% Liveness
87% Instrumentalness • 13% Positiveness
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Igor Stravinsky
Suite italienne (Arranged for String Orc...
107 bpm • F Maj • 02:16 • -20.56db
10% Popularity • 69% Danceability • 36% Energy • 23% Liveness
79% Instrumentalness • 88% Positiveness
10% Popularity • 69% Danceability • 36% Energy • 23% Liveness
79% Instrumentalness • 88% Positiveness
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Robert Schumann
Symphony No. 1 in B-Flat Major, Op. 38 "...
107 bpm • A# Maj • 08:32 • -18.26db
9% Popularity • 37% Danceability • 25% Energy • 27% Liveness
90% Instrumentalness • 33% Positiveness
9% Popularity • 37% Danceability • 25% Energy • 27% Liveness
90% Instrumentalness • 33% Positiveness
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Bohuslav Martinů
Nonetto (1959): 1. Poco allegro
99 bpm • A# Maj • 04:49 • -17.78db
4% Popularity • 42% Danceability • 25% Energy • 11% Liveness
88% Instrumentalness • 22% Positiveness
4% Popularity • 42% Danceability • 25% Energy • 11% Liveness
88% Instrumentalness • 22% Positiveness
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Erich Wolfgang Korngold
Violin Concerto In D Major, Op. 35: I. M...
108 bpm • D Maj • 09:01 • -16db
0% Popularity • 27% Danceability • 24% Energy • 18% Liveness
44% Instrumentalness • 11% Positiveness
0% Popularity • 27% Danceability • 24% Energy • 18% Liveness
44% Instrumentalness • 11% Positiveness
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Nino Rota
5 Pezzi facili: No. 5. Il soldatino
108 bpm • F Maj • 01:39 • -24.57db
22% Popularity • 40% Danceability • 14% Energy • 8% Liveness
94% Instrumentalness • 20% Positiveness
22% Popularity • 40% Danceability • 14% Energy • 8% Liveness
94% Instrumentalness • 20% Positiveness
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Charles Koechlin
Pelleas et Melisande, Op. 80 (arr. C. Ko...
98 bpm • G min • 03:38 • -32.76db
16% Popularity • 19% Danceability • 2% Energy • 9% Liveness
72% Instrumentalness • 6% Positiveness
16% Popularity • 19% Danceability • 2% Energy • 9% Liveness
72% Instrumentalness • 6% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. M. Rave...
108 bpm • D# Maj • 03:51 • -32.69db
15% Popularity • 16% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
15% Popularity • 16% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Ferruccio Busoni
Concerto in D Major, Op. 35a: I. Allegro...
108 bpm • D Maj • 07:43 • -28.09db
10% Popularity • 30% Danceability • 7% Energy • 11% Liveness
4% Instrumentalness • 6% Positiveness
10% Popularity • 30% Danceability • 7% Energy • 11% Liveness
4% Instrumentalness • 6% Positiveness
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Bohuslav Martinů
Concerto for Violin, Piano and Orchestra...
107 bpm • A# Maj • 08:26 • -21.26db
12% Popularity • 31% Danceability • 18% Energy • 12% Liveness
77% Instrumentalness • 22% Positiveness
12% Popularity • 31% Danceability • 18% Energy • 12% Liveness
77% Instrumentalness • 22% Positiveness
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Mel Bonis
Suite en trio, Op. 59: III. Scherzo
108 bpm • D Maj • 03:35 • -22db
10% Popularity • 37% Danceability • 12% Energy • 32% Liveness
64% Instrumentalness • 42% Positiveness
10% Popularity • 37% Danceability • 12% Energy • 32% Liveness
64% Instrumentalness • 42% Positiveness
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Lili Boulanger
Cortege
108 bpm • E Maj • 01:43 • -19db
12% Popularity • 48% Danceability • 27% Energy • 11% Liveness
19% Instrumentalness • 28% Positiveness
12% Popularity • 48% Danceability • 27% Energy • 11% Liveness
19% Instrumentalness • 28% Positiveness
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Carl Reinecke
Sonata "Undine" Op. 167 for Flute and Pi...
108 bpm • E min • 06:38 • -25.91db
10% Popularity • 26% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 7% Positiveness
10% Popularity • 26% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 7% Positiveness
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Ernest Chausson
Poème de l'amour et de la mer, Op. 19: ...
108 bpm • G# Maj • 02:17 • -29.6db
24% Popularity • 16% Danceability • 1% Energy • 10% Liveness
62% Instrumentalness • 4% Positiveness
24% Popularity • 16% Danceability • 1% Energy • 10% Liveness
62% Instrumentalness • 4% Positiveness
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Zoltán Kodály
Hary Janos Suite: Háry János Suite: V....
109 bpm • D min • 05:01 • -22.3db
12% Popularity • 31% Danceability • 8% Energy • 24% Liveness
77% Instrumentalness • 25% Positiveness
12% Popularity • 31% Danceability • 8% Energy • 24% Liveness
77% Instrumentalness • 25% Positiveness
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Antonín Dvořák
8 Slavonic Dances, Op. 46, B.83: No. 3 i...
98 bpm • G# Maj • 04:39 • -17.18db
21% Popularity • 23% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 18% Positiveness
21% Popularity • 23% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 18% Positiveness
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Franz Schubert
String Quintet in C Major, D. 956: IV. A...
97 bpm • G Maj • 09:23 • -17.66db
22% Popularity • 33% Danceability • 12% Energy • 7% Liveness
82% Instrumentalness • 16% Positiveness
22% Popularity • 33% Danceability • 12% Energy • 7% Liveness
82% Instrumentalness • 16% Positiveness
► Preview
Felix Mendelssohn
A Midsummer Night's Dream, Op. 61: No. 5...
109 bpm • D min • 03:43 • -25.52db
10% Popularity • 26% Danceability • 5% Energy • 8% Liveness
67% Instrumentalness • 13% Positiveness
10% Popularity • 26% Danceability • 5% Energy • 8% Liveness
67% Instrumentalness • 13% Positiveness
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Ferdinand Ries
Sextet in G Minor, Op. 142: III. Rondo. ...
97 bpm • G min • 06:10 • -24.06db
8% Popularity • 32% Danceability • 8% Energy • 8% Liveness
94% Instrumentalness • 12% Positiveness
8% Popularity • 32% Danceability • 8% Energy • 8% Liveness
94% Instrumentalness • 12% Positiveness
► Preview
Maya Badian
Violin Concerto: I. Prelude
97 bpm • C# Maj • 06:45 • -25.97db
4% Popularity • 24% Danceability • 6% Energy • 45% Liveness
5% Instrumentalness • 8% Positiveness
4% Popularity • 24% Danceability • 6% Energy • 45% Liveness
5% Instrumentalness • 8% Positiveness
► Preview
Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
97 bpm • G Maj • 07:06 • -13.04db
28% Popularity • 35% Danceability • 25% Energy • 8% Liveness
18% Instrumentalness • 33% Positiveness
28% Popularity • 35% Danceability • 25% Energy • 8% Liveness
18% Instrumentalness • 33% Positiveness
► Preview
Antonín Dvořák
String Quartet No. 12 in F Major, Op. 96...
97 bpm • F Maj • 04:07 • -18.79db
1% Popularity • 36% Danceability • 16% Energy • 7% Liveness
78% Instrumentalness • 30% Positiveness
1% Popularity • 36% Danceability • 16% Energy • 7% Liveness
78% Instrumentalness • 30% Positiveness
► Preview
Franz Schubert
String Quartet No. 8 in B-Flat Major, D....
97 bpm • G min • 08:36 • -30.45db
32% Popularity • 18% Danceability • 1% Energy • 12% Liveness
7% Instrumentalness • 7% Positiveness
32% Popularity • 18% Danceability • 1% Energy • 12% Liveness
7% Instrumentalness • 7% Positiveness
► Preview
Sergei Prokofiev
Symphony No. 1 in D, Op. 25 "Classical S...
97 bpm • E min • 04:24 • -22.82db
20% Popularity • 48% Danceability • 6% Energy • 10% Liveness
32% Instrumentalness • 49% Positiveness
20% Popularity • 48% Danceability • 6% Energy • 10% Liveness
32% Instrumentalness • 49% Positiveness
► Preview
Erich Wolfgang Korngold
Korngold: Violin Concerto in D Major, Op...
97 bpm • C Maj • 08:14 • -28.5db
12% Popularity • 18% Danceability • 4% Energy • 13% Liveness
3% Instrumentalness • 4% Positiveness
12% Popularity • 18% Danceability • 4% Energy • 13% Liveness
3% Instrumentalness • 4% Positiveness
► Preview
Paul Hindemith
Der Schwanendreher - Concerto For Viola ...
97 bpm • G Maj • 08:30 • -19.75db
8% Popularity • 28% Danceability • 16% Energy • 29% Liveness
87% Instrumentalness • 12% Positiveness
8% Popularity • 28% Danceability • 16% Energy • 29% Liveness
87% Instrumentalness • 12% Positiveness
► Preview
Samuel Barber
Concerto for Violin & Orchestra, Op. 14:...
97 bpm • A min • 03:49 • -16db
17% Popularity • 39% Danceability • 50% Energy • 22% Liveness
81% Instrumentalness • 65% Positiveness
17% Popularity • 39% Danceability • 50% Energy • 22% Liveness
81% Instrumentalness • 65% Positiveness
► Preview
Daniel Auber
Zanetta, S. 33 (Excerpts): Act III Entr'...
110 bpm • G# Maj • 01:36 • -17db
23% Popularity • 32% Danceability • 18% Energy • 20% Liveness
77% Instrumentalness • 11% Positiveness
23% Popularity • 32% Danceability • 18% Energy • 20% Liveness
77% Instrumentalness • 11% Positiveness
► Preview
Igor Stravinsky
Apollon Musagète, K. 048: VII. Variatio...
97 bpm • A min • 02:23 • -24.72db
8% Popularity • 19% Danceability • 2% Energy • 14% Liveness
74% Instrumentalness • 13% Positiveness
8% Popularity • 19% Danceability • 2% Energy • 14% Liveness
74% Instrumentalness • 13% Positiveness
► Preview
Graźnya Bacewicz
Concerto for String Orchestra: II. Andan...
110 bpm • B min • 04:17 • -23.06db
9% Popularity • 16% Danceability • 8% Energy • 12% Liveness
72% Instrumentalness • 3% Positiveness
9% Popularity • 16% Danceability • 8% Energy • 12% Liveness
72% Instrumentalness • 3% Positiveness
► Preview
Antonín Dvořák
8 Slavonic Dances, Op. 72, B. 147: 2. Du...
97 bpm • C Maj • 05:41 • -15db
30% Popularity • 16% Danceability • 19% Energy • 10% Liveness
70% Instrumentalness • 12% Positiveness
30% Popularity • 16% Danceability • 19% Energy • 10% Liveness
70% Instrumentalness • 12% Positiveness
► Preview
Bohuslav Martinů
Symphonie No. 2: I. Allegro Moderato
110 bpm • A# Maj • 06:31 • -20.43db
2% Popularity • 26% Danceability • 15% Energy • 11% Liveness
85% Instrumentalness • 14% Positiveness
2% Popularity • 26% Danceability • 15% Energy • 11% Liveness
85% Instrumentalness • 14% Positiveness
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Robert Schumann
交響曲第4番 ニ短調 op. 120: II. ...
110 bpm • A min • 04:23 • -28.48db
13% Popularity • 18% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
13% Popularity • 18% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
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Felix Mendelssohn
Mendelssohn: Violin Concerto in E Minor,...
96 bpm • C Maj • 08:05 • -24db
35% Popularity • 16% Danceability • 11% Energy • 7% Liveness
6% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 11% Energy • 7% Liveness
6% Instrumentalness • 4% Positiveness
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Rihards Dubra
Les passions d'hiver
96 bpm • E min • 09:15 • -21.13db
12% Popularity • 28% Danceability • 16% Energy • 26% Liveness
52% Instrumentalness • 10% Positiveness
12% Popularity • 28% Danceability • 16% Energy • 26% Liveness
52% Instrumentalness • 10% Positiveness
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Dmitri Shostakovich
Suite for Variety Orchestra No. 1: Waltz...
96 bpm • C min • 03:46 • -22.2db
7% Popularity • 26% Danceability • 7% Energy • 8% Liveness
88% Instrumentalness • 30% Positiveness
7% Popularity • 26% Danceability • 7% Energy • 8% Liveness
88% Instrumentalness • 30% Positiveness
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Ottorino Respighi
Ancient Airs & Dances, Suite No. 3, P. 1...
96 bpm • A# Maj • 02:49 • -23.61db
23% Popularity • 18% Danceability • 12% Energy • 24% Liveness
87% Instrumentalness • 30% Positiveness
23% Popularity • 18% Danceability • 12% Energy • 24% Liveness
87% Instrumentalness • 30% Positiveness
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Bohuslav Martinů
Motyli a rajky (Butterflies and Birds of...
96 bpm • C# Maj • 03:56 • -23.39db
2% Popularity • 40% Danceability • 4% Energy • 5% Liveness
86% Instrumentalness • 5% Positiveness
2% Popularity • 40% Danceability • 4% Energy • 5% Liveness
86% Instrumentalness • 5% Positiveness
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Franz Schubert
Piano Quintet in A major, D. 667 "The Tr...
111 bpm • A Maj • 03:56 • -20.27db
24% Popularity • 49% Danceability • 15% Energy • 32% Liveness
64% Instrumentalness • 24% Positiveness
24% Popularity • 49% Danceability • 15% Energy • 32% Liveness
64% Instrumentalness • 24% Positiveness
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Gustav Mahler
Symphony No. 3 in D Minor: V. Lustig im ...
111 bpm • F Maj • 04:18 • -23.21db
23% Popularity • 27% Danceability • 12% Energy • 19% Liveness
4% Instrumentalness • 18% Positiveness
23% Popularity • 27% Danceability • 12% Energy • 19% Liveness
4% Instrumentalness • 18% Positiveness
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Ludwig van Beethoven
Holy and Celestial Harmony
111 bpm • E Maj • 02:20 • -32db
15% Popularity • 17% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
15% Popularity • 17% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Leó Weiner
Divertimento No. 1, Op. 20: I. Jo alapos...
95 bpm • D Maj • 02:03 • -20db
17% Popularity • 54% Danceability • 6% Energy • 26% Liveness
92% Instrumentalness • 27% Positiveness
17% Popularity • 54% Danceability • 6% Energy • 26% Liveness
92% Instrumentalness • 27% Positiveness
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Antonín Dvořák
Meditace na staročeský 'Svatý Václav...
95 bpm • A min • 06:20 • -19.24db
7% Popularity • 14% Danceability • 6% Energy • 8% Liveness
70% Instrumentalness • 5% Positiveness
7% Popularity • 14% Danceability • 6% Energy • 8% Liveness
70% Instrumentalness • 5% Positiveness
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Dmitri Shostakovich
Sonata for Viola and Piano, Op. 147: 1. ...
95 bpm • C Maj • 09:50 • -21.17db
8% Popularity • 27% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 7% Positiveness
8% Popularity • 27% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 7% Positiveness
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Otar Taktakishvili
Taktakishvili: Sonata: Aria: Moderato co...
95 bpm • D min • 04:15 • -22db
10% Popularity • 22% Danceability • 8% Energy • 6% Liveness
91% Instrumentalness • 5% Positiveness
10% Popularity • 22% Danceability • 8% Energy • 6% Liveness
91% Instrumentalness • 5% Positiveness
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Jean Sibelius
Violin Concerto in D Minor, Op. 47: III....
112 bpm • D Maj • 07:14 • -20.77db
30% Popularity • 42% Danceability • 23% Energy • 54% Liveness
29% Instrumentalness • 35% Positiveness
30% Popularity • 42% Danceability • 23% Energy • 54% Liveness
29% Instrumentalness • 35% Positiveness
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Franz Schubert
Schubert: String Quartet No. 14 in D Min...
95 bpm • D min • 08:58 • -18.07db
10% Popularity • 39% Danceability • 14% Energy • 16% Liveness
82% Instrumentalness • 30% Positiveness
10% Popularity • 39% Danceability • 14% Energy • 16% Liveness
82% Instrumentalness • 30% Positiveness
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Edvard Grieg
Violin Sonata No. 3 in C Minor, Op. 45: ...
112 bpm • C min • 08:51 • -21db
8% Popularity • 30% Danceability • 11% Energy • 22% Liveness
49% Instrumentalness • 5% Positiveness
8% Popularity • 30% Danceability • 11% Energy • 22% Liveness
49% Instrumentalness • 5% Positiveness
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Alexander Borodin
Prince Igor (Knyaz Igor): Act II: Dance ...
95 bpm • F Maj • 02:20 • -16.48db
35% Popularity • 50% Danceability • 16% Energy • 7% Liveness
98% Instrumentalness • 26% Positiveness
35% Popularity • 50% Danceability • 16% Energy • 7% Liveness
98% Instrumentalness • 26% Positiveness
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Daniel Auber
Le maçon, S. 13 (Excerpts): Entr'acte t...
95 bpm • G Maj • 01:19 • -21.46db
27% Popularity • 35% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 34% Positiveness
27% Popularity • 35% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 34% Positiveness
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ЧЕПЦОВ Александр
A PLAY ABOUT GHOSTS
95 bpm • A# min • 02:46 • -18.89db
16% Popularity • 15% Danceability • 20% Energy • 57% Liveness
56% Instrumentalness • 8% Positiveness
16% Popularity • 15% Danceability • 20% Energy • 57% Liveness
56% Instrumentalness • 8% Positiveness
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Jean Sibelius
Violin Concerto in D Minor, Op. 47: III....
112 bpm • D Maj • 07:16 • -19db
28% Popularity • 40% Danceability • 26% Energy • 15% Liveness
20% Instrumentalness • 29% Positiveness
28% Popularity • 40% Danceability • 26% Energy • 15% Liveness
20% Instrumentalness • 29% Positiveness
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Carl Nielsen
Aladdin Suite, Op. 34, FS 89: IV. Chines...
95 bpm • E min • 03:15 • -25db
20% Popularity • 22% Danceability • 7% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
20% Popularity • 22% Danceability • 7% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Rhapsody on a Theme of Paganini, Op. 43:...
112 bpm • F# Maj • 01:42 • -30.74db
8% Popularity • 29% Danceability • 1% Energy • 9% Liveness
1% Instrumentalness • 10% Positiveness
8% Popularity • 29% Danceability • 1% Energy • 9% Liveness
1% Instrumentalness • 10% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 1 in C Minor, Op. 35:...
95 bpm • A min • 07:44 • -25.18db
3% Popularity • 21% Danceability • 3% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
3% Popularity • 21% Danceability • 3% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
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Mel Bonis
Pièce, Op. 189
94 bpm • C Maj • 04:17 • -29.29db
12% Popularity • 29% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
12% Popularity • 29% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Peter Warlock
Capriol Suite: IV. Bransles
95 bpm • D min • 01:51 • -18.32db
13% Popularity • 44% Danceability • 44% Energy • 21% Liveness
93% Instrumentalness • 79% Positiveness
13% Popularity • 44% Danceability • 44% Energy • 21% Liveness
93% Instrumentalness • 79% Positiveness
