Songs like The Fields of Ard Skellig (From "The Witcher 3") by Christine Slagman
Based on a tempo of (+/- 10%) and a similar genre
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Bill Brown
Crossroad at Dawn
89 bpm • G min • 02:00 • -19.39db
54% Popularity • 12% Danceability • 12% Energy • 14% Liveness
94% Instrumentalness • 11% Positiveness
54% Popularity • 12% Danceability • 12% Energy • 14% Liveness
94% Instrumentalness • 11% Positiveness
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Borislav Slavov
The Queen's High Seas - Tavern Version
89 bpm • A min • 01:42 • -17.26db
41% Popularity • 77% Danceability • 20% Energy • 11% Liveness
11% Instrumentalness • 49% Positiveness
41% Popularity • 77% Danceability • 20% Energy • 11% Liveness
11% Instrumentalness • 49% Positiveness
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Dreyma
The Fields of Ard Skellig
89 bpm • D min • 03:14 • -19.53db
39% Popularity • 28% Danceability • 9% Energy • 9% Liveness
33% Instrumentalness • 5% Positiveness
39% Popularity • 28% Danceability • 9% Energy • 9% Liveness
33% Instrumentalness • 5% Positiveness
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Jeroen Hoogeveen
Temeria Trip
89 bpm • F# min • 02:18 • -10.68db
23% Popularity • 68% Danceability • 54% Energy • 7% Liveness
28% Instrumentalness • 84% Positiveness
23% Popularity • 68% Danceability • 54% Energy • 7% Liveness
28% Instrumentalness • 84% Positiveness
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Jake Lefkowitz
Pride and Penance
88 bpm • C min • 05:53 • -15db
27% Popularity • 12% Danceability • 26% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
27% Popularity • 12% Danceability • 26% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Rik Schaffer
Northpoint Nocturne
88 bpm • F Maj • 05:27 • -24.42db
42% Popularity • 11% Danceability • 12% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
42% Popularity • 11% Danceability • 12% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Mikolai Stroinski
Whispers Of Oxenfurt
90 bpm • D min • 02:34 • -11db
46% Popularity • 28% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
46% Popularity • 28% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Christine Slagman
The Fields of Ard Skellig
90 bpm • D min • 03:14 • -20.31db
40% Popularity • 23% Danceability • 10% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
40% Popularity • 23% Danceability • 10% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
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Dreyma
The Winds of Skellige
88 bpm • E min • 03:05 • -15.7db
27% Popularity • 28% Danceability • 27% Energy • 11% Liveness
49% Instrumentalness • 4% Positiveness
27% Popularity • 28% Danceability • 27% Energy • 11% Liveness
49% Instrumentalness • 4% Positiveness
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Travis Savoie
Under The Aurora
88 bpm • E min • 03:00 • -17.93db
20% Popularity • 19% Danceability • 32% Energy • 16% Liveness
90% Instrumentalness • 13% Positiveness
20% Popularity • 19% Danceability • 32% Energy • 16% Liveness
90% Instrumentalness • 13% Positiveness
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Piotr Musiał
The Moon Over Mount Gorgon
90 bpm • D min • 02:05 • -14db
44% Popularity • 13% Danceability • 34% Energy • 12% Liveness
74% Instrumentalness • 7% Positiveness
44% Popularity • 13% Danceability • 34% Energy • 12% Liveness
74% Instrumentalness • 7% Positiveness
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Roland Rizzo
Rome (The Medieval Era)
88 bpm • C# min • 03:38 • -15.94db
31% Popularity • 33% Danceability • 31% Energy • 10% Liveness
94% Instrumentalness • 44% Positiveness
31% Popularity • 33% Danceability • 31% Energy • 10% Liveness
94% Instrumentalness • 44% Positiveness
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Mikolai Stroinski
The Tree When We Sat Once
90 bpm • D min • 02:35 • -13.78db
49% Popularity • 15% Danceability • 18% Energy • 13% Liveness
75% Instrumentalness • 10% Positiveness
49% Popularity • 15% Danceability • 18% Energy • 13% Liveness
75% Instrumentalness • 10% Positiveness
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Jamie Christopherson
Island Village
90 bpm • E Maj • 02:04 • -15.75db
33% Popularity • 51% Danceability • 32% Energy • 16% Liveness
96% Instrumentalness • 62% Positiveness
33% Popularity • 51% Danceability • 32% Energy • 16% Liveness
96% Instrumentalness • 62% Positiveness
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Matt Fuss
The Fields Of Ard Skellig (Arr. by Matt ...
90 bpm • D min • 03:10 • -27.13db
31% Popularity • 42% Danceability • 4% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
31% Popularity • 42% Danceability • 4% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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Krale
Endless Bonds and Broken Promises
88 bpm • C# min • 03:26 • -15.02db
33% Popularity • 21% Danceability • 24% Energy • 11% Liveness
72% Instrumentalness • 4% Positiveness
33% Popularity • 21% Danceability • 24% Energy • 11% Liveness
72% Instrumentalness • 4% Positiveness
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Piotr Musiał
For Honor! For Toussaint!
90 bpm • A min • 02:04 • -9.17db
44% Popularity • 63% Danceability • 82% Energy • 33% Liveness
3% Instrumentalness • 47% Positiveness
44% Popularity • 63% Danceability • 82% Energy • 33% Liveness
3% Instrumentalness • 47% Positiveness
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Brad Derrick
Moth, Butterfly, and Torchbug
90 bpm • G Maj • 05:42 • -19db
45% Popularity • 10% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
45% Popularity • 10% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Mikolai Stroinski
Commanding The Fury
90 bpm • G Maj • 02:08 • -11.51db
47% Popularity • 53% Danceability • 78% Energy • 43% Liveness
2% Instrumentalness • 40% Positiveness
47% Popularity • 53% Danceability • 78% Energy • 43% Liveness
2% Instrumentalness • 40% Positiveness
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Christine Slagman
The Fields of Ard Skellig [instrumental...
90 bpm • D min • 03:14 • -25.88db
38% Popularity • 26% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
38% Popularity • 26% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
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Gareth Coker
Naru, Embracing the Light
88 bpm • D Maj • 01:24 • -15.72db
49% Popularity • 32% Danceability • 29% Energy • 23% Liveness
93% Instrumentalness • 35% Positiveness
49% Popularity • 32% Danceability • 29% Energy • 23% Liveness
93% Instrumentalness • 35% Positiveness
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Jason Hayes
Tavern
90 bpm • F# min • 01:14 • -13db
45% Popularity • 74% Danceability • 42% Energy • 10% Liveness
91% Instrumentalness • 76% Positiveness
45% Popularity • 74% Danceability • 42% Energy • 10% Liveness
91% Instrumentalness • 76% Positiveness
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Oliva Orr
Destiny Of Love
87 bpm • F# min • 03:24 • -12.37db
24% Popularity • 15% Danceability • 33% Energy • 13% Liveness
7% Instrumentalness • 9% Positiveness
24% Popularity • 15% Danceability • 33% Energy • 13% Liveness
7% Instrumentalness • 9% Positiveness
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Two Worlds II
Green Fields Of Antaloor
87 bpm • D min • 04:38 • -20.74db
27% Popularity • 29% Danceability • 8% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
27% Popularity • 29% Danceability • 8% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
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Percival Schuttenbach
The Nightingale
90 bpm • A min • 01:39 • -10.77db
49% Popularity • 80% Danceability • 75% Energy • 20% Liveness
98% Instrumentalness • 72% Positiveness
49% Popularity • 80% Danceability • 75% Energy • 20% Liveness
98% Instrumentalness • 72% Positiveness
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David Arkenstone
Lion's Pride
91 bpm • C# min • 02:21 • -11.17db
41% Popularity • 72% Danceability • 46% Energy • 26% Liveness
3% Instrumentalness • 87% Positiveness
41% Popularity • 72% Danceability • 46% Energy • 26% Liveness
3% Instrumentalness • 87% Positiveness
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Daniel Ran
Maker of Worlds
87 bpm • E min • 05:55 • -18db
32% Popularity • 11% Danceability • 18% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
32% Popularity • 11% Danceability • 18% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Borislav Slavov
Divine's Lament
91 bpm • G Maj • 04:21 • -16.95db
34% Popularity • 40% Danceability • 16% Energy • 10% Liveness
83% Instrumentalness • 20% Positiveness
34% Popularity • 40% Danceability • 16% Energy • 10% Liveness
83% Instrumentalness • 20% Positiveness
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Ramin Djawadi
Jenny of Oldstones
87 bpm • C min • 02:30 • -17.53db
53% Popularity • 25% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
53% Popularity • 25% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Bill Brown
Lovers Reunited
91 bpm • A min • 02:19 • -13.18db
40% Popularity • 11% Danceability • 28% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
40% Popularity • 11% Danceability • 28% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Christine Slagman
Kakariko Village
87 bpm • A# Maj • 02:08 • -16.07db
2% Popularity • 12% Danceability • 23% Energy • 11% Liveness
93% Instrumentalness • 20% Positiveness
2% Popularity • 12% Danceability • 23% Energy • 11% Liveness
93% Instrumentalness • 20% Positiveness
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Two Worlds II
Lands of Despair
87 bpm • G Maj • 02:16 • -15db
45% Popularity • 10% Danceability • 24% Energy • 6% Liveness
62% Instrumentalness • 6% Positiveness
45% Popularity • 10% Danceability • 24% Energy • 6% Liveness
62% Instrumentalness • 6% Positiveness
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Piotr Musiał
The Darkest of Days
87 bpm • F min • 04:41 • -14.11db
39% Popularity • 9% Danceability • 32% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
39% Popularity • 9% Danceability • 32% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
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Sonya Belousova
They're Alive
92 bpm • G Maj • 01:41 • -10db
35% Popularity • 34% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 45% Positiveness
35% Popularity • 34% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 45% Positiveness
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Lorne Balfe
Dawkin's Suite
86 bpm • E min • 04:26 • -10.7db
20% Popularity • 9% Danceability • 29% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
20% Popularity • 9% Danceability • 29% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
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Russell Shaw
Albion Awaits
86 bpm • D# min • 02:06 • -19.51db
37% Popularity • 19% Danceability • 11% Energy • 50% Liveness
96% Instrumentalness • 7% Positiveness
37% Popularity • 19% Danceability • 11% Energy • 50% Liveness
96% Instrumentalness • 7% Positiveness
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Brad Derrick
Greenheart
86 bpm • A min • 05:01 • -18db
37% Popularity • 16% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
37% Popularity • 16% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Steve Jablonsky
Forgotten Sands (Main Theme)
92 bpm • D min • 02:31 • -11db
22% Popularity • 39% Danceability • 50% Energy • 11% Liveness
97% Instrumentalness • 24% Positiveness
22% Popularity • 39% Danceability • 50% Energy • 11% Liveness
97% Instrumentalness • 24% Positiveness
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Raney Shockne
The Slightest Ones
86 bpm • B min • 02:25 • -2.88db
28% Popularity • 59% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 59% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Funcom Soundtrack
An Oasis of Calm
92 bpm • F Maj • 03:23 • -15.72db
29% Popularity • 48% Danceability • 22% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
29% Popularity • 48% Danceability • 22% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
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Piotr Musiał
The Last Autumn Theme
86 bpm • F min • 02:44 • -13.36db
35% Popularity • 29% Danceability • 41% Energy • 12% Liveness
90% Instrumentalness • 18% Positiveness
35% Popularity • 29% Danceability • 41% Energy • 12% Liveness
90% Instrumentalness • 18% Positiveness
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Bear McCreary
Ashes
86 bpm • C Maj • 06:09 • -16.51db
45% Popularity • 9% Danceability • 19% Energy • 11% Liveness
55% Instrumentalness • 3% Positiveness
45% Popularity • 9% Danceability • 19% Energy • 11% Liveness
55% Instrumentalness • 3% Positiveness
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Brad Derrick
Yearning for Moonshadow
85 bpm • F Maj • 06:17 • -18.7db
40% Popularity • 9% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
40% Popularity • 9% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Filippo Beck Peccoz
Trouble on the Nakasend ō
85 bpm • A# Maj • 03:39 • -16.72db
25% Popularity • 70% Danceability • 22% Energy • 15% Liveness
94% Instrumentalness • 16% Positiveness
25% Popularity • 70% Danceability • 22% Energy • 15% Liveness
94% Instrumentalness • 16% Positiveness
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Elane
Theme from Journey to the North
85 bpm • A min • 04:00 • -19.58db
28% Popularity • 42% Danceability • 24% Energy • 9% Liveness
97% Instrumentalness • 9% Positiveness
28% Popularity • 42% Danceability • 24% Energy • 9% Liveness
97% Instrumentalness • 9% Positiveness
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Bill Brown
Deep Shadows
85 bpm • C# Maj • 02:02 • -14.16db
43% Popularity • 14% Danceability • 32% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
43% Popularity • 14% Danceability • 32% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Adam Skorupa
Blue Mountains - Edit Version
85 bpm • F# Maj • 03:44 • -13.15db
35% Popularity • 10% Danceability • 25% Energy • 15% Liveness
44% Instrumentalness • 5% Positiveness
35% Popularity • 10% Danceability • 25% Energy • 15% Liveness
44% Instrumentalness • 5% Positiveness
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Piotr Musiał
The Shepherd
85 bpm • A min • 04:04 • -15.55db
34% Popularity • 13% Danceability • 30% Energy • 9% Liveness
95% Instrumentalness • 7% Positiveness
34% Popularity • 13% Danceability • 30% Energy • 9% Liveness
95% Instrumentalness • 7% Positiveness
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Mikko Tarmia
Back Hall
85 bpm • D min • 01:22 • -23.41db
48% Popularity • 24% Danceability • 10% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
48% Popularity • 24% Danceability • 10% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Howard Shore
The Houses of Healing
94 bpm • G Maj • 02:58 • -30.11db
48% Popularity • 14% Danceability • 3% Energy • 9% Liveness
82% Instrumentalness • 4% Positiveness
48% Popularity • 14% Danceability • 3% Energy • 9% Liveness
82% Instrumentalness • 4% Positiveness
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Austin Wintory
I Was Born for This
84 bpm • B min • 04:46 • -14db
38% Popularity • 11% Danceability • 28% Energy • 15% Liveness
1% Instrumentalness • 4% Positiveness
38% Popularity • 11% Danceability • 28% Energy • 15% Liveness
1% Instrumentalness • 4% Positiveness
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Joris de Man
Promise of the West
84 bpm • A min • 02:55 • -16.13db
34% Popularity • 19% Danceability • 48% Energy • 6% Liveness
88% Instrumentalness • 9% Positiveness
34% Popularity • 19% Danceability • 48% Energy • 6% Liveness
88% Instrumentalness • 9% Positiveness
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John Lunn
Icicle
94 bpm • A min • 05:35 • -19.67db
36% Popularity • 42% Danceability • 30% Energy • 10% Liveness
68% Instrumentalness • 25% Positiveness
36% Popularity • 42% Danceability • 30% Energy • 10% Liveness
68% Instrumentalness • 25% Positiveness
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Mikolai Stroinski
Calm Before The Storm
84 bpm • G min • 03:08 • -26db
35% Popularity • 30% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
35% Popularity • 30% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Bill Brown
Dance at the Festival
84 bpm • D Maj • 02:11 • -12.95db
40% Popularity • 22% Danceability • 34% Energy • 9% Liveness
87% Instrumentalness • 47% Positiveness
40% Popularity • 22% Danceability • 34% Energy • 9% Liveness
87% Instrumentalness • 47% Positiveness
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Jesper Kyd
Istanbul
84 bpm • G Maj • 03:00 • -20.54db
22% Popularity • 20% Danceability • 15% Energy • 12% Liveness
82% Instrumentalness • 6% Positiveness
22% Popularity • 20% Danceability • 15% Energy • 12% Liveness
82% Instrumentalness • 6% Positiveness
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Piotr Musiał
The Banks Of The Sansretour
95 bpm • C Maj • 03:58 • -15.39db
46% Popularity • 12% Danceability • 26% Energy • 18% Liveness
17% Instrumentalness • 7% Positiveness
46% Popularity • 12% Danceability • 26% Energy • 18% Liveness
17% Instrumentalness • 7% Positiveness
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Jason Graves
The Knights' Theme
84 bpm • F Maj • 03:28 • -17db
33% Popularity • 8% Danceability • 18% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
33% Popularity • 8% Danceability • 18% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Eurielle
Song of Durin
95 bpm • G# Maj • 02:37 • -17.05db
48% Popularity • 28% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
48% Popularity • 28% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Joris de Man
Song for Aloy - Part 1 - Motherland
95 bpm • F Maj • 01:25 • -22.37db
28% Popularity • 20% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
28% Popularity • 20% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Bill Brown
Forest Calling
83 bpm • A# min • 02:15 • -15.98db
46% Popularity • 11% Danceability • 33% Energy • 9% Liveness
60% Instrumentalness • 4% Positiveness
46% Popularity • 11% Danceability • 33% Energy • 9% Liveness
60% Instrumentalness • 4% Positiveness
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Jason Hayes
The Shaping of the World
95 bpm • D min • 02:25 • -11.99db
40% Popularity • 41% Danceability • 41% Energy • 10% Liveness
97% Instrumentalness • 18% Positiveness
40% Popularity • 41% Danceability • 41% Energy • 10% Liveness
97% Instrumentalness • 18% Positiveness
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Jesper Kyd
Out of the North
95 bpm • D# min • 03:47 • -13.03db
38% Popularity • 13% Danceability • 46% Energy • 12% Liveness
92% Instrumentalness • 10% Positiveness
38% Popularity • 13% Danceability • 46% Energy • 12% Liveness
92% Instrumentalness • 10% Positiveness
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Two Feathers
Aragami (Main Theme)
83 bpm • D# min • 03:02 • -20.83db
19% Popularity • 17% Danceability • 10% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
19% Popularity • 17% Danceability • 10% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
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Antti Martikainen
Runestones
95 bpm • C min • 07:18 • -6.01db
28% Popularity • 42% Danceability • 89% Energy • 6% Liveness
31% Instrumentalness • 52% Positiveness
28% Popularity • 42% Danceability • 89% Energy • 6% Liveness
31% Instrumentalness • 52% Positiveness
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Gareth Coker
Main Theme
95 bpm • D min • 01:56 • -26db
52% Popularity • 34% Danceability • 5% Energy • 8% Liveness
72% Instrumentalness • 9% Positiveness
52% Popularity • 34% Danceability • 5% Energy • 8% Liveness
72% Instrumentalness • 9% Positiveness
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Brad Derrick
Dawn Gleams on Cyrodiil
95 bpm • A min • 05:21 • -18.87db
36% Popularity • 12% Danceability • 14% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
36% Popularity • 12% Danceability • 14% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Robert L. Euvino
Minstrelosity
95 bpm • E min • 05:09 • -16.99db
27% Popularity • 66% Danceability • 15% Energy • 8% Liveness
43% Instrumentalness • 12% Positiveness
27% Popularity • 66% Danceability • 15% Energy • 8% Liveness
43% Instrumentalness • 12% Positiveness
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Sarah Schachner
Bayek of Siwa
95 bpm • F Maj • 02:35 • -11db
39% Popularity • 45% Danceability • 81% Energy • 11% Liveness
72% Instrumentalness • 10% Positiveness
39% Popularity • 45% Danceability • 81% Energy • 11% Liveness
72% Instrumentalness • 10% Positiveness
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Brandon Fiechter
Will-O'-Wisps
95 bpm • A min • 04:00 • -19db
32% Popularity • 65% Danceability • 32% Energy • 14% Liveness
90% Instrumentalness • 28% Positiveness
32% Popularity • 65% Danceability • 32% Energy • 14% Liveness
90% Instrumentalness • 28% Positiveness
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Frida Johansson
Mist in the Mire
95 bpm • D min • 09:26 • -9.97db
39% Popularity • 34% Danceability • 51% Energy • 11% Liveness
76% Instrumentalness • 9% Positiveness
39% Popularity • 34% Danceability • 51% Energy • 11% Liveness
76% Instrumentalness • 9% Positiveness
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Bill Brown
Knighting Ceremony
95 bpm • D min • 02:08 • -11.62db
40% Popularity • 14% Danceability • 38% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
40% Popularity • 14% Danceability • 38% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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David Arkenstone
The Grand Bazaar
83 bpm • D Maj • 05:39 • -15.87db
32% Popularity • 39% Danceability • 44% Energy • 18% Liveness
85% Instrumentalness • 76% Positiveness
32% Popularity • 39% Danceability • 44% Energy • 18% Liveness
85% Instrumentalness • 76% Positiveness
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Sae Sae Norris
Tarah (Bonus Track)
95 bpm • G min • 03:46 • -19.38db
25% Popularity • 22% Danceability • 14% Energy • 10% Liveness
77% Instrumentalness • 14% Positiveness
25% Popularity • 22% Danceability • 14% Energy • 10% Liveness
77% Instrumentalness • 14% Positiveness
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Piotr Musiał
Are We Alone?
83 bpm • D min • 03:53 • -17db
40% Popularity • 8% Danceability • 32% Energy • 9% Liveness
98% Instrumentalness • 6% Positiveness
40% Popularity • 8% Danceability • 32% Energy • 9% Liveness
98% Instrumentalness • 6% Positiveness
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Jamie Salisbury aka Jonas West
Epic China (War Thunder Trailer)
83 bpm • E min • 02:48 • -12.28db
30% Popularity • 40% Danceability • 69% Energy • 11% Liveness
94% Instrumentalness • 51% Positiveness
30% Popularity • 40% Danceability • 69% Energy • 11% Liveness
94% Instrumentalness • 51% Positiveness
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Russell Brower
Lament of the Highborne
83 bpm • C# min • 02:57 • -12db
36% Popularity • 15% Danceability • 27% Energy • 11% Liveness
5% Instrumentalness • 5% Positiveness
36% Popularity • 15% Danceability • 27% Energy • 11% Liveness
5% Instrumentalness • 5% Positiveness
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Tumult Kollektiv
A New Home
83 bpm • F min • 01:19 • -15.7db
36% Popularity • 13% Danceability • 20% Energy • 13% Liveness
70% Instrumentalness • 5% Positiveness
36% Popularity • 13% Danceability • 20% Energy • 13% Liveness
70% Instrumentalness • 5% Positiveness
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Jon Everist
For All Mankind (Opening Cinematic)
96 bpm • F min • 01:50 • -11.61db
30% Popularity • 37% Danceability • 62% Energy • 10% Liveness
98% Instrumentalness • 23% Positiveness
30% Popularity • 37% Danceability • 62% Energy • 10% Liveness
98% Instrumentalness • 23% Positiveness
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Brian Tyler
In This World or the One Below
96 bpm • G Maj • 02:49 • -13.71db
35% Popularity • 34% Danceability • 44% Energy • 7% Liveness
92% Instrumentalness • 10% Positiveness
35% Popularity • 34% Danceability • 44% Energy • 7% Liveness
92% Instrumentalness • 10% Positiveness
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Piotr Musiał
Streets of New London
83 bpm • C min • 03:58 • -15.53db
35% Popularity • 12% Danceability • 30% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
35% Popularity • 12% Danceability • 30% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Daniel Ran
Nox Atra
83 bpm • D min • 04:14 • -18.99db
20% Popularity • 8% Danceability • 9% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
20% Popularity • 8% Danceability • 9% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Jesper Kyd
Flight over Venice 1
96 bpm • A min • 05:10 • -14db
34% Popularity • 48% Danceability • 44% Energy • 20% Liveness
96% Instrumentalness • 12% Positiveness
34% Popularity • 48% Danceability • 44% Energy • 20% Liveness
96% Instrumentalness • 12% Positiveness
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Adam Skorupa
A Tavern On The Riverbank
82 bpm • D min • 01:43 • -11.91db
46% Popularity • 47% Danceability • 38% Energy • 8% Liveness
33% Instrumentalness • 13% Positiveness
46% Popularity • 47% Danceability • 38% Energy • 8% Liveness
33% Instrumentalness • 13% Positiveness
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Pascal Michael Stiefel
Skyrim Main Theme [Epic Orchestral Remi...
96 bpm • A Maj • 03:44 • -14db
32% Popularity • 36% Danceability • 62% Energy • 22% Liveness
84% Instrumentalness • 13% Positiveness
32% Popularity • 36% Danceability • 62% Energy • 22% Liveness
84% Instrumentalness • 13% Positiveness
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Christine Slagman
Lullaby of Woe
96 bpm • F Maj • 02:33 • -18db
27% Popularity • 38% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
27% Popularity • 38% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Justin Bell
Defiance Bay
82 bpm • A# min • 03:10 • -14.8db
43% Popularity • 21% Danceability • 10% Energy • 10% Liveness
71% Instrumentalness • 11% Positiveness
43% Popularity • 21% Danceability • 10% Energy • 10% Liveness
71% Instrumentalness • 11% Positiveness
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Frida Johansson
The Red Thread
96 bpm • B min • 04:47 • -13db
36% Popularity • 12% Danceability • 28% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
36% Popularity • 12% Danceability • 28% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Chance Thomas
Theme for Rohan
82 bpm • C min • 03:27 • -18.79db
37% Popularity • 13% Danceability • 14% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
37% Popularity • 13% Danceability • 14% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
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Borislav Slavov
Power of Innocence 2017 - Orchestra Vers...
82 bpm • E min • 04:01 • -14.85db
33% Popularity • 37% Danceability • 25% Energy • 28% Liveness
84% Instrumentalness • 5% Positiveness
33% Popularity • 37% Danceability • 25% Energy • 28% Liveness
84% Instrumentalness • 5% Positiveness
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Robert L. Euvino
The Maiden
97 bpm • D min • 02:09 • -17.37db
29% Popularity • 42% Danceability • 6% Energy • 14% Liveness
32% Instrumentalness • 22% Positiveness
29% Popularity • 42% Danceability • 6% Energy • 14% Liveness
32% Instrumentalness • 22% Positiveness
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Christine Slagman
Sovngarde
82 bpm • A min • 03:21 • -11.98db
2% Popularity • 26% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
2% Popularity • 26% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Dynamedion
The Moribund People
97 bpm • G# min • 02:12 • -18.9db
27% Popularity • 27% Danceability • 22% Energy • 13% Liveness
48% Instrumentalness • 11% Positiveness
27% Popularity • 27% Danceability • 22% Energy • 13% Liveness
48% Instrumentalness • 11% Positiveness
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Daniel Pemberton
Speak For The Dead
82 bpm • C min • 02:44 • -15db
25% Popularity • 14% Danceability • 23% Energy • 12% Liveness
89% Instrumentalness • 7% Positiveness
25% Popularity • 14% Danceability • 23% Energy • 12% Liveness
89% Instrumentalness • 7% Positiveness
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Chance Thomas
Learning to Ride
97 bpm • G# Maj • 03:03 • -18.02db
33% Popularity • 54% Danceability • 44% Energy • 9% Liveness
95% Instrumentalness • 48% Positiveness
33% Popularity • 54% Danceability • 44% Energy • 9% Liveness
95% Instrumentalness • 48% Positiveness
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Maclaine Diemer
Heart of Thorns Theme
97 bpm • A# Maj • 02:51 • -13.17db
32% Popularity • 25% Danceability • 45% Energy • 13% Liveness
83% Instrumentalness • 21% Positiveness
32% Popularity • 25% Danceability • 45% Energy • 13% Liveness
83% Instrumentalness • 21% Positiveness
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Todd Masten
Main Theme
81 bpm • A min • 02:11 • -11db
32% Popularity • 18% Danceability • 42% Energy • 13% Liveness
83% Instrumentalness • 18% Positiveness
32% Popularity • 18% Danceability • 42% Energy • 13% Liveness
83% Instrumentalness • 18% Positiveness
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Christine Slagman
Home
82 bpm • G Maj • 01:46 • -16.14db
3% Popularity • 31% Danceability • 9% Energy • 11% Liveness
95% Instrumentalness • 8% Positiveness
3% Popularity • 31% Danceability • 9% Energy • 11% Liveness
95% Instrumentalness • 8% Positiveness
