Songs like The Fightin' Side of Me by Merle Haggard
Based on a tempo of (+/- 10%) and a similar genre
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The Judds
Mama He's Crazy
96 bpm • G Maj • 03:14 • -7db
52% Popularity • 72% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
52% Popularity • 72% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Randy Travis
On the Other Hand
96 bpm • F Maj • 03:06 • -9.92db
58% Popularity • 66% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
58% Popularity • 66% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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The Charlie Daniels Band
Uneasy Rider
96 bpm • C Maj • 05:18 • -10.73db
46% Popularity • 66% Danceability • 62% Energy • 31% Liveness
0% Instrumentalness • 93% Positiveness
46% Popularity • 66% Danceability • 62% Energy • 31% Liveness
0% Instrumentalness • 93% Positiveness
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Alabama
Dixieland Delight - Single Edit
96 bpm • G Maj • 03:56 • -12.54db
58% Popularity • 46% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
58% Popularity • 46% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
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The Statler Brothers
I'll Go To My Grave Loving You
96 bpm • A# Maj • 02:48 • -11.67db
43% Popularity • 61% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
43% Popularity • 61% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Merle Haggard
Fightin' Side of Me
96 bpm • E Maj • 02:50 • -8.08db
58% Popularity • 73% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
58% Popularity • 73% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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The Oak Ridge Boys
Leaving Louisiana In The Broad Daylight
96 bpm • F Maj • 02:59 • -14.41db
57% Popularity • 62% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
57% Popularity • 62% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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Mel McDaniel
Big Ole Brew
96 bpm • E Maj • 02:47 • -12.91db
55% Popularity • 64% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
55% Popularity • 64% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
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Johnny Rodriguez
I Just Can't Get Her Out Of My Mind
97 bpm • F Maj • 02:36 • -10.18db
40% Popularity • 54% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
40% Popularity • 54% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Alabama
Dixieland Delight
96 bpm • D Maj • 05:22 • -15.04db
64% Popularity • 44% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
64% Popularity • 44% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
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T.G. Sheppard
Only One You
95 bpm • E min • 03:22 • -12.45db
35% Popularity • 81% Danceability • 62% Energy • 6% Liveness
19% Instrumentalness • 97% Positiveness
35% Popularity • 81% Danceability • 62% Energy • 6% Liveness
19% Instrumentalness • 97% Positiveness
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Merle Haggard
Someday We'll Look Back
97 bpm • D Maj • 02:30 • -12.69db
34% Popularity • 67% Danceability • 22% Energy • 15% Liveness
17% Instrumentalness • 55% Positiveness
34% Popularity • 67% Danceability • 22% Energy • 15% Liveness
17% Instrumentalness • 55% Positiveness
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Merle Haggard & The Strangers
The Fightin' Side Of Me
95 bpm • E Maj • 02:52 • -13.66db
39% Popularity • 76% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
39% Popularity • 76% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Mel McDaniel
Goodbye Marie
95 bpm • D# Maj • 02:56 • -7.83db
36% Popularity • 64% Danceability • 62% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
36% Popularity • 64% Danceability • 62% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
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Buck Owens
I've Got A Tiger By The Tail
97 bpm • E Maj • 02:14 • -10.77db
49% Popularity • 69% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
49% Popularity • 69% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
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Bonnie Owens
Slowly But Surely
95 bpm • G# Maj • 02:23 • -9.28db
19% Popularity • 56% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
19% Popularity • 56% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Charlie Rich
Rollin' With The Flow
95 bpm • D Maj • 02:40 • -11.42db
51% Popularity • 63% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
51% Popularity • 63% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Merle Haggard
Ramblin Fever - Re-Recorded
97 bpm • G Maj • 03:40 • -14.38db
17% Popularity • 64% Danceability • 37% Energy • 6% Liveness
1% Instrumentalness • 77% Positiveness
17% Popularity • 64% Danceability • 37% Energy • 6% Liveness
1% Instrumentalness • 77% Positiveness
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Merle Haggard & The Strangers
Mama Tried - Remastered 2001
97 bpm • D Maj • 02:12 • -6db
68% Popularity • 72% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
68% Popularity • 72% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Cal Smith
I've Found Someone Of My Own
97 bpm • A# Maj • 03:24 • -14.91db
34% Popularity • 69% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
34% Popularity • 69% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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Jamey Johnson
That Lonesome Song
95 bpm • G Maj • 04:01 • -8.77db
60% Popularity • 52% Danceability • 40% Energy • 34% Liveness
0% Instrumentalness • 18% Positiveness
60% Popularity • 52% Danceability • 40% Energy • 34% Liveness
0% Instrumentalness • 18% Positiveness
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Gary Stewart
Draggin' Shackles
95 bpm • C# Maj • 02:26 • -12.47db
38% Popularity • 72% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
38% Popularity • 72% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Rosanne Cash
Tennessee Flat Top Box
98 bpm • F min • 03:09 • -16.01db
40% Popularity • 61% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
40% Popularity • 61% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
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Merle Haggard
It's Been A Great Afternoon
95 bpm • A Maj • 02:50 • -14.44db
23% Popularity • 76% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
23% Popularity • 76% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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Gene Watson
Pick The Wildwood Flower
94 bpm • G Maj • 02:21 • -8.66db
36% Popularity • 66% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
36% Popularity • 66% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Shenandoah
Next To You, Next To Me
94 bpm • G# Maj • 03:25 • -8db
60% Popularity • 65% Danceability • 71% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
60% Popularity • 65% Danceability • 71% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
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Mel McDaniel
Maximum Living On A Minimum Wage
98 bpm • C# Maj • 02:57 • -7.47db
36% Popularity • 72% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
36% Popularity • 72% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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David Frizzell
You're The Reason God Made Oklahoma
98 bpm • A Maj • 03:24 • -12db
49% Popularity • 46% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
49% Popularity • 46% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Dave Dudley
Six Days on the Road
98 bpm • G Maj • 02:11 • -11.57db
55% Popularity • 68% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
55% Popularity • 68% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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Vern Gosdin
I'm Still Crazy
94 bpm • G Maj • 02:46 • -12.94db
36% Popularity • 70% Danceability • 54% Energy • 31% Liveness
0% Instrumentalness • 81% Positiveness
36% Popularity • 70% Danceability • 54% Energy • 31% Liveness
0% Instrumentalness • 81% Positiveness
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Alabama
Take Me Down
94 bpm • C Maj • 03:43 • -12.67db
44% Popularity • 75% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
44% Popularity • 75% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Gene Watson
Raisin' Cane In Texas
94 bpm • D Maj • 02:39 • -7db
38% Popularity • 65% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
38% Popularity • 65% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
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Conway Twitty
Louisiana Woman, Mississippi Man
98 bpm • C# Maj • 02:31 • -6.94db
62% Popularity • 62% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
62% Popularity • 62% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Travis Tritt
Where Corn Don't Grow
98 bpm • E Maj • 03:28 • -9.38db
51% Popularity • 56% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
51% Popularity • 56% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Ernest Tubb
Waltz Across Texas
98 bpm • A Maj • 02:38 • -12db
45% Popularity • 62% Danceability • 40% Energy • 33% Liveness
0% Instrumentalness • 59% Positiveness
45% Popularity • 62% Danceability • 40% Energy • 33% Liveness
0% Instrumentalness • 59% Positiveness
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Johnny Rodriguez
That's The Way Love Goes
98 bpm • G Maj • 01:51 • -11db
44% Popularity • 63% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
44% Popularity • 63% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Merle Haggard
Daddy Frank (The Guitar Man)
99 bpm • D# Maj • 03:44 • -12.39db
26% Popularity • 74% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
26% Popularity • 74% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
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Mark Chesnutt
Too Cold At Home
93 bpm • D Maj • 03:39 • -13.65db
52% Popularity • 63% Danceability • 41% Energy • 34% Liveness
0% Instrumentalness • 53% Positiveness
52% Popularity • 63% Danceability • 41% Energy • 34% Liveness
0% Instrumentalness • 53% Positiveness
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Alabama
Tennessee River
93 bpm • D Maj • 03:01 • -8.74db
47% Popularity • 38% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
47% Popularity • 38% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Gene Watson
Speak Softly (You're Talking To My Heart...
99 bpm • C Maj • 02:06 • -6.26db
34% Popularity • 62% Danceability • 79% Energy • 29% Liveness
0% Instrumentalness • 84% Positiveness
34% Popularity • 62% Danceability • 79% Energy • 29% Liveness
0% Instrumentalness • 84% Positiveness
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Steve Wariner
Life's Highway
99 bpm • A# Maj • 03:17 • -14.99db
49% Popularity • 66% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
49% Popularity • 66% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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Porter Wagoner
The Carroll County Accident
93 bpm • G Maj • 02:48 • -13db
36% Popularity • 66% Danceability • 43% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
36% Popularity • 66% Danceability • 43% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
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Merle Haggard
Today I Started Loving You Again
93 bpm • F Maj • 03:45 • -12.8db
30% Popularity • 70% Danceability • 32% Energy • 18% Liveness
3% Instrumentalness • 43% Positiveness
30% Popularity • 70% Danceability • 32% Energy • 18% Liveness
3% Instrumentalness • 43% Positiveness
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The Charlie Daniels Band
The Legend Of Wooley Swamp
100 bpm • G Maj • 04:14 • -11.72db
46% Popularity • 48% Danceability • 54% Energy • 31% Liveness
0% Instrumentalness • 47% Positiveness
46% Popularity • 48% Danceability • 54% Energy • 31% Liveness
0% Instrumentalness • 47% Positiveness
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Mark Chesnutt
Old Country
93 bpm • F Maj • 03:53 • -10db
44% Popularity • 52% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
44% Popularity • 52% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Ronnie Milsap
Prisoner Of The Highway
93 bpm • C Maj • 04:13 • -7.84db
56% Popularity • 73% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
56% Popularity • 73% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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David Allan Coe
Longhaired Redneck
92 bpm • G Maj • 03:20 • -7.85db
54% Popularity • 41% Danceability • 59% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
54% Popularity • 41% Danceability • 59% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
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Don Henley
The Cost of Living
100 bpm • F# Maj • 03:40 • -11.3db
35% Popularity • 62% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
35% Popularity • 62% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Merle Haggard
I Had a Beautiful Time
100 bpm • A Maj • 03:03 • -14.81db
31% Popularity • 78% Danceability • 45% Energy • 20% Liveness
4% Instrumentalness • 80% Positiveness
31% Popularity • 78% Danceability • 45% Energy • 20% Liveness
4% Instrumentalness • 80% Positiveness
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T.G. Sheppard
Party Time
100 bpm • F Maj • 03:32 • -12db
38% Popularity • 59% Danceability • 54% Energy • 14% Liveness
2% Instrumentalness • 76% Positiveness
38% Popularity • 59% Danceability • 54% Energy • 14% Liveness
2% Instrumentalness • 76% Positiveness
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Tom T. Hall
I Love
92 bpm • E Maj • 02:06 • -17.38db
51% Popularity • 53% Danceability • 20% Energy • 18% Liveness
4% Instrumentalness • 58% Positiveness
51% Popularity • 53% Danceability • 20% Energy • 18% Liveness
4% Instrumentalness • 58% Positiveness
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Ronnie Milsap
Back On My Mind Again
92 bpm • D Maj • 03:15 • -14.51db
44% Popularity • 67% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
44% Popularity • 67% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Jamey Johnson
I Fall To Pieces
100 bpm • D Maj • 04:41 • -11.78db
32% Popularity • 67% Danceability • 37% Energy • 12% Liveness
2% Instrumentalness • 39% Positiveness
32% Popularity • 67% Danceability • 37% Energy • 12% Liveness
2% Instrumentalness • 39% Positiveness
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The Charlie Daniels Band
(What This World Needs Is) A Few More Re...
100 bpm • C Maj • 03:42 • -11db
55% Popularity • 72% Danceability • 57% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
55% Popularity • 72% Danceability • 57% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
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Merle Haggard
That's the Way Love Goes
100 bpm • D# Maj • 03:01 • -17db
51% Popularity • 81% Danceability • 27% Energy • 9% Liveness
1% Instrumentalness • 62% Positiveness
51% Popularity • 81% Danceability • 27% Energy • 9% Liveness
1% Instrumentalness • 62% Positiveness
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Diamond Rio
Norma Jean Riley
91 bpm • G Maj • 03:04 • -12db
52% Popularity • 69% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 77% Positiveness
52% Popularity • 69% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 77% Positiveness
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Mel McDaniel
Countryfied
91 bpm • D Maj • 02:38 • -7.56db
47% Popularity • 71% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
47% Popularity • 71% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
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Alabama
High Cotton
91 bpm • F Maj • 03:00 • -9.67db
58% Popularity • 66% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
58% Popularity • 66% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Gene Watson
Cowboys Don't Get Lucky All The Time
101 bpm • C Maj • 02:34 • -11db
37% Popularity • 63% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
37% Popularity • 63% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Faron Young
Hello Walls
101 bpm • C Maj • 02:26 • -10db
54% Popularity • 62% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
54% Popularity • 62% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Merle Haggard
I'm A White Boy
101 bpm • A Maj • 02:04 • -10.87db
51% Popularity • 62% Danceability • 66% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
51% Popularity • 62% Danceability • 66% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
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T.G. Sheppard
Do You Wanna Go to Heaven
91 bpm • C# Maj • 03:10 • -12.56db
39% Popularity • 65% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
39% Popularity • 65% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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The Marshall Tucker Band
Fire on the Mountain
102 bpm • E min • 03:56 • -6.36db
59% Popularity • 51% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
59% Popularity • 51% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
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Randy Travis
Forever and Ever, Amen
90 bpm • D Maj • 03:32 • -9db
74% Popularity • 68% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
74% Popularity • 68% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Vern Gosdin
That Just About Does It
102 bpm • C# Maj • 03:59 • -15db
38% Popularity • 61% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
38% Popularity • 61% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Conway Twitty
Tight Fittin' Jeans
102 bpm • F Maj • 02:51 • -13.95db
65% Popularity • 73% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
65% Popularity • 73% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Merle Haggard
Today I Started Loving You Again - Remas...
90 bpm • F# Maj • 02:20 • -12.02db
46% Popularity • 63% Danceability • 20% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
46% Popularity • 63% Danceability • 20% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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Gary Stewart
I See the Want to in Your Eyes
102 bpm • A Maj • 02:38 • -13db
29% Popularity • 50% Danceability • 25% Energy • 26% Liveness
0% Instrumentalness • 49% Positiveness
29% Popularity • 50% Danceability • 25% Energy • 26% Liveness
0% Instrumentalness • 49% Positiveness
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David Allan Coe
Jack Daniel's, If You Please
103 bpm • D Maj • 03:17 • -9.55db
51% Popularity • 68% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
51% Popularity • 68% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Randy Travis
He Walked on Water
90 bpm • D Maj • 03:25 • -9.48db
48% Popularity • 61% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
48% Popularity • 61% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
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George Strait
The Chair
90 bpm • A Maj • 02:50 • -17.67db
61% Popularity • 64% Danceability • 28% Energy • 33% Liveness
0% Instrumentalness • 48% Positiveness
61% Popularity • 64% Danceability • 28% Energy • 33% Liveness
0% Instrumentalness • 48% Positiveness
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Travis Tritt
Modern Day Bonnie and Clyde
90 bpm • A min • 04:44 • -5db
57% Popularity • 65% Danceability • 87% Energy • 28% Liveness
0% Instrumentalness • 92% Positiveness
57% Popularity • 65% Danceability • 87% Energy • 28% Liveness
0% Instrumentalness • 92% Positiveness
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George Jones
If Drinkin' Don't Kill Me (Her Memory Wi...
90 bpm • F# Maj • 03:09 • -13.04db
52% Popularity • 61% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 23% Positiveness
52% Popularity • 61% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 23% Positiveness
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Waylon Jennings
Luckenbach, Texas (Back to the Basics of...
103 bpm • G Maj • 03:22 • -9.86db
64% Popularity • 69% Danceability • 46% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
64% Popularity • 69% Danceability • 46% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
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Tanya Tucker
Love Me Like You Used To
89 bpm • A# Maj • 03:49 • -17.39db
47% Popularity • 58% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
47% Popularity • 58% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Johnny Rodriguez
Down On The Rio Grande
103 bpm • A Maj • 03:34 • -13db
31% Popularity • 68% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 58% Positiveness
31% Popularity • 68% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 58% Positiveness
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Gary Stewart
An Empty Glass
89 bpm • G Maj • 03:41 • -14.98db
45% Popularity • 61% Danceability • 31% Energy • 10% Liveness
1% Instrumentalness • 28% Positiveness
45% Popularity • 61% Danceability • 31% Energy • 10% Liveness
1% Instrumentalness • 28% Positiveness
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The Statler Brothers
Hello Mary Lou
103 bpm • G# Maj • 02:17 • -14.4db
53% Popularity • 73% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
53% Popularity • 73% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
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George Jones
The Grand Tour - Single Version
89 bpm • A# Maj • 03:06 • -15.4db
47% Popularity • 44% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
47% Popularity • 44% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
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T. Graham Brown
I Tell It Like It Used To Be
89 bpm • D Maj • 03:00 • -10.61db
44% Popularity • 73% Danceability • 49% Energy • 2% Liveness
0% Instrumentalness • 56% Positiveness
44% Popularity • 73% Danceability • 49% Energy • 2% Liveness
0% Instrumentalness • 56% Positiveness
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Cal Smith
The Lord Knows I'm Drinking
89 bpm • A Maj • 03:31 • -9.49db
37% Popularity • 67% Danceability • 50% Energy • 5% Liveness
5% Instrumentalness • 87% Positiveness
37% Popularity • 67% Danceability • 50% Energy • 5% Liveness
5% Instrumentalness • 87% Positiveness
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Mel McDaniel
Hello Daddy, Good Morning Darling
104 bpm • C Maj • 03:27 • -9.14db
38% Popularity • 70% Danceability • 46% Energy • 7% Liveness
2% Instrumentalness • 59% Positiveness
38% Popularity • 70% Danceability • 46% Energy • 7% Liveness
2% Instrumentalness • 59% Positiveness
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George Strait
Fool Hearted Memory
89 bpm • A# Maj • 02:39 • -14.48db
56% Popularity • 62% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 64% Positiveness
56% Popularity • 62% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 64% Positiveness
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Gary Stewart
Drinkin' Thing
104 bpm • F Maj • 02:59 • -13.38db
47% Popularity • 74% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
47% Popularity • 74% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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The Bellamy Brothers
Old Hippie
104 bpm • B Maj • 04:05 • -13.25db
49% Popularity • 69% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
49% Popularity • 69% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Lorrie Morgan
'Til a Tear Becomes a Rose
104 bpm • F Maj • 03:32 • -12db
42% Popularity • 65% Danceability • 33% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
42% Popularity • 65% Danceability • 33% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
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Merle Haggard
Rainbow Stew
88 bpm • A# Maj • 02:46 • -9.06db
47% Popularity • 59% Danceability • 83% Energy • 97% Liveness
14% Instrumentalness • 87% Positiveness
47% Popularity • 59% Danceability • 83% Energy • 97% Liveness
14% Instrumentalness • 87% Positiveness
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Mark Chesnutt
Old Flames Have New Names
104 bpm • E Maj • 02:24 • -8.85db
47% Popularity • 74% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 77% Positiveness
47% Popularity • 74% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 77% Positiveness
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Sturgill Simpson
Life Ain't Fair and the World Is Mean
104 bpm • B min • 02:06 • -5db
65% Popularity • 64% Danceability • 82% Energy • 26% Liveness
3% Instrumentalness • 73% Positiveness
65% Popularity • 64% Danceability • 82% Energy • 26% Liveness
3% Instrumentalness • 73% Positiveness
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Alabama
Love in the First Degree
104 bpm • G# Maj • 03:18 • -11.88db
44% Popularity • 59% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
44% Popularity • 59% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
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Don Williams
Tulsa Time
104 bpm • E Maj • 03:15 • -13.01db
66% Popularity • 92% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
66% Popularity • 92% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Keith Whitley
I'm No Stranger to the Rain
88 bpm • E Maj • 03:36 • -16db
59% Popularity • 66% Danceability • 34% Energy • 11% Liveness
13% Instrumentalness • 56% Positiveness
59% Popularity • 66% Danceability • 34% Energy • 11% Liveness
13% Instrumentalness • 56% Positiveness
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Merle Haggard
Working Man Blues
104 bpm • C# Maj • 02:36 • -14.24db
35% Popularity • 66% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
35% Popularity • 66% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Tom T. Hall
Who's Gonna Feed Them Hogs
105 bpm • G Maj • 02:36 • -11db
39% Popularity • 56% Danceability • 63% Energy • 21% Liveness
0% Instrumentalness • 91% Positiveness
39% Popularity • 56% Danceability • 63% Energy • 21% Liveness
0% Instrumentalness • 91% Positiveness
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Clint Black
Nobody's Home
105 bpm • C# Maj • 03:29 • -10db
48% Popularity • 68% Danceability • 47% Energy • 25% Liveness
0% Instrumentalness • 32% Positiveness
48% Popularity • 68% Danceability • 47% Energy • 25% Liveness
0% Instrumentalness • 32% Positiveness
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Hank Williams, Jr.
Dixie On My Mind
105 bpm • D Maj • 02:36 • -5.67db
52% Popularity • 62% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
52% Popularity • 62% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
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Whitey Morgan and the 78's
Bad News
88 bpm • D Maj • 05:17 • -7.1db
57% Popularity • 67% Danceability • 66% Energy • 7% Liveness
1% Instrumentalness • 49% Positiveness
57% Popularity • 67% Danceability • 66% Energy • 7% Liveness
1% Instrumentalness • 49% Positiveness
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David Allan Coe
You Never Even Called Me by My Name
105 bpm • G Maj • 05:16 • -8db
61% Popularity • 63% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
61% Popularity • 63% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
