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The First Time Ever I Saw Your Face
Songs like
The First Time Ever I Saw Your Face
by
Harry Belafonte
Based on a tempo of (+/- 10%) and a similar genre
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Don Gibson
I Can't Stop Lovin' You
82 bpm • B Maj • 02:36 • -12db
40% Popularity • 50% Danceability • 36% Energy • 42% Liveness
0% Instrumentalness • 43% Positiveness
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Gene Pitney
If I Only Had Time
82 bpm • F# Maj • 02:48 • -9.7db
28% Popularity • 41% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Don Cornell
Hold My Hand
82 bpm • D# Maj • 02:49 • -11db
40% Popularity • 38% Danceability • 21% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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The Four Aces
Love is a Many Splendored Thing
82 bpm • D Maj • 02:58 • -10db
29% Popularity • 32% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Lena Horne
A Woman Is a Sometime Thing
82 bpm • D min • 02:42 • -9.76db
7% Popularity • 52% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Harry Belafonte
The First Time Ever I Saw Your Face
82 bpm • C Maj • 03:36 • -15db
29% Popularity • 39% Danceability • 18% Energy • 22% Liveness
0% Instrumentalness • 15% Positiveness
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Jo Stafford & Johnny Mercer
Thank You For Calling
82 bpm • G Maj • 02:30 • -11db
18% Popularity • 30% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Suzy Bogguss
Banks Of The Ohio
82 bpm • A Maj • 04:10 • -9.21db
18% Popularity • 43% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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The Sandpipers
Softly As I Leave You
82 bpm • C Maj • 03:01 • -19.08db
40% Popularity • 32% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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The Four Aces
A Woman in Love
83 bpm • G# Maj • 03:19 • -11.92db
34% Popularity • 24% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Johnny Tillotson
I Can't Stop Loving You
81 bpm • C Maj • 02:42 • -10.32db
26% Popularity • 46% Danceability • 31% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
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The Righteous Brothers
The White Cliffs Of Dover - Single Versi...
83 bpm • F Maj • 02:18 • -17.14db
40% Popularity • 16% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Bobby Vee
Take Good Care Of My Baby
83 bpm • C# Maj • 02:29 • -11db
59% Popularity • 49% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Lobo
The Shelter of Your Eyes
81 bpm • D# Maj • 02:41 • -13.56db
35% Popularity • 52% Danceability • 36% Energy • 29% Liveness
30% Instrumentalness • 70% Positiveness
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Dickie Rock
From the Candy Store on the Corner
83 bpm • A Maj • 02:38 • -17.09db
29% Popularity • 36% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Patsy Cline
Sweet Dreams (Of You) - Single Version
83 bpm • G# Maj • 02:37 • -22db
45% Popularity • 42% Danceability • 3% Energy • 37% Liveness
0% Instrumentalness • 29% Positiveness
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Harry Belafonte
All My Trials
81 bpm • D Maj • 04:34 • -14.78db
23% Popularity • 23% Danceability • 18% Energy • 10% Liveness
1% Instrumentalness • 24% Positiveness
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The Righteous Brothers
Ebb Tide
83 bpm • A Maj • 02:49 • -17db
39% Popularity • 16% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Bobby Vee
It Might As Well Rain Until September
83 bpm • F Maj • 02:04 • -12db
33% Popularity • 50% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 83% Positiveness
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Malcolm Vaughan
My Special Angel
81 bpm • G min • 02:46 • -11db
38% Popularity • 41% Danceability • 28% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
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Jimmie Rodgers
The Long Hot Summer
81 bpm • C Maj • 02:32 • -9.82db
12% Popularity • 23% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
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The Sandpipers
Kumbaya
81 bpm • F# min • 02:43 • -12.05db
17% Popularity • 62% Danceability • 46% Energy • 30% Liveness
0% Instrumentalness • 59% Positiveness
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Buddy Holly
True Love Ways
83 bpm • A# Maj • 02:48 • -18.74db
57% Popularity • 28% Danceability • 14% Energy • 21% Liveness
6% Instrumentalness • 31% Positiveness
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Fats Domino
Walking To New Orleans
81 bpm • C# Maj • 01:58 • -14.34db
52% Popularity • 58% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Peter, Paul and Mary
Lemon Tree
83 bpm • E min • 02:57 • -21.33db
36% Popularity • 40% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Albert Hammond
To All the Girls I Loved Before
81 bpm • F# Maj • 03:45 • -10.21db
20% Popularity • 37% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Eddie Fisher
I'm Walking Behind You
81 bpm • D Maj • 03:06 • -6.61db
20% Popularity • 26% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Donald Peers
Please Don't Go
84 bpm • B Maj • 03:21 • -10.48db
11% Popularity • 29% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Gene Pitney
Just One Smile
84 bpm • F min • 02:44 • -7.47db
22% Popularity • 40% Danceability • 52% Energy • 69% Liveness
0% Instrumentalness • 50% Positiveness
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Esther and Abi Ofarim
Freight Train
84 bpm • C Maj • 02:27 • -18.74db
17% Popularity • 46% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Ray Peterson
Wedding Day
80 bpm • F Maj • 02:13 • -9.36db
43% Popularity • 44% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Mighty Sparrow & Byron Lee
Only A Fool (Breaks His Own Heart)
84 bpm • G# Maj • 02:43 • -11db
39% Popularity • 37% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Frank Ifield
Wolverton Mountain
84 bpm • G Maj • 02:53 • -10.08db
26% Popularity • 55% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
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The Righteous Brothers
Cryin'
80 bpm • D Maj • 03:20 • -5.3db
28% Popularity • 56% Danceability • 43% Energy • 30% Liveness
0% Instrumentalness • 20% Positiveness
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Tony Christie
So Deep Is The Night
80 bpm • D# Maj • 03:38 • -10db
25% Popularity • 37% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Wayne Newton
Shirl Girl - Remastered
80 bpm • A# Maj • 02:38 • -13.9db
35% Popularity • 51% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Nelson Riddle
You Will Never Grow Old
80 bpm • C Maj • 02:52 • -11.57db
28% Popularity • 36% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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The Ames Brothers
Melodie d'Amour
84 bpm • G Maj • 02:39 • -19db
25% Popularity • 58% Danceability • 27% Energy • 10% Liveness
2% Instrumentalness • 91% Positiveness
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Johnny Tillotson
I Can't Help It (If I'm Still In Love Wi...
80 bpm • F Maj • 02:26 • -8.26db
22% Popularity • 22% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
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Benny Neyman
Crying Time
80 bpm • D Maj • 02:41 • -13db
37% Popularity • 38% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
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Peter, Paul and Mary
For Baby (For Bobbie) - 2004 Remaster
80 bpm • A# Maj • 02:44 • -23.23db
35% Popularity • 48% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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James Last
Once On A Sunday Morning
80 bpm • G Maj • 03:28 • -11.13db
26% Popularity • 41% Danceability • 32% Energy • 37% Liveness
0% Instrumentalness • 40% Positiveness
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Sonny & Cher
All I Ever Need Is You
79 bpm • A# Maj • 02:35 • -14.04db
37% Popularity • 50% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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The Sandpipers
Yesterday (Ayer)
85 bpm • D Maj • 02:24 • -18.29db
33% Popularity • 36% Danceability • 22% Energy • 14% Liveness
7% Instrumentalness • 36% Positiveness
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Richard Harris
My Boy
85 bpm • D Maj • 03:13 • -14db
30% Popularity • 28% Danceability • 34% Energy • 21% Liveness
6% Instrumentalness • 19% Positiveness
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Tommy Edwards
The Morning Side Of The Mountain
79 bpm • C Maj • 02:38 • -9db
39% Popularity • 32% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Benny Neyman
The Greatest Man I Never Knew
85 bpm • F min • 03:13 • -12.88db
27% Popularity • 64% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Rita MacNeil
Home I'll Be
85 bpm • G Maj • 04:15 • -14db
19% Popularity • 45% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Gene Pitney
Twenty Four Hours From Tulsa
79 bpm • G Maj • 02:57 • -7db
43% Popularity • 47% Danceability • 62% Energy • 38% Liveness
0% Instrumentalness • 71% Positiveness
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Percy Faith & His Orchestra & Chorus
Tell Her (Every Girl Likes to Be Told)
79 bpm • C Maj • 03:04 • -14.98db
23% Popularity • 30% Danceability • 29% Energy • 21% Liveness
0% Instrumentalness • 25% Positiveness
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Michael Bublé
Help Me Make It Through the Night
79 bpm • D Maj • 03:42 • -5.21db
54% Popularity • 44% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Harry Belafonte
Hush, Hush (Thula, Thula)
79 bpm • E Maj • 03:05 • -20.95db
32% Popularity • 56% Danceability • 7% Energy • 11% Liveness
2% Instrumentalness • 40% Positiveness
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Malcolm Vaughan
St Therese of the Roses
85 bpm • E Maj • 02:52 • -9.76db
36% Popularity • 24% Danceability • 27% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
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Tumbleweeds
Sweet Memories
85 bpm • A# Maj • 03:10 • -11.42db
39% Popularity • 40% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Miriam Makeba
Hush, Hush - Thula Thula
79 bpm • E Maj • 03:07 • -12.54db
9% Popularity • 56% Danceability • 23% Energy • 11% Liveness
5% Instrumentalness • 40% Positiveness
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Debbie Reynolds
Am I That Easy To Forget?
79 bpm • D# Maj • 02:21 • -14.41db
42% Popularity • 33% Danceability • 27% Energy • 32% Liveness
0% Instrumentalness • 32% Positiveness
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The Sandpipers
La Mer (Beyond The Sea)
85 bpm • F Maj • 02:42 • -15.15db
29% Popularity • 36% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Patsy Cline
A Poor Man's Roses (Or A Rich Man's Gold...
86 bpm • A Maj • 02:37 • -19db
38% Popularity • 43% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Damita Jo
I'll Save The Last Dance For You
78 bpm • A# Maj • 02:15 • -11.74db
33% Popularity • 48% Danceability • 53% Energy • 27% Liveness
0% Instrumentalness • 79% Positiveness
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Gene Pitney
Only Love Can Break A Heart
86 bpm • G# Maj • 02:49 • -8.65db
39% Popularity • 32% Danceability • 37% Energy • 62% Liveness
0% Instrumentalness • 29% Positiveness
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Dickie Rock
Every Step Of The Way
78 bpm • F Maj • 03:27 • -14db
21% Popularity • 19% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
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The Four Aces
Stranger in Paradise
86 bpm • F Maj • 02:58 • -11db
29% Popularity • 23% Danceability • 31% Energy • 9% Liveness
10% Instrumentalness • 50% Positiveness
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Harry Belafonte
Gone Are My Children (Baile Banake)
78 bpm • D Maj • 02:52 • -20.01db
25% Popularity • 58% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Ruby Murray
When I Grow Too Old to Dream
78 bpm • A# Maj • 02:40 • -21db
15% Popularity • 21% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Miriam Makeba
Gone Are My Children - Baile Banake
78 bpm • D Maj • 02:52 • -10.63db
7% Popularity • 51% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Charlie Rich
My Elusive Dreams
77 bpm • F# Maj • 03:36 • -11db
35% Popularity • 57% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
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Morgana King
I Have Loved Me a Man
77 bpm • C Maj • 03:11 • -11.56db
9% Popularity • 46% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Louis Armstrong
What A Wonderful World
77 bpm • F Maj • 02:19 • -20.65db
78% Popularity • 27% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Harry Belafonte
Turn Around
87 bpm • E Maj • 02:20 • -18.69db
21% Popularity • 45% Danceability • 7% Energy • 11% Liveness
4% Instrumentalness • 28% Positiveness
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Benny Neyman
Let It Be Me
77 bpm • C Maj • 03:04 • -11.05db
31% Popularity • 56% Danceability • 38% Energy • 36% Liveness
0% Instrumentalness • 27% Positiveness
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Ray Lynam
Mocking Bird Hill
77 bpm • G Maj • 02:22 • -12db
26% Popularity • 67% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
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Peter, Paul and Mary
All Through the Night
88 bpm • G Maj • 02:35 • -22.4db
35% Popularity • 26% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Patsy Cline
True Love
88 bpm • D# Maj • 02:09 • -22.78db
34% Popularity • 29% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Al Martino
Daddy's Little Girl
88 bpm • C min • 02:31 • -9.62db
28% Popularity • 39% Danceability • 49% Energy • 22% Liveness
0% Instrumentalness • 33% Positiveness
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Harry Belafonte
Matilda
87 bpm • C# min • 03:35 • -9.88db
43% Popularity • 60% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Barbra Streisand
People
76 bpm • A Maj • 03:40 • -7.83db
42% Popularity • 18% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Roly Daniels
Part of Me
88 bpm • F Maj • 03:42 • -10.86db
34% Popularity • 41% Danceability • 37% Energy • 28% Liveness
0% Instrumentalness • 19% Positiveness
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Pat Boone and His Orchestra
Love Letters In The Sand
88 bpm • D# Maj • 02:19 • -18.75db
42% Popularity • 57% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Patsy Cline
Love Letters In The Sand - Single Versio...
88 bpm • C Maj • 02:26 • -16db
37% Popularity • 52% Danceability • 12% Energy • 32% Liveness
0% Instrumentalness • 40% Positiveness
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Eddie Fisher
Outside of Heaven
88 bpm • F Maj • 02:38 • -8.59db
34% Popularity • 33% Danceability • 23% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
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Harry Belafonte
Danny Boy - Live
87 bpm • D Maj • 05:24 • -21.94db
20% Popularity • 20% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Al Martino
I Love You Because
89 bpm • G# Maj • 02:43 • -12.75db
41% Popularity • 29% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
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The Ray Conniff Singers
Somewhere, My Love (Lara's Theme from "D...
89 bpm • G Maj • 02:28 • -16.1db
43% Popularity • 48% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
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Julie London
And I Love Him
89 bpm • C min • 02:06 • -12db
38% Popularity • 50% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Frank McCaffrey
A Daisy a Day
76 bpm • D Maj • 03:34 • -8db
29% Popularity • 54% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Tony Martin
Walk Hand In Hand With Me
89 bpm • G# Maj • 02:48 • -10.12db
14% Popularity • 23% Danceability • 30% Energy • 36% Liveness
1% Instrumentalness • 18% Positiveness
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Harry Belafonte
Shenandoah
88 bpm • E Maj • 03:48 • -23.11db
23% Popularity • 29% Danceability • 4% Energy • 11% Liveness
26% Instrumentalness • 13% Positiveness
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The Righteous Brothers
You'll Never Walk Alone
75 bpm • C Maj • 02:19 • -17db
35% Popularity • 22% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Barry Gibb
How Can You Mend A Broken Heart
76 bpm • A Maj • 03:26 • -10.09db
45% Popularity • 53% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Guy Mitchell
There's a Pawnshop on the Corner in Pitt...
75 bpm • G Maj • 02:51 • -10db
17% Popularity • 73% Danceability • 33% Energy • 29% Liveness
0% Instrumentalness • 87% Positiveness
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Johnnie Ray
Just Walkin' in the Rain
90 bpm • C Maj • 02:49 • -13.13db
44% Popularity • 71% Danceability • 20% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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The Sandpipers
Cuando Sali De Cuba (The Wind Will Chang...
90 bpm • A Maj • 02:37 • -13.68db
38% Popularity • 57% Danceability • 32% Energy • 14% Liveness
2% Instrumentalness • 61% Positiveness
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Harry Belafonte
Empty Chairs
89 bpm • F Maj • 05:19 • -17.72db
25% Popularity • 32% Danceability • 11% Energy • 8% Liveness
3% Instrumentalness • 17% Positiveness
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Don McLean
And I Love You So
90 bpm • B Maj • 04:16 • -22.5db
46% Popularity • 31% Danceability • 9% Energy • 16% Liveness
37% Instrumentalness • 17% Positiveness
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Alan Greene
Fifteen
90 bpm • G Maj • 02:49 • -15db
6% Popularity • 44% Danceability • 16% Energy • 11% Liveness
1% Instrumentalness • 48% Positiveness
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Dolores Keane
Never Be The Sun
74 bpm • C Maj • 03:43 • -17.08db
31% Popularity • 31% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Ray Peterson
Missing You
91 bpm • A Maj • 02:44 • -2.51db
34% Popularity • 52% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Brian Hyland
Sealed With A Kiss
91 bpm • F min • 02:42 • -10db
59% Popularity • 45% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Harry Belafonte
Raindrops
89 bpm • F Maj • 02:55 • -14.59db
15% Popularity • 32% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Hank Locklin
The Old Bog Road
91 bpm • A Maj • 02:59 • -11.31db
12% Popularity • 31% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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The First Time Ever I Saw Your Face