Songs like The Flame by Brice Davoli
Based on a tempo of (+/- 10%) and a similar genre
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Brice Davoli
The Flame
132 bpm • A min • 04:11 • -8.62db
15% Popularity • 46% Danceability • 53% Energy • 11% Liveness
58% Instrumentalness • 15% Positiveness
15% Popularity • 46% Danceability • 53% Energy • 11% Liveness
58% Instrumentalness • 15% Positiveness
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Head Cleaner
Liquorice Allsort Girl
132 bpm • A min • 03:21 • -17.44db
16% Popularity • 57% Danceability • 38% Energy • 26% Liveness
0% Instrumentalness • 15% Positiveness
16% Popularity • 57% Danceability • 38% Energy • 26% Liveness
0% Instrumentalness • 15% Positiveness
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Nine One One
Just Say
132 bpm • E Maj • 03:30 • -11.93db
32% Popularity • 42% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
32% Popularity • 42% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Fleurie
Constellate (Piano & Strings Version) - ...
133 bpm • F# Maj • 03:19 • -8.7db
13% Popularity • 40% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
13% Popularity • 40% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Kylie Spence
Allergic To Your Love
133 bpm • G min • 04:14 • -8.08db
12% Popularity • 51% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 24% Positiveness
12% Popularity • 51% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 24% Positiveness
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Robin Loxley
Coming Back
131 bpm • A min • 03:33 • -14.12db
33% Popularity • 41% Danceability • 40% Energy • 10% Liveness
88% Instrumentalness • 8% Positiveness
33% Popularity • 41% Danceability • 40% Energy • 10% Liveness
88% Instrumentalness • 8% Positiveness
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Brice Davoli
The Flame (Instrumental)
132 bpm • A min • 04:11 • -10.12db
4% Popularity • 49% Danceability • 57% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
4% Popularity • 49% Danceability • 57% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
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Empara Mi
The Come Down
133 bpm • G Maj • 03:43 • -6db
24% Popularity • 58% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
24% Popularity • 58% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Night Panda
Twisted Games
131 bpm • A Maj • 04:01 • -7.91db
42% Popularity • 70% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
42% Popularity • 70% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Afrakite
Grown Apart
131 bpm • C Maj • 03:54 • -14db
22% Popularity • 54% Danceability • 18% Energy • 11% Liveness
8% Instrumentalness • 18% Positiveness
22% Popularity • 54% Danceability • 18% Energy • 11% Liveness
8% Instrumentalness • 18% Positiveness
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Mikky Ekko
R.I.P.
133 bpm • B min • 05:00 • -7.71db
11% Popularity • 47% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
11% Popularity • 47% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Hollie Col
Please Don't Love Someone
133 bpm • D# Maj • 03:27 • -11.46db
20% Popularity • 61% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
20% Popularity • 61% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Brice Davoli
Purple Diamond
132 bpm • D min • 03:16 • -6.83db
14% Popularity • 49% Danceability • 58% Energy • 21% Liveness
87% Instrumentalness • 12% Positiveness
14% Popularity • 49% Danceability • 58% Energy • 21% Liveness
87% Instrumentalness • 12% Positiveness
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Oliver Spalding
Epoch
133 bpm • F min • 04:25 • -11.56db
25% Popularity • 39% Danceability • 27% Energy • 9% Liveness
26% Instrumentalness • 8% Positiveness
25% Popularity • 39% Danceability • 27% Energy • 9% Liveness
26% Instrumentalness • 8% Positiveness
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SYML
Body
134 bpm • D min • 04:50 • -16.35db
45% Popularity • 42% Danceability • 18% Energy • 9% Liveness
15% Instrumentalness • 9% Positiveness
45% Popularity • 42% Danceability • 18% Energy • 9% Liveness
15% Instrumentalness • 9% Positiveness
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Lxandra
Dig Deep
134 bpm • G# Maj • 03:26 • -7db
26% Popularity • 54% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
26% Popularity • 54% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Pim Stones
The Last One I Made
134 bpm • C# Maj • 05:07 • -15.68db
37% Popularity • 27% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
37% Popularity • 27% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Wolfy
I Can't Lie
130 bpm • A Maj • 03:32 • -7.3db
10% Popularity • 53% Danceability • 53% Energy • 9% Liveness
9% Instrumentalness • 61% Positiveness
10% Popularity • 53% Danceability • 53% Energy • 9% Liveness
9% Instrumentalness • 61% Positiveness
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Brice Davoli
Hurt Feelings
132 bpm • A min • 02:55 • -16.02db
4% Popularity • 42% Danceability • 16% Energy • 8% Liveness
39% Instrumentalness • 21% Positiveness
4% Popularity • 42% Danceability • 16% Energy • 8% Liveness
39% Instrumentalness • 21% Positiveness
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After Marianne
Marianne
130 bpm • C Maj • 05:33 • -11db
12% Popularity • 37% Danceability • 38% Energy • 9% Liveness
6% Instrumentalness • 7% Positiveness
12% Popularity • 37% Danceability • 38% Energy • 9% Liveness
6% Instrumentalness • 7% Positiveness
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Future Moons
Entangled
130 bpm • A min • 03:36 • -9db
10% Popularity • 55% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
10% Popularity • 55% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Galaxy Fingers
Asking For Space
134 bpm • D Maj • 03:42 • -11.84db
13% Popularity • 50% Danceability • 46% Energy • 21% Liveness
3% Instrumentalness • 32% Positiveness
13% Popularity • 50% Danceability • 46% Energy • 21% Liveness
3% Instrumentalness • 32% Positiveness
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Alexiane
Safe Haven
130 bpm • G min • 03:26 • -9db
10% Popularity • 49% Danceability • 44% Energy • 29% Liveness
0% Instrumentalness • 23% Positiveness
10% Popularity • 49% Danceability • 44% Energy • 29% Liveness
0% Instrumentalness • 23% Positiveness
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Cat Pierce
Human Experience
134 bpm • C min • 04:32 • -9db
18% Popularity • 57% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
18% Popularity • 57% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
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Three Laws
Passages
130 bpm • A min • 04:38 • -13db
16% Popularity • 64% Danceability • 73% Energy • 41% Liveness
30% Instrumentalness • 21% Positiveness
16% Popularity • 64% Danceability • 73% Energy • 41% Liveness
30% Instrumentalness • 21% Positiveness
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Veda Gail
You & Me
130 bpm • C# Maj • 03:54 • -12.54db
8% Popularity • 74% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
8% Popularity • 74% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Gold Brother
Part of Me
130 bpm • F# Maj • 03:23 • -8db
39% Popularity • 53% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
39% Popularity • 53% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Brice Davoli
Snow Manege
134 bpm • E min • 02:12 • -11.25db
23% Popularity • 55% Danceability • 40% Energy • 12% Liveness
93% Instrumentalness • 31% Positiveness
23% Popularity • 55% Danceability • 40% Energy • 12% Liveness
93% Instrumentalness • 31% Positiveness
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C. SHIROCK
Stand with Me Tonight
134 bpm • G Maj • 04:25 • -7.23db
14% Popularity • 60% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
14% Popularity • 60% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Kaliyo
Here We Go Again
130 bpm • G Maj • 03:48 • -10db
15% Popularity • 64% Danceability • 33% Energy • 17% Liveness
2% Instrumentalness • 23% Positiveness
15% Popularity • 64% Danceability • 33% Energy • 17% Liveness
2% Instrumentalness • 23% Positiveness
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Klergy
Fight for Survival
130 bpm • D min • 03:41 • -10.17db
35% Popularity • 57% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
35% Popularity • 57% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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The Majestic Ones
Bring Me Back
134 bpm • D Maj • 03:54 • -6.98db
18% Popularity • 34% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
18% Popularity • 34% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Cary Brothers
Everything I Say
130 bpm • C Maj • 02:50 • -13.53db
14% Popularity • 57% Danceability • 29% Energy • 15% Liveness
34% Instrumentalness • 24% Positiveness
14% Popularity • 57% Danceability • 29% Energy • 15% Liveness
34% Instrumentalness • 24% Positiveness
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David O'Dowda
All We Have Is Time
135 bpm • D# Maj • 03:21 • -18.94db
21% Popularity • 49% Danceability • 13% Energy • 13% Liveness
42% Instrumentalness • 16% Positiveness
21% Popularity • 49% Danceability • 13% Energy • 13% Liveness
42% Instrumentalness • 16% Positiveness
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Hadwyn
Lying
135 bpm • G# Maj • 04:00 • -10.59db
15% Popularity • 47% Danceability • 34% Energy • 14% Liveness
1% Instrumentalness • 11% Positiveness
15% Popularity • 47% Danceability • 34% Energy • 14% Liveness
1% Instrumentalness • 11% Positiveness
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Milk & Bone
Tmrw.
129 bpm • A min • 04:48 • -16.58db
25% Popularity • 36% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
25% Popularity • 36% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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David Baron
Plans
135 bpm • A# Maj • 04:37 • -7.61db
8% Popularity • 50% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 50% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
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Ed Carlsen
Cage
135 bpm • A min • 04:52 • -16.43db
21% Popularity • 47% Danceability • 28% Energy • 11% Liveness
39% Instrumentalness • 3% Positiveness
21% Popularity • 47% Danceability • 28% Energy • 11% Liveness
39% Instrumentalness • 3% Positiveness
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Brice Davoli
Winter Song
129 bpm • C# min • 01:34 • -12.07db
3% Popularity • 48% Danceability • 36% Energy • 14% Liveness
2% Instrumentalness • 31% Positiveness
3% Popularity • 48% Danceability • 36% Energy • 14% Liveness
2% Instrumentalness • 31% Positiveness
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Nina June
Sleeping Soldiers
129 bpm • A min • 02:59 • -10.35db
20% Popularity • 71% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
20% Popularity • 71% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Natalie Taylor
Collapsed
129 bpm • A min • 03:21 • -7.15db
34% Popularity • 64% Danceability • 44% Energy • 26% Liveness
0% Instrumentalness • 16% Positiveness
34% Popularity • 64% Danceability • 44% Energy • 26% Liveness
0% Instrumentalness • 16% Positiveness
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Brianna Hildebrand
We Belong
135 bpm • F Maj • 03:44 • -11.4db
24% Popularity • 63% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
24% Popularity • 63% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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MOTTRON
They Know
129 bpm • C# min • 02:52 • -16.91db
20% Popularity • 40% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
20% Popularity • 40% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Zoey Lily
Never Getting Better at Losing You
128 bpm • B min • 02:58 • -9.11db
19% Popularity • 45% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
19% Popularity • 45% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Brice Davoli
Winter Song
129 bpm • G# min • 04:40 • -5.28db
2% Popularity • 38% Danceability • 57% Energy • 11% Liveness
1% Instrumentalness • 11% Positiveness
2% Popularity • 38% Danceability • 57% Energy • 11% Liveness
1% Instrumentalness • 11% Positiveness
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The Bayton Fields
Human Being
136 bpm • C Maj • 03:32 • -9db
16% Popularity • 42% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
16% Popularity • 42% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Oliver Riot
Nervous
136 bpm • C min • 03:13 • -13.05db
28% Popularity • 38% Danceability • 28% Energy • 11% Liveness
7% Instrumentalness • 10% Positiveness
28% Popularity • 38% Danceability • 28% Energy • 11% Liveness
7% Instrumentalness • 10% Positiveness
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Hollie Col
Let Yourself Down
128 bpm • D min • 03:52 • -6.72db
31% Popularity • 47% Danceability • 47% Energy • 10% Liveness
16% Instrumentalness • 10% Positiveness
31% Popularity • 47% Danceability • 47% Energy • 10% Liveness
16% Instrumentalness • 10% Positiveness
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Matthew Todd Naylor
Love Runs Dry
136 bpm • F Maj • 03:35 • -9.7db
4% Popularity • 45% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
4% Popularity • 45% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Lia Rose
Talking in Your Sleep
136 bpm • D Maj • 03:38 • -16db
32% Popularity • 60% Danceability • 29% Energy • 16% Liveness
51% Instrumentalness • 8% Positiveness
32% Popularity • 60% Danceability • 29% Energy • 16% Liveness
51% Instrumentalness • 8% Positiveness
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Brice Davoli
Tender Is The Night
136 bpm • C Maj • 03:00 • -16.4db
16% Popularity • 42% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 5% Positiveness
16% Popularity • 42% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 5% Positiveness
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Julien Glabs
I Have Never Felt so Good
128 bpm • F min • 02:58 • -7.23db
13% Popularity • 54% Danceability • 58% Energy • 10% Liveness
16% Instrumentalness • 21% Positiveness
13% Popularity • 54% Danceability • 58% Energy • 10% Liveness
16% Instrumentalness • 21% Positiveness
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The Rigs
Suicide
128 bpm • E Maj • 04:41 • -11.62db
10% Popularity • 54% Danceability • 27% Energy • 10% Liveness
1% Instrumentalness • 14% Positiveness
10% Popularity • 54% Danceability • 27% Energy • 10% Liveness
1% Instrumentalness • 14% Positiveness
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St Francis Hotel
Collide
136 bpm • C Maj • 03:43 • -11.01db
16% Popularity • 52% Danceability • 45% Energy • 12% Liveness
5% Instrumentalness • 24% Positiveness
16% Popularity • 52% Danceability • 45% Energy • 12% Liveness
5% Instrumentalness • 24% Positiveness
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ADONA
Our Time Will Come
128 bpm • D min • 04:26 • -16.6db
18% Popularity • 41% Danceability • 21% Energy • 8% Liveness
23% Instrumentalness • 4% Positiveness
18% Popularity • 41% Danceability • 21% Energy • 8% Liveness
23% Instrumentalness • 4% Positiveness
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Young Summer
Take Me Out
128 bpm • G min • 03:41 • -16.91db
26% Popularity • 39% Danceability • 14% Energy • 36% Liveness
0% Instrumentalness • 7% Positiveness
26% Popularity • 39% Danceability • 14% Energy • 36% Liveness
0% Instrumentalness • 7% Positiveness
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Brice Davoli
Lilac For Lily
128 bpm • C# min • 01:44 • -16.31db
6% Popularity • 27% Danceability • 12% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
6% Popularity • 27% Danceability • 12% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
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Altitude Music
It's You
136 bpm • C# min • 02:42 • -9db
24% Popularity • 60% Danceability • 43% Energy • 9% Liveness
11% Instrumentalness • 32% Positiveness
24% Popularity • 60% Danceability • 43% Energy • 9% Liveness
11% Instrumentalness • 32% Positiveness
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Skott
Settle Down
128 bpm • C# min • 03:34 • -9.34db
21% Popularity • 53% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
21% Popularity • 53% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Marc Ferrari
Break The Dam
128 bpm • E min • 03:09 • -11.35db
16% Popularity • 56% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
16% Popularity • 56% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Blake Lively
In Our Dreams
127 bpm • D min • 01:38 • -17db
25% Popularity • 54% Danceability • 14% Energy • 10% Liveness
2% Instrumentalness • 18% Positiveness
25% Popularity • 54% Danceability • 14% Energy • 10% Liveness
2% Instrumentalness • 18% Positiveness
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Mike Reed
Addicted to You
127 bpm • A min • 03:25 • -7.67db
18% Popularity • 61% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
18% Popularity • 61% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Brice Davoli
Bird of Paradise
136 bpm • D min • 03:29 • -8.02db
5% Popularity • 59% Danceability • 57% Energy • 20% Liveness
8% Instrumentalness • 12% Positiveness
5% Popularity • 59% Danceability • 57% Energy • 20% Liveness
8% Instrumentalness • 12% Positiveness
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Colouring
In Motion - The Range Remix
127 bpm • G# Maj • 03:56 • -12db
23% Popularity • 59% Danceability • 68% Energy • 7% Liveness
18% Instrumentalness • 24% Positiveness
23% Popularity • 59% Danceability • 68% Energy • 7% Liveness
18% Instrumentalness • 24% Positiveness
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Matt Maltese
I Hear The Day Has Come
127 bpm • C Maj • 03:20 • -12.77db
45% Popularity • 41% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
45% Popularity • 41% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Monica Martin
Patient
127 bpm • C min • 03:28 • -8db
17% Popularity • 44% Danceability • 32% Energy • 34% Liveness
0% Instrumentalness • 17% Positiveness
17% Popularity • 44% Danceability • 32% Energy • 34% Liveness
0% Instrumentalness • 17% Positiveness
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The Dawn of MAY
Falling
127 bpm • A Maj • 03:41 • -8.67db
8% Popularity • 33% Danceability • 23% Energy • 32% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 33% Danceability • 23% Energy • 32% Liveness
0% Instrumentalness • 4% Positiveness
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Zealyn
Faster Now
138 bpm • A Maj • 04:07 • -11.49db
10% Popularity • 43% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
10% Popularity • 43% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Brice Davoli
Bird of Paradise (Instrumental)
136 bpm • G Maj • 02:51 • -10.76db
1% Popularity • 64% Danceability • 49% Energy • 11% Liveness
83% Instrumentalness • 25% Positiveness
1% Popularity • 64% Danceability • 49% Energy • 11% Liveness
83% Instrumentalness • 25% Positiveness
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Lykke Li
so sad so sexy - alt version
126 bpm • D Maj • 04:01 • -6.59db
19% Popularity • 45% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
19% Popularity • 45% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Cecilia Krull
Hard
126 bpm • G Maj • 03:10 • -9db
19% Popularity • 59% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
19% Popularity • 59% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Sasha Alex Sloan
The Only
138 bpm • E min • 03:37 • -11.05db
46% Popularity • 68% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
46% Popularity • 68% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Pavvla
Secretly Hoping You Catch Me Looking
126 bpm • C Maj • 03:46 • -16.95db
19% Popularity • 45% Danceability • 12% Energy • 17% Liveness
0% Instrumentalness • 10% Positiveness
19% Popularity • 45% Danceability • 12% Energy • 17% Liveness
0% Instrumentalness • 10% Positiveness
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Gregory Douglass
Alibis
126 bpm • A# min • 03:13 • -17db
22% Popularity • 62% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
22% Popularity • 62% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Brice Davoli
Bird of Paradise
136 bpm • G Maj • 02:51 • -9.92db
23% Popularity • 71% Danceability • 51% Energy • 11% Liveness
1% Instrumentalness • 21% Positiveness
23% Popularity • 71% Danceability • 51% Energy • 11% Liveness
1% Instrumentalness • 21% Positiveness
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Frida Sundemo
The Sun
126 bpm • F# Maj • 04:19 • -13.17db
29% Popularity • 34% Danceability • 43% Energy • 13% Liveness
35% Instrumentalness • 19% Positiveness
29% Popularity • 34% Danceability • 43% Energy • 13% Liveness
35% Instrumentalness • 19% Positiveness
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Pisces
Lunatic Moon
139 bpm • F# Maj • 03:22 • -10.19db
13% Popularity • 38% Danceability • 44% Energy • 12% Liveness
92% Instrumentalness • 16% Positiveness
13% Popularity • 38% Danceability • 44% Energy • 12% Liveness
92% Instrumentalness • 16% Positiveness
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Kylie Spence
Lovers And Players
126 bpm • C Maj • 03:51 • -7.27db
16% Popularity • 46% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
16% Popularity • 46% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
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Carlton Hayes
Leave Me Burning
139 bpm • F Maj • 03:21 • -8db
22% Popularity • 39% Danceability • 60% Energy • 28% Liveness
0% Instrumentalness • 19% Positiveness
22% Popularity • 39% Danceability • 60% Energy • 28% Liveness
0% Instrumentalness • 19% Positiveness
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Many Voices Speak
Necessaries
139 bpm • C# min • 03:18 • -10.59db
14% Popularity • 58% Danceability • 41% Energy • 11% Liveness
2% Instrumentalness • 48% Positiveness
14% Popularity • 58% Danceability • 41% Energy • 11% Liveness
2% Instrumentalness • 48% Positiveness
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Brice Davoli
High Grasses Cuddles
136 bpm • D Maj • 02:50 • -15.07db
9% Popularity • 42% Danceability • 20% Energy • 23% Liveness
86% Instrumentalness • 4% Positiveness
9% Popularity • 42% Danceability • 20% Energy • 23% Liveness
86% Instrumentalness • 4% Positiveness
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Fins Ara
Veer
125 bpm • F Maj • 03:09 • -11.35db
27% Popularity • 40% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
27% Popularity • 40% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Mikky Ekko
FAME
139 bpm • B Maj • 03:07 • -10.15db
15% Popularity • 37% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
15% Popularity • 37% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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flora cash
For A While
125 bpm • G Maj • 03:31 • -12.47db
19% Popularity • 57% Danceability • 17% Energy • 12% Liveness
8% Instrumentalness • 8% Positiveness
19% Popularity • 57% Danceability • 17% Energy • 12% Liveness
8% Instrumentalness • 8% Positiveness
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Will Cookson
Alone In The Dark
125 bpm • B Maj • 03:30 • -14.27db
34% Popularity • 38% Danceability • 26% Energy • 10% Liveness
94% Instrumentalness • 13% Positiveness
34% Popularity • 38% Danceability • 26% Energy • 10% Liveness
94% Instrumentalness • 13% Positiveness
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Holland
Plowed
139 bpm • A min • 03:29 • -10.92db
12% Popularity • 28% Danceability • 30% Energy • 11% Liveness
31% Instrumentalness • 6% Positiveness
12% Popularity • 28% Danceability • 30% Energy • 11% Liveness
31% Instrumentalness • 6% Positiveness
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Brice Davoli
Victoire
128 bpm • F# min • 01:19 • -16.1db
7% Popularity • 52% Danceability • 45% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
7% Popularity • 52% Danceability • 45% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
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DeLaurentis
A Big Part of a Big Sun
125 bpm • G min • 03:34 • -9.11db
26% Popularity • 58% Danceability • 64% Energy • 7% Liveness
14% Instrumentalness • 16% Positiveness
26% Popularity • 58% Danceability • 64% Energy • 7% Liveness
14% Instrumentalness • 16% Positiveness
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CUT_
Out Of Touch - Acoustic
125 bpm • G min • 03:47 • -13.76db
14% Popularity • 77% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
14% Popularity • 77% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Gresby Race Nash
The One Exceptions
125 bpm • G# Maj • 02:48 • -12db
18% Popularity • 45% Danceability • 47% Energy • 5% Liveness
15% Instrumentalness • 11% Positiveness
18% Popularity • 45% Danceability • 47% Energy • 5% Liveness
15% Instrumentalness • 11% Positiveness
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Sono Oto
A Way to Stay Away
125 bpm • F Maj • 04:58 • -8.94db
6% Popularity • 59% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
6% Popularity • 59% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Unions
Criminal
140 bpm • A min • 03:56 • -10.02db
12% Popularity • 50% Danceability • 37% Energy • 9% Liveness
5% Instrumentalness • 16% Positiveness
12% Popularity • 50% Danceability • 37% Energy • 9% Liveness
5% Instrumentalness • 16% Positiveness
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Brice Davoli
It's a Sunny Day
126 bpm • C Maj • 03:30 • -6.52db
5% Popularity • 70% Danceability • 58% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
5% Popularity • 70% Danceability • 58% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
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William Redwood
Long Long Time
140 bpm • D# Maj • 05:01 • -19db
14% Popularity • 55% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
14% Popularity • 55% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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VG LUCAS
Time's Running Out
140 bpm • A# min • 03:24 • -8.36db
29% Popularity • 52% Danceability • 59% Energy • 10% Liveness
1% Instrumentalness • 28% Positiveness
29% Popularity • 52% Danceability • 59% Energy • 10% Liveness
1% Instrumentalness • 28% Positiveness
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Barcelona
If You Were Here Now
140 bpm • C Maj • 04:32 • -14.81db
17% Popularity • 20% Danceability • 21% Energy • 18% Liveness
81% Instrumentalness • 10% Positiveness
17% Popularity • 20% Danceability • 21% Energy • 18% Liveness
81% Instrumentalness • 10% Positiveness
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Jacob Miller
Slipping Away
140 bpm • B min • 03:49 • -7.45db
33% Popularity • 51% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
33% Popularity • 51% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Tom Hodge
Nothing Less Nothing More
140 bpm • D Maj • 03:40 • -8.66db
21% Popularity • 44% Danceability • 44% Energy • 8% Liveness
18% Instrumentalness • 13% Positiveness
21% Popularity • 44% Danceability • 44% Energy • 8% Liveness
18% Instrumentalness • 13% Positiveness
