Songs like The Flood - Acoustic [Bonus Track] by Joshua Hyslop
Based on a tempo of (+/- 10%) and a similar genre
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Joy Williams
Sweet Love of Mine (Acoustic)
83 bpm • B Maj • 02:55 • -12.18db
45% Popularity • 56% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
45% Popularity • 56% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Joshua Hyslop
Free Fallin'
83 bpm • F Maj • 04:51 • -13.19db
38% Popularity • 57% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
38% Popularity • 57% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Daniel Docherty
Garden in the Snow
83 bpm • C Maj • 05:14 • -10.99db
17% Popularity • 54% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
17% Popularity • 54% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Jon Bryant
Wilderness
83 bpm • D# Maj • 04:29 • -16.67db
41% Popularity • 50% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
41% Popularity • 50% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Citizen Shade
If You Want
83 bpm • A Maj • 03:31 • -6db
23% Popularity • 60% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
23% Popularity • 60% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Luke Sital-Singh
Late for the Sky
83 bpm • C Maj • 05:07 • -14.38db
13% Popularity • 50% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
13% Popularity • 50% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Scott Helman
Machine - Spotify Sessions
83 bpm • D Maj • 03:42 • -8.66db
16% Popularity • 33% Danceability • 37% Energy • 70% Liveness
0% Instrumentalness • 29% Positiveness
16% Popularity • 33% Danceability • 37% Energy • 70% Liveness
0% Instrumentalness • 29% Positiveness
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![The Flood - Acoustic [Bonus Track] cover art](https://i.scdn.co/image/ab67616d00001e02d8563dce259fe24965eb2089)
Joshua Hyslop
The Flood - Acoustic [Bonus Track]
83 bpm • F# Maj • 04:02 • -12.67db
18% Popularity • 59% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
18% Popularity • 59% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Jennifer Kamikazi
To the Brim
83 bpm • B Maj • 02:54 • -12.02db
18% Popularity • 51% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
18% Popularity • 51% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Daniel Docherty
Hold Me
83 bpm • G# Maj • 05:39 • -12.29db
18% Popularity • 37% Danceability • 45% Energy • 11% Liveness
2% Instrumentalness • 44% Positiveness
18% Popularity • 37% Danceability • 45% Energy • 11% Liveness
2% Instrumentalness • 44% Positiveness
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Corey Harper
Seasons
83 bpm • D Maj • 02:32 • -11.97db
9% Popularity • 38% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 38% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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John Allred
The Climb
83 bpm • C Maj • 03:34 • -15.4db
22% Popularity • 36% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
22% Popularity • 36% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Alex Cornell
Poison and Wine
83 bpm • C Maj • 03:22 • -12.45db
31% Popularity • 50% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
31% Popularity • 50% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Will Killen
In My Arms
82 bpm • E Maj • 02:54 • -11.37db
29% Popularity • 52% Danceability • 24% Energy • 20% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 52% Danceability • 24% Energy • 20% Liveness
0% Instrumentalness • 20% Positiveness
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firekid
Boomerang
82 bpm • D Maj • 03:40 • -10.86db
14% Popularity • 35% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
14% Popularity • 35% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Stu Larsen
San Francisco
84 bpm • D Maj • 04:06 • -11db
39% Popularity • 50% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
39% Popularity • 50% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Corey Harper
On the Run
83 bpm • A Maj • 03:26 • -7.49db
35% Popularity • 41% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
35% Popularity • 41% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
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Will Heggadon
falling up
82 bpm • F Maj • 03:46 • -12.12db
19% Popularity • 27% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
19% Popularity • 27% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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James TW
Black & Blue
82 bpm • G Maj • 02:54 • -8.32db
41% Popularity • 67% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
41% Popularity • 67% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Jake Etheridge
Just Let Go
84 bpm • B Maj • 03:57 • -12.28db
22% Popularity • 48% Danceability • 42% Energy • 9% Liveness
28% Instrumentalness • 22% Positiveness
22% Popularity • 48% Danceability • 42% Energy • 9% Liveness
28% Instrumentalness • 22% Positiveness
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Austin Basham
On the Hunt
82 bpm • C Maj • 03:46 • -9.71db
25% Popularity • 56% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
25% Popularity • 56% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Drew Holcomb & The Neighbors
Postcard Memories
84 bpm • C Maj • 03:29 • -12.97db
33% Popularity • 61% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
33% Popularity • 61% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Corey Harper
Favorite Part of Loving You
83 bpm • A Maj • 02:53 • -7.48db
20% Popularity • 47% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
20% Popularity • 47% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
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Joshua Hyslop
Behind the Light
82 bpm • C# Maj • 02:51 • -13.19db
50% Popularity • 21% Danceability • 44% Energy • 13% Liveness
56% Instrumentalness • 53% Positiveness
50% Popularity • 21% Danceability • 44% Energy • 13% Liveness
56% Instrumentalness • 53% Positiveness
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Garrett Kato
Distant Land
82 bpm • C# Maj • 03:21 • -11.91db
41% Popularity • 54% Danceability • 46% Energy • 10% Liveness
3% Instrumentalness • 41% Positiveness
41% Popularity • 54% Danceability • 46% Energy • 10% Liveness
3% Instrumentalness • 41% Positiveness
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Johnny Stimson
I'll Be Fine
82 bpm • E Maj • 03:08 • -10db
28% Popularity • 44% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
28% Popularity • 44% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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David Benjamin
Already December
82 bpm • A min • 03:37 • -8.49db
14% Popularity • 61% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
14% Popularity • 61% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Dan Mills
Let Life Do
84 bpm • G# Maj • 02:49 • -9.58db
35% Popularity • 64% Danceability • 34% Energy • 13% Liveness
2% Instrumentalness • 43% Positiveness
35% Popularity • 64% Danceability • 34% Energy • 13% Liveness
2% Instrumentalness • 43% Positiveness
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Corey Harper
Keeping Me Alive - Acoustic
82 bpm • D# Maj • 03:46 • -10.01db
13% Popularity • 66% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
13% Popularity • 66% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Joshua Hyslop
World Spins Madly On
82 bpm • B Maj • 02:41 • -15.73db
22% Popularity • 45% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
22% Popularity • 45% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Zak Manley
Hang with Me
84 bpm • F Maj • 03:07 • -12.92db
41% Popularity • 74% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
41% Popularity • 74% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Andy Kong
Clarity
84 bpm • D# Maj • 03:21 • -12.59db
21% Popularity • 51% Danceability • 21% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
21% Popularity • 51% Danceability • 21% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
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Katie Buxton
You Flew
82 bpm • D Maj • 03:08 • -9.54db
9% Popularity • 27% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
9% Popularity • 27% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Jake Coco
In the Blood - Acoustic
84 bpm • G# Maj • 03:49 • -10.01db
13% Popularity • 65% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
13% Popularity • 65% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Wild Rivers
Blue June
82 bpm • B Maj • 02:51 • -14.33db
45% Popularity • 68% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
45% Popularity • 68% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Joshua Hyslop
Wells
84 bpm • F# Maj • 03:43 • -11.21db
39% Popularity • 54% Danceability • 44% Energy • 10% Liveness
3% Instrumentalness • 22% Positiveness
39% Popularity • 54% Danceability • 44% Energy • 10% Liveness
3% Instrumentalness • 22% Positiveness
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Scott Helman
Machine
81 bpm • D Maj • 02:53 • -7.71db
33% Popularity • 55% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
33% Popularity • 55% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Corey Harper
Favorite Part of Loving You - Acoustic
81 bpm • E Maj • 03:05 • -6.71db
9% Popularity • 64% Danceability • 31% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
9% Popularity • 64% Danceability • 31% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
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Brendan James
Where You Started
81 bpm • A Maj • 03:16 • -8.8db
7% Popularity • 52% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
7% Popularity • 52% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Lee DeWyze
West
85 bpm • A# Maj • 03:02 • -7.43db
9% Popularity • 51% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
9% Popularity • 51% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Daily Emily Routine
Come Home The Tide Rose
81 bpm • C# Maj • 02:38 • -11.24db
5% Popularity • 52% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
5% Popularity • 52% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Joshua Hyslop
The Flood
81 bpm • F# Maj • 04:21 • -11db
53% Popularity • 58% Danceability • 45% Energy • 12% Liveness
8% Instrumentalness • 26% Positiveness
53% Popularity • 58% Danceability • 45% Energy • 12% Liveness
8% Instrumentalness • 26% Positiveness
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Craig Cardiff
Boy Inside the Boat
85 bpm • D# Maj • 05:53 • -11.06db
12% Popularity • 60% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
12% Popularity • 60% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Ed Patrick
What You See
81 bpm • D# Maj • 03:25 • -13.11db
31% Popularity • 60% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
31% Popularity • 60% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Kelly McFarling
Records
81 bpm • A# Maj • 03:49 • -14.03db
45% Popularity • 70% Danceability • 14% Energy • 11% Liveness
3% Instrumentalness • 56% Positiveness
45% Popularity • 70% Danceability • 14% Energy • 11% Liveness
3% Instrumentalness • 56% Positiveness
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Lee DeWyze
Hollyridge
85 bpm • D# Maj • 02:04 • -9.77db
11% Popularity • 56% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness
11% Popularity • 56% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness
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Juke Ross
Colour Me
81 bpm • G# min • 03:31 • -8.36db
56% Popularity • 54% Danceability • 33% Energy • 36% Liveness
0% Instrumentalness • 34% Positiveness
56% Popularity • 54% Danceability • 33% Energy • 36% Liveness
0% Instrumentalness • 34% Positiveness
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Joshua Hyslop
One Shot in the Darkness
81 bpm • G Maj • 03:08 • -8.48db
38% Popularity • 62% Danceability • 55% Energy • 7% Liveness
2% Instrumentalness • 26% Positiveness
38% Popularity • 62% Danceability • 55% Energy • 7% Liveness
2% Instrumentalness • 26% Positiveness
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Harry Pane
Fletcher Bay
86 bpm • C# Maj • 03:10 • -11.19db
28% Popularity • 56% Danceability • 40% Energy • 25% Liveness
0% Instrumentalness • 53% Positiveness
28% Popularity • 56% Danceability • 40% Energy • 25% Liveness
0% Instrumentalness • 53% Positiveness
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Sheffield
Forever From Now
86 bpm • A Maj • 03:34 • -13db
32% Popularity • 47% Danceability • 30% Energy • 31% Liveness
0% Instrumentalness • 27% Positiveness
32% Popularity • 47% Danceability • 30% Energy • 31% Liveness
0% Instrumentalness • 27% Positiveness
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East Love
Left My Love
86 bpm • C# Maj • 03:45 • -8db
24% Popularity • 60% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
24% Popularity • 60% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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David Ryan Harris
Darling
86 bpm • B Maj • 03:18 • -8db
18% Popularity • 53% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
18% Popularity • 53% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Stu Larsen
The Loudest Voice - Director’s Cut
86 bpm • C# Maj • 04:20 • -10db
38% Popularity • 57% Danceability • 55% Energy • 7% Liveness
1% Instrumentalness • 58% Positiveness
38% Popularity • 57% Danceability • 55% Energy • 7% Liveness
1% Instrumentalness • 58% Positiveness
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Eddie Berman
This Past Storm
86 bpm • D Maj • 05:43 • -11db
22% Popularity • 35% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
22% Popularity • 35% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Jake Etheridge
You Found Me First
80 bpm • F Maj • 04:15 • -12db
26% Popularity • 45% Danceability • 28% Energy • 7% Liveness
1% Instrumentalness • 16% Positiveness
26% Popularity • 45% Danceability • 28% Energy • 7% Liveness
1% Instrumentalness • 16% Positiveness
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Brandon Jenner
All I Need Is You
80 bpm • A Maj • 04:07 • -12.98db
25% Popularity • 48% Danceability • 39% Energy • 12% Liveness
31% Instrumentalness • 40% Positiveness
25% Popularity • 48% Danceability • 39% Energy • 12% Liveness
31% Instrumentalness • 40% Positiveness
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Joshua Hyslop
Let It Go
80 bpm • C# min • 03:29 • -12.79db
25% Popularity • 60% Danceability • 47% Energy • 12% Liveness
78% Instrumentalness • 30% Positiveness
25% Popularity • 60% Danceability • 47% Energy • 12% Liveness
78% Instrumentalness • 30% Positiveness
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Boatkeeper
Ring Ring
80 bpm • D# Maj • 03:58 • -11.53db
10% Popularity • 58% Danceability • 58% Energy • 19% Liveness
1% Instrumentalness • 52% Positiveness
10% Popularity • 58% Danceability • 58% Energy • 19% Liveness
1% Instrumentalness • 52% Positiveness
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Emily Coulston
Moon
80 bpm • G# Maj • 03:26 • -9.24db
22% Popularity • 59% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
22% Popularity • 59% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
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Frances
Say It Again - Acoustic
80 bpm • E Maj • 03:01 • -9.82db
38% Popularity • 66% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
38% Popularity • 66% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Lydia Luce
The Blower's Daughter
86 bpm • D Maj • 04:19 • -11.14db
30% Popularity • 17% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
30% Popularity • 17% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
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William Wild
Sepia Swirl
80 bpm • G Maj • 03:12 • -13.65db
14% Popularity • 32% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
14% Popularity • 32% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Jon Bryant
Carolina
79 bpm • F Maj • 04:06 • -10.11db
23% Popularity • 51% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
23% Popularity • 51% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Boatkeeper
Faraway Tree
87 bpm • D# Maj • 04:02 • -12db
21% Popularity • 48% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
21% Popularity • 48% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Joshua Hyslop
Overcome
87 bpm • B Maj • 02:54 • -15.82db
19% Popularity • 30% Danceability • 17% Energy • 12% Liveness
6% Instrumentalness • 29% Positiveness
19% Popularity • 30% Danceability • 17% Energy • 12% Liveness
6% Instrumentalness • 29% Positiveness
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Chase McBride
Days Move Easy
87 bpm • G Maj • 02:42 • -17db
35% Popularity • 61% Danceability • 32% Energy • 66% Liveness
22% Instrumentalness • 51% Positiveness
35% Popularity • 61% Danceability • 32% Energy • 66% Liveness
22% Instrumentalness • 51% Positiveness
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Alex Preston
The Light Was Already Here
79 bpm • F# Maj • 03:42 • -12db
16% Popularity • 40% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
16% Popularity • 40% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Jared & The Mill
Song for a Girl
87 bpm • D# Maj • 04:06 • -11.37db
23% Popularity • 53% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
23% Popularity • 53% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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John Smith
Joanna
79 bpm • E Maj • 04:05 • -12.72db
30% Popularity • 71% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
30% Popularity • 71% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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Garrett Kato
I'll Be Around
79 bpm • C# Maj • 03:06 • -12db
58% Popularity • 66% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
58% Popularity • 66% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Hollow Coves
Ran Away
87 bpm • C Maj • 04:15 • -11db
29% Popularity • 47% Danceability • 50% Energy • 9% Liveness
2% Instrumentalness • 28% Positiveness
29% Popularity • 47% Danceability • 50% Energy • 9% Liveness
2% Instrumentalness • 28% Positiveness
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Joshua Hyslop
Runs & Winds
87 bpm • E Maj • 03:17 • -18.31db
20% Popularity • 48% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
20% Popularity • 48% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Good Old War
Part of Me
79 bpm • G# Maj • 03:02 • -5db
46% Popularity • 48% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
46% Popularity • 48% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Evergreen
Waterton
79 bpm • G# min • 04:28 • -11.57db
16% Popularity • 39% Danceability • 48% Energy • 10% Liveness
1% Instrumentalness • 36% Positiveness
16% Popularity • 39% Danceability • 48% Energy • 10% Liveness
1% Instrumentalness • 36% Positiveness
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Noah Reid
Tiff Song
88 bpm • A# Maj • 04:08 • -17db
26% Popularity • 48% Danceability • 17% Energy • 11% Liveness
1% Instrumentalness • 32% Positiveness
26% Popularity • 48% Danceability • 17% Energy • 11% Liveness
1% Instrumentalness • 32% Positiveness
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William Fitzsimmons
Everywhere - Live in Cologne
79 bpm • E Maj • 03:14 • -18db
31% Popularity • 41% Danceability • 33% Energy • 73% Liveness
0% Instrumentalness • 50% Positiveness
31% Popularity • 41% Danceability • 33% Energy • 73% Liveness
0% Instrumentalness • 50% Positiveness
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Lydia Luce
Love You True
79 bpm • D Maj • 03:53 • -11db
36% Popularity • 47% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
36% Popularity • 47% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Brandon Jenner
Face the World
88 bpm • A Maj • 04:03 • -14.2db
10% Popularity • 51% Danceability • 41% Energy • 11% Liveness
2% Instrumentalness • 34% Positiveness
10% Popularity • 51% Danceability • 41% Energy • 11% Liveness
2% Instrumentalness • 34% Positiveness
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100 mile house
Pick up Our Boots
88 bpm • E Maj • 03:08 • -14.15db
19% Popularity • 39% Danceability • 39% Energy • 9% Liveness
51% Instrumentalness • 33% Positiveness
19% Popularity • 39% Danceability • 39% Energy • 9% Liveness
51% Instrumentalness • 33% Positiveness
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Bruno Merz
Nine Sixteen
88 bpm • C Maj • 04:01 • -8.38db
18% Popularity • 54% Danceability • 67% Energy • 13% Liveness
5% Instrumentalness • 57% Positiveness
18% Popularity • 54% Danceability • 67% Energy • 13% Liveness
5% Instrumentalness • 57% Positiveness
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Andrew Maxman
The End
88 bpm • E Maj • 03:36 • -9.78db
23% Popularity • 57% Danceability • 52% Energy • 31% Liveness
0% Instrumentalness • 57% Positiveness
23% Popularity • 57% Danceability • 52% Energy • 31% Liveness
0% Instrumentalness • 57% Positiveness
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Zach Hurd
Brooklyn Raining
78 bpm • E Maj • 03:59 • -11.15db
18% Popularity • 65% Danceability • 40% Energy • 20% Liveness
2% Instrumentalness • 46% Positiveness
18% Popularity • 65% Danceability • 40% Energy • 20% Liveness
2% Instrumentalness • 46% Positiveness
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Harry Pane
Here We Stay
78 bpm • G Maj • 03:43 • -8db
23% Popularity • 34% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
23% Popularity • 34% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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Jon Bryant
Milk and Water
78 bpm • D Maj • 04:03 • -10.53db
16% Popularity • 55% Danceability • 44% Energy • 9% Liveness
1% Instrumentalness • 37% Positiveness
16% Popularity • 55% Danceability • 44% Energy • 9% Liveness
1% Instrumentalness • 37% Positiveness
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Ryan Keen
Tired Eyes
78 bpm • A Maj • 03:33 • -8db
24% Popularity • 58% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
24% Popularity • 58% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Joshua Hyslop
Where The Mountain Meets The Valley
78 bpm • G Maj • 04:41 • -13.43db
12% Popularity • 53% Danceability • 39% Energy • 15% Liveness
1% Instrumentalness • 33% Positiveness
12% Popularity • 53% Danceability • 39% Energy • 15% Liveness
1% Instrumentalness • 33% Positiveness
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David Luning
Different Piano Song
78 bpm • C# Maj • 04:19 • -12.49db
14% Popularity • 25% Danceability • 20% Energy • 12% Liveness
34% Instrumentalness • 27% Positiveness
14% Popularity • 25% Danceability • 20% Energy • 12% Liveness
34% Instrumentalness • 27% Positiveness
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Stu Larsen
Whisky & Blankets - Acoustic
89 bpm • F Maj • 05:48 • -11db
23% Popularity • 46% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
23% Popularity • 46% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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The Banner Days
My Beloved
89 bpm • A min • 03:43 • -11.55db
19% Popularity • 34% Danceability • 21% Energy • 9% Liveness
10% Instrumentalness • 8% Positiveness
19% Popularity • 34% Danceability • 21% Energy • 9% Liveness
10% Instrumentalness • 8% Positiveness
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William Fitzsimmons
They'll Never Take the Good Years
77 bpm • C Maj • 02:47 • -16.58db
27% Popularity • 50% Danceability • 21% Energy • 12% Liveness
5% Instrumentalness • 42% Positiveness
27% Popularity • 50% Danceability • 21% Energy • 12% Liveness
5% Instrumentalness • 42% Positiveness
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JT Roach
Tipsy Love
77 bpm • D# Maj • 03:01 • -13.71db
24% Popularity • 65% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
24% Popularity • 65% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Joshua Hyslop
Everything Unsaid
89 bpm • G Maj • 03:12 • -16.01db
27% Popularity • 55% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
27% Popularity • 55% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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James Smith
T-Shirts - Acoustic
77 bpm • G Maj • 03:15 • -9.02db
45% Popularity • 48% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
45% Popularity • 48% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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The Guest and the Host
Best Friend
77 bpm • D Maj • 02:54 • -11.66db
16% Popularity • 51% Danceability • 21% Energy • 34% Liveness
0% Instrumentalness • 16% Positiveness
16% Popularity • 51% Danceability • 21% Energy • 34% Liveness
0% Instrumentalness • 16% Positiveness
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John Paul White
Hate The Way You Love Me
77 bpm • E Maj • 04:03 • -17.77db
47% Popularity • 46% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
47% Popularity • 46% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Anchor + Bell
Falling
77 bpm • D Maj • 03:46 • -8.01db
12% Popularity • 57% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
12% Popularity • 57% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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Emily Hearn
Give It Up
77 bpm • G Maj • 04:00 • -8.8db
9% Popularity • 53% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
9% Popularity • 53% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Caroline Spence
All the Beds I've Made (Acoustic)
90 bpm • D Maj • 03:33 • -7.79db
32% Popularity • 31% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
32% Popularity • 31% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
