Songs like The Flowers That Bloom in the Spring by D'Oyly Carte Opera
Based on a tempo of (+/- 10%) and a similar genre
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Al Goodhart
Auf Wiedersehen My Dear
99 bpm • C min • 02:57 • -18.88db
8% Popularity • 46% Danceability • 17% Energy • 55% Liveness
15% Instrumentalness • 40% Positiveness
8% Popularity • 46% Danceability • 17% Energy • 55% Liveness
15% Instrumentalness • 40% Positiveness
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Rudi Schuricke
Schön, dass du wieder bei mir bist
99 bpm • G# Maj • 02:30 • -21db
9% Popularity • 75% Danceability • 11% Energy • 10% Liveness
24% Instrumentalness • 92% Positiveness
9% Popularity • 75% Danceability • 11% Energy • 10% Liveness
24% Instrumentalness • 92% Positiveness
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1st The Queen's Dragoon Guards
God Bless the Prince of Wales
99 bpm • D# Maj • 02:42 • -15.25db
9% Popularity • 24% Danceability • 21% Energy • 12% Liveness
2% Instrumentalness • 34% Positiveness
9% Popularity • 24% Danceability • 21% Energy • 12% Liveness
2% Instrumentalness • 34% Positiveness
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環球合唱團
離故鄉 - 夏日最後玫瑰
99 bpm • F Maj • 02:54 • -21.52db
9% Popularity • 45% Danceability • 7% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
9% Popularity • 45% Danceability • 7% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
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The Mills Brothers
Tiger Rag - Alt
99 bpm • A Maj • 01:27 • -12.96db
13% Popularity • 68% Danceability • 33% Energy • 23% Liveness
0% Instrumentalness • 85% Positiveness
13% Popularity • 68% Danceability • 33% Energy • 23% Liveness
0% Instrumentalness • 85% Positiveness
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D'Oyly Carte Opera
The Flowers That Bloom in the Spring
99 bpm • A Maj • 01:27 • -12.02db
0% Popularity • 61% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
0% Popularity • 61% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Theater Des Westens
La Cage Aux Folles: Song Am Strand
99 bpm • E Maj • 03:06 • -18.26db
11% Popularity • 38% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
11% Popularity • 38% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Matthew Peterson
VOIR DIRE: Scene 6 - A Plea, "You are a ...
99 bpm • C# Maj • 00:54 • -11.25db
0% Popularity • 47% Danceability • 46% Energy • 68% Liveness
0% Instrumentalness • 76% Positiveness
0% Popularity • 47% Danceability • 46% Energy • 68% Liveness
0% Instrumentalness • 76% Positiveness
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Evelyn Künneke
Sing Nachtigall Sing
99 bpm • C Maj • 03:04 • -14db
14% Popularity • 50% Danceability • 15% Energy • 10% Liveness
4% Instrumentalness • 34% Positiveness
14% Popularity • 50% Danceability • 15% Energy • 10% Liveness
4% Instrumentalness • 34% Positiveness
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Marlene Dietrich
He lied and I listened - Manpower, 1941
98 bpm • E min • 01:23 • -12.63db
15% Popularity • 67% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
15% Popularity • 67% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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The Mills Brothers
Tiger Rag
99 bpm • E Maj • 01:27 • -13.92db
16% Popularity • 71% Danceability • 34% Energy • 39% Liveness
0% Instrumentalness • 85% Positiveness
16% Popularity • 71% Danceability • 34% Energy • 39% Liveness
0% Instrumentalness • 85% Positiveness
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Olof Åhlström
Lillejulvisa (Svea livgarde och Livgarde...
100 bpm • G# Maj • 01:35 • -19.13db
11% Popularity • 68% Danceability • 25% Energy • 4% Liveness
0% Instrumentalness • 62% Positiveness
11% Popularity • 68% Danceability • 25% Energy • 4% Liveness
0% Instrumentalness • 62% Positiveness
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Peter Dawson
The Floral Dance
99 bpm • C Maj • 03:15 • -9.68db
8% Popularity • 56% Danceability • 25% Energy • 13% Liveness
7% Instrumentalness • 43% Positiveness
8% Popularity • 56% Danceability • 25% Energy • 13% Liveness
7% Instrumentalness • 43% Positiveness
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Phil Kelsall
Bring Me Sunshine / The Sun Has Got His ...
100 bpm • D min • 02:46 • -13db
9% Popularity • 48% Danceability • 40% Energy • 21% Liveness
98% Instrumentalness • 83% Positiveness
9% Popularity • 48% Danceability • 40% Energy • 21% Liveness
98% Instrumentalness • 83% Positiveness
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Rudi Schuricke
Für eine Nacht voller Seligkeit
98 bpm • D# Maj • 02:38 • -20.62db
10% Popularity • 78% Danceability • 17% Energy • 16% Liveness
9% Instrumentalness • 79% Positiveness
10% Popularity • 78% Danceability • 17% Energy • 16% Liveness
9% Instrumentalness • 79% Positiveness
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Paul Abraham
Viktoria und ihr Husar: Pardon, Madame
100 bpm • F# Maj • 01:28 • -15db
9% Popularity • 27% Danceability • 17% Energy • 32% Liveness
0% Instrumentalness • 37% Positiveness
9% Popularity • 27% Danceability • 17% Energy • 32% Liveness
0% Instrumentalness • 37% Positiveness
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Victor Silvester
This Can't Be Love
98 bpm • C# Maj • 01:59 • -13.25db
13% Popularity • 65% Danceability • 16% Energy • 12% Liveness
90% Instrumentalness • 90% Positiveness
13% Popularity • 65% Danceability • 16% Energy • 12% Liveness
90% Instrumentalness • 90% Positiveness
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Carroll Gibbons
Play, Orchestra Play
100 bpm • G# Maj • 03:23 • -17.72db
9% Popularity • 57% Danceability • 10% Energy • 7% Liveness
71% Instrumentalness • 29% Positiveness
9% Popularity • 57% Danceability • 10% Energy • 7% Liveness
71% Instrumentalness • 29% Positiveness
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Ernest John Moeran
Gaol song: Gaol Song
100 bpm • D min • 02:07 • -18.42db
9% Popularity • 60% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
9% Popularity • 60% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Mathe Altéry
Prélude et Chansons des collines
98 bpm • F Maj • 02:37 • -15.84db
14% Popularity • 29% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
14% Popularity • 29% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Art Johnson Band
Hallelujah Jesus Is Lord
100 bpm • E Maj • 02:32 • -6db
12% Popularity • 60% Danceability • 30% Energy • 9% Liveness
48% Instrumentalness • 32% Positiveness
12% Popularity • 60% Danceability • 30% Energy • 9% Liveness
48% Instrumentalness • 32% Positiveness
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New Light Symphony Orchestra
Toytown (Parade of the Tin Soldiers)
100 bpm • A Maj • 01:05 • -17db
13% Popularity • 67% Danceability • 23% Energy • 24% Liveness
80% Instrumentalness • 63% Positiveness
13% Popularity • 67% Danceability • 23% Energy • 24% Liveness
80% Instrumentalness • 63% Positiveness
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Zarah Leander
Davon geht die Welt nicht unter
100 bpm • D Maj • 02:32 • -9db
27% Popularity • 52% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
27% Popularity • 52% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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Victor Silvester
Shall We Dance
98 bpm • D# Maj • 02:09 • -12.36db
10% Popularity • 48% Danceability • 29% Energy • 23% Liveness
88% Instrumentalness • 78% Positiveness
10% Popularity • 48% Danceability • 29% Energy • 23% Liveness
88% Instrumentalness • 78% Positiveness
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Keith Hopwood
Fancy Dress
98 bpm • F Maj • 02:15 • -10.71db
9% Popularity • 64% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
9% Popularity • 64% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Koichi Sugii
Kouga-no-Sazanami (黄河の漣)
100 bpm • D Maj • 03:04 • -15.32db
10% Popularity • 51% Danceability • 20% Energy • 8% Liveness
90% Instrumentalness • 64% Positiveness
10% Popularity • 51% Danceability • 20% Energy • 8% Liveness
90% Instrumentalness • 64% Positiveness
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Lilian Harvey
Guten Tag, liebes Glück
97 bpm • D# Maj • 03:07 • -14db
14% Popularity • 40% Danceability • 15% Energy • 37% Liveness
0% Instrumentalness • 44% Positiveness
14% Popularity • 40% Danceability • 15% Energy • 37% Liveness
0% Instrumentalness • 44% Positiveness
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D'Oyly Carte Opera
Take a Pair of Sparkling Eyes
97 bpm • C# Maj • 03:00 • -11.13db
0% Popularity • 43% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
0% Popularity • 43% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Vicente Celestino
O Que Tu És (Três Estrelinhas)
97 bpm • A Maj • 02:35 • -5.44db
7% Popularity • 33% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
7% Popularity • 33% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Henry Hall
You (Just Wonderful You)
97 bpm • C Maj • 02:49 • -15.83db
9% Popularity • 59% Danceability • 18% Energy • 7% Liveness
6% Instrumentalness • 66% Positiveness
9% Popularity • 59% Danceability • 18% Energy • 7% Liveness
6% Instrumentalness • 66% Positiveness
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Julie Andrews
The Lonely Goatherd
101 bpm • C Maj • 03:14 • -12.71db
18% Popularity • 64% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
18% Popularity • 64% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Mathe Altéry
Le berger solitaire
101 bpm • C Maj • 03:12 • -13.69db
16% Popularity • 59% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
16% Popularity • 59% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Wurlitzer Carousel Organ
Nights of Gladness
97 bpm • G Maj • 04:12 • -8.73db
8% Popularity • 38% Danceability • 42% Energy • 34% Liveness
1% Instrumentalness • 86% Positiveness
8% Popularity • 38% Danceability • 42% Energy • 34% Liveness
1% Instrumentalness • 86% Positiveness
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Marlene Dietrich
Ich Von Kopf Buss fuss Auf Liebe Eingest...
97 bpm • C# Maj • 03:04 • -14.84db
14% Popularity • 46% Danceability • 15% Energy • 35% Liveness
0% Instrumentalness • 46% Positiveness
14% Popularity • 46% Danceability • 15% Energy • 35% Liveness
0% Instrumentalness • 46% Positiveness
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Victor Silvester
People Will Say We're In Love
97 bpm • G# Maj • 02:03 • -12.64db
13% Popularity • 41% Danceability • 32% Energy • 23% Liveness
91% Instrumentalness • 53% Positiveness
13% Popularity • 41% Danceability • 32% Energy • 23% Liveness
91% Instrumentalness • 53% Positiveness
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George Formby
Guarding The Homes Of The Home Garden
97 bpm • A# Maj • 04:01 • -16.74db
9% Popularity • 78% Danceability • 44% Energy • 62% Liveness
7% Instrumentalness • 91% Positiveness
9% Popularity • 78% Danceability • 44% Energy • 62% Liveness
7% Instrumentalness • 91% Positiveness
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Irwin Kostal
The Lonely Goatherd - Instrumental Versi...
101 bpm • C Maj • 03:02 • -15.47db
9% Popularity • 58% Danceability • 16% Energy • 8% Liveness
91% Instrumentalness • 62% Positiveness
9% Popularity • 58% Danceability • 16% Energy • 8% Liveness
91% Instrumentalness • 62% Positiveness
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D'Oyly Carte Opera
Were I Thy Bride
102 bpm • D# Maj • 01:46 • -8.38db
0% Popularity • 57% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
0% Popularity • 57% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Ernst Busch
Die Thälmann-Kolonne (The Thaelmann Col...
102 bpm • G Maj • 03:00 • -11.8db
8% Popularity • 62% Danceability • 23% Energy • 24% Liveness
0% Instrumentalness • 60% Positiveness
8% Popularity • 62% Danceability • 23% Energy • 24% Liveness
0% Instrumentalness • 60% Positiveness
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Ernst Busch and Chorus
Die Thaelmann-Kolonne (The Thaelmann Col...
102 bpm • G Maj • 03:00 • -15.04db
9% Popularity • 60% Danceability • 14% Energy • 39% Liveness
6% Instrumentalness • 57% Positiveness
9% Popularity • 60% Danceability • 14% Energy • 39% Liveness
6% Instrumentalness • 57% Positiveness
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Lilian Harvey
Das gibt's nur einmal
102 bpm • D# Maj • 03:05 • -9db
19% Popularity • 40% Danceability • 42% Energy • 10% Liveness
14% Instrumentalness • 60% Positiveness
19% Popularity • 40% Danceability • 42% Energy • 10% Liveness
14% Instrumentalness • 60% Positiveness
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環球合唱團
獵人合唱
96 bpm • G# Maj • 01:29 • -16.98db
13% Popularity • 79% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
13% Popularity • 79% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Irwin Kostal
Processional / Maria - Film Version
101 bpm • A# Maj • 02:50 • -10.67db
12% Popularity • 46% Danceability • 28% Energy • 7% Liveness
1% Instrumentalness • 38% Positiveness
12% Popularity • 46% Danceability • 28% Energy • 7% Liveness
1% Instrumentalness • 38% Positiveness
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![Au Revoir But Not Good Bye (Pro WW1 Song) [Recorded 1917] cover art](https://i.scdn.co/image/ab67616d00001e02c156d32e4c6eebf5c05d9258)
Henry Burr
Au Revoir But Not Good Bye (Pro WW1 Song...
96 bpm • D Maj • 03:00 • -8.01db
8% Popularity • 66% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
8% Popularity • 66% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Vera Lynn
There'll Always Be an England - 2016 Rem...
96 bpm • A# Maj • 02:59 • -10.89db
27% Popularity • 40% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
27% Popularity • 40% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Paul Robeson
Ol' Man River - Remastered
96 bpm • A Maj • 04:16 • -9.06db
9% Popularity • 25% Danceability • 36% Energy • 12% Liveness
52% Instrumentalness • 22% Positiveness
9% Popularity • 25% Danceability • 36% Energy • 12% Liveness
52% Instrumentalness • 22% Positiveness
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des' elitärer schund
Beim trinken sind wir alle gleich - 1930...
102 bpm • A min • 01:37 • -11.65db
17% Popularity • 73% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
17% Popularity • 73% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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環球合唱團
散塔露其亞
96 bpm • D# Maj • 03:40 • -16.76db
10% Popularity • 40% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
10% Popularity • 40% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Rosita Serrano
Bei dir war es immer so schön
102 bpm • G# Maj • 03:11 • -11db
9% Popularity • 39% Danceability • 23% Energy • 26% Liveness
0% Instrumentalness • 28% Positiveness
9% Popularity • 39% Danceability • 23% Energy • 26% Liveness
0% Instrumentalness • 28% Positiveness
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Richard Tauber
Wien du Stadt Meiner Träume
102 bpm • G Maj • 03:13 • -11db
12% Popularity • 37% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 43% Positiveness
12% Popularity • 37% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 43% Positiveness
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Ray Noble
By the Fireside
96 bpm • F Maj • 03:20 • -14.7db
8% Popularity • 32% Danceability • 16% Energy • 8% Liveness
25% Instrumentalness • 8% Positiveness
8% Popularity • 32% Danceability • 16% Energy • 8% Liveness
25% Instrumentalness • 8% Positiveness
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Elliot H. Smith
Dipsy Daisie
96 bpm • G Maj • 02:49 • -9.57db
9% Popularity • 78% Danceability • 44% Energy • 20% Liveness
62% Instrumentalness • 74% Positiveness
9% Popularity • 78% Danceability • 44% Energy • 20% Liveness
62% Instrumentalness • 74% Positiveness
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Mitch Miller
Battle Hymn Of The Republic
96 bpm • A# Maj • 02:08 • -10.08db
10% Popularity • 56% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
10% Popularity • 56% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Gene Kelly
Ballin' the Jack
96 bpm • F Maj • 02:33 • -13.68db
7% Popularity • 66% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
7% Popularity • 66% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Joseph Schmidt
Heut' ist der schönste Tag in meinem Le...
96 bpm • A# Maj • 03:26 • -9.93db
23% Popularity • 42% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
23% Popularity • 42% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
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The Beau Hunks
Candy, Candy
102 bpm • C# Maj • 01:20 • -18.16db
14% Popularity • 69% Danceability • 11% Energy • 16% Liveness
28% Instrumentalness • 97% Positiveness
14% Popularity • 69% Danceability • 11% Energy • 16% Liveness
28% Instrumentalness • 97% Positiveness
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Lilian Harvey
Das gibt's nur einmal (Christels Lied)
95 bpm • D# Maj • 03:07 • -12.15db
12% Popularity • 39% Danceability • 25% Energy • 15% Liveness
11% Instrumentalness • 47% Positiveness
12% Popularity • 39% Danceability • 25% Energy • 15% Liveness
11% Instrumentalness • 47% Positiveness
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The Golden Orchestra
The Horse with the Easter Bonnet
103 bpm • F Maj • 01:30 • -8.27db
14% Popularity • 90% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
14% Popularity • 90% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
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Ulrich Tukur & Die Rhythmus Boys
Between the Devil and the Deep Blue Sea
103 bpm • C Maj • 02:08 • -9.74db
15% Popularity • 76% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
15% Popularity • 76% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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Frederick George Charrosin
British National Anthem
103 bpm • G Maj • 00:55 • -7.62db
12% Popularity • 42% Danceability • 24% Energy • 11% Liveness
93% Instrumentalness • 86% Positiveness
12% Popularity • 42% Danceability • 24% Energy • 11% Liveness
93% Instrumentalness • 86% Positiveness
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Joseph Schmidt
Es wird im Leben dir mehr genommen als g...
95 bpm • A min • 03:21 • -10.7db
13% Popularity • 28% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
13% Popularity • 28% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
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Raymond Scott
Girlfriend of the Whirling Dervish - 193...
103 bpm • C Maj • 03:00 • -8.11db
9% Popularity • 63% Danceability • 44% Energy • 12% Liveness
91% Instrumentalness • 82% Positiveness
9% Popularity • 63% Danceability • 44% Energy • 12% Liveness
91% Instrumentalness • 82% Positiveness
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Flanagan & Allen
Down Forget-Me-Not Lane
103 bpm • A# Maj • 02:38 • -13.05db
14% Popularity • 66% Danceability • 22% Energy • 8% Liveness
13% Instrumentalness • 38% Positiveness
14% Popularity • 66% Danceability • 22% Energy • 8% Liveness
13% Instrumentalness • 38% Positiveness
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Community Women's Orchestra
U.S.S. Metaphor - Highlights
95 bpm • F Maj • 06:57 • -10.4db
9% Popularity • 51% Danceability • 47% Energy • 68% Liveness
0% Instrumentalness • 43% Positiveness
9% Popularity • 51% Danceability • 47% Energy • 68% Liveness
0% Instrumentalness • 43% Positiveness
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Corul și Orchestra Radio
Internaționala
104 bpm • A# Maj • 03:52 • -9.22db
7% Popularity • 43% Danceability • 26% Energy • 26% Liveness
1% Instrumentalness • 60% Positiveness
7% Popularity • 43% Danceability • 26% Energy • 26% Liveness
1% Instrumentalness • 60% Positiveness
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Paul Robeson
The Peat-Bog Soldiers - Moorsoldaten
94 bpm • D min • 02:26 • -12.96db
8% Popularity • 58% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
8% Popularity • 58% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Winston Churchill
You Ask What Is Our Policy...
104 bpm • D Maj • 01:11 • -14.35db
8% Popularity • 46% Danceability • 32% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
8% Popularity • 46% Danceability • 32% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
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Fanning & Fortune
The Tanks That Broke The Ranks - 1916
104 bpm • G Maj • 02:39 • -13.09db
15% Popularity • 67% Danceability • 33% Energy • 38% Liveness
0% Instrumentalness • 67% Positiveness
15% Popularity • 67% Danceability • 33% Energy • 38% Liveness
0% Instrumentalness • 67% Positiveness
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Jack Hylton
Love Makes the World Go Round
104 bpm • F Maj • 02:24 • -8.46db
11% Popularity • 68% Danceability • 40% Energy • 10% Liveness
89% Instrumentalness • 73% Positiveness
11% Popularity • 68% Danceability • 40% Energy • 10% Liveness
89% Instrumentalness • 73% Positiveness
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Matty Malneck
Goody Goody
94 bpm • C min • 02:34 • -13.96db
7% Popularity • 67% Danceability • 43% Energy • 22% Liveness
79% Instrumentalness • 92% Positiveness
7% Popularity • 67% Danceability • 43% Energy • 22% Liveness
79% Instrumentalness • 92% Positiveness
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Kay Kyser & His Orchestra
Jingle, Jangle, Jingle
94 bpm • G min • 03:20 • -16.54db
9% Popularity • 69% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
9% Popularity • 69% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Charlie Kunz
My Old Kentucky Home
105 bpm • F Maj • 00:47 • -24.34db
10% Popularity • 67% Danceability • 19% Energy • 13% Liveness
84% Instrumentalness • 97% Positiveness
10% Popularity • 67% Danceability • 19% Energy • 13% Liveness
84% Instrumentalness • 97% Positiveness
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Winston Churchill
Winston Churchill On The Blitz - 27 Apri...
94 bpm • A# Maj • 05:19 • -17.94db
8% Popularity • 66% Danceability • 19% Energy • 23% Liveness
0% Instrumentalness • 43% Positiveness
8% Popularity • 66% Danceability • 19% Energy • 23% Liveness
0% Instrumentalness • 43% Positiveness
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Florrie Forde
Take Me Back To Dear Old Blighty - 1917
94 bpm • F Maj • 02:31 • -14.12db
14% Popularity • 56% Danceability • 24% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
14% Popularity • 56% Danceability • 24% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
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Henry Hall
Every Now and Then
94 bpm • F Maj • 03:09 • -16.85db
3% Popularity • 41% Danceability • 8% Energy • 18% Liveness
4% Instrumentalness • 35% Positiveness
3% Popularity • 41% Danceability • 8% Energy • 18% Liveness
4% Instrumentalness • 35% Positiveness
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George Formby
Who Are You A-Shoving Of
105 bpm • D Maj • 03:33 • -15.16db
9% Popularity • 89% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
9% Popularity • 89% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Rudi Schuricke
Komm zurück
93 bpm • G Maj • 02:49 • -12.98db
12% Popularity • 50% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
12% Popularity • 50% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Beta Theta Pi
Ti-de-i-de-o
93 bpm • E Maj • 01:40 • -15.87db
11% Popularity • 62% Danceability • 21% Energy • 21% Liveness
0% Instrumentalness • 67% Positiveness
11% Popularity • 62% Danceability • 21% Energy • 21% Liveness
0% Instrumentalness • 67% Positiveness
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D'Oyly Carte Opera
The Sun Whose Rays
93 bpm • G Maj • 02:46 • -10.99db
0% Popularity • 32% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
0% Popularity • 32% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Joseph Locke
The Drinking Song
105 bpm • G# Maj • 01:50 • -12.06db
22% Popularity • 52% Danceability • 31% Energy • 9% Liveness
3% Instrumentalness • 64% Positiveness
22% Popularity • 52% Danceability • 31% Energy • 9% Liveness
3% Instrumentalness • 64% Positiveness
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Werner Eisbrenner
Grosse Freiheit No. 7: La Paloma
105 bpm • G Maj • 03:17 • -15.24db
10% Popularity • 50% Danceability • 13% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
10% Popularity • 50% Danceability • 13% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
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Charlie Kunz
Oh! Susanna
106 bpm • D# Maj • 01:33 • -25.26db
14% Popularity • 79% Danceability • 20% Energy • 10% Liveness
85% Instrumentalness • 88% Positiveness
14% Popularity • 79% Danceability • 20% Energy • 10% Liveness
85% Instrumentalness • 88% Positiveness
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Franz Grothe
Ins blaue Leben: Das Leben ist so schon
106 bpm • F Maj • 02:20 • -13db
10% Popularity • 72% Danceability • 28% Energy • 34% Liveness
1% Instrumentalness • 94% Positiveness
10% Popularity • 72% Danceability • 28% Energy • 34% Liveness
1% Instrumentalness • 94% Positiveness
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Wurlitzer Carousel Organ
Marine's Hymn
105 bpm • C Maj • 04:44 • -9.65db
9% Popularity • 64% Danceability • 39% Energy • 7% Liveness
3% Instrumentalness • 78% Positiveness
9% Popularity • 64% Danceability • 39% Energy • 7% Liveness
3% Instrumentalness • 78% Positiveness
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Lale Andersen
Es geht alles vorüber, es geht alles vo...
106 bpm • F Maj • 03:20 • -11db
18% Popularity • 44% Danceability • 33% Energy • 30% Liveness
0% Instrumentalness • 64% Positiveness
18% Popularity • 44% Danceability • 33% Energy • 30% Liveness
0% Instrumentalness • 64% Positiveness
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Keith Hopwood
Schusboomer
106 bpm • E Maj • 02:26 • -11.34db
9% Popularity • 86% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
9% Popularity • 86% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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The Golden Orchestra
Pop Goes the Weasel
106 bpm • D# Maj • 01:01 • -9.45db
8% Popularity • 87% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
8% Popularity • 87% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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George Formby
I Do Do Things I Do
106 bpm • D# Maj • 02:29 • -9.85db
11% Popularity • 86% Danceability • 54% Energy • 10% Liveness
31% Instrumentalness • 96% Positiveness
11% Popularity • 86% Danceability • 54% Energy • 10% Liveness
31% Instrumentalness • 96% Positiveness
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Hunter Greens
Sacramento Mint
92 bpm • D# Maj • 01:10 • -19.71db
12% Popularity • 82% Danceability • 23% Energy • 11% Liveness
87% Instrumentalness • 47% Positiveness
12% Popularity • 82% Danceability • 23% Energy • 11% Liveness
87% Instrumentalness • 47% Positiveness
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Wilhelm Strienz
Gute Nacht, Mutter
92 bpm • A# Maj • 03:07 • -12.73db
13% Popularity • 35% Danceability • 20% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
13% Popularity • 35% Danceability • 20% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
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Harry Secombe
Falling In Love With You
92 bpm • D# Maj • 02:26 • -15.02db
14% Popularity • 28% Danceability • 23% Energy • 9% Liveness
2% Instrumentalness • 30% Positiveness
14% Popularity • 28% Danceability • 23% Energy • 9% Liveness
2% Instrumentalness • 30% Positiveness
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Dominic Muldowny
Paddington Station, The Hiking Song
106 bpm • C min • 02:12 • -20.29db
8% Popularity • 63% Danceability • 2% Energy • 5% Liveness
0% Instrumentalness • 30% Positiveness
8% Popularity • 63% Danceability • 2% Energy • 5% Liveness
0% Instrumentalness • 30% Positiveness
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Leopold Korbař
Hm, hm, du bist so zauberhaft
107 bpm • C Maj • 02:35 • -17db
12% Popularity • 63% Danceability • 14% Energy • 12% Liveness
6% Instrumentalness • 70% Positiveness
12% Popularity • 63% Danceability • 14% Energy • 12% Liveness
6% Instrumentalness • 70% Positiveness
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George Formby
Imagine Me on the Maginot Line
92 bpm • D# Maj • 02:46 • -15.48db
13% Popularity • 68% Danceability • 32% Energy • 20% Liveness
2% Instrumentalness • 90% Positiveness
13% Popularity • 68% Danceability • 32% Energy • 20% Liveness
2% Instrumentalness • 90% Positiveness
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Aubrey Winter
Mounted Police
92 bpm • C Maj • 01:23 • -9.52db
11% Popularity • 59% Danceability • 52% Energy • 11% Liveness
91% Instrumentalness • 89% Positiveness
11% Popularity • 59% Danceability • 52% Energy • 11% Liveness
91% Instrumentalness • 89% Positiveness
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Paul Robeson
Jerusalem - Remastered
92 bpm • A# Maj • 02:23 • -9.31db
13% Popularity • 18% Danceability • 34% Energy • 12% Liveness
68% Instrumentalness • 34% Positiveness
13% Popularity • 18% Danceability • 34% Energy • 12% Liveness
68% Instrumentalness • 34% Positiveness
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The Andrews Sisters
Sing a Tropical Song
107 bpm • D# Maj • 02:49 • -18.29db
10% Popularity • 64% Danceability • 20% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
10% Popularity • 64% Danceability • 20% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
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Winston Churchill
The Causes of War
92 bpm • G Maj • 03:39 • -19db
13% Popularity • 65% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
13% Popularity • 65% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness