Songs like The Four Seasons, Concerto No.1 In E Major, Op. 8, RV. 269: III. Allegro Pastorale by Lifestyle Music Group
Based on a tempo of (+/- 10%) and a similar genre
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Grupo Concertante Talía
Go West
146 bpm • G Maj • 03:47 • -16.98db
7% Popularity • 25% Danceability • 24% Energy • 69% Liveness
57% Instrumentalness • 15% Positiveness
7% Popularity • 25% Danceability • 24% Energy • 69% Liveness
57% Instrumentalness • 15% Positiveness
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Leó Weiner
Divertimento No. 1, Op. 20: V. Csurdongo...
146 bpm • G Maj • 02:22 • -20.46db
20% Popularity • 35% Danceability • 14% Energy • 9% Liveness
94% Instrumentalness • 58% Positiveness
20% Popularity • 35% Danceability • 14% Energy • 9% Liveness
94% Instrumentalness • 58% Positiveness
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Slovak Sinfonietta, Zilina
Einzugs-galopp, Op. 35
145 bpm • A Maj • 01:31 • -20.85db
13% Popularity • 52% Danceability • 18% Energy • 11% Liveness
86% Instrumentalness • 72% Positiveness
13% Popularity • 52% Danceability • 18% Energy • 11% Liveness
86% Instrumentalness • 72% Positiveness
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Gioachino Rossini
Rossini: La Cenerentola: Overture
147 bpm • A# Maj • 07:57 • -22.72db
13% Popularity • 36% Danceability • 13% Energy • 9% Liveness
65% Instrumentalness • 21% Positiveness
13% Popularity • 36% Danceability • 13% Energy • 9% Liveness
65% Instrumentalness • 21% Positiveness
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Wolfgang Amadeus Mozart
Divertimento No. 15 in B-Flat Major, K. ...
145 bpm • F Maj • 00:56 • -19.71db
9% Popularity • 49% Danceability • 15% Energy • 19% Liveness
96% Instrumentalness • 81% Positiveness
9% Popularity • 49% Danceability • 15% Energy • 19% Liveness
96% Instrumentalness • 81% Positiveness
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Danke Timi Briggs
Baby Mothers Unshamed Mothers
147 bpm • G min • 02:18 • -16.59db
16% Popularity • 17% Danceability • 20% Energy • 37% Liveness
92% Instrumentalness • 31% Positiveness
16% Popularity • 17% Danceability • 20% Energy • 37% Liveness
92% Instrumentalness • 31% Positiveness
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Antonio Vivaldi
The New Four Seasons - Summer: III. Summ...
147 bpm • G min • 02:01 • -10.55db
43% Popularity • 33% Danceability • 71% Energy • 34% Liveness
73% Instrumentalness • 49% Positiveness
43% Popularity • 33% Danceability • 71% Energy • 34% Liveness
73% Instrumentalness • 49% Positiveness
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Franz von Suppé
Die Reise um die Erde in 80 Tagen (Versi...
147 bpm • C# min • 01:01 • -11.84db
26% Popularity • 32% Danceability • 44% Energy • 53% Liveness
86% Instrumentalness • 31% Positiveness
26% Popularity • 32% Danceability • 44% Energy • 53% Liveness
86% Instrumentalness • 31% Positiveness
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Lifestyle Music Group
Morning from Peer Gynt
148 bpm • E Maj • 05:04 • -25.41db
0% Popularity • 13% Danceability • 6% Energy • 15% Liveness
96% Instrumentalness • 4% Positiveness
0% Popularity • 13% Danceability • 6% Energy • 15% Liveness
96% Instrumentalness • 4% Positiveness
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Erik Satie
Relâche, Pt. 2: No. 10, La femme rejoin...
148 bpm • C min • 01:01 • -38.39db
9% Popularity • 16% Danceability • 0% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
9% Popularity • 16% Danceability • 0% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Wolfgang Amadeus Mozart
Die Entführung aus dem Serail, K. 384: ...
147 bpm • G Maj • 04:29 • -15.55db
17% Popularity • 28% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
17% Popularity • 28% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Niño Tiro
Two Easy Pieces for Orchestra: I. Allegr...
148 bpm • G Maj • 01:29 • -25.59db
24% Popularity • 19% Danceability • 3% Energy • 23% Liveness
96% Instrumentalness • 27% Positiveness
24% Popularity • 19% Danceability • 3% Energy • 23% Liveness
96% Instrumentalness • 27% Positiveness
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Hans Christian Lumbye
En Sommernat På Møns Klint, Fantasi (1...
148 bpm • E Maj • 04:26 • -17.52db
13% Popularity • 23% Danceability • 32% Energy • 12% Liveness
60% Instrumentalness • 37% Positiveness
13% Popularity • 23% Danceability • 32% Energy • 12% Liveness
60% Instrumentalness • 37% Positiveness
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Franz von Suppé
Die Reise um die Erde in 80 Tagen (Versi...
144 bpm • F Maj • 03:30 • -19db
13% Popularity • 46% Danceability • 3% Energy • 13% Liveness
6% Instrumentalness • 26% Positiveness
13% Popularity • 46% Danceability • 3% Energy • 13% Liveness
6% Instrumentalness • 26% Positiveness
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Benjamin Britten
Simple Symphony, Op. 4: IV. Frolicsome F...
144 bpm • G Maj • 03:08 • -18.22db
9% Popularity • 30% Danceability • 24% Energy • 8% Liveness
89% Instrumentalness • 20% Positiveness
9% Popularity • 30% Danceability • 24% Energy • 8% Liveness
89% Instrumentalness • 20% Positiveness
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Giuseppe Verdi
I vespri siciliani / The Four Seasons: I...
144 bpm • G Maj • 09:51 • -18.26db
12% Popularity • 42% Danceability • 15% Energy • 7% Liveness
86% Instrumentalness • 28% Positiveness
12% Popularity • 42% Danceability • 15% Energy • 7% Liveness
86% Instrumentalness • 28% Positiveness
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Adolphe Adam
La filleule des fees: Act II - Tableau I...
149 bpm • G Maj • 01:16 • -28.08db
15% Popularity • 36% Danceability • 7% Energy • 13% Liveness
85% Instrumentalness • 39% Positiveness
15% Popularity • 36% Danceability • 7% Energy • 13% Liveness
85% Instrumentalness • 39% Positiveness
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Eric Coates
Cinderella: 2. Her Fairy Godmother calls...
143 bpm • G Maj • 01:35 • -31db
15% Popularity • 14% Danceability • 2% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
15% Popularity • 14% Danceability • 2% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1: No. 1 in G M...
144 bpm • G min • 03:08 • -18.4db
16% Popularity • 24% Danceability • 21% Energy • 7% Liveness
91% Instrumentalness • 46% Positiveness
16% Popularity • 24% Danceability • 21% Energy • 7% Liveness
91% Instrumentalness • 46% Positiveness
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蔡榮吉
世界名曲:第五號匈牙利舞曲
149 bpm • G min • 03:20 • -10.88db
8% Popularity • 28% Danceability • 21% Energy • 12% Liveness
56% Instrumentalness • 23% Positiveness
8% Popularity • 28% Danceability • 21% Energy • 12% Liveness
56% Instrumentalness • 23% Positiveness
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![Peter and the Wolf - A Musical Tale for Children Op. 67 [Baker version] (1995 Digital Remaster): On a branch of a big tree (The Bird) cover art](https://i.scdn.co/image/ab67616d00001e02f8f124b3c9cbe2123a602857)
Raymond Leppard
Peter and the Wolf - A Musical Tale for ...
143 bpm • C Maj • 01:31 • -25.1db
10% Popularity • 39% Danceability • 6% Energy • 23% Liveness
69% Instrumentalness • 36% Positiveness
10% Popularity • 39% Danceability • 6% Energy • 23% Liveness
69% Instrumentalness • 36% Positiveness
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Theobald Boehm
Fantasia dall'Italia: "Nel cor più non ...
149 bpm • G Maj • 01:04 • -11.41db
27% Popularity • 37% Danceability • 45% Energy • 21% Liveness
82% Instrumentalness • 96% Positiveness
27% Popularity • 37% Danceability • 45% Energy • 21% Liveness
82% Instrumentalness • 96% Positiveness
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Nikolai Rimsky-Korsakov
Capriccio espagnol, Op. 34: Alborada: Vi...
142 bpm • A# Maj • 01:04 • -17.18db
20% Popularity • 40% Danceability • 25% Energy • 30% Liveness
57% Instrumentalness • 61% Positiveness
20% Popularity • 40% Danceability • 25% Energy • 30% Liveness
57% Instrumentalness • 61% Positiveness
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Danke Timi Briggs
Billabong
150 bpm • G min • 02:12 • -15.02db
18% Popularity • 22% Danceability • 22% Energy • 36% Liveness
91% Instrumentalness • 38% Positiveness
18% Popularity • 22% Danceability • 22% Energy • 36% Liveness
91% Instrumentalness • 38% Positiveness
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Bournemouth Symphony Orchestra
Overture: May Night
142 bpm • E min • 07:44 • -18.8db
1% Popularity • 20% Danceability • 14% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
1% Popularity • 20% Danceability • 14% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
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The Gerst Ensemble
The Wheel of Progress Book 1, Op. 74: No...
151 bpm • G Maj • 00:50 • -28.85db
13% Popularity • 47% Danceability • 13% Energy • 14% Liveness
89% Instrumentalness • 20% Positiveness
13% Popularity • 47% Danceability • 13% Energy • 14% Liveness
89% Instrumentalness • 20% Positiveness
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Orion King
Intend
151 bpm • C# Maj • 02:59 • -19.28db
14% Popularity • 43% Danceability • 21% Energy • 28% Liveness
90% Instrumentalness • 18% Positiveness
14% Popularity • 43% Danceability • 21% Energy • 28% Liveness
90% Instrumentalness • 18% Positiveness
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Emiliano Branda
The Haunting Hour
151 bpm • A# Maj • 02:15 • -18.12db
11% Popularity • 41% Danceability • 20% Energy • 13% Liveness
93% Instrumentalness • 45% Positiveness
11% Popularity • 41% Danceability • 20% Energy • 13% Liveness
93% Instrumentalness • 45% Positiveness
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Jacques Offenbach
Gaîté Parisienne: Ouverture (d'après ...
140 bpm • D Maj • 02:25 • -21.89db
12% Popularity • 48% Danceability • 27% Energy • 47% Liveness
78% Instrumentalness • 84% Positiveness
12% Popularity • 48% Danceability • 27% Energy • 47% Liveness
78% Instrumentalness • 84% Positiveness
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Danke Timi Briggs
Militant Beauty
152 bpm • A# Maj • 02:11 • -17.32db
15% Popularity • 12% Danceability • 18% Energy • 32% Liveness
85% Instrumentalness • 34% Positiveness
15% Popularity • 12% Danceability • 18% Energy • 32% Liveness
85% Instrumentalness • 34% Positiveness
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Lifestyle Music Group
Bolero
140 bpm • C Maj • 06:18 • -19.76db
0% Popularity • 24% Danceability • 49% Energy • 18% Liveness
92% Instrumentalness • 23% Positiveness
0% Popularity • 24% Danceability • 49% Energy • 18% Liveness
92% Instrumentalness • 23% Positiveness
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Paavo Berglund
Peer Gynt Opp.46 & 55, Excerpts, Suite N...
140 bpm • A Maj • 04:00 • -31.08db
1% Popularity • 32% Danceability • 3% Energy • 8% Liveness
39% Instrumentalness • 19% Positiveness
1% Popularity • 32% Danceability • 3% Energy • 8% Liveness
39% Instrumentalness • 19% Positiveness
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Stavros Kleisiaris
Jesus of Nazareth - Epic Orchestral Vers...
140 bpm • E min • 04:42 • -19.46db
10% Popularity • 15% Danceability • 14% Energy • 17% Liveness
93% Instrumentalness • 8% Positiveness
10% Popularity • 15% Danceability • 14% Energy • 17% Liveness
93% Instrumentalness • 8% Positiveness
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Alexander Glazunov
Raymonda, Act III: Coda
153 bpm • D min • 02:48 • -15db
13% Popularity • 31% Danceability • 32% Energy • 10% Liveness
78% Instrumentalness • 60% Positiveness
13% Popularity • 31% Danceability • 32% Energy • 10% Liveness
78% Instrumentalness • 60% Positiveness
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Ernest Guiraud
L'Arlesienne Suite No. 2 (arr. E. Guiran...
140 bpm • D# Maj • 04:19 • -23.97db
7% Popularity • 16% Danceability • 2% Energy • 12% Liveness
67% Instrumentalness • 6% Positiveness
7% Popularity • 16% Danceability • 2% Energy • 12% Liveness
67% Instrumentalness • 6% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Variation XII...
139 bpm • A# Maj • 02:23 • -21.38db
9% Popularity • 15% Danceability • 10% Energy • 18% Liveness
75% Instrumentalness • 4% Positiveness
9% Popularity • 15% Danceability • 10% Energy • 18% Liveness
75% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Woodland Suite: III. Moon-Fairy (Arr. Of...
139 bpm • A Maj • 02:08 • -34.07db
9% Popularity • 15% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
9% Popularity • 15% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
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Antonio Vivaldi
The New Four Seasons - Winter: I. Freezi...
139 bpm • F min • 03:14 • -17.01db
11% Popularity • 44% Danceability • 30% Energy • 13% Liveness
40% Instrumentalness • 8% Positiveness
11% Popularity • 44% Danceability • 30% Energy • 13% Liveness
40% Instrumentalness • 8% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1 (Excerpts Arr...
139 bpm • D Maj • 01:28 • -19.52db
12% Popularity • 34% Danceability • 20% Energy • 9% Liveness
87% Instrumentalness • 43% Positiveness
12% Popularity • 34% Danceability • 20% Energy • 9% Liveness
87% Instrumentalness • 43% Positiveness
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Various Artists
Jupiter, The Bringer of Jollity, from Th...
137 bpm • G min • 07:59 • -18.82db
7% Popularity • 26% Danceability • 24% Energy • 11% Liveness
91% Instrumentalness • 16% Positiveness
7% Popularity • 26% Danceability • 24% Energy • 11% Liveness
91% Instrumentalness • 16% Positiveness
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Lifestyle Music Group
Moonlight Sonata
137 bpm • C# min • 06:43 • -28.39db
0% Popularity • 34% Danceability • 5% Energy • 13% Liveness
91% Instrumentalness • 18% Positiveness
0% Popularity • 34% Danceability • 5% Energy • 13% Liveness
91% Instrumentalness • 18% Positiveness
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蔡榮吉
世界名曲:小夜曲
137 bpm • D Maj • 03:50 • -19.3db
9% Popularity • 17% Danceability • 11% Energy • 13% Liveness
95% Instrumentalness • 4% Positiveness
9% Popularity • 17% Danceability • 11% Energy • 13% Liveness
95% Instrumentalness • 4% Positiveness
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Loris Tjeknavorian
Dances Fantastic for Orchestra: III. Lyr...
136 bpm • A# min • 02:39 • -24.98db
15% Popularity • 24% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
15% Popularity • 24% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
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Gioachino Rossini
Rossini: La scala di seta: Overture
135 bpm • C Maj • 06:01 • -26.55db
16% Popularity • 35% Danceability • 8% Energy • 9% Liveness
75% Instrumentalness • 32% Positiveness
16% Popularity • 35% Danceability • 8% Energy • 9% Liveness
75% Instrumentalness • 32% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1 (version for ...
138 bpm • F Maj • 02:46 • -24.08db
11% Popularity • 39% Danceability • 3% Energy • 7% Liveness
86% Instrumentalness • 14% Positiveness
11% Popularity • 39% Danceability • 3% Energy • 7% Liveness
86% Instrumentalness • 14% Positiveness
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The Royal Wind Music
La Traviata: Noi siamo Zingarelle
136 bpm • F min • 02:27 • -22.71db
18% Popularity • 49% Danceability • 7% Energy • 11% Liveness
96% Instrumentalness • 31% Positiveness
18% Popularity • 49% Danceability • 7% Energy • 11% Liveness
96% Instrumentalness • 31% Positiveness
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Georges Bizet
Carmen Suite No. 1: VI. Marche du toread...
135 bpm • A Maj • 02:04 • -13.93db
9% Popularity • 31% Danceability • 40% Energy • 55% Liveness
94% Instrumentalness • 70% Positiveness
9% Popularity • 31% Danceability • 40% Energy • 55% Liveness
94% Instrumentalness • 70% Positiveness
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Paul Wranitzky
Divertissement, Vorstellungen 1803: No. ...
135 bpm • A Maj • 02:03 • -22.01db
15% Popularity • 36% Danceability • 7% Energy • 10% Liveness
24% Instrumentalness • 26% Positiveness
15% Popularity • 36% Danceability • 7% Energy • 10% Liveness
24% Instrumentalness • 26% Positiveness
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Nikolai Rimsky-Korsakov
Capriccio espagnol, Op. 34: Alborada: Vi...
134 bpm • A Maj • 01:10 • -17.23db
14% Popularity • 43% Danceability • 27% Energy • 35% Liveness
46% Instrumentalness • 37% Positiveness
14% Popularity • 43% Danceability • 27% Energy • 35% Liveness
46% Instrumentalness • 37% Positiveness
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Ria Mbanefo
I Miss You Sometimes
134 bpm • A# Maj • 02:47 • -17.75db
16% Popularity • 45% Danceability • 17% Energy • 22% Liveness
86% Instrumentalness • 87% Positiveness
16% Popularity • 45% Danceability • 17% Energy • 22% Liveness
86% Instrumentalness • 87% Positiveness
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Knudåge Riisager
Etudes: I. Tendus - grands battements - ...
134 bpm • C Maj • 02:00 • -19.95db
10% Popularity • 43% Danceability • 25% Energy • 11% Liveness
82% Instrumentalness • 49% Positiveness
10% Popularity • 43% Danceability • 25% Energy • 11% Liveness
82% Instrumentalness • 49% Positiveness
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Antonín Dvořák
Humoresque in G-Flat Major, Op. 101, B. ...
134 bpm • F# Maj • 03:28 • -18.8db
12% Popularity • 18% Danceability • 11% Energy • 13% Liveness
86% Instrumentalness • 13% Positiveness
12% Popularity • 18% Danceability • 11% Energy • 13% Liveness
86% Instrumentalness • 13% Positiveness
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New D'Oyly Carte Opera Orchestra
The Mikado: Overture
134 bpm • G Maj • 07:04 • -20.37db
8% Popularity • 33% Danceability • 9% Energy • 8% Liveness
87% Instrumentalness • 14% Positiveness
8% Popularity • 33% Danceability • 9% Energy • 8% Liveness
87% Instrumentalness • 14% Positiveness
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Ferdinand Hérold
Hérold & Lanchbery: La fille mal gardé...
134 bpm • D# Maj • 03:35 • -28db
8% Popularity • 22% Danceability • 3% Energy • 48% Liveness
58% Instrumentalness • 24% Positiveness
8% Popularity • 22% Danceability • 3% Energy • 48% Liveness
58% Instrumentalness • 24% Positiveness
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Hans Christian Lumbye
Deborah Polka-Mazurka (1857)
134 bpm • E min • 02:48 • -17.46db
13% Popularity • 37% Danceability • 23% Energy • 11% Liveness
86% Instrumentalness • 58% Positiveness
13% Popularity • 37% Danceability • 23% Energy • 11% Liveness
86% Instrumentalness • 58% Positiveness
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Ria Mbanefo
Love Sleeping Alone
134 bpm • G min • 02:24 • -22.2db
14% Popularity • 56% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 45% Positiveness
14% Popularity • 56% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 45% Positiveness
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Daniel Auber
Emma, ou la promesse imprudente, S. 6 (E...
160 bpm • D Maj • 01:42 • -20.36db
21% Popularity • 41% Danceability • 9% Energy • 8% Liveness
91% Instrumentalness • 19% Positiveness
21% Popularity • 41% Danceability • 9% Energy • 8% Liveness
91% Instrumentalness • 19% Positiveness
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John Story
Fur Elise (Really Fast "Dynamic" Orchest...
160 bpm • A min • 02:16 • -15.73db
13% Popularity • 48% Danceability • 20% Energy • 35% Liveness
93% Instrumentalness • 48% Positiveness
13% Popularity • 48% Danceability • 20% Energy • 35% Liveness
93% Instrumentalness • 48% Positiveness
► Preview
Nikos Skalkottas
5 Greek Dances, AK 11b (Arr. for String ...
160 bpm • G min • 02:11 • -20.19db
17% Popularity • 33% Danceability • 22% Energy • 26% Liveness
92% Instrumentalness • 72% Positiveness
17% Popularity • 33% Danceability • 22% Energy • 26% Liveness
92% Instrumentalness • 72% Positiveness
► Preview
Hector Berlioz
Symphony Fantastique in C Major, Op 14: ...
160 bpm • G min • 04:44 • -14.78db
8% Popularity • 35% Danceability • 32% Energy • 7% Liveness
91% Instrumentalness • 34% Positiveness
8% Popularity • 35% Danceability • 32% Energy • 7% Liveness
91% Instrumentalness • 34% Positiveness
► Preview
Erik Satie
Relâche, Pt. 1: No. 3, Entrée de la fe...
133 bpm • D Maj • 01:16 • -33.3db
7% Popularity • 20% Danceability • 0% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
7% Popularity • 20% Danceability • 0% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Ria Mbanefo
Sleep & Chill
134 bpm • A# Maj • 02:50 • -14.89db
16% Popularity • 56% Danceability • 22% Energy • 10% Liveness
88% Instrumentalness • 47% Positiveness
16% Popularity • 56% Danceability • 22% Energy • 10% Liveness
88% Instrumentalness • 47% Positiveness
► Preview
Shanghai Philharmonic Orchestra
Evening Party
133 bpm • D Maj • 01:54 • -19.01db
18% Popularity • 58% Danceability • 9% Energy • 30% Liveness
6% Instrumentalness • 41% Positiveness
18% Popularity • 58% Danceability • 9% Energy • 30% Liveness
6% Instrumentalness • 41% Positiveness
► Preview
Gioachino Rossini
La Scala Di Seta: Overture
133 bpm • C Maj • 05:54 • -18.94db
12% Popularity • 32% Danceability • 26% Energy • 14% Liveness
81% Instrumentalness • 42% Positiveness
12% Popularity • 32% Danceability • 26% Energy • 14% Liveness
81% Instrumentalness • 42% Positiveness
► Preview
Sergei Prokofiev
Cinderella, Op. 87: Act I: No. 1. Introd...
161 bpm • C Maj • 02:25 • -20.62db
9% Popularity • 10% Danceability • 11% Energy • 25% Liveness
64% Instrumentalness • 4% Positiveness
9% Popularity • 10% Danceability • 11% Energy • 25% Liveness
64% Instrumentalness • 4% Positiveness
► Preview
Leó Weiner
Divertimento No. 1, Op. 20: III. Marossz...
133 bpm • A Maj • 01:35 • -33.92db
10% Popularity • 47% Danceability • 1% Energy • 36% Liveness
0% Instrumentalness • 38% Positiveness
10% Popularity • 47% Danceability • 1% Energy • 36% Liveness
0% Instrumentalness • 38% Positiveness
► Preview
Frederick Delius
Orchestral Suite No. 1, RT VI/6: II. Ber...
133 bpm • G Maj • 03:05 • -31.26db
8% Popularity • 16% Danceability • 2% Energy • 8% Liveness
65% Instrumentalness • 3% Positiveness
8% Popularity • 16% Danceability • 2% Energy • 8% Liveness
65% Instrumentalness • 3% Positiveness
► Preview
Georges Bizet
Bizet : Carmen Suite No.1 : Prélude, Ac...
132 bpm • F Maj • 02:07 • -17.87db
0% Popularity • 31% Danceability • 28% Energy • 68% Liveness
2% Instrumentalness • 71% Positiveness
0% Popularity • 31% Danceability • 28% Energy • 68% Liveness
2% Instrumentalness • 71% Positiveness
► Preview
Ludwig van Beethoven
The Sleeping Emperor
132 bpm • B Maj • 01:55 • -37.51db
15% Popularity • 16% Danceability • 0% Energy • 16% Liveness
86% Instrumentalness • 4% Positiveness
15% Popularity • 16% Danceability • 0% Energy • 16% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Giacomo Meyerbeer
Der Admiral: Overture
132 bpm • D Maj • 04:30 • -19db
9% Popularity • 42% Danceability • 10% Energy • 10% Liveness
42% Instrumentalness • 37% Positiveness
9% Popularity • 42% Danceability • 10% Energy • 10% Liveness
42% Instrumentalness • 37% Positiveness
► Preview
Hector Berlioz
Berlioz: La Damnation de Faust, Op. 24, ...
132 bpm • D Maj • 02:39 • -40.26db
3% Popularity • 25% Danceability • 0% Energy • 10% Liveness
4% Instrumentalness • 12% Positiveness
3% Popularity • 25% Danceability • 0% Energy • 10% Liveness
4% Instrumentalness • 12% Positiveness
► Preview
Dick Walter
Mini Nutcracker March
131 bpm • E min • 01:01 • -24.12db
7% Popularity • 58% Danceability • 9% Energy • 13% Liveness
95% Instrumentalness • 53% Positiveness
7% Popularity • 58% Danceability • 9% Energy • 13% Liveness
95% Instrumentalness • 53% Positiveness
► Preview
Timothy Lees
La Musica Notturna Delle Stade Di Madrid...
131 bpm • G Maj • 03:30 • -23.16db
9% Popularity • 36% Danceability • 10% Energy • 7% Liveness
87% Instrumentalness • 26% Positiveness
9% Popularity • 36% Danceability • 10% Energy • 7% Liveness
87% Instrumentalness • 26% Positiveness
► Preview
Lev Atovmyan
Ballet Suite No. 1 (arr. L. Atovmyan): G...
162 bpm • A Maj • 01:45 • -16db
16% Popularity • 48% Danceability • 45% Energy • 8% Liveness
88% Instrumentalness • 89% Positiveness
16% Popularity • 48% Danceability • 45% Energy • 8% Liveness
88% Instrumentalness • 89% Positiveness
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William Hurlstone
The Magic Mirror Suite: VI. Interlude
131 bpm • B min • 03:00 • -26.9db
9% Popularity • 23% Danceability • 3% Energy • 34% Liveness
52% Instrumentalness • 7% Positiveness
9% Popularity • 23% Danceability • 3% Energy • 34% Liveness
52% Instrumentalness • 7% Positiveness
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Bournemouth Symphony Orchestra
Summer Night - Suite from 'The Duenna', ...
131 bpm • C Maj • 02:42 • -18.55db
5% Popularity • 51% Danceability • 11% Energy • 6% Liveness
86% Instrumentalness • 43% Positiveness
5% Popularity • 51% Danceability • 11% Energy • 6% Liveness
86% Instrumentalness • 43% Positiveness
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Jacques Offenbach
Gaîté parisienne: Polka I
163 bpm • D# Maj • 01:44 • -21.84db
7% Popularity • 47% Danceability • 18% Energy • 8% Liveness
2% Instrumentalness • 80% Positiveness
7% Popularity • 47% Danceability • 18% Energy • 8% Liveness
2% Instrumentalness • 80% Positiveness
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Richard Strauss
Horn Concerto No. 1 in E-Flat Major, Op....
130 bpm • D# Maj • 05:18 • -23.29db
8% Popularity • 30% Danceability • 5% Energy • 12% Liveness
73% Instrumentalness • 30% Positiveness
8% Popularity • 30% Danceability • 5% Energy • 12% Liveness
73% Instrumentalness • 30% Positiveness
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Coxeegan
Whit them
130 bpm • C# Maj • 01:50 • -17.05db
9% Popularity • 40% Danceability • 14% Energy • 11% Liveness
95% Instrumentalness • 30% Positiveness
9% Popularity • 40% Danceability • 14% Energy • 11% Liveness
95% Instrumentalness • 30% Positiveness
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Márk Rózsavölgyi
Emlek Nogradi (Souvenir of Nograd)
130 bpm • A Maj • 02:57 • -23.31db
14% Popularity • 29% Danceability • 5% Energy • 19% Liveness
74% Instrumentalness • 22% Positiveness
14% Popularity • 29% Danceability • 5% Energy • 19% Liveness
74% Instrumentalness • 22% Positiveness
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Wolfgang Amadeus Mozart
Concerto for Violin and Orchestra No. 4 ...
129 bpm • D Maj • 07:04 • -21.42db
7% Popularity • 43% Danceability • 6% Energy • 5% Liveness
71% Instrumentalness • 44% Positiveness
7% Popularity • 43% Danceability • 6% Energy • 5% Liveness
71% Instrumentalness • 44% Positiveness
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Giuseppe Verdi
Verdi: Rigoletto, Act 3: "La donna è mo...
129 bpm • B Maj • 03:20 • -20.23db
20% Popularity • 30% Danceability • 19% Energy • 35% Liveness
81% Instrumentalness • 42% Positiveness
20% Popularity • 30% Danceability • 19% Energy • 35% Liveness
81% Instrumentalness • 42% Positiveness
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Edward Elgar
Nimrod
129 bpm • D# Maj • 01:14 • -18.21db
14% Popularity • 16% Danceability • 21% Energy • 36% Liveness
82% Instrumentalness • 4% Positiveness
14% Popularity • 16% Danceability • 21% Energy • 36% Liveness
82% Instrumentalness • 4% Positiveness
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Gustav Holst
St. Paul's Suite, Op. 29, No. 2: I. Jig
129 bpm • C Maj • 03:44 • -18.17db
12% Popularity • 31% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 22% Positiveness
12% Popularity • 31% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 22% Positiveness
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Dick Walter
Mini Hungarian 5
129 bpm • G min • 01:01 • -14.04db
15% Popularity • 33% Danceability • 29% Energy • 29% Liveness
63% Instrumentalness • 65% Positiveness
15% Popularity • 33% Danceability • 29% Energy • 29% Liveness
63% Instrumentalness • 65% Positiveness
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Erik Satie
Relâche, Pt. 1: No. 10, Final
129 bpm • D Maj • 01:14 • -21.39db
5% Popularity • 48% Danceability • 15% Energy • 9% Liveness
49% Instrumentalness • 36% Positiveness
5% Popularity • 48% Danceability • 15% Energy • 9% Liveness
49% Instrumentalness • 36% Positiveness
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Nicolay Rimsky-Korsakov
Spanish Capriccio In A Major Op.34: I. A...
128 bpm • A Maj • 01:12 • -17.51db
10% Popularity • 48% Danceability • 25% Energy • 13% Liveness
17% Instrumentalness • 42% Positiveness
10% Popularity • 48% Danceability • 25% Energy • 13% Liveness
17% Instrumentalness • 42% Positiveness
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Gioachino Rossini
Rossini: La gazza ladra: Overture
167 bpm • E Maj • 10:13 • -20.71db
15% Popularity • 34% Danceability • 10% Energy • 26% Liveness
75% Instrumentalness • 33% Positiveness
15% Popularity • 34% Danceability • 10% Energy • 26% Liveness
75% Instrumentalness • 33% Positiveness
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Alexander Glazunov
Raymonda, Act III: Grand Pas de Deux, En...
167 bpm • C# Maj • 02:16 • -17.08db
17% Popularity • 26% Danceability • 13% Energy • 11% Liveness
80% Instrumentalness • 22% Positiveness
17% Popularity • 26% Danceability • 13% Energy • 11% Liveness
80% Instrumentalness • 22% Positiveness
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Gustav Holst
A Fugal Concerto, Op. 40: II. Adagio
128 bpm • D Maj • 03:10 • -28.77db
20% Popularity • 18% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
20% Popularity • 18% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Slovak Philharmonic
Scènes pittoresques, Orchestersuite in ...
128 bpm • D Maj • 03:43 • -22.05db
8% Popularity • 47% Danceability • 5% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
8% Popularity • 47% Danceability • 5% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
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Giacomo Meyerbeer
Le prophete (The Prophet): Overture: Act...
167 bpm • D Maj • 01:36 • -24.31db
15% Popularity • 43% Danceability • 12% Energy • 14% Liveness
95% Instrumentalness • 62% Positiveness
15% Popularity • 43% Danceability • 12% Energy • 14% Liveness
95% Instrumentalness • 62% Positiveness
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Georges Bizet
Carmen Suite No. 1: Entr'acte (Act III)
128 bpm • D Maj • 02:11 • -17db
12% Popularity • 39% Danceability • 41% Energy • 34% Liveness
90% Instrumentalness • 76% Positiveness
12% Popularity • 39% Danceability • 41% Energy • 34% Liveness
90% Instrumentalness • 76% Positiveness
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Daniel Auber
Couvin, S. 2: Act II Prelude
167 bpm • C Maj • 01:27 • -34db
24% Popularity • 26% Danceability • 1% Energy • 8% Liveness
31% Instrumentalness • 3% Positiveness
24% Popularity • 26% Danceability • 1% Energy • 8% Liveness
31% Instrumentalness • 3% Positiveness
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Wilhelm Furtwängler
Variations on a Theme by Haydn, Op.56: O...
168 bpm • D# min • 02:55 • -18.36db
14% Popularity • 9% Danceability • 16% Energy • 19% Liveness
90% Instrumentalness • 8% Positiveness
14% Popularity • 9% Danceability • 16% Energy • 19% Liveness
90% Instrumentalness • 8% Positiveness
► Preview
The Gerst Ensemble
Practical Exercises for Beginners, Op. 5...
127 bpm • C Maj • 01:12 • -26db
18% Popularity • 17% Danceability • 5% Energy • 21% Liveness
98% Instrumentalness • 32% Positiveness
18% Popularity • 17% Danceability • 5% Energy • 21% Liveness
98% Instrumentalness • 32% Positiveness
► Preview
Juan Pablo Fernández Ramos
Las tres culturas: 3. Los pasos de Jehov...
127 bpm • D min • 04:08 • -33.21db
10% Popularity • 21% Danceability • 1% Energy • 8% Liveness
58% Instrumentalness • 7% Positiveness
10% Popularity • 21% Danceability • 1% Energy • 8% Liveness
58% Instrumentalness • 7% Positiveness
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Ferdinand David
Trombone Concertino in E-flat Major, Op....
127 bpm • D# Maj • 01:05 • -14.02db
14% Popularity • 26% Danceability • 36% Energy • 17% Liveness
97% Instrumentalness • 38% Positiveness
14% Popularity • 26% Danceability • 36% Energy • 17% Liveness
97% Instrumentalness • 38% Positiveness
