Songs like The Game Ain't The Same Pt. 1 by Klas' One
Based on a tempo of (+/- 10%) and a similar genre
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Klas' One
Don't Cha Know?
126 bpm • C# Maj • 05:35 • -13.71db
0% Popularity • 81% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
0% Popularity • 81% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
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Webb Beaufort
I Reflect
126 bpm • A# Maj • 04:34 • -14.25db
25% Popularity • 80% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
25% Popularity • 80% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Silene Hoiry
The Freestyle
128 bpm • C# Maj • 04:44 • -17.38db
23% Popularity • 82% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
23% Popularity • 82% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Jionni Castro
We Hustle
124 bpm • A min • 05:29 • -9.77db
21% Popularity • 65% Danceability • 61% Energy • 72% Liveness
0% Instrumentalness • 58% Positiveness
21% Popularity • 65% Danceability • 61% Energy • 72% Liveness
0% Instrumentalness • 58% Positiveness
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Norman Bates
Lost Faith
128 bpm • D Maj • 02:03 • -11.4db
12% Popularity • 54% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
12% Popularity • 54% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
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Theodore Geordie
The Hennessy
128 bpm • D# Maj • 04:03 • -6db
25% Popularity • 78% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
25% Popularity • 78% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
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Klas' One
Young Gunz
126 bpm • C# Maj • 04:35 • -11.09db
0% Popularity • 92% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
0% Popularity • 92% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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A. BLACK
I AINT WORRIED
129 bpm • C# Maj • 02:18 • -9.77db
13% Popularity • 73% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
13% Popularity • 73% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Flavie Mayert
Dope Aint Come Back
129 bpm • B Maj • 04:31 • -9.6db
29% Popularity • 96% Danceability • 59% Energy • 43% Liveness
0% Instrumentalness • 32% Positiveness
29% Popularity • 96% Danceability • 59% Energy • 43% Liveness
0% Instrumentalness • 32% Positiveness
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Jace the Small City Giant
Shake It Off
129 bpm • F# min • 04:13 • -2.29db
9% Popularity • 72% Danceability • 83% Energy • 38% Liveness
0% Instrumentalness • 58% Positiveness
9% Popularity • 72% Danceability • 83% Energy • 38% Liveness
0% Instrumentalness • 58% Positiveness
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Warner Margery
Right
129 bpm • D Maj • 03:44 • -11.49db
30% Popularity • 56% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
30% Popularity • 56% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Yulianasari Pulisevich
Eat, Sleep
122 bpm • C# Maj • 02:15 • -12.73db
24% Popularity • 97% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
24% Popularity • 97% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Klas' One
It Ain't Safe To Floss
126 bpm • C# min • 06:05 • -10.13db
0% Popularity • 88% Danceability • 67% Energy • 35% Liveness
0% Instrumentalness • 83% Positiveness
0% Popularity • 88% Danceability • 67% Energy • 35% Liveness
0% Instrumentalness • 83% Positiveness
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Isaiah X
Yeen Ready Fa Mi
130 bpm • D Maj • 04:02 • -11.3db
9% Popularity • 68% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
9% Popularity • 68% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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Crisis Mode
babypray
130 bpm • D# min • 04:03 • -10.45db
13% Popularity • 60% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
13% Popularity • 60% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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Silene Hoiry
Northstar
130 bpm • G# Maj • 02:00 • -13.23db
23% Popularity • 78% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
23% Popularity • 78% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Warner Margery
There
130 bpm • D Maj • 03:45 • -13.29db
30% Popularity • 57% Danceability • 60% Energy • 54% Liveness
0% Instrumentalness • 69% Positiveness
30% Popularity • 57% Danceability • 60% Energy • 54% Liveness
0% Instrumentalness • 69% Positiveness
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Tito Starr
Cargo Pants
130 bpm • D# min • 02:52 • -6.41db
8% Popularity • 80% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 75% Positiveness
8% Popularity • 80% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 75% Positiveness
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Klas' One
Ain't No Love
127 bpm • C# Maj • 01:45 • -8.16db
0% Popularity • 81% Danceability • 52% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
0% Popularity • 81% Danceability • 52% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
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89Music Verbally Diseased
Smokin
130 bpm • C# Maj • 03:34 • -11.65db
8% Popularity • 85% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
8% Popularity • 85% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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RyDiger
DRECKIGER SÃœDEN
130 bpm • F# Maj • 01:36 • -10.8db
17% Popularity • 67% Danceability • 55% Energy • 24% Liveness
2% Instrumentalness • 71% Positiveness
17% Popularity • 67% Danceability • 55% Energy • 24% Liveness
2% Instrumentalness • 71% Positiveness
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Silene Hoiry
We Sipp Syrup
130 bpm • G# Maj • 02:00 • -13.23db
23% Popularity • 78% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
23% Popularity • 78% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Shawn Marlay
Black Stella Rosa
130 bpm • D min • 04:40 • -15.33db
8% Popularity • 88% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
8% Popularity • 88% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Justified No More Lies
Transformed
130 bpm • G# Maj • 04:00 • -6.99db
19% Popularity • 92% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
19% Popularity • 92% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Klas' One
The Game Ain't The Same Pt. 1
126 bpm • F min • 03:54 • -12.17db
0% Popularity • 82% Danceability • 45% Energy • 47% Liveness
0% Instrumentalness • 50% Positiveness
0% Popularity • 82% Danceability • 45% Energy • 47% Liveness
0% Instrumentalness • 50% Positiveness
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Steel city red
Flyer Than Most
130 bpm • F# min • 04:01 • -9.43db
7% Popularity • 82% Danceability • 74% Energy • 77% Liveness
0% Instrumentalness • 74% Positiveness
7% Popularity • 82% Danceability • 74% Energy • 77% Liveness
0% Instrumentalness • 74% Positiveness
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The Grey Haired King
Hol' Up
130 bpm • C# Maj • 03:34 • -7.77db
24% Popularity • 74% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
24% Popularity • 74% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Karley Boi
Mood Swang
130 bpm • A# min • 03:30 • -6.67db
20% Popularity • 64% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
20% Popularity • 64% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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Alvis Toland
Little Yellow Bits
130 bpm • A# min • 01:46 • -8.88db
26% Popularity • 95% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
26% Popularity • 95% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Silene Hoiry
On The Floor
122 bpm • C# Maj • 05:06 • -12.84db
23% Popularity • 68% Danceability • 41% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
23% Popularity • 68% Danceability • 41% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
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Klas' One
Elbow Turn
127 bpm • C# Maj • 02:38 • -14.55db
0% Popularity • 62% Danceability • 40% Energy • 34% Liveness
0% Instrumentalness • 50% Positiveness
0% Popularity • 62% Danceability • 40% Energy • 34% Liveness
0% Instrumentalness • 50% Positiveness
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Magno
Peep Yo Gal
130 bpm • F# min • 06:03 • -11.91db
0% Popularity • 80% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
0% Popularity • 80% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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DJ Electrolyte
Still a Queen
122 bpm • F Maj • 02:34 • -7.27db
7% Popularity • 79% Danceability • 74% Energy • 40% Liveness
0% Instrumentalness • 48% Positiveness
7% Popularity • 79% Danceability • 74% Energy • 40% Liveness
0% Instrumentalness • 48% Positiveness
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Warner Margery
FlyShit
130 bpm • C Maj • 03:58 • -10.11db
30% Popularity • 82% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
30% Popularity • 82% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Hardy Churchill
All Time
131 bpm • C# Maj • 05:00 • -8.85db
18% Popularity • 58% Danceability • 39% Energy • 26% Liveness
0% Instrumentalness • 37% Positiveness
18% Popularity • 58% Danceability • 39% Energy • 26% Liveness
0% Instrumentalness • 37% Positiveness
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Silene Hoiry
Come And Smoke
122 bpm • C# Maj • 05:06 • -12.84db
23% Popularity • 68% Danceability • 41% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
23% Popularity • 68% Danceability • 41% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
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Klas' One
On The Cool
127 bpm • G Maj • 01:37 • -8.35db
0% Popularity • 75% Danceability • 70% Energy • 40% Liveness
0% Instrumentalness • 78% Positiveness
0% Popularity • 75% Danceability • 70% Energy • 40% Liveness
0% Instrumentalness • 78% Positiveness
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Magno
Greenspoint
131 bpm • C# Maj • 03:21 • -8.85db
0% Popularity • 90% Danceability • 64% Energy • 46% Liveness
0% Instrumentalness • 84% Positiveness
0% Popularity • 90% Danceability • 64% Energy • 46% Liveness
0% Instrumentalness • 84% Positiveness
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Webb Beaufort
Boy To Man
131 bpm • C# Maj • 04:54 • -13.56db
25% Popularity • 87% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
25% Popularity • 87% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Lucio Chafetz
Under The Influence
132 bpm • E min • 05:24 • -9.03db
25% Popularity • 84% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
25% Popularity • 84% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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Duke Johnson
Roll It, Light It
132 bpm • B min • 01:34 • -11.53db
14% Popularity • 70% Danceability • 47% Energy • 60% Liveness
0% Instrumentalness • 84% Positiveness
14% Popularity • 70% Danceability • 47% Energy • 60% Liveness
0% Instrumentalness • 84% Positiveness
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Ladi D
Screens Fall
132 bpm • A# min • 05:00 • -21.78db
19% Popularity • 78% Danceability • 29% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
19% Popularity • 78% Danceability • 29% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
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Klas' One
Brang Yo Azz
127 bpm • C# Maj • 01:30 • -7.29db
0% Popularity • 84% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
0% Popularity • 84% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Alvis Toland
The Decline Of Civilization
132 bpm • G# Maj • 03:39 • -11.3db
26% Popularity • 93% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
26% Popularity • 93% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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Webb Beaufort
The World Is So Cold
131 bpm • F min • 04:23 • -15.16db
25% Popularity • 81% Danceability • 40% Energy • 25% Liveness
0% Instrumentalness • 58% Positiveness
25% Popularity • 81% Danceability • 40% Energy • 25% Liveness
0% Instrumentalness • 58% Positiveness
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Chilla
Face of Death - Wet Cho Set Mix
132 bpm • A Maj • 05:02 • -9.32db
8% Popularity • 82% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
8% Popularity • 82% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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Dahvee Dff
Chasing $$$
120 bpm • C Maj • 04:00 • -11.26db
8% Popularity • 90% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
8% Popularity • 90% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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Isaiah X
Shit you did
120 bpm • E Maj • 02:39 • -12.94db
9% Popularity • 86% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
9% Popularity • 86% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Klas' One
Don't Love Ya Pt. 2
127 bpm • B min • 01:38 • -9.17db
0% Popularity • 81% Danceability • 46% Energy • 22% Liveness
3% Instrumentalness • 37% Positiveness
0% Popularity • 81% Danceability • 46% Energy • 22% Liveness
3% Instrumentalness • 37% Positiveness
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Lester Kingsley
Break Bread
133 bpm • C# Maj • 02:55 • -8.09db
16% Popularity • 72% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
16% Popularity • 72% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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50/50 Twin
Batter up, Pt. 2
132 bpm • A min • 01:34 • -7.32db
17% Popularity • 94% Danceability • 61% Energy • 80% Liveness
0% Instrumentalness • 80% Positiveness
17% Popularity • 94% Danceability • 61% Energy • 80% Liveness
0% Instrumentalness • 80% Positiveness
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Jionni Castro
My Day
133 bpm • C# min • 05:25 • -11.88db
21% Popularity • 79% Danceability • 43% Energy • 23% Liveness
3% Instrumentalness • 20% Positiveness
21% Popularity • 79% Danceability • 43% Energy • 23% Liveness
3% Instrumentalness • 20% Positiveness
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Haley Habakkuk
Sensor Overload
119 bpm • C# min • 03:19 • -16.38db
31% Popularity • 81% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
31% Popularity • 81% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Isaiah X
Candy
120 bpm • C Maj • 03:12 • -14.82db
10% Popularity • 87% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
10% Popularity • 87% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
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Webb Beaufort
Hellish
133 bpm • B min • 04:20 • -12.35db
25% Popularity • 81% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
25% Popularity • 81% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Klas' One
The Game Ain't The Same Pt. 2
127 bpm • A# min • 03:38 • -7.29db
0% Popularity • 80% Danceability • 57% Energy • 29% Liveness
0% Instrumentalness • 51% Positiveness
0% Popularity • 80% Danceability • 57% Energy • 29% Liveness
0% Instrumentalness • 51% Positiveness
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Woss Ness
The Hoes Be Boppin'
133 bpm • E min • 06:36 • -10.38db
8% Popularity • 80% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
8% Popularity • 80% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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The Real DJ Spins
On My Grind
119 bpm • E min • 01:54 • -5.33db
9% Popularity • 89% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 64% Positiveness
9% Popularity • 89% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 64% Positiveness
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Pollie Pop
Lookin At Me Like They Aint Never Seen G...
134 bpm • B min • 02:01 • -6.28db
7% Popularity • 77% Danceability • 91% Energy • 76% Liveness
0% Instrumentalness • 61% Positiveness
7% Popularity • 77% Danceability • 91% Energy • 76% Liveness
0% Instrumentalness • 61% Positiveness
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Queen Tea 713
713 Day
118 bpm • D Maj • 02:37 • -9.91db
14% Popularity • 88% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
14% Popularity • 88% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
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Kid Frost
Clouds My Eye
118 bpm • C# Maj • 01:37 • -8.86db
8% Popularity • 89% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
8% Popularity • 89% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Klas' One
Deep Intro
128 bpm • C# Maj • 02:26 • -10.61db
0% Popularity • 95% Danceability • 52% Energy • 39% Liveness
7% Instrumentalness • 50% Positiveness
0% Popularity • 95% Danceability • 52% Energy • 39% Liveness
7% Instrumentalness • 50% Positiveness
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Winston Becher
Burnish
118 bpm • B Maj • 04:04 • -14.96db
31% Popularity • 76% Danceability • 32% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
31% Popularity • 76% Danceability • 32% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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Marcus Henley
Saucymac
118 bpm • F min • 04:19 • -13db
16% Popularity • 76% Danceability • 50% Energy • 31% Liveness
0% Instrumentalness • 53% Positiveness
16% Popularity • 76% Danceability • 50% Energy • 31% Liveness
0% Instrumentalness • 53% Positiveness
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Pollie Pop
Banging Robert Davis On the Regular - Ch...
135 bpm • B min • 01:40 • -5.9db
8% Popularity • 83% Danceability • 84% Energy • 39% Liveness
0% Instrumentalness • 78% Positiveness
8% Popularity • 83% Danceability • 84% Energy • 39% Liveness
0% Instrumentalness • 78% Positiveness
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Iconz
Representin' da South
135 bpm • B min • 03:53 • -3.39db
16% Popularity • 89% Danceability • 75% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
16% Popularity • 89% Danceability • 75% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
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Elvis Brewster
Betcha Cant
118 bpm • C# Maj • 03:48 • -14.37db
26% Popularity • 69% Danceability • 38% Energy • 23% Liveness
0% Instrumentalness • 56% Positiveness
26% Popularity • 69% Danceability • 38% Energy • 23% Liveness
0% Instrumentalness • 56% Positiveness
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Klas' One
Caught Up In The Game
128 bpm • C# Maj • 05:30 • -10.12db
0% Popularity • 79% Danceability • 45% Energy • 83% Liveness
0% Instrumentalness • 66% Positiveness
0% Popularity • 79% Danceability • 45% Energy • 83% Liveness
0% Instrumentalness • 66% Positiveness
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Reec Havoc
MJ Boppin
135 bpm • C Maj • 03:19 • -14.54db
9% Popularity • 88% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 88% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Botany Boyz
Block That Stay Crunk
135 bpm • A# min • 05:33 • -9.24db
12% Popularity • 78% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
12% Popularity • 78% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
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Donnie Cruickshank
He's Gone
136 bpm • F# min • 04:37 • -3.4db
28% Popularity • 64% Danceability • 84% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
28% Popularity • 64% Danceability • 84% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
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Colbert Keynes
She's More
117 bpm • D Maj • 01:18 • -16.16db
21% Popularity • 72% Danceability • 25% Energy • 38% Liveness
0% Instrumentalness • 52% Positiveness
21% Popularity • 72% Danceability • 25% Energy • 38% Liveness
0% Instrumentalness • 52% Positiveness
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Jionni Castro
Good Livin
117 bpm • C# Maj • 02:53 • -13.88db
21% Popularity • 70% Danceability • 40% Energy • 46% Liveness
0% Instrumentalness • 51% Positiveness
21% Popularity • 70% Danceability • 40% Energy • 46% Liveness
0% Instrumentalness • 51% Positiveness
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Klas' One
Don't Love Ya Pt. 1
128 bpm • B min • 01:51 • -12.53db
0% Popularity • 80% Danceability • 41% Energy • 80% Liveness
0% Instrumentalness • 49% Positiveness
0% Popularity • 80% Danceability • 41% Energy • 80% Liveness
0% Instrumentalness • 49% Positiveness
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Vante
Enough
136 bpm • F# Maj • 03:49 • -9.44db
8% Popularity • 63% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 49% Positiveness
8% Popularity • 63% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 49% Positiveness
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P Rex
Keep em Hot
136 bpm • F min • 06:17 • -1.21db
20% Popularity • 81% Danceability • 93% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
20% Popularity • 81% Danceability • 93% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
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Big Steve
Testimony
116 bpm • C# min • 03:30 • -9.8db
12% Popularity • 64% Danceability • 30% Energy • 4% Liveness
0% Instrumentalness • 63% Positiveness
12% Popularity • 64% Danceability • 30% Energy • 4% Liveness
0% Instrumentalness • 63% Positiveness
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Donnie Cruickshank
The Brown Skin
116 bpm • A# min • 03:11 • -7.1db
28% Popularity • 77% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
28% Popularity • 77% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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Hardy Churchill
Station
137 bpm • C Maj • 03:21 • -12.6db
18% Popularity • 78% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
18% Popularity • 78% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
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Klas' One
Doin' Bad
128 bpm • C# Maj • 02:22 • -5.73db
0% Popularity • 85% Danceability • 81% Energy • 45% Liveness
0% Instrumentalness • 65% Positiveness
0% Popularity • 85% Danceability • 81% Energy • 45% Liveness
0% Instrumentalness • 65% Positiveness
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Hyman Chaucer
All Smoke
137 bpm • G# Maj • 02:59 • -16.71db
20% Popularity • 60% Danceability • 35% Energy • 21% Liveness
4% Instrumentalness • 65% Positiveness
20% Popularity • 60% Danceability • 35% Energy • 21% Liveness
4% Instrumentalness • 65% Positiveness
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Webbie
G-Shit - Chopped & Screwed
137 bpm • D Maj • 03:53 • -8.19db
11% Popularity • 79% Danceability • 50% Energy • 48% Liveness
0% Instrumentalness • 10% Positiveness
11% Popularity • 79% Danceability • 50% Energy • 48% Liveness
0% Instrumentalness • 10% Positiveness
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Franklin Marlowe
One Way
115 bpm • B min • 04:21 • -13.44db
25% Popularity • 70% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
25% Popularity • 70% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Greyson Ward
Cartiers And Choppas
138 bpm • G# Maj • 03:56 • -10.84db
29% Popularity • 92% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
29% Popularity • 92% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Lucio Chafetz
Homesickness
138 bpm • C Maj • 03:59 • -7.43db
25% Popularity • 82% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
25% Popularity • 82% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Klas' One
Rollin'
119 bpm • C# Maj • 01:52 • -14.11db
0% Popularity • 77% Danceability • 31% Energy • 43% Liveness
0% Instrumentalness • 49% Positiveness
0% Popularity • 77% Danceability • 31% Energy • 43% Liveness
0% Instrumentalness • 49% Positiveness
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Southside Playaz
Hard II Survive
138 bpm • C# Maj • 04:54 • -7db
11% Popularity • 77% Danceability • 55% Energy • 43% Liveness
0% Instrumentalness • 46% Positiveness
11% Popularity • 77% Danceability • 55% Energy • 43% Liveness
0% Instrumentalness • 46% Positiveness
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Woss Ness
Rollin' Chrome
138 bpm • F# min • 06:28 • -10db
11% Popularity • 82% Danceability • 44% Energy • 44% Liveness
0% Instrumentalness • 20% Positiveness
11% Popularity • 82% Danceability • 44% Energy • 44% Liveness
0% Instrumentalness • 20% Positiveness
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Hardy Churchill
Let Them Know
138 bpm • C# Maj • 03:35 • -10.27db
18% Popularity • 63% Danceability • 70% Energy • 46% Liveness
0% Instrumentalness • 40% Positiveness
18% Popularity • 63% Danceability • 70% Energy • 46% Liveness
0% Instrumentalness • 40% Positiveness
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Vivien Clapham
In Trinity
115 bpm • C# Maj • 03:17 • -7.52db
26% Popularity • 57% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
26% Popularity • 57% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Freestyle Kingz
Run It
139 bpm • C# min • 04:15 • -9.2db
11% Popularity • 83% Danceability • 57% Energy • 29% Liveness
0% Instrumentalness • 23% Positiveness
11% Popularity • 83% Danceability • 57% Energy • 29% Liveness
0% Instrumentalness • 23% Positiveness
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Klas' One
Warrior
134 bpm • C Maj • 04:12 • -5.61db
0% Popularity • 90% Danceability • 66% Energy • 62% Liveness
0% Instrumentalness • 67% Positiveness
0% Popularity • 90% Danceability • 66% Energy • 62% Liveness
0% Instrumentalness • 67% Positiveness
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Big Tuck
Diamonds On Me
139 bpm • C# Maj • 01:51 • -11.31db
9% Popularity • 74% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
9% Popularity • 74% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Flavie Mayert
Clients From OT
139 bpm • C# min • 04:36 • -9.96db
29% Popularity • 70% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
29% Popularity • 70% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Screwheads
Freestyle
140 bpm • C# Maj • 04:03 • -12.16db
1% Popularity • 82% Danceability • 33% Energy • 20% Liveness
0% Instrumentalness • 14% Positiveness
1% Popularity • 82% Danceability • 33% Energy • 20% Liveness
0% Instrumentalness • 14% Positiveness
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Clement Woolley
Hood To Hood
140 bpm • D Maj • 04:42 • -10.19db
31% Popularity • 74% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
31% Popularity • 74% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Da Great Tate
Thugs Path (Intro)
140 bpm • C# min • 02:50 • -8.92db
15% Popularity • 92% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
15% Popularity • 92% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Klas' One
N This Mutha*****
137 bpm • A Maj • 03:06 • -2.95db
0% Popularity • 57% Danceability • 89% Energy • 75% Liveness
0% Instrumentalness • 57% Positiveness
0% Popularity • 57% Danceability • 89% Energy • 75% Liveness
0% Instrumentalness • 57% Positiveness
