Songs like The Garden Where the Praties Grow by Josef Locke
Based on a tempo of (+/- 10%) and a similar genre
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Windsor Davies
Nagasaki
113 bpm • C Maj • 02:21 • -9.27db
8% Popularity • 61% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
8% Popularity • 61% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Josef Locke
The Garden Where the Praties Grow
113 bpm • A Maj • 02:48 • -11.39db
4% Popularity • 72% Danceability • 21% Energy • 11% Liveness
5% Instrumentalness • 90% Positiveness
4% Popularity • 72% Danceability • 21% Energy • 11% Liveness
5% Instrumentalness • 90% Positiveness
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Fitzrovia Chorus
Pack Up Your Troubles
113 bpm • G Maj • 01:58 • -10.78db
14% Popularity • 71% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
14% Popularity • 71% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Herbert Doyle
Blue Illusions
113 bpm • F min • 02:43 • -8.49db
9% Popularity • 83% Danceability • 32% Energy • 51% Liveness
0% Instrumentalness • 59% Positiveness
9% Popularity • 83% Danceability • 32% Energy • 51% Liveness
0% Instrumentalness • 59% Positiveness
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Andy Stewart
The Road to the Isles
113 bpm • G# Maj • 02:27 • -13.82db
22% Popularity • 63% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
22% Popularity • 63% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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George Formby
Auntie Maggie's Remedy
113 bpm • A# Maj • 03:22 • -13.82db
11% Popularity • 92% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
11% Popularity • 92% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Laurel and Hardy
Trail of the Lonesome Pine
114 bpm • F# Maj • 02:03 • -11.11db
21% Popularity • 64% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
21% Popularity • 64% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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The Houghton Weavers
D - Day Dodgers
114 bpm • C Maj • 02:27 • -10.84db
11% Popularity • 60% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
11% Popularity • 60% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Reinald Werrenrath
Pack up Your Troubles in Your Old Kit Ba...
114 bpm • A# Maj • 03:13 • -12.2db
16% Popularity • 76% Danceability • 12% Energy • 16% Liveness
2% Instrumentalness • 53% Positiveness
16% Popularity • 76% Danceability • 12% Energy • 16% Liveness
2% Instrumentalness • 53% Positiveness
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michael holliday
I'll Always Be in Love with You
114 bpm • D Maj • 02:08 • -16.15db
18% Popularity • 64% Danceability • 30% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
18% Popularity • 64% Danceability • 30% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
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Andy Stewart
Scotland the Brave / We're No Awa' Tae B...
113 bpm • G Maj • 03:39 • -9.57db
14% Popularity • 72% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
14% Popularity • 72% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
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George Formby
Cleaning Windows
114 bpm • C# Maj • 03:34 • -15.84db
9% Popularity • 84% Danceability • 38% Energy • 26% Liveness
49% Instrumentalness • 73% Positiveness
9% Popularity • 84% Danceability • 38% Energy • 26% Liveness
49% Instrumentalness • 73% Positiveness
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Josef Locke
March of the Grenadiers
114 bpm • C Maj • 02:14 • -6.5db
0% Popularity • 57% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
0% Popularity • 57% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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Ruby Murray
Dear Old Donegal
114 bpm • E Maj • 02:27 • -11.66db
11% Popularity • 84% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
11% Popularity • 84% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Sophia Loren
To Keep My Love Alive
114 bpm • G Maj • 02:54 • -10.62db
14% Popularity • 68% Danceability • 29% Energy • 24% Liveness
0% Instrumentalness • 50% Positiveness
14% Popularity • 68% Danceability • 29% Energy • 24% Liveness
0% Instrumentalness • 50% Positiveness
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The Dunvant Male Choir
Soldier's Chorus
114 bpm • D# Maj • 03:00 • -18.05db
10% Popularity • 38% Danceability • 20% Energy • 8% Liveness
9% Instrumentalness • 29% Positiveness
10% Popularity • 38% Danceability • 20% Energy • 8% Liveness
9% Instrumentalness • 29% Positiveness
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Andy Stewart
The Heart of Midlothian
112 bpm • F min • 01:47 • -10.99db
16% Popularity • 91% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
16% Popularity • 91% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Kenneth McKellar
We're No Awa' Tae Bide Awa'
112 bpm • D# Maj • 02:49 • -19db
8% Popularity • 63% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
8% Popularity • 63% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Freddy Quinn
Kari Waits For Me
115 bpm • A Maj • 03:27 • -14db
9% Popularity • 51% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
9% Popularity • 51% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Sonny Knowles
When Your Old Wedding Ring Was New
111 bpm • F Maj • 02:48 • -16.65db
9% Popularity • 66% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
9% Popularity • 66% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Brendan O'Dowda
A Pretty Irish Girl
111 bpm • A Maj • 02:44 • -13.74db
10% Popularity • 54% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
10% Popularity • 54% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Billy Ternent Band
Don't Dilly Dally On The Way
111 bpm • C Maj • 03:06 • -13.3db
15% Popularity • 69% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
15% Popularity • 69% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
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Jon English, Rob Carriker, Marlborough Singers & Marlborough Chamber Players
Marching Through Georgia
115 bpm • A# Maj • 02:25 • -11.34db
11% Popularity • 75% Danceability • 41% Energy • 32% Liveness
0% Instrumentalness • 80% Positiveness
11% Popularity • 75% Danceability • 41% Energy • 32% Liveness
0% Instrumentalness • 80% Positiveness
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Hamilton Kennedy
How Can You Buy Killarney
115 bpm • D# Maj • 02:55 • -14.16db
0% Popularity • 32% Danceability • 18% Energy • 22% Liveness
2% Instrumentalness • 24% Positiveness
0% Popularity • 32% Danceability • 18% Energy • 22% Liveness
2% Instrumentalness • 24% Positiveness
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Sir Harry Lauder
I Love a Lassie
111 bpm • C# Maj • 03:55 • -11.37db
26% Popularity • 73% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
26% Popularity • 73% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
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Anne Shelton
Lay Down Your Arms
111 bpm • C# Maj • 02:57 • -9db
24% Popularity • 69% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
24% Popularity • 69% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
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Finbar Wright
South of the Border
111 bpm • F Maj • 03:06 • -15.45db
12% Popularity • 33% Danceability • 16% Energy • 9% Liveness
1% Instrumentalness • 30% Positiveness
12% Popularity • 33% Danceability • 16% Energy • 9% Liveness
1% Instrumentalness • 30% Positiveness
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Sammy Davis Jr.
Stand Up and Fight
111 bpm • C Maj • 03:53 • -14.55db
8% Popularity • 55% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
8% Popularity • 55% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Rhos Male Voice Choir
Laudamus
110 bpm • F# Maj • 03:40 • -23.14db
9% Popularity • 22% Danceability • 13% Energy • 17% Liveness
6% Instrumentalness • 7% Positiveness
9% Popularity • 22% Danceability • 13% Energy • 17% Liveness
6% Instrumentalness • 7% Positiveness
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Cliff Adams Singers
Medley: We're Gonna Hang out the Washing...
116 bpm • C Maj • 03:00 • -17.95db
9% Popularity • 79% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 95% Positiveness
9% Popularity • 79% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 95% Positiveness
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Kenneth McKellar
The Hiking Song
116 bpm • G# Maj • 03:08 • -9.12db
10% Popularity • 50% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 76% Positiveness
10% Popularity • 50% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 76% Positiveness
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Stanley Holloway
The Galloping Major
110 bpm • A# Maj • 02:27 • -14.03db
10% Popularity • 84% Danceability • 43% Energy • 58% Liveness
0% Instrumentalness • 87% Positiveness
10% Popularity • 84% Danceability • 43% Energy • 58% Liveness
0% Instrumentalness • 87% Positiveness
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The Party Poppers
Roll out the Barrel / Who Were You with ...
116 bpm • A# Maj • 03:00 • -15.47db
11% Popularity • 62% Danceability • 46% Energy • 80% Liveness
0% Instrumentalness • 51% Positiveness
11% Popularity • 62% Danceability • 46% Energy • 80% Liveness
0% Instrumentalness • 51% Positiveness
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Gilbert & Sullivan Society of Houston
Trial by Jury: When I, Good Friends, Was...
116 bpm • G Maj • 02:59 • -13.43db
10% Popularity • 62% Danceability • 40% Energy • 66% Liveness
0% Instrumentalness • 66% Positiveness
10% Popularity • 62% Danceability • 40% Energy • 66% Liveness
0% Instrumentalness • 66% Positiveness
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Haleloki Kahauolopua
Easter In Waikiki
116 bpm • C Maj • 02:57 • -14.78db
9% Popularity • 72% Danceability • 14% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
9% Popularity • 72% Danceability • 14% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
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Cast of Oh What A Lovely War
When This Lousy War Is Over / Wash Me In...
116 bpm • B Maj • 01:50 • -19.44db
10% Popularity • 50% Danceability • 8% Energy • 66% Liveness
0% Instrumentalness • 28% Positiveness
10% Popularity • 50% Danceability • 8% Energy • 66% Liveness
0% Instrumentalness • 28% Positiveness
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Vesta Victoria
Daddy Wouldn't Buy Me A Bow-Wow
110 bpm • F Maj • 01:08 • -14db
15% Popularity • 71% Danceability • 13% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
15% Popularity • 71% Danceability • 13% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
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London Welsh Male Voice Choir
Va Pensiero
109 bpm • C# Maj • 03:31 • -19.45db
9% Popularity • 22% Danceability • 16% Energy • 68% Liveness
62% Instrumentalness • 9% Positiveness
9% Popularity • 22% Danceability • 16% Energy • 68% Liveness
62% Instrumentalness • 9% Positiveness
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Mitch Miller & His Orchestra & Chorus
The Longest Day
109 bpm • G Maj • 02:03 • -13db
14% Popularity • 59% Danceability • 88% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
14% Popularity • 59% Danceability • 88% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
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Art Mooney
I'm Looking over a Four-Leaf Clover
109 bpm • G Maj • 02:28 • -11.73db
26% Popularity • 72% Danceability • 54% Energy • 28% Liveness
45% Instrumentalness • 96% Positiveness
26% Popularity • 72% Danceability • 54% Energy • 28% Liveness
45% Instrumentalness • 96% Positiveness
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Jimmie Driftwood
How Do You Like the Army
117 bpm • E Maj • 02:11 • -15.71db
8% Popularity • 75% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 98% Positiveness
8% Popularity • 75% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 98% Positiveness
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Cast of Oh What A Lovely War
Keep The Home Fires Burning / La Chanson...
110 bpm • G Maj • 03:54 • -18.92db
9% Popularity • 48% Danceability • 9% Energy • 65% Liveness
0% Instrumentalness • 19% Positiveness
9% Popularity • 48% Danceability • 9% Energy • 65% Liveness
0% Instrumentalness • 19% Positiveness
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The Cockney Bar Singers
Muy Old Man Said Follow The Van
117 bpm • F Maj • 02:27 • -17.69db
12% Popularity • 70% Danceability • 41% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
12% Popularity • 70% Danceability • 41% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
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Anne Shelton
A Nightingale Sang in Berkeley Square
108 bpm • A Maj • 03:09 • -10.64db
22% Popularity • 44% Danceability • 20% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
22% Popularity • 44% Danceability • 20% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
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Ann Breen
When You And I Were Young Maggie
108 bpm • D Maj • 03:24 • -18.1db
17% Popularity • 25% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
17% Popularity • 25% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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Flanagan & Allen
We'll Smile Again
108 bpm • A Maj • 02:52 • -18db
16% Popularity • 52% Danceability • 12% Energy • 11% Liveness
65% Instrumentalness • 37% Positiveness
16% Popularity • 52% Danceability • 12% Energy • 11% Liveness
65% Instrumentalness • 37% Positiveness
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Ruby Murray
Mr Wonderful
118 bpm • G# Maj • 02:51 • -11.99db
15% Popularity • 34% Danceability • 21% Energy • 26% Liveness
0% Instrumentalness • 30% Positiveness
15% Popularity • 34% Danceability • 21% Energy • 26% Liveness
0% Instrumentalness • 30% Positiveness
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Tommaso Tritapepe
Rowed
118 bpm • E Maj • 03:28 • -12db
19% Popularity • 38% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
19% Popularity • 38% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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The Highwaymen
Michael
108 bpm • C Maj • 02:46 • -16.58db
29% Popularity • 52% Danceability • 16% Energy • 21% Liveness
0% Instrumentalness • 55% Positiveness
29% Popularity • 52% Danceability • 16% Energy • 21% Liveness
0% Instrumentalness • 55% Positiveness
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Stanley Holloway
Where Did You Get That Hat
108 bpm • C Maj • 03:11 • -10.22db
14% Popularity • 72% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
14% Popularity • 72% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
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Alexander Brothers
Scotland the Brave
108 bpm • D# Maj • 02:05 • -10.93db
13% Popularity • 46% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
13% Popularity • 46% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Andy Stewart
The Road and the Miles to Dundee
108 bpm • F Maj • 03:12 • -17.26db
16% Popularity • 34% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
16% Popularity • 34% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Kenneth McKellar
The Road to the Isles
119 bpm • A# Maj • 02:22 • -8db
12% Popularity • 59% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
12% Popularity • 59% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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Harry Secombe
Onward Christian Soldiers
119 bpm • F# Maj • 02:53 • -13.13db
14% Popularity • 41% Danceability • 30% Energy • 55% Liveness
0% Instrumentalness • 63% Positiveness
14% Popularity • 41% Danceability • 30% Energy • 55% Liveness
0% Instrumentalness • 63% Positiveness
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環球合唱團
高山頌
107 bpm • A# Maj • 02:56 • -19.42db
11% Popularity • 26% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
11% Popularity • 26% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Laurel and Hardy
Shine on Harvest Moon
119 bpm • C# Maj • 01:15 • -8.26db
19% Popularity • 36% Danceability • 53% Energy • 15% Liveness
21% Instrumentalness • 42% Positiveness
19% Popularity • 36% Danceability • 53% Energy • 15% Liveness
21% Instrumentalness • 42% Positiveness
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George Formby
Grandad's Flannelette Night Shirt (Let G...
119 bpm • C# Maj • 03:04 • -15.63db
14% Popularity • 92% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
14% Popularity • 92% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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Arthur Askey
Kiss Me Goodnight, Sergeant Major
119 bpm • C Maj • 02:57 • -15.66db
14% Popularity • 60% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
14% Popularity • 60% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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John McCormack
Send Me Away With A Smile
119 bpm • D# min • 02:39 • -11.64db
13% Popularity • 69% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
13% Popularity • 69% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Gracie Fields
Sing as We Go
120 bpm • F Maj • 01:37 • -8.29db
17% Popularity • 65% Danceability • 57% Energy • 53% Liveness
0% Instrumentalness • 86% Positiveness
17% Popularity • 65% Danceability • 57% Energy • 53% Liveness
0% Instrumentalness • 86% Positiveness
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Noel Coward
The Stately Homes of England
120 bpm • F# Maj • 03:19 • -15.81db
9% Popularity • 71% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 68% Positiveness
9% Popularity • 71% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 68% Positiveness
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Barry O'Dowd & The Shamrock Singers
Lily of Laguna
120 bpm • G# Maj • 01:44 • -11.19db
12% Popularity • 74% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 83% Positiveness
12% Popularity • 74% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 83% Positiveness
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George Formby
Our Sergeant Major
107 bpm • G# Maj • 02:45 • -14.82db
20% Popularity • 88% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
20% Popularity • 88% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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London Welsh Male Voice Choir
The Soldiers’ Chorus
120 bpm • F Maj • 02:54 • -15db
11% Popularity • 48% Danceability • 43% Energy • 66% Liveness
77% Instrumentalness • 23% Positiveness
11% Popularity • 48% Danceability • 43% Energy • 66% Liveness
77% Instrumentalness • 23% Positiveness
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Guy Lombardo
Bell Bottom Trousers
106 bpm • A# Maj • 02:33 • -12.67db
18% Popularity • 88% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
18% Popularity • 88% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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Debbie Reynolds
What Was Your Name In The States?
120 bpm • A# Maj • 01:52 • -13.83db
8% Popularity • 62% Danceability • 51% Energy • 48% Liveness
0% Instrumentalness • 83% Positiveness
8% Popularity • 62% Danceability • 51% Energy • 48% Liveness
0% Instrumentalness • 83% Positiveness
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Josef Locke
The Bold Gendarmes
120 bpm • F Maj • 02:53 • -17.8db
11% Popularity • 84% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
11% Popularity • 84% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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The Party Poppers
Hold Your Hand Out, Naughty Boy! / I Do ...
120 bpm • F Maj • 01:51 • -15db
9% Popularity • 66% Danceability • 51% Energy • 82% Liveness
0% Instrumentalness • 53% Positiveness
9% Popularity • 66% Danceability • 51% Energy • 82% Liveness
0% Instrumentalness • 53% Positiveness
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George Formby
I Do Do Things I Do
106 bpm • D# Maj • 02:29 • -9.85db
11% Popularity • 86% Danceability • 54% Energy • 10% Liveness
31% Instrumentalness • 96% Positiveness
11% Popularity • 86% Danceability • 54% Energy • 10% Liveness
31% Instrumentalness • 96% Positiveness
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Guy Mitchell
Belle, Belle, My Liberty Belle
106 bpm • C Maj • 02:24 • -11.98db
12% Popularity • 81% Danceability • 35% Energy • 26% Liveness
0% Instrumentalness • 85% Positiveness
12% Popularity • 81% Danceability • 35% Energy • 26% Liveness
0% Instrumentalness • 85% Positiveness
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Gracie Fields
Sing As We Go
121 bpm • C Maj • 02:28 • -5db
10% Popularity • 74% Danceability • 43% Energy • 28% Liveness
8% Instrumentalness • 71% Positiveness
10% Popularity • 74% Danceability • 43% Energy • 28% Liveness
8% Instrumentalness • 71% Positiveness
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Fitzrovia Chorus
Keep the Home Fires Burning
106 bpm • F Maj • 01:26 • -10.68db
11% Popularity • 30% Danceability • 30% Energy • 27% Liveness
3% Instrumentalness • 56% Positiveness
11% Popularity • 30% Danceability • 30% Energy • 27% Liveness
3% Instrumentalness • 56% Positiveness
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Anne Shelton
Comin' in on a wing and a prayer
106 bpm • D# Maj • 02:47 • -7.96db
12% Popularity • 61% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 75% Positiveness
12% Popularity • 61% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 75% Positiveness
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Nat King Cole
The Ballad Of Cat Ballou - Remastered 19...
121 bpm • C Maj • 02:45 • -14.9db
22% Popularity • 62% Danceability • 29% Energy • 38% Liveness
0% Instrumentalness • 88% Positiveness
22% Popularity • 62% Danceability • 29% Energy • 38% Liveness
0% Instrumentalness • 88% Positiveness
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Winifred Atwell
The Poor People of Paris
121 bpm • G Maj • 01:58 • -6db
22% Popularity • 59% Danceability • 80% Energy • 13% Liveness
58% Instrumentalness • 96% Positiveness
22% Popularity • 59% Danceability • 80% Energy • 13% Liveness
58% Instrumentalness • 96% Positiveness
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The Party Poppers
When You're Smiling / Ma (He's Making Ey...
105 bpm • A# Maj • 02:00 • -14.25db
10% Popularity • 52% Danceability • 51% Energy • 79% Liveness
0% Instrumentalness • 68% Positiveness
10% Popularity • 52% Danceability • 51% Energy • 79% Liveness
0% Instrumentalness • 68% Positiveness
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Joseph Locke
The Drinking Song
105 bpm • G# Maj • 01:50 • -12.06db
22% Popularity • 52% Danceability • 31% Energy • 9% Liveness
3% Instrumentalness • 64% Positiveness
22% Popularity • 52% Danceability • 31% Energy • 9% Liveness
3% Instrumentalness • 64% Positiveness
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Brendan Bowyer
The Swallow
105 bpm • E Maj • 03:45 • -16db
31% Popularity • 45% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
31% Popularity • 45% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Anne Shelton
Coming in on a Wing & a Prayer
106 bpm • D# Maj • 02:45 • -10.75db
23% Popularity • 66% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
23% Popularity • 66% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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Andy Stewart
The Cock O' the North
121 bpm • A Maj • 02:03 • -8db
16% Popularity • 69% Danceability • 60% Energy • 61% Liveness
0% Instrumentalness • 94% Positiveness
16% Popularity • 69% Danceability • 60% Energy • 61% Liveness
0% Instrumentalness • 94% Positiveness
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Concert Band & Chorus of the R.A.A.F.
The Quartermaster's Store
122 bpm • F Maj • 01:58 • -16.87db
10% Popularity • 53% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
10% Popularity • 53% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Windsor Davies
Paper Doll
121 bpm • D Maj • 02:24 • -10db
12% Popularity • 62% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 62% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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George Formby
Who Are You A-Shoving Of
105 bpm • D Maj • 03:33 • -15.16db
9% Popularity • 89% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
9% Popularity • 89% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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London Welsh Male Voice Choir
Working Man
122 bpm • G Maj • 04:03 • -14db
16% Popularity • 35% Danceability • 25% Energy • 66% Liveness
45% Instrumentalness • 17% Positiveness
16% Popularity • 35% Danceability • 25% Energy • 66% Liveness
45% Instrumentalness • 17% Positiveness
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Cast of Oh What A Lovely War
Hush Here Comes A Whizzbang
122 bpm • G Maj • 01:04 • -14.98db
11% Popularity • 90% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
11% Popularity • 90% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Finbar Wright
So Deep Is the Night
122 bpm • E Maj • 03:25 • -17.54db
11% Popularity • 27% Danceability • 14% Energy • 12% Liveness
16% Instrumentalness • 6% Positiveness
11% Popularity • 27% Danceability • 14% Energy • 12% Liveness
16% Instrumentalness • 6% Positiveness
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Bob Hope
Yankee Doodle Dandy
122 bpm • D# Maj • 02:17 • -11.31db
17% Popularity • 66% Danceability • 33% Energy • 40% Liveness
0% Instrumentalness • 72% Positiveness
17% Popularity • 66% Danceability • 33% Energy • 40% Liveness
0% Instrumentalness • 72% Positiveness
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Alexander Brothers
Nobody's Child
105 bpm • G# Maj • 04:20 • -10.96db
16% Popularity • 49% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
16% Popularity • 49% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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George Formby
Bless 'Em All (The Service Song)
105 bpm • D# Maj • 02:59 • -13db
22% Popularity • 90% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
22% Popularity • 90% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Isidore Godfrey
The Mikado: Act I: Three little maids fr...
122 bpm • C Maj • 01:27 • -20.2db
20% Popularity • 61% Danceability • 17% Energy • 53% Liveness
0% Instrumentalness • 58% Positiveness
20% Popularity • 61% Danceability • 17% Energy • 53% Liveness
0% Instrumentalness • 58% Positiveness
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Sonny Knowles
Mí Iomlán
122 bpm • C# Maj • 02:18 • -8.12db
8% Popularity • 74% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
8% Popularity • 74% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Ruby Murray
It's a Great Day for the Irish
122 bpm • D Maj • 01:51 • -10.8db
10% Popularity • 71% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
10% Popularity • 71% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Gracie Fields
Wish Me Luck (As You Wave Me Goodbye)
122 bpm • C Maj • 02:58 • -7db
23% Popularity • 57% Danceability • 60% Energy • 22% Liveness
1% Instrumentalness • 89% Positiveness
23% Popularity • 57% Danceability • 60% Energy • 22% Liveness
1% Instrumentalness • 89% Positiveness
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Brendan Bowyer
Love Thee Dearest
105 bpm • G Maj • 02:52 • -19db
30% Popularity • 46% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
30% Popularity • 46% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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Josef Locke
Le Reve Passe - 1992 Remaster
122 bpm • C# Maj • 02:54 • -8.6db
1% Popularity • 65% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
1% Popularity • 65% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Alfred Newman
Raise a Ruckus Tonight
122 bpm • C# Maj • 01:40 • -11.37db
7% Popularity • 66% Danceability • 49% Energy • 38% Liveness
14% Instrumentalness • 49% Positiveness
7% Popularity • 66% Danceability • 49% Energy • 38% Liveness
14% Instrumentalness • 49% Positiveness
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Barnbrack
Will You Go Lassie Go
104 bpm • D Maj • 03:45 • -12.57db
11% Popularity • 29% Danceability • 28% Energy • 7% Liveness
24% Instrumentalness • 19% Positiveness
11% Popularity • 29% Danceability • 28% Energy • 7% Liveness
24% Instrumentalness • 19% Positiveness
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Rhos Male Voice Choir
Land Of My Fathers "The Welsh National A...
104 bpm • D# Maj • 01:42 • -22db
17% Popularity • 19% Danceability • 15% Energy • 11% Liveness
56% Instrumentalness • 37% Positiveness
17% Popularity • 19% Danceability • 15% Energy • 11% Liveness
56% Instrumentalness • 37% Positiveness
