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The Geeks Get the Girls
Songs like
The Geeks Get the Girls
by
American Hi-Fi
Based on a tempo of (+/- 10%) and a similar genre
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The Audition
My Temperature's Rising
137 bpm • B Maj • 02:59 • -5db
34% Popularity • 52% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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Hit The Lights
Count It!
137 bpm • C# Maj • 01:01 • -5db
25% Popularity • 59% Danceability • 92% Energy • 63% Liveness
0% Instrumentalness • 64% Positiveness
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Riddlin' Kids
Never Live It Down
137 bpm • B min • 03:32 • -1.74db
8% Popularity • 54% Danceability • 93% Energy • 3% Liveness
1% Instrumentalness • 70% Positiveness
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American Hi-Fi
The Geeks Get the Girls
137 bpm • A Maj • 02:50 • -4.45db
46% Popularity • 57% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Every Avenue
This One's A Cheap Shot
138 bpm • G Maj • 02:58 • -3.6db
13% Popularity • 54% Danceability • 95% Energy • 38% Liveness
0% Instrumentalness • 49% Positiveness
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We Are The In Crowd
Both Sides Of The Story
138 bpm • G# Maj • 02:59 • -4db
31% Popularity • 55% Danceability • 93% Energy • 5% Liveness
0% Instrumentalness • 60% Positiveness
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Jimmy Eat World
Big Casino
136 bpm • D Maj • 03:40 • -3.65db
50% Popularity • 49% Danceability • 98% Energy • 37% Liveness
0% Instrumentalness • 52% Positiveness
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The Ataris
The Saddest Song
136 bpm • A# Maj • 04:15 • -5db
36% Popularity • 43% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
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Riddlin' Kids
I Feel Fine
137 bpm • C# Maj • 02:37 • -3db
32% Popularity • 52% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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American Hi-Fi
A Taste for Crime
136 bpm • F# min • 03:09 • -6.06db
8% Popularity • 45% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 46% Positiveness
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Every Avenue
Saying Goodbye
138 bpm • C# Maj • 03:30 • -3db
29% Popularity • 52% Danceability • 94% Energy • 30% Liveness
0% Instrumentalness • 69% Positiveness
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The Starting Line
The World
136 bpm • D Maj • 03:08 • -5db
32% Popularity • 59% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 79% Positiveness
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The Academy Is...
Summer Hair = Forever Young
136 bpm • D Maj • 03:38 • -3db
33% Popularity • 50% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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The Ataris
My Reply
136 bpm • G Maj • 04:13 • -4.79db
31% Popularity • 44% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Amber Pacific
Take Me From This Place
138 bpm • B Maj • 04:07 • -3.01db
17% Popularity • 48% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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American Hi-Fi
Lookout for Hope
138 bpm • F Maj • 03:18 • -4.51db
8% Popularity • 54% Danceability • 91% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
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Fall Out Boy
Grand Theft Autumn / Where Is Your Boy
135 bpm • D Maj • 03:11 • -3.81db
65% Popularity • 63% Danceability • 89% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
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Jimmy Eat World
Sweetness
135 bpm • F Maj • 03:40 • -4.44db
70% Popularity • 49% Danceability • 90% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
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Good Charlotte
Girls & Boys
135 bpm • D# Maj • 03:03 • -5.5db
62% Popularity • 66% Danceability • 72% Energy • 36% Liveness
0% Instrumentalness • 61% Positiveness
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Cobra Starship
Bring It (Snakes on a Plane)
139 bpm • F# min • 03:14 • -5db
42% Popularity • 67% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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The White Tie Affair
Candle (Sick And Tired)
139 bpm • C Maj • 03:50 • -6db
21% Popularity • 56% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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American Hi-Fi
Hi-Fi Killer
136 bpm • C Maj • 03:05 • -3.34db
20% Popularity • 48% Danceability • 97% Energy • 42% Liveness
0% Instrumentalness • 22% Positiveness
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Sparks The Rescue
Need You Now
135 bpm • C# Maj • 03:33 • -4.73db
37% Popularity • 52% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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Freshman 15
Getting Weird
135 bpm • C Maj • 03:10 • -4.89db
8% Popularity • 53% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Single File
Velcro
135 bpm • F# Maj • 03:09 • -7.14db
8% Popularity • 57% Danceability • 91% Energy • 38% Liveness
0% Instrumentalness • 63% Positiveness
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Hey Monday
How You Love Me Now
135 bpm • F Maj • 03:17 • -2.08db
49% Popularity • 39% Danceability • 96% Energy • 38% Liveness
0% Instrumentalness • 37% Positiveness
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The Spill Canvas
All over You
135 bpm • A# min • 03:22 • -3.16db
51% Popularity • 55% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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McBusted
Hate Your Guts
140 bpm • A Maj • 02:10 • -4.01db
34% Popularity • 51% Danceability • 92% Energy • 33% Liveness
0% Instrumentalness • 65% Positiveness
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The Starting Line
Bedroom Talk
135 bpm • A# Maj • 04:04 • -5db
41% Popularity • 55% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Every Avenue
Picture Perfect
140 bpm • E Maj • 02:55 • -2db
36% Popularity • 53% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Bowling For Soup
Almost
140 bpm • B Maj • 03:26 • -4.02db
47% Popularity • 54% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
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American Hi-Fi
Coma
140 bpm • A min • 02:50 • -5.22db
13% Popularity • 42% Danceability • 97% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Something Corporate
21 And Invincible
140 bpm • G Maj • 03:17 • -3.52db
27% Popularity • 45% Danceability • 95% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
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We Are The In Crowd
For The Win
140 bpm • A# Maj • 03:17 • -3.89db
23% Popularity • 51% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Kelly Ogden
Love ya, Love ya, Love ya
140 bpm • A Maj • 04:03 • -4.05db
11% Popularity • 56% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
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The Bigger Lights
That Kind of Girl
140 bpm • G# Maj • 02:37 • -3.45db
10% Popularity • 64% Danceability • 94% Energy • 22% Liveness
0% Instrumentalness • 94% Positiveness
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Over It
Gunslinger (Runnin' Out of Time)
134 bpm • A# Maj • 03:55 • -4.44db
8% Popularity • 55% Danceability • 85% Energy • 9% Liveness
1% Instrumentalness • 58% Positiveness
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All Time Low
Backseat Serenade
140 bpm • F# Maj • 03:21 • -3.69db
55% Popularity • 51% Danceability • 96% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
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Punchline
Don't Try This at Home
134 bpm • B Maj • 03:40 • -5.37db
13% Popularity • 48% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Every Avenue
Trading Heartbeats
134 bpm • C Maj • 03:22 • -5.23db
13% Popularity • 58% Danceability • 91% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
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Head Automatica
Graduation Day
140 bpm • G Maj • 03:42 • -4db
27% Popularity • 42% Danceability • 97% Energy • 24% Liveness
0% Instrumentalness • 21% Positiveness
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American Hi-Fi
Separation Anxiety
133 bpm • C Maj • 03:35 • -5.42db
8% Popularity • 64% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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Rufio
One Slowdance
141 bpm • B Maj • 04:14 • -5db
27% Popularity • 48% Danceability • 76% Energy • 38% Liveness
0% Instrumentalness • 74% Positiveness
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Taking Back Sunday
MakeDamnSure
140 bpm • F# Maj • 03:28 • -5.61db
71% Popularity • 55% Danceability • 84% Energy • 37% Liveness
0% Instrumentalness • 43% Positiveness
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Cute Is What We Aim For
The Fourth Drink Instinct
141 bpm • E Maj • 04:09 • -6.15db
31% Popularity • 52% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Fall Out Boy
A Little Less Sixteen Candles, A Little ...
133 bpm • G Maj • 02:49 • -3.59db
64% Popularity • 54% Danceability • 89% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
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A Change of Pace
Weekend Warriors
133 bpm • A Maj • 03:03 • -4.87db
35% Popularity • 53% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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The F-Ups
Look At Your Son Now
142 bpm • B Maj • 02:45 • -1.94db
18% Popularity • 44% Danceability • 98% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Sherwood
Song in My Head
142 bpm • C Maj • 03:50 • -3.99db
30% Popularity • 48% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Every Avenue
I Forgive You
142 bpm • F# Maj • 03:20 • -3db
38% Popularity • 59% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
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American Hi-Fi
Armageddon Days
142 bpm • C Maj • 03:40 • -5.93db
14% Popularity • 36% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Fall Out Boy
Sophomore Slump Or Comeback Of The Year
133 bpm • B Maj • 03:23 • -3.39db
54% Popularity • 57% Danceability • 91% Energy • 23% Liveness
0% Instrumentalness • 56% Positiveness
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A Change of Pace
Weekend Warriors
133 bpm • A Maj • 03:02 • -3.94db
32% Popularity • 48% Danceability • 94% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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The Downtown Fiction
Thanks for Nothing
132 bpm • C Maj • 03:21 • -4db
35% Popularity • 62% Danceability • 96% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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State Champs
Stay The Night
132 bpm • F# Maj • 03:32 • -5.61db
44% Popularity • 31% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
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Every Avenue
Where Were You
132 bpm • C Maj • 02:41 • -4.38db
40% Popularity • 54% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 60% Positiveness
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The Summer Set
Chelsea
132 bpm • F Maj • 02:40 • -3.44db
45% Popularity • 59% Danceability • 90% Energy • 41% Liveness
0% Instrumentalness • 79% Positiveness
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Fight Fair
Pop Rocks
142 bpm • C# Maj • 03:28 • -2.33db
18% Popularity • 62% Danceability • 96% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
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Box Car Racer
I Feel So
143 bpm • D Maj • 04:30 • -3.78db
57% Popularity • 33% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 23% Positiveness
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Cute Is What We Aim For
Risque
132 bpm • E Maj • 03:42 • -5.09db
38% Popularity • 57% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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The Ataris
Your Boyfriend Sucks
131 bpm • A Maj • 02:48 • -5.69db
32% Popularity • 42% Danceability • 94% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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American Hi-Fi
Maybe Won't Do
131 bpm • C Maj • 03:26 • -4.56db
11% Popularity • 64% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
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Sparks The Rescue
I Swear That She's The One
131 bpm • C Maj • 03:27 • -3.23db
22% Popularity • 51% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
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Houston Calls
Life Won't Wait
131 bpm • G Maj • 03:09 • -4.72db
12% Popularity • 62% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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The Maine
Girls Do What They Want
131 bpm • E Maj • 03:12 • -3.61db
39% Popularity • 58% Danceability • 94% Energy • 35% Liveness
0% Instrumentalness • 69% Positiveness
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Bowling For Soup
Girl All the Bad Guys Want
131 bpm • D Maj • 03:17 • -6db
64% Popularity • 58% Danceability • 83% Energy • 27% Liveness
0% Instrumentalness • 87% Positiveness
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The Ataris
San Dimas High School Football Rules
131 bpm • C Maj • 02:47 • -4.09db
43% Popularity • 37% Danceability • 98% Energy • 67% Liveness
0% Instrumentalness • 53% Positiveness
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All Time Low
Six Feet Under The Stars
131 bpm • D# Maj • 03:36 • -2.7db
52% Popularity • 49% Danceability • 97% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Amber Pacific
Temporary
144 bpm • B Maj • 02:28 • -2.79db
18% Popularity • 38% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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The F-Ups
No No No
131 bpm • D# Maj • 02:48 • -2.75db
11% Popularity • 45% Danceability • 97% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Every Avenue
Girl Like That
144 bpm • F# Maj • 03:12 • -5db
39% Popularity • 65% Danceability • 88% Energy • 27% Liveness
0% Instrumentalness • 79% Positiveness
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Our Lady Peace
All You Did Was Save My Life
144 bpm • B Maj • 03:49 • -4db
31% Popularity • 43% Danceability • 95% Energy • 23% Liveness
0% Instrumentalness • 48% Positiveness
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Taking Back Sunday
Capital M-E
130 bpm • C# Maj • 02:48 • -4.62db
28% Popularity • 51% Danceability • 96% Energy • 9% Liveness
4% Instrumentalness • 64% Positiveness
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Something Corporate
Punk Rock Princess
130 bpm • G Maj • 03:52 • -5.23db
54% Popularity • 52% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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BOYS LIKE GIRLS
Heart Heart Heartbreak
130 bpm • D Maj • 03:24 • -2.98db
41% Popularity • 47% Danceability • 96% Energy • 28% Liveness
0% Instrumentalness • 62% Positiveness
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Alkaline Trio
Calling All Skeletons
130 bpm • G Maj • 03:20 • -3.39db
40% Popularity • 57% Danceability • 95% Energy • 31% Liveness
0% Instrumentalness • 56% Positiveness
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Danger Is My Middle Name
Sidecar One
130 bpm • C# Maj • 02:55 • -3.25db
10% Popularity • 57% Danceability • 97% Energy • 39% Liveness
0% Instrumentalness • 64% Positiveness
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Every Avenue
Mindset
130 bpm • G Maj • 03:26 • -3db
44% Popularity • 63% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 67% Positiveness
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American Hi-Fi
Carry the Sorrow
130 bpm • B Maj • 02:48 • -5.65db
14% Popularity • 56% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Amber Pacific
When I Found You
130 bpm • D# Maj • 04:09 • -3.81db
30% Popularity • 57% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
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BOYS LIKE GIRLS
She's Got A Boyfriend Now
130 bpm • D Maj • 04:05 • -3db
44% Popularity • 61% Danceability • 90% Energy • 50% Liveness
0% Instrumentalness • 87% Positiveness
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We Still Dream
Cop Outs and Cover Ups
145 bpm • G# Maj • 03:07 • -6.2db
30% Popularity • 46% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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The Audition
Los Angeles
145 bpm • B Maj • 03:25 • -4db
28% Popularity • 52% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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Every Avenue
A Story To Tell Your Friends
145 bpm • A Maj • 03:21 • -5.42db
20% Popularity • 53% Danceability • 89% Energy • 33% Liveness
0% Instrumentalness • 71% Positiveness
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American Hi-Fi
Fight the Frequency
145 bpm • C Maj • 03:57 • -4.49db
10% Popularity • 45% Danceability • 97% Energy • 23% Liveness
0% Instrumentalness • 31% Positiveness
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Rufio
Like A Prayer
129 bpm • F Maj • 03:49 • -4.47db
37% Popularity • 33% Danceability • 97% Energy • 38% Liveness
0% Instrumentalness • 33% Positiveness
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The Starting Line
Leaving
145 bpm • B Maj • 03:33 • -4.53db
40% Popularity • 24% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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The F-Ups
Wrong The Right
146 bpm • C# Maj • 02:45 • -2.59db
19% Popularity • 43% Danceability • 97% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Cute Is What We Aim For
The Curse of Curves
146 bpm • F Maj • 03:23 • -4.51db
59% Popularity • 53% Danceability • 79% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
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Every Avenue
Tie Me Down
145 bpm • G# Maj • 03:18 • -5db
30% Popularity • 53% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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American Hi-Fi
Scar
146 bpm • A# Maj • 04:03 • -4.18db
17% Popularity • 43% Danceability • 95% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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The Ataris
The Hero Dies in This One
146 bpm • D Maj • 04:06 • -4.5db
28% Popularity • 45% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Something Corporate
Break Myself
129 bpm • C Maj • 03:16 • -3.11db
27% Popularity • 52% Danceability • 93% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
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blink-182
Every Time I Look For You
128 bpm • B Maj • 03:05 • -3db
66% Popularity • 50% Danceability • 96% Energy • 38% Liveness
0% Instrumentalness • 62% Positiveness
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Anarbor
Let The Games Begin
146 bpm • B min • 03:20 • -4db
34% Popularity • 58% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Every Avenue
Take Me Home Tonight
129 bpm • C# Maj • 03:35 • -5db
38% Popularity • 55% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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American Hi-Fi
Lost
146 bpm • A Maj • 04:03 • -5.68db
13% Popularity • 38% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Single File
Girlfriends
128 bpm • F# Maj • 03:02 • -4.53db
25% Popularity • 68% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Hit The Lights
Drop the Girl
147 bpm • C# Maj • 03:20 • -3.56db
33% Popularity • 45% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
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Wheatus
Lemonade
127 bpm • F Maj • 03:22 • -6.57db
36% Popularity • 67% Danceability • 66% Energy • 43% Liveness
0% Instrumentalness • 85% Positiveness
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The Geeks Get the Girls