Songs like The Gentle Light That Wakes Me by Aly Bain
Based on a tempo of (+/- 10%) and a similar genre
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Sian James
Mwynen Merch
81 bpm • A# min • 03:58 • -22.9db
22% Popularity • 20% Danceability • 7% Energy • 11% Liveness
9% Instrumentalness • 4% Positiveness
22% Popularity • 20% Danceability • 7% Energy • 11% Liveness
9% Instrumentalness • 4% Positiveness
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Aly Bain
The Gentle Light That Wakes Me
81 bpm • D Maj • 06:52 • -13.73db
18% Popularity • 19% Danceability • 23% Energy • 7% Liveness
84% Instrumentalness • 14% Positiveness
18% Popularity • 19% Danceability • 23% Energy • 7% Liveness
84% Instrumentalness • 14% Positiveness
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Phyllis Taylor Sparks
Celtic Farewell
81 bpm • C Maj • 04:10 • -16db
13% Popularity • 15% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 10% Positiveness
13% Popularity • 15% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 10% Positiveness
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New Irish All-Stars
The Hills of Tipperary
81 bpm • D Maj • 01:03 • -14.85db
22% Popularity • 35% Danceability • 12% Energy • 11% Liveness
34% Instrumentalness • 54% Positiveness
22% Popularity • 35% Danceability • 12% Energy • 11% Liveness
34% Instrumentalness • 54% Positiveness
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Capercaillie
The Marches
81 bpm • D Maj • 04:33 • -7db
26% Popularity • 51% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
26% Popularity • 51% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Flook
On One Beautiful Day
81 bpm • D# Maj • 03:31 • -16db
22% Popularity • 21% Danceability • 13% Energy • 15% Liveness
82% Instrumentalness • 67% Positiveness
22% Popularity • 21% Danceability • 13% Energy • 15% Liveness
82% Instrumentalness • 67% Positiveness
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Anne Roos
Arran Boat Song / Skye Boat Song
80 bpm • D Maj • 04:44 • -11.26db
11% Popularity • 22% Danceability • 22% Energy • 27% Liveness
33% Instrumentalness • 19% Positiveness
11% Popularity • 22% Danceability • 22% Energy • 27% Liveness
33% Instrumentalness • 19% Positiveness
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Aly Bain
Mrs. Jameson's Favourite
81 bpm • A Maj • 03:21 • -8.41db
9% Popularity • 22% Danceability • 33% Energy • 13% Liveness
1% Instrumentalness • 22% Positiveness
9% Popularity • 22% Danceability • 33% Energy • 13% Liveness
1% Instrumentalness • 22% Positiveness
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Chris Stout
Norwegian Hymn/Jeg Ser Deg Sote Lam
80 bpm • D Maj • 05:14 • -13db
14% Popularity • 13% Danceability • 19% Energy • 16% Liveness
1% Instrumentalness • 12% Positiveness
14% Popularity • 13% Danceability • 19% Energy • 16% Liveness
1% Instrumentalness • 12% Positiveness
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Liam O'Flynn
Joyce's Tune
80 bpm • E Maj • 04:41 • -11.82db
8% Popularity • 14% Danceability • 24% Energy • 11% Liveness
77% Instrumentalness • 14% Positiveness
8% Popularity • 14% Danceability • 24% Energy • 11% Liveness
77% Instrumentalness • 14% Positiveness
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Celtic Fiddle Festival
Mist Covered Mountains Of Home
82 bpm • D Maj • 04:34 • -25db
12% Popularity • 19% Danceability • 12% Energy • 72% Liveness
20% Instrumentalness • 23% Positiveness
12% Popularity • 19% Danceability • 12% Energy • 72% Liveness
20% Instrumentalness • 23% Positiveness
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David Algeo Smith
Long Mae Ping River
82 bpm • D Maj • 03:24 • -9.2db
12% Popularity • 27% Danceability • 19% Energy • 12% Liveness
1% Instrumentalness • 57% Positiveness
12% Popularity • 27% Danceability • 19% Energy • 12% Liveness
1% Instrumentalness • 57% Positiveness
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Peter Ostroushko
Heart Of The Heartland
82 bpm • D Maj • 03:29 • -19.45db
28% Popularity • 46% Danceability • 11% Energy • 8% Liveness
96% Instrumentalness • 33% Positiveness
28% Popularity • 46% Danceability • 11% Energy • 8% Liveness
96% Instrumentalness • 33% Positiveness
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Aly Bain
The Keel Row Set
82 bpm • C min • 05:16 • -11.96db
0% Popularity • 38% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
0% Popularity • 38% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Old Blind Dogs
St. Kilda
82 bpm • A Maj • 03:27 • -17.98db
12% Popularity • 28% Danceability • 20% Energy • 23% Liveness
55% Instrumentalness • 21% Positiveness
12% Popularity • 28% Danceability • 20% Energy • 23% Liveness
55% Instrumentalness • 21% Positiveness
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Seán Ó Riada
O RIADA: Mise Éire (Orchestral Suite), ...
80 bpm • G Maj • 02:16 • -19.97db
15% Popularity • 10% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 25% Positiveness
15% Popularity • 10% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 25% Positiveness
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Blazin' Fiddles
Carronside
82 bpm • C Maj • 01:51 • -15.05db
25% Popularity • 38% Danceability • 11% Energy • 24% Liveness
3% Instrumentalness • 43% Positiveness
25% Popularity • 38% Danceability • 11% Energy • 24% Liveness
3% Instrumentalness • 43% Positiveness
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Catherine Strutt
Unst Bridal March
83 bpm • A Maj • 03:57 • -24.65db
12% Popularity • 24% Danceability • 3% Energy • 8% Liveness
91% Instrumentalness • 28% Positiveness
12% Popularity • 24% Danceability • 3% Energy • 8% Liveness
91% Instrumentalness • 28% Positiveness
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Martin Hayes Quartet
Easter Snow
79 bpm • F Maj • 04:08 • -11.67db
24% Popularity • 34% Danceability • 5% Energy • 32% Liveness
0% Instrumentalness • 37% Positiveness
24% Popularity • 34% Danceability • 5% Energy • 32% Liveness
0% Instrumentalness • 37% Positiveness
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Arcady
The Rocks Of Bawn
83 bpm • B Maj • 03:47 • -16.83db
14% Popularity • 31% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
14% Popularity • 31% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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John McSherry
The Whisperer
83 bpm • A# Maj • 04:14 • -12db
10% Popularity • 47% Danceability • 30% Energy • 14% Liveness
96% Instrumentalness • 66% Positiveness
10% Popularity • 47% Danceability • 30% Energy • 14% Liveness
96% Instrumentalness • 66% Positiveness
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Lauren MacColl
Tomnahurich
83 bpm • E min • 04:16 • -10.46db
9% Popularity • 23% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
9% Popularity • 23% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Blazin' Fiddles
Gamekeeper's
83 bpm • G Maj • 05:02 • -10db
17% Popularity • 47% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 37% Positiveness
17% Popularity • 47% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 37% Positiveness
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Aly Bain
Bonnie Nancy
83 bpm • G Maj • 03:34 • -7db
5% Popularity • 19% Danceability • 34% Energy • 46% Liveness
0% Instrumentalness • 17% Positiveness
5% Popularity • 19% Danceability • 34% Energy • 46% Liveness
0% Instrumentalness • 17% Positiveness
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KasÃr
Winter Sky
79 bpm • E Maj • 03:25 • -11db
33% Popularity • 46% Danceability • 21% Energy • 10% Liveness
94% Instrumentalness • 44% Positiveness
33% Popularity • 46% Danceability • 21% Energy • 10% Liveness
94% Instrumentalness • 44% Positiveness
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Fara
The Hampshire
79 bpm • D Maj • 04:15 • -12.44db
11% Popularity • 13% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
11% Popularity • 13% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Planxty
Taimse Im' Chodladh
79 bpm • G Maj • 04:09 • -10.08db
19% Popularity • 11% Danceability • 14% Energy • 7% Liveness
18% Instrumentalness • 8% Positiveness
19% Popularity • 11% Danceability • 14% Energy • 7% Liveness
18% Instrumentalness • 8% Positiveness
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JenliSisters
Brocéliande / La Complainte De La Blanc...
83 bpm • G min • 02:54 • -18.03db
11% Popularity • 22% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
11% Popularity • 22% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
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Alasdair Fraser & Paul Machlis
Mrs. McPherson Of Gibton/The Novelty
79 bpm • C min • 03:53 • -16db
12% Popularity • 38% Danceability • 24% Energy • 9% Liveness
1% Instrumentalness • 69% Positiveness
12% Popularity • 38% Danceability • 24% Energy • 9% Liveness
1% Instrumentalness • 69% Positiveness
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Finbar Furey
Castaway
83 bpm • G Maj • 02:58 • -7.97db
13% Popularity • 8% Danceability • 33% Energy • 8% Liveness
70% Instrumentalness • 11% Positiveness
13% Popularity • 8% Danceability • 33% Energy • 8% Liveness
70% Instrumentalness • 11% Positiveness
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Phamie Gow
The Celtic Knot
84 bpm • G Maj • 02:16 • -15.09db
10% Popularity • 44% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 73% Positiveness
10% Popularity • 44% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 73% Positiveness
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Steve Cooney
Si Beag Si Mor (Mull of the High Bens / ...
84 bpm • F Maj • 03:56 • -20db
12% Popularity • 45% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 59% Positiveness
12% Popularity • 45% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 59% Positiveness
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Natalie Padilla, Blayne Chastain & Peter Romero
Processional: The Promise
84 bpm • G Maj • 03:25 • -12.6db
8% Popularity • 14% Danceability • 17% Energy • 12% Liveness
20% Instrumentalness • 45% Positiveness
8% Popularity • 14% Danceability • 17% Energy • 12% Liveness
20% Instrumentalness • 45% Positiveness
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Seamus Begley
EibhlÃn a Rún
78 bpm • G Maj • 03:06 • -15.82db
8% Popularity • 35% Danceability • 16% Energy • 34% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 35% Danceability • 16% Energy • 34% Liveness
0% Instrumentalness • 14% Positiveness
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Jazz at Berlin Philharmonic
Mole in the Ground - Live
78 bpm • C Maj • 04:30 • -11.96db
1% Popularity • 45% Danceability • 32% Energy • 69% Liveness
6% Instrumentalness • 28% Positiveness
1% Popularity • 45% Danceability • 32% Energy • 69% Liveness
6% Instrumentalness • 28% Positiveness
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Gráinne Hambly
The Hills of Coore/Paddy Mill's Hornpipe
78 bpm • G Maj • 03:28 • -19.93db
21% Popularity • 48% Danceability • 19% Energy • 8% Liveness
90% Instrumentalness • 64% Positiveness
21% Popularity • 48% Danceability • 19% Energy • 8% Liveness
90% Instrumentalness • 64% Positiveness
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Tommy Fleming
Bygone Days
78 bpm • G Maj • 03:18 • -14.87db
15% Popularity • 20% Danceability • 32% Energy • 72% Liveness
50% Instrumentalness • 15% Positiveness
15% Popularity • 20% Danceability • 32% Energy • 72% Liveness
50% Instrumentalness • 15% Positiveness
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Aly Bain
Ashokan Farewell
84 bpm • D Maj • 04:20 • -11.41db
28% Popularity • 13% Danceability • 28% Energy • 9% Liveness
15% Instrumentalness • 27% Positiveness
28% Popularity • 13% Danceability • 28% Energy • 9% Liveness
15% Instrumentalness • 27% Positiveness
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Martin Hayes Quartet
The Humours of Scariff
78 bpm • A min • 04:21 • -13.43db
19% Popularity • 31% Danceability • 22% Energy • 29% Liveness
0% Instrumentalness • 19% Positiveness
19% Popularity • 31% Danceability • 22% Energy • 29% Liveness
0% Instrumentalness • 19% Positiveness
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Robin Bullock
Down by the Salley Gardens
84 bpm • D Maj • 03:26 • -16.77db
27% Popularity • 52% Danceability • 20% Energy • 13% Liveness
86% Instrumentalness • 23% Positiveness
27% Popularity • 52% Danceability • 20% Energy • 13% Liveness
86% Instrumentalness • 23% Positiveness
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Gráinne Yeats
Carolan: Farewell to Music
84 bpm • E min • 04:59 • -14.83db
8% Popularity • 37% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
8% Popularity • 37% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
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Phil Cunningham
The Sadness Of It All
78 bpm • G Maj • 04:03 • -13.91db
3% Popularity • 15% Danceability • 18% Energy • 28% Liveness
6% Instrumentalness • 20% Positiveness
3% Popularity • 15% Danceability • 18% Energy • 28% Liveness
6% Instrumentalness • 20% Positiveness
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Jenna Reid
Hector the Hero
78 bpm • A Maj • 03:02 • -13.27db
12% Popularity • 24% Danceability • 22% Energy • 12% Liveness
32% Instrumentalness • 25% Positiveness
12% Popularity • 24% Danceability • 22% Energy • 12% Liveness
32% Instrumentalness • 25% Positiveness
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Aly Bain
Love of The Islands
78 bpm • D Maj • 04:18 • -14.2db
3% Popularity • 23% Danceability • 42% Energy • 97% Liveness
12% Instrumentalness • 50% Positiveness
3% Popularity • 23% Danceability • 42% Energy • 97% Liveness
12% Instrumentalness • 50% Positiveness
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Charlie Grey and Joseph Peach
Forest of the Red Stags
78 bpm • C# Maj • 03:25 • -11.56db
20% Popularity • 26% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
20% Popularity • 26% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
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Neil MacEachern And His Scottish Dance Bnad
Fiddle Solo: Niel Gow's Lament For The D...
84 bpm • D Maj • 04:46 • -21.44db
13% Popularity • 16% Danceability • 5% Energy • 9% Liveness
43% Instrumentalness • 21% Positiveness
13% Popularity • 16% Danceability • 5% Energy • 9% Liveness
43% Instrumentalness • 21% Positiveness
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Liam O'Flynn
The Wild Geese
78 bpm • G Maj • 05:51 • -12.57db
10% Popularity • 14% Danceability • 23% Energy • 36% Liveness
96% Instrumentalness • 11% Positiveness
10% Popularity • 14% Danceability • 23% Energy • 36% Liveness
96% Instrumentalness • 11% Positiveness
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Jay Ungar
Ashokan Farewell
85 bpm • D Maj • 05:08 • -17.35db
34% Popularity • 17% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
34% Popularity • 17% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Johann Sebastian Bach
Bach: Prelude from Lute Suite 1006a
85 bpm • G# Maj • 05:11 • -20.06db
8% Popularity • 27% Danceability • 22% Energy • 10% Liveness
94% Instrumentalness • 32% Positiveness
8% Popularity • 27% Danceability • 22% Energy • 10% Liveness
94% Instrumentalness • 32% Positiveness
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Aly Bain
Herr Roloff's Farewell
84 bpm • F Maj • 04:27 • -15.52db
7% Popularity • 23% Danceability • 18% Energy • 9% Liveness
1% Instrumentalness • 29% Positiveness
7% Popularity • 23% Danceability • 18% Energy • 9% Liveness
1% Instrumentalness • 29% Positiveness
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LasairfhÃona
Inis Oirr, In Inis Oirr
85 bpm • A Maj • 04:24 • -13db
15% Popularity • 22% Danceability • 18% Energy • 24% Liveness
1% Instrumentalness • 40% Positiveness
15% Popularity • 22% Danceability • 18% Energy • 24% Liveness
1% Instrumentalness • 40% Positiveness
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Aly Bain & Phil Cunningham
Hector the Hero
77 bpm • A Maj • 03:35 • -8.71db
10% Popularity • 18% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
10% Popularity • 18% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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De Dannan
Diglake Fields
77 bpm • A# Maj • 03:44 • -18.87db
26% Popularity • 52% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
26% Popularity • 52% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Capercaillie
Dr. MacPhail's Reel
85 bpm • A Maj • 02:49 • -16.32db
24% Popularity • 60% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
24% Popularity • 60% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Alasdair Fraser & Paul Machlis
Nighean Donn A' Chuailein Riomhaich
77 bpm • C Maj • 02:57 • -27.51db
9% Popularity • 20% Danceability • 3% Energy • 11% Liveness
56% Instrumentalness • 12% Positiveness
9% Popularity • 20% Danceability • 3% Energy • 11% Liveness
56% Instrumentalness • 12% Positiveness
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Aly Bain
Akk Mon Min Vei
85 bpm • G Maj • 03:45 • -11.24db
0% Popularity • 25% Danceability • 18% Energy • 22% Liveness
0% Instrumentalness • 35% Positiveness
0% Popularity • 25% Danceability • 18% Energy • 22% Liveness
0% Instrumentalness • 35% Positiveness
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Flook
Companion Star / The Coral Castle
85 bpm • D Maj • 07:07 • -15.5db
25% Popularity • 27% Danceability • 35% Energy • 11% Liveness
87% Instrumentalness • 30% Positiveness
25% Popularity • 27% Danceability • 35% Energy • 11% Liveness
87% Instrumentalness • 30% Positiveness
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Bill Whelan
O'Donnell's Lament
77 bpm • D Maj • 05:12 • -17.07db
9% Popularity • 8% Danceability • 10% Energy • 25% Liveness
28% Instrumentalness • 7% Positiveness
9% Popularity • 8% Danceability • 10% Energy • 25% Liveness
28% Instrumentalness • 7% Positiveness
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Jenna Reid
Neil Gow's Lament for the Death of his S...
85 bpm • D Maj • 04:19 • -13.81db
13% Popularity • 17% Danceability • 11% Energy • 10% Liveness
1% Instrumentalness • 30% Positiveness
13% Popularity • 17% Danceability • 11% Energy • 10% Liveness
1% Instrumentalness • 30% Positiveness
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LÃadan
Dónal Óg
77 bpm • A Maj • 05:36 • -10db
17% Popularity • 14% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
17% Popularity • 14% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Liam O'Flynn
Bean Dubh An Ghleanna
77 bpm • G Maj • 06:11 • -14.39db
10% Popularity • 7% Danceability • 21% Energy • 10% Liveness
45% Instrumentalness • 4% Positiveness
10% Popularity • 7% Danceability • 21% Energy • 10% Liveness
45% Instrumentalness • 4% Positiveness
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Aly Bain
I'll Give My Love a Cherry
78 bpm • G min • 03:14 • -14.16db
0% Popularity • 34% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
0% Popularity • 34% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Méav
I Dreamt I Dwelt in Marble Halls
85 bpm • D Maj • 03:52 • -12db
35% Popularity • 20% Danceability • 21% Energy • 12% Liveness
71% Instrumentalness • 7% Positiveness
35% Popularity • 20% Danceability • 21% Energy • 12% Liveness
71% Instrumentalness • 7% Positiveness
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Florie Brown
Once I Loved
86 bpm • A Maj • 02:51 • -6.67db
27% Popularity • 25% Danceability • 29% Energy • 5% Liveness
3% Instrumentalness • 38% Positiveness
27% Popularity • 25% Danceability • 29% Energy • 5% Liveness
3% Instrumentalness • 38% Positiveness
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Calum Stewart
Crow Road Croft
76 bpm • D Maj • 03:59 • -7db
25% Popularity • 20% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
25% Popularity • 20% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Old Blind Dogs
Margaret Cromar
76 bpm • G Maj • 04:13 • -14db
8% Popularity • 14% Danceability • 17% Energy • 26% Liveness
1% Instrumentalness • 36% Positiveness
8% Popularity • 14% Danceability • 17% Energy • 26% Liveness
1% Instrumentalness • 36% Positiveness
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DÃ imh
Barra to Balloch
86 bpm • C min • 05:15 • -5.28db
23% Popularity • 24% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
23% Popularity • 24% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Aly Bain
A Bright Star in Cepheus
85 bpm • D Maj • 04:37 • -7.36db
9% Popularity • 15% Danceability • 27% Energy • 9% Liveness
6% Instrumentalness • 16% Positiveness
9% Popularity • 15% Danceability • 27% Energy • 9% Liveness
6% Instrumentalness • 16% Positiveness
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Julie Fowlis
Bothan Àirigh am Brà igh Raithneach
76 bpm • D Maj • 04:58 • -13.35db
11% Popularity • 33% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
11% Popularity • 33% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Cherish The Ladies
Inisheer
86 bpm • G Maj • 03:04 • -11db
18% Popularity • 22% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
18% Popularity • 22% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Fara
At the Ebb
86 bpm • A Maj • 02:34 • -10.81db
20% Popularity • 29% Danceability • 23% Energy • 27% Liveness
3% Instrumentalness • 34% Positiveness
20% Popularity • 29% Danceability • 23% Energy • 27% Liveness
3% Instrumentalness • 34% Positiveness
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Solas
Crested Hens
76 bpm • E min • 05:14 • -15db
18% Popularity • 18% Danceability • 21% Energy • 10% Liveness
5% Instrumentalness • 11% Positiveness
18% Popularity • 18% Danceability • 21% Energy • 10% Liveness
5% Instrumentalness • 11% Positiveness
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Kieran Fahy
O'Carolan's Farewell to Music
76 bpm • G min • 04:22 • -9.83db
20% Popularity • 22% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 8% Positiveness
20% Popularity • 22% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 8% Positiveness
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Aly Bain
The Pearl
85 bpm • D Maj • 03:16 • -16db
14% Popularity • 19% Danceability • 39% Energy • 97% Liveness
6% Instrumentalness • 50% Positiveness
14% Popularity • 19% Danceability • 39% Energy • 97% Liveness
6% Instrumentalness • 50% Positiveness
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Brian Finnegan
Starrs
76 bpm • D Maj • 04:59 • -7.85db
27% Popularity • 32% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
27% Popularity • 32% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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The Hudson Swan Band
Peerie's Air
75 bpm • G Maj • 03:42 • -7.86db
25% Popularity • 8% Danceability • 34% Energy • 8% Liveness
94% Instrumentalness • 13% Positiveness
25% Popularity • 8% Danceability • 34% Energy • 8% Liveness
94% Instrumentalness • 13% Positiveness
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Peter Ostroushko
East Texas Waltz
75 bpm • D Maj • 04:20 • -19db
16% Popularity • 29% Danceability • 9% Energy • 11% Liveness
73% Instrumentalness • 8% Positiveness
16% Popularity • 29% Danceability • 9% Energy • 11% Liveness
73% Instrumentalness • 8% Positiveness
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Cathal McConnell
The Dark Woman of the Glen
87 bpm • G Maj • 02:17 • -10.37db
14% Popularity • 25% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
14% Popularity • 25% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Maura O'Connell
Down by the Salley Gardens
75 bpm • G Maj • 03:40 • -13.02db
21% Popularity • 51% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
21% Popularity • 51% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Aly Bain
Til Far (For Father)
87 bpm • A min • 03:21 • -16.75db
2% Popularity • 31% Danceability • 12% Energy • 10% Liveness
16% Instrumentalness • 33% Positiveness
2% Popularity • 31% Danceability • 12% Energy • 10% Liveness
16% Instrumentalness • 33% Positiveness
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Alsdair Fraser
Christina
87 bpm • D# min • 03:32 • -15.05db
27% Popularity • 18% Danceability • 15% Energy • 12% Liveness
75% Instrumentalness • 8% Positiveness
27% Popularity • 18% Danceability • 15% Energy • 12% Liveness
75% Instrumentalness • 8% Positiveness
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Flook
Ellie Goes West
75 bpm • E Maj • 03:47 • -18.76db
34% Popularity • 46% Danceability • 12% Energy • 12% Liveness
37% Instrumentalness • 18% Positiveness
34% Popularity • 46% Danceability • 12% Energy • 12% Liveness
37% Instrumentalness • 18% Positiveness
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Triskell
Plangstigh Ewen
75 bpm • C min • 03:05 • -10.34db
11% Popularity • 41% Danceability • 27% Energy • 11% Liveness
68% Instrumentalness • 30% Positiveness
11% Popularity • 41% Danceability • 27% Energy • 11% Liveness
68% Instrumentalness • 30% Positiveness
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Jay Ungar
The Ashokan Farewell
88 bpm • D Maj • 06:02 • -27.44db
26% Popularity • 15% Danceability • 4% Energy • 9% Liveness
62% Instrumentalness • 7% Positiveness
26% Popularity • 15% Danceability • 4% Energy • 9% Liveness
62% Instrumentalness • 7% Positiveness
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Fiddlers' Bid
Hamnataing
88 bpm • D Maj • 04:22 • -9.89db
10% Popularity • 17% Danceability • 32% Energy • 13% Liveness
1% Instrumentalness • 46% Positiveness
10% Popularity • 17% Danceability • 32% Energy • 13% Liveness
1% Instrumentalness • 46% Positiveness
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Liam O'Flynn
CailÃn Na Gruaige Doinne
74 bpm • E Maj • 03:53 • -14.62db
12% Popularity • 11% Danceability • 18% Energy • 10% Liveness
86% Instrumentalness • 13% Positiveness
12% Popularity • 11% Danceability • 18% Energy • 10% Liveness
86% Instrumentalness • 13% Positiveness
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![John Wayne Landry’s Farewell (Live) [feat. Michael McGoldrick, John McCusker, John Doyle & Phil Cunningham] cover art](https://i.scdn.co/image/ab67616d00001e02fb1afb3e6645b226bbf2ced5)
Dwayne Côté
John Wayne Landry’s Farewell (Live)
88 bpm • G Maj • 04:19 • -12.47db
16% Popularity • 20% Danceability • 29% Energy • 74% Liveness
29% Instrumentalness • 16% Positiveness
16% Popularity • 20% Danceability • 29% Energy • 74% Liveness
29% Instrumentalness • 16% Positiveness
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Shaun Davey
The Cliffs of Mykines
74 bpm • A Maj • 04:00 • -9.75db
8% Popularity • 10% Danceability • 55% Energy • 57% Liveness
82% Instrumentalness • 20% Positiveness
8% Popularity • 10% Danceability • 55% Energy • 57% Liveness
82% Instrumentalness • 20% Positiveness
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Seán Ó Riada
An Chúilfhionn
74 bpm • G Maj • 01:14 • -23.94db
10% Popularity • 48% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 54% Positiveness
10% Popularity • 48% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 54% Positiveness
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Jay Ungar
The Lovers' Waltz Duet
74 bpm • G Maj • 03:27 • -14.86db
32% Popularity • 31% Danceability • 15% Energy • 15% Liveness
17% Instrumentalness • 48% Positiveness
32% Popularity • 31% Danceability • 15% Energy • 15% Liveness
17% Instrumentalness • 48% Positiveness
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Aly Bain
Sophie's Lullaby
74 bpm • G Maj • 03:42 • -13db
8% Popularity • 25% Danceability • 25% Energy • 10% Liveness
4% Instrumentalness • 27% Positiveness
8% Popularity • 25% Danceability • 25% Energy • 10% Liveness
4% Instrumentalness • 27% Positiveness
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Phil Cunningham
Kimberley's Waltz
88 bpm • G Maj • 04:44 • -12.19db
12% Popularity • 20% Danceability • 26% Energy • 10% Liveness
15% Instrumentalness • 14% Positiveness
12% Popularity • 20% Danceability • 26% Energy • 10% Liveness
15% Instrumentalness • 14% Positiveness
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Cherish The Ladies
Longing For Home
74 bpm • A Maj • 03:54 • -7.01db
12% Popularity • 37% Danceability • 31% Energy • 7% Liveness
18% Instrumentalness • 39% Positiveness
12% Popularity • 37% Danceability • 31% Energy • 7% Liveness
18% Instrumentalness • 39% Positiveness
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The Tannahill Weavers
Kintail
89 bpm • G Maj • 04:24 • -10.29db
9% Popularity • 10% Danceability • 30% Energy • 8% Liveness
37% Instrumentalness • 4% Positiveness
9% Popularity • 10% Danceability • 30% Energy • 8% Liveness
37% Instrumentalness • 4% Positiveness
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Davy Spillane
Darklight
74 bpm • E min • 05:24 • -12.98db
22% Popularity • 13% Danceability • 29% Energy • 26% Liveness
80% Instrumentalness • 6% Positiveness
22% Popularity • 13% Danceability • 29% Energy • 26% Liveness
80% Instrumentalness • 6% Positiveness
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Jay Ungar
Roscoe's Waterfall
74 bpm • D Maj • 02:38 • -17.8db
9% Popularity • 31% Danceability • 5% Energy • 17% Liveness
66% Instrumentalness • 34% Positiveness
9% Popularity • 31% Danceability • 5% Energy • 17% Liveness
66% Instrumentalness • 34% Positiveness
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Aly Bain
Violet Tulloch - Queen of Lerwick
74 bpm • D Maj • 03:18 • -9db
7% Popularity • 17% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
7% Popularity • 17% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Liam O'Flynn
Seán Ó Duibhir A Ghleanna
74 bpm • C# Maj • 03:58 • -11.51db
15% Popularity • 12% Danceability • 27% Energy • 17% Liveness
5% Instrumentalness • 13% Positiveness
15% Popularity • 12% Danceability • 27% Energy • 17% Liveness
5% Instrumentalness • 13% Positiveness
