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The Getting By II
Songs like
The Getting By II
by
The Killers
Based on a tempo of (+/- 10%) and a similar genre
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The 1975
Part Of The Band
142 bpm • F# Maj • 04:20 • -8db
57% Popularity • 71% Danceability • 51% Energy • 25% Liveness
13% Instrumentalness • 83% Positiveness
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Phoenix
Tonight
142 bpm • G# Maj • 04:06 • -7db
48% Popularity • 67% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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James Vincent McMorrow
Steven
142 bpm • C Maj • 05:12 • -7.94db
26% Popularity • 64% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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The Killers
The Getting By II
142 bpm • F min • 03:16 • -4db
44% Popularity • 44% Danceability • 98% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
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Band of Horses
Aftermath
142 bpm • E Maj • 04:08 • -5.76db
28% Popularity • 36% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Miles Kane
Never Get Tired of Dancing (Acoustic Ver...
142 bpm • E Maj • 02:51 • -4.84db
14% Popularity • 57% Danceability • 79% Energy • 53% Liveness
0% Instrumentalness • 83% Positiveness
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Shout Out Louds
My Companion
142 bpm • D Maj • 04:26 • -8db
20% Popularity • 52% Danceability • 91% Energy • 26% Liveness
3% Instrumentalness • 44% Positiveness
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Arcade Fire
End of the Empire IV (Sagittarius A*)
141 bpm • E min • 03:54 • -12.03db
40% Popularity • 32% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Belle and Sebastian
A Bit of Previous
143 bpm • C Maj • 03:49 • -6.23db
24% Popularity • 46% Danceability • 83% Energy • 35% Liveness
0% Instrumentalness • 76% Positiveness
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Inhaler
Cheer Up Baby
143 bpm • G# Maj • 03:53 • -6.38db
50% Popularity • 46% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Frank Turner
The Resurrectionists
143 bpm • A min • 02:42 • -4.8db
33% Popularity • 54% Danceability • 88% Energy • 57% Liveness
0% Instrumentalness • 71% Positiveness
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The Killers
For Reasons Unknown
140 bpm • D# Maj • 03:32 • -4.21db
62% Popularity • 50% Danceability • 88% Energy • 11% Liveness
4% Instrumentalness • 52% Positiveness
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White Lies
There Is No Cure For It
141 bpm • G# Maj • 04:05 • -6.01db
24% Popularity • 44% Danceability • 87% Energy • 47% Liveness
72% Instrumentalness • 28% Positiveness
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The Goo Goo Dolls
Yeah, I Like You
140 bpm • D Maj • 04:24 • -3.06db
39% Popularity • 48% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Belle and Sebastian
Unnecessary Drama
144 bpm • A# Maj • 04:16 • -4.59db
26% Popularity • 46% Danceability • 89% Energy • 38% Liveness
0% Instrumentalness • 61% Positiveness
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Band of Horses
You Are Nice To Me
140 bpm • A# Maj • 03:57 • -6.04db
31% Popularity • 60% Danceability • 89% Energy • 39% Liveness
33% Instrumentalness • 81% Positiveness
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Manic Street Preachers
Still Snowing in Sapporo
140 bpm • D Maj • 06:09 • -7.79db
23% Popularity • 45% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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The Wombats
Don't Poke the Bear
140 bpm • G Maj • 03:07 • -5.82db
16% Popularity • 49% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Keane
Dirt
144 bpm • A Maj • 04:07 • -7.07db
42% Popularity • 48% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Editors
Karma Climb - Edit
140 bpm • G Maj • 03:45 • -4.81db
22% Popularity • 52% Danceability • 91% Energy • 39% Liveness
22% Instrumentalness • 42% Positiveness
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Inhaler
These Are The Days
140 bpm • F# min • 03:45 • -5db
53% Popularity • 50% Danceability • 96% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
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Twin Atlantic
Get Famous
140 bpm • A Maj • 02:53 • -4.33db
17% Popularity • 76% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
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Alfie Templeman
Colour Me Blue
140 bpm • F# Maj • 03:16 • -5.14db
44% Popularity • 68% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Anyway Gang
Real Thing
144 bpm • C Maj • 02:52 • -4.6db
12% Popularity • 57% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Shout Out Louds
Sometimes Sometimes
144 bpm • C Maj • 04:09 • -8.21db
14% Popularity • 64% Danceability • 59% Energy • 9% Liveness
43% Instrumentalness • 37% Positiveness
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Editors
Karma Climb
140 bpm • G Maj • 05:18 • -5db
42% Popularity • 52% Danceability • 92% Energy • 40% Liveness
10% Instrumentalness • 35% Positiveness
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Foo Fighters
Love Dies Young
140 bpm • D# Maj • 04:21 • -3.56db
45% Popularity • 50% Danceability • 98% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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The National
Tropic Morning News
144 bpm • F# min • 05:09 • -7db
53% Popularity • 56% Danceability • 82% Energy • 9% Liveness
1% Instrumentalness • 72% Positiveness
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Ten Tonnes
Everything You Got
140 bpm • C# Maj • 03:36 • -3.76db
22% Popularity • 44% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
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Interpol
Fables
144 bpm • C Maj • 04:34 • -6.21db
44% Popularity • 40% Danceability • 78% Energy • 7% Liveness
23% Instrumentalness • 55% Positiveness
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The Killers
The Getting By V
140 bpm • C Maj • 03:25 • -4.49db
29% Popularity • 50% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Editors
Picturesque
140 bpm • A# min • 05:09 • -4.45db
40% Popularity • 45% Danceability • 95% Energy • 43% Liveness
32% Instrumentalness • 22% Positiveness
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The Wombats
Worry
140 bpm • D Maj • 03:10 • -5.02db
20% Popularity • 67% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Portugal. The Man
What, Me Worry?
140 bpm • D# min • 02:57 • -2.56db
55% Popularity • 72% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Gang of Youths
spirit boy
140 bpm • C# Maj • 06:27 • -8db
29% Popularity • 49% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Metronomy
Things will be fine
145 bpm • C Maj • 03:30 • -9db
49% Popularity • 72% Danceability • 71% Energy • 10% Liveness
26% Instrumentalness • 92% Positiveness
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The Killers
Four Winds
140 bpm • G min • 03:55 • -6.28db
31% Popularity • 65% Danceability • 73% Energy • 20% Liveness
14% Instrumentalness • 64% Positiveness
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The Airborne Toxic Event
Faithless
139 bpm • G min • 04:10 • -3.73db
38% Popularity • 46% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Bloc Party
If We Get Caught
145 bpm • D Maj • 03:14 • -3.56db
33% Popularity • 44% Danceability • 88% Energy • 21% Liveness
5% Instrumentalness • 68% Positiveness
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Death Cab for Cutie
Asphalt Meadows
145 bpm • G Maj • 04:05 • -8.83db
39% Popularity • 62% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Belle and Sebastian
Talk to Me, Talk to Me
145 bpm • D Maj • 04:27 • -5.32db
27% Popularity • 52% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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Wilderado
Head Right
145 bpm • F Maj • 03:17 • -3.52db
44% Popularity • 54% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Biffy Clyro
Separate Missions
139 bpm • D Maj • 05:18 • -5.71db
29% Popularity • 58% Danceability • 83% Energy • 12% Liveness
1% Instrumentalness • 68% Positiveness
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Michigander
Better
139 bpm • G# Maj • 04:54 • -3db
38% Popularity • 38% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Snow Patrol
Spitting Games
145 bpm • G Maj • 03:46 • -4db
52% Popularity • 50% Danceability • 88% Energy • 57% Liveness
3% Instrumentalness • 56% Positiveness
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Band of Horses
Crutch
145 bpm • D Maj • 03:43 • -5.38db
47% Popularity • 46% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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The Killers
Dustland
138 bpm • C# Maj • 04:24 • -9db
51% Popularity • 28% Danceability • 71% Energy • 4% Liveness
0% Instrumentalness • 10% Positiveness
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Stars
Pretenders
146 bpm • D Maj • 03:01 • -7.25db
22% Popularity • 44% Danceability • 81% Energy • 41% Liveness
8% Instrumentalness • 69% Positiveness
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Inhaler
When It Breaks
146 bpm • D min • 03:42 • -6.19db
53% Popularity • 43% Danceability • 96% Energy • 35% Liveness
0% Instrumentalness • 23% Positiveness
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Gang of Youths
forbearance
138 bpm • C# Maj • 05:38 • -9.55db
27% Popularity • 59% Danceability • 71% Energy • 14% Liveness
1% Instrumentalness • 38% Positiveness
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Kings of Leon
Golden Restless Age
138 bpm • A Maj • 04:33 • -6db
51% Popularity • 52% Danceability • 85% Energy • 8% Liveness
80% Instrumentalness • 48% Positiveness
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Eddie Vedder
Brother the Cloud
138 bpm • G# Maj • 04:22 • -5.58db
38% Popularity • 56% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Sports Team
The Drop
138 bpm • D Maj • 02:58 • -6db
34% Popularity • 57% Danceability • 81% Energy • 16% Liveness
1% Instrumentalness • 90% Positiveness
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Circa Waves
Hell On Earth
138 bpm • G# Maj • 02:45 • -3.7db
31% Popularity • 60% Danceability • 82% Energy • 7% Liveness
7% Instrumentalness • 66% Positiveness
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Twin Atlantic
Dirty
138 bpm • E Maj • 03:34 • -4.03db
16% Popularity • 64% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Mondo Cozmo
WW3
146 bpm • G Maj • 03:44 • -3.7db
10% Popularity • 18% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
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The Killers
Sleepwalker
138 bpm • A# Maj • 04:27 • -5.43db
36% Popularity • 71% Danceability • 89% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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Arcade Fire
End of the Empire I-III
137 bpm • C Maj • 05:23 • -9.52db
44% Popularity • 32% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
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Jimmy Eat World
Something Loud (Acoustic Version)
137 bpm • D Maj • 03:20 • -7.55db
24% Popularity • 49% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Panic! At The Disco
Local God
147 bpm • C Maj • 03:00 • -5.75db
46% Popularity • 38% Danceability • 85% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
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Yard Act
Tiny Dancer
147 bpm • C Maj • 03:53 • -9.76db
31% Popularity • 56% Danceability • 77% Energy • 7% Liveness
1% Instrumentalness • 77% Positiveness
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Bloc Party
You Should Know the Truth
137 bpm • G Maj • 03:01 • -5.55db
29% Popularity • 62% Danceability • 68% Energy • 58% Liveness
0% Instrumentalness • 66% Positiveness
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The Killers
Sleepwalker - Abridged
138 bpm • A# Maj • 04:04 • -4.87db
33% Popularity • 72% Danceability • 91% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
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Suede
She Still Leads Me On
147 bpm • C# min • 04:08 • -3.76db
39% Popularity • 22% Danceability • 93% Energy • 64% Liveness
0% Instrumentalness • 21% Positiveness
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Coldplay
People of The Pride
136 bpm • E min • 03:37 • -6.79db
59% Popularity • 43% Danceability • 61% Energy • 31% Liveness
2% Instrumentalness • 9% Positiveness
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Kings of Leon
Echoing
148 bpm • C Maj • 03:37 • -5.58db
43% Popularity • 29% Danceability • 78% Energy • 10% Liveness
23% Instrumentalness • 24% Positiveness
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Blossoms
Everything About You
148 bpm • G Maj • 04:04 • -4.21db
30% Popularity • 48% Danceability • 91% Energy • 33% Liveness
49% Instrumentalness • 65% Positiveness
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St. Lucia
Separate World
148 bpm • A Maj • 04:52 • -5.61db
24% Popularity • 52% Danceability • 93% Energy • 14% Liveness
3% Instrumentalness • 48% Positiveness
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The Killers
Running Towards A Place
147 bpm • A min • 04:13 • -4.84db
41% Popularity • 50% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Young Decades
Man on Mars
148 bpm • B min • 03:21 • -4.51db
10% Popularity • 40% Danceability • 92% Energy • 21% Liveness
0% Instrumentalness • 31% Positiveness
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Elvis Costello
The Boy Named If
148 bpm • G min • 04:24 • -5.81db
22% Popularity • 50% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Nothing But Thieves
Life's Coming in Slow - from GRAN TURISM...
148 bpm • A Maj • 02:49 • -3.77db
57% Popularity • 51% Danceability • 97% Energy • 39% Liveness
1% Instrumentalness • 76% Positiveness
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The Snuts
Knuckles
136 bpm • A Maj • 02:40 • -5.64db
44% Popularity • 57% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 54% Positiveness
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The Coral
Change Your Mind
136 bpm • G Maj • 03:07 • -5.9db
31% Popularity • 52% Danceability • 91% Energy • 25% Liveness
0% Instrumentalness • 73% Positiveness
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Foals
2am
136 bpm • C Maj • 03:44 • -3db
55% Popularity • 70% Danceability • 79% Energy • 6% Liveness
60% Instrumentalness • 86% Positiveness
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Keane
Burning The Days - Demo
136 bpm • C# Maj • 04:07 • -6.65db
33% Popularity • 54% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
► Preview
Manic Street Preachers
The Secret He Had Missed
136 bpm • B min • 03:39 • -6.11db
27% Popularity • 52% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
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Editors
Strange Intimacy
136 bpm • D Maj • 06:24 • -4.84db
35% Popularity • 50% Danceability • 89% Energy • 33% Liveness
17% Instrumentalness • 20% Positiveness
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Shout Out Louds
As Far Away As Possible
136 bpm • A Maj • 04:36 • -6.65db
22% Popularity • 60% Danceability • 69% Energy • 10% Liveness
11% Instrumentalness • 80% Positiveness
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The Lathums
Sad Face Baby
149 bpm • D Maj • 04:17 • -3.13db
41% Popularity • 50% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Biffy Clyro
Existed
136 bpm • A min • 04:09 • -8.87db
29% Popularity • 65% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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The Snuts
Glasgow
135 bpm • B Maj • 04:26 • -1db
49% Popularity • 22% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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White Lies
I Don't Want To Go To Mars
135 bpm • E Maj • 04:37 • -4.61db
36% Popularity • 45% Danceability • 97% Energy • 5% Liveness
4% Instrumentalness • 44% Positiveness
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Editors
Munich
149 bpm • G min • 03:46 • -4.4db
36% Popularity • 19% Danceability • 88% Energy • 29% Liveness
5% Instrumentalness • 39% Positiveness
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The Blizzards
Friction Burns
135 bpm • D Maj • 04:21 • -4.84db
11% Popularity • 62% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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AWOLNATION
Material Girl
135 bpm • C Maj • 04:09 • -3db
30% Popularity • 68% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Spector
Felony
135 bpm • C# min • 03:41 • -5.6db
20% Popularity • 70% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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Old Sea Brigade
Day by Day
150 bpm • F# min • 03:12 • -8.86db
48% Popularity • 65% Danceability • 62% Energy • 12% Liveness
1% Instrumentalness • 91% Positiveness
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The Goo Goo Dolls
Going Crazy
150 bpm • A min • 03:58 • -4.34db
38% Popularity • 54% Danceability • 72% Energy • 3% Liveness
0% Instrumentalness • 57% Positiveness
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Dylan Fraser
Apartment Complex on the Eastside
150 bpm • C# Maj • 04:07 • -5.43db
19% Popularity • 47% Danceability • 88% Energy • 35% Liveness
4% Instrumentalness • 33% Positiveness
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The Killers
In The Car Outside - Abridged
150 bpm • B Maj • 04:48 • -2.66db
36% Popularity • 48% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Gerry Cinnamon
Sometimes
150 bpm • A Maj • 03:16 • -6.74db
66% Popularity • 64% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Spector
An American Warehouse in London
150 bpm • F# Maj • 06:03 • -5.35db
19% Popularity • 42% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 29% Positiveness
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Embrace
We Are It
150 bpm • D Maj • 03:46 • -7.17db
21% Popularity • 49% Danceability • 83% Energy • 31% Liveness
0% Instrumentalness • 37% Positiveness
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The Wombats
Dressed to Kill
150 bpm • C Maj • 02:52 • -6.53db
42% Popularity • 52% Danceability • 79% Energy • 28% Liveness
0% Instrumentalness • 73% Positiveness
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We Are Scientists
Operator Error
150 bpm • G min • 02:36 • -3.77db
20% Popularity • 50% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
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The Killers
In The Car Outside
150 bpm • B Maj • 05:28 • -3.75db
38% Popularity • 50% Danceability • 91% Energy • 41% Liveness
0% Instrumentalness • 27% Positiveness
► Preview
Editors
Heart Attack - Edit
134 bpm • F# min • 03:34 • -6.06db
22% Popularity • 53% Danceability • 91% Energy • 15% Liveness
2% Instrumentalness • 31% Positiveness
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Del Amitri
Lips of London
134 bpm • C Maj • 03:48 • -6.66db
18% Popularity • 57% Danceability • 92% Energy • 32% Liveness
21% Instrumentalness • 78% Positiveness
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The Slow Readers Club
Tell No Lies
134 bpm • F min • 03:21 • -5.42db
22% Popularity • 48% Danceability • 85% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
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The Getting By II