Songs like The Girl That I Marry (From "Annie Get Your Gun") by The Four Lads
Based on a tempo of (+/- 10%) and a similar genre
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The Four Lads
Hit The Road To Dreamland
128 bpm • D min • 02:18 • -21.53db
2% Popularity • 56% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
2% Popularity • 56% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Patti Page With Orchestra
The Doggie In The Window
128 bpm • D Maj • 02:27 • -16.45db
16% Popularity • 63% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
16% Popularity • 63% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Phil Harris
The Thing
128 bpm • D Maj • 02:22 • -10db
13% Popularity • 81% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
13% Popularity • 81% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
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Dion & The Belmonts
Swinging On A Star
128 bpm • G Maj • 02:26 • -6.89db
22% Popularity • 55% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
22% Popularity • 55% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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Ella Mae Morse
Mr. Five By Five
128 bpm • E min • 03:03 • -18.13db
27% Popularity • 76% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
27% Popularity • 76% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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The Del-Vikings
Whispering Bells - Alternate Version
127 bpm • A# Maj • 02:27 • -10.68db
32% Popularity • 49% Danceability • 73% Energy • 58% Liveness
0% Instrumentalness • 63% Positiveness
32% Popularity • 49% Danceability • 73% Energy • 58% Liveness
0% Instrumentalness • 63% Positiveness
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The Four Lads
Someone Like You
129 bpm • C Maj • 02:12 • -19.63db
3% Popularity • 64% Danceability • 29% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
3% Popularity • 64% Danceability • 29% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
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Johnnie Ray
Walkin' My Baby Back Home
129 bpm • D Maj • 02:20 • -19db
36% Popularity • 72% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
36% Popularity • 72% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Harry Belafonte
Gomen Nasai (Forgive Me)
128 bpm • D Maj • 02:31 • -12.98db
8% Popularity • 36% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
8% Popularity • 36% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Gogi Grant
The Wayward Wind (Alternate Take)
129 bpm • B Maj • 02:58 • -11.25db
14% Popularity • 51% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
14% Popularity • 51% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Lloyd Price
Personality
129 bpm • F Maj • 02:35 • -13db
49% Popularity • 60% Danceability • 31% Energy • 34% Liveness
0% Instrumentalness • 86% Positiveness
49% Popularity • 60% Danceability • 31% Energy • 34% Liveness
0% Instrumentalness • 86% Positiveness
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The Four Aces
Love Is a Many Splendored Thing
129 bpm • D Maj • 02:58 • -9.43db
46% Popularity • 32% Danceability • 34% Energy • 22% Liveness
1% Instrumentalness • 29% Positiveness
46% Popularity • 32% Danceability • 34% Energy • 22% Liveness
1% Instrumentalness • 29% Positiveness
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The Four Lads
Breezin' Along With The Breeze
127 bpm • F Maj • 02:11 • -11db
23% Popularity • 43% Danceability • 46% Energy • 40% Liveness
0% Instrumentalness • 74% Positiveness
23% Popularity • 43% Danceability • 46% Energy • 40% Liveness
0% Instrumentalness • 74% Positiveness
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Joanie Sommers
Johnny Get Angry
127 bpm • C# Maj • 02:36 • -14.47db
31% Popularity • 63% Danceability • 27% Energy • 32% Liveness
0% Instrumentalness • 55% Positiveness
31% Popularity • 63% Danceability • 27% Energy • 32% Liveness
0% Instrumentalness • 55% Positiveness
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Eddie Cantor
Makin' Whoopee
127 bpm • G min • 03:02 • -10db
25% Popularity • 55% Danceability • 27% Energy • 33% Liveness
16% Instrumentalness • 48% Positiveness
25% Popularity • 55% Danceability • 27% Energy • 33% Liveness
16% Instrumentalness • 48% Positiveness
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Guy Mitchell
Sparrow In The Tree Top
127 bpm • F Maj • 03:13 • -13.88db
10% Popularity • 72% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
10% Popularity • 72% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Howard Keel
A Wooin' We Will Go
127 bpm • G# Maj • 02:28 • -11.58db
17% Popularity • 60% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
17% Popularity • 60% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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The Crew Cuts
Sh-Boom (Life Could Be A Dream)
130 bpm • D min • 02:48 • -10.93db
51% Popularity • 67% Danceability • 27% Energy • 23% Liveness
0% Instrumentalness • 56% Positiveness
51% Popularity • 67% Danceability • 27% Energy • 23% Liveness
0% Instrumentalness • 56% Positiveness
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Ruby Murray
Softly Softly
127 bpm • D Maj • 02:29 • -13db
32% Popularity • 30% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
32% Popularity • 30% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Johnnie Ray
All of Me
130 bpm • D# Maj • 02:06 • -19.37db
33% Popularity • 76% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
33% Popularity • 76% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Alma Cogan
I Can't Tell a Waltz from a Tango
126 bpm • C# Maj • 02:26 • -11db
12% Popularity • 85% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 93% Positiveness
12% Popularity • 85% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 93% Positiveness
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The Dominoes
Can't Do Sixty No More
130 bpm • G# Maj • 02:31 • -9.61db
20% Popularity • 73% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
20% Popularity • 73% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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Eddie Cantor
Ma! (He's Making Eyes at Me)
130 bpm • F Maj • 02:18 • -10db
25% Popularity • 78% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
25% Popularity • 78% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
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King Brothers
A White Sport Coat and a Pink Carnation
126 bpm • D Maj • 02:16 • -10.11db
1% Popularity • 79% Danceability • 32% Energy • 34% Liveness
0% Instrumentalness • 83% Positiveness
1% Popularity • 79% Danceability • 32% Energy • 34% Liveness
0% Instrumentalness • 83% Positiveness
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The Four Lads
You Were Meant For Me
130 bpm • F Maj • 02:17 • -21.28db
3% Popularity • 54% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
3% Popularity • 54% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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michael holliday
My Heart Is an Open Book
130 bpm • A# Maj • 02:12 • -14.95db
15% Popularity • 62% Danceability • 23% Energy • 25% Liveness
0% Instrumentalness • 56% Positiveness
15% Popularity • 62% Danceability • 23% Energy • 25% Liveness
0% Instrumentalness • 56% Positiveness
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The Gaylords
The Little Shoemaker
126 bpm • G Maj • 02:17 • -10.55db
11% Popularity • 86% Danceability • 49% Energy • 33% Liveness
0% Instrumentalness • 97% Positiveness
11% Popularity • 86% Danceability • 49% Energy • 33% Liveness
0% Instrumentalness • 97% Positiveness
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The Four Preps
Big Man
126 bpm • D# Maj • 02:23 • -8db
30% Popularity • 52% Danceability • 51% Energy • 27% Liveness
0% Instrumentalness • 79% Positiveness
30% Popularity • 52% Danceability • 51% Energy • 27% Liveness
0% Instrumentalness • 79% Positiveness
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Betty Hutton
Blue Skies
131 bpm • F min • 02:52 • -10.59db
31% Popularity • 52% Danceability • 14% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
31% Popularity • 52% Danceability • 14% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
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Tab Hunter
Ninety-Nine Ways
125 bpm • E Maj • 01:47 • -8.35db
18% Popularity • 60% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
18% Popularity • 60% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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The Four Lads
Sha-Boom
126 bpm • D min • 02:51 • -11.85db
4% Popularity • 81% Danceability • 27% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
4% Popularity • 81% Danceability • 27% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
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Bob Hope
Two Sleepy People - Remastered
131 bpm • A# Maj • 03:00 • -10.94db
11% Popularity • 56% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
11% Popularity • 56% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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Frankie Vaughan
Come Softly to Me
131 bpm • D# Maj • 02:21 • -12.28db
14% Popularity • 57% Danceability • 37% Energy • 33% Liveness
0% Instrumentalness • 86% Positiveness
14% Popularity • 57% Danceability • 37% Energy • 33% Liveness
0% Instrumentalness • 86% Positiveness
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Ronnie Hilton
Around the World
131 bpm • B min • 02:42 • -10.89db
23% Popularity • 30% Danceability • 24% Energy • 36% Liveness
0% Instrumentalness • 10% Positiveness
23% Popularity • 30% Danceability • 24% Energy • 36% Liveness
0% Instrumentalness • 10% Positiveness
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Dion & The Belmonts
It's Only A Paper Moon
125 bpm • G Maj • 01:56 • -7.04db
35% Popularity • 46% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
35% Popularity • 46% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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The Crew Cuts
Sh-Boom (Alternate Take)
131 bpm • D min • 02:42 • -9.65db
26% Popularity • 68% Danceability • 32% Energy • 59% Liveness
0% Instrumentalness • 71% Positiveness
26% Popularity • 68% Danceability • 32% Energy • 59% Liveness
0% Instrumentalness • 71% Positiveness
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michael holliday
In Love
131 bpm • B min • 02:06 • -14.66db
17% Popularity • 70% Danceability • 24% Energy • 5% Liveness
2% Instrumentalness • 61% Positiveness
17% Popularity • 70% Danceability • 24% Energy • 5% Liveness
2% Instrumentalness • 61% Positiveness
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The Ames Brothers
The Naughty Lady of Shady Lane
131 bpm • C# Maj • 02:51 • -8.27db
23% Popularity • 70% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
23% Popularity • 70% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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The Four Preps
Jamaica Farewell
125 bpm • E Maj • 02:43 • -13.19db
14% Popularity • 64% Danceability • 49% Energy • 29% Liveness
0% Instrumentalness • 90% Positiveness
14% Popularity • 64% Danceability • 49% Energy • 29% Liveness
0% Instrumentalness • 90% Positiveness
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Ronnie Hilton
Hey Look Me Over
125 bpm • G Maj • 02:19 • -7db
12% Popularity • 72% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 80% Positiveness
12% Popularity • 72% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 80% Positiveness
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Danny Kaye
Candy Kisses
125 bpm • C Maj • 02:54 • -17.25db
13% Popularity • 64% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
13% Popularity • 64% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Johnnie Ray
The Little White Cloud That Cried
132 bpm • G Maj • 02:13 • -19.24db
30% Popularity • 46% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
30% Popularity • 46% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Flanagan & Allen
The Umbrella Man
132 bpm • C# Maj • 02:43 • -10db
18% Popularity • 47% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
18% Popularity • 47% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Johnny Mercer
Zip-A-Dee-Doo-Dah
124 bpm • G# Maj • 02:52 • -11.32db
12% Popularity • 63% Danceability • 33% Energy • 27% Liveness
0% Instrumentalness • 82% Positiveness
12% Popularity • 63% Danceability • 33% Energy • 27% Liveness
0% Instrumentalness • 82% Positiveness
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Art Mooney
Honey-Babe
124 bpm • E Maj • 02:54 • -10.88db
7% Popularity • 57% Danceability • 38% Energy • 26% Liveness
0% Instrumentalness • 84% Positiveness
7% Popularity • 57% Danceability • 38% Energy • 26% Liveness
0% Instrumentalness • 84% Positiveness
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The Four Preps
Memories Are Made of This
132 bpm • A Maj • 02:29 • -14.72db
17% Popularity • 53% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
17% Popularity • 53% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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Alma Cogan
Bell Bottom Blues
124 bpm • A Maj • 02:35 • -10.25db
27% Popularity • 80% Danceability • 25% Energy • 21% Liveness
0% Instrumentalness • 86% Positiveness
27% Popularity • 80% Danceability • 25% Energy • 21% Liveness
0% Instrumentalness • 86% Positiveness
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Tommy Edwards
My Melancholy Baby
124 bpm • D min • 02:40 • -7.26db
24% Popularity • 47% Danceability • 50% Energy • 15% Liveness
1% Instrumentalness • 34% Positiveness
24% Popularity • 47% Danceability • 50% Energy • 15% Liveness
1% Instrumentalness • 34% Positiveness
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The Four Knights
I Love the Sunshine of Your Smile
123 bpm • G# Maj • 02:21 • -11db
16% Popularity • 92% Danceability • 41% Energy • 22% Liveness
0% Instrumentalness • 60% Positiveness
16% Popularity • 92% Danceability • 41% Energy • 22% Liveness
0% Instrumentalness • 60% Positiveness
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Vic Dana
More (Theme From Mondo Cane)
133 bpm • A Maj • 02:21 • -7.98db
38% Popularity • 37% Danceability • 46% Energy • 32% Liveness
0% Instrumentalness • 47% Positiveness
38% Popularity • 37% Danceability • 46% Energy • 32% Liveness
0% Instrumentalness • 47% Positiveness
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Debbie Reynolds
Aba Daba Honeymoon
133 bpm • G min • 03:14 • -8.72db
14% Popularity • 60% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
14% Popularity • 60% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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The Four Preps
Dreamy Eyes
132 bpm • F# Maj • 02:16 • -12.72db
11% Popularity • 32% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
11% Popularity • 32% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Rudy Vallee and His Connecticut Yankees
Brother Can You Spare a Dime
123 bpm • G min • 03:40 • -19.74db
19% Popularity • 56% Danceability • 10% Energy • 9% Liveness
1% Instrumentalness • 56% Positiveness
19% Popularity • 56% Danceability • 10% Energy • 9% Liveness
1% Instrumentalness • 56% Positiveness
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Flanagan & Allen
Underneath the Arches
123 bpm • C Maj • 03:01 • -16db
28% Popularity • 57% Danceability • 14% Energy • 10% Liveness
16% Instrumentalness • 54% Positiveness
28% Popularity • 57% Danceability • 14% Energy • 10% Liveness
16% Instrumentalness • 54% Positiveness
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Ed Ames
The Erie Canal
123 bpm • A min • 02:40 • -10.68db
12% Popularity • 66% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
12% Popularity • 66% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Roger Williams
Near You
123 bpm • G Maj • 02:47 • -15db
30% Popularity • 77% Danceability • 16% Energy • 8% Liveness
69% Instrumentalness • 55% Positiveness
30% Popularity • 77% Danceability • 16% Energy • 8% Liveness
69% Instrumentalness • 55% Positiveness
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The Four Lads
Grandfather's Clock
133 bpm • C Maj • 02:48 • -10.66db
3% Popularity • 33% Danceability • 40% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
3% Popularity • 33% Danceability • 40% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
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The Four Preps
Gidget
123 bpm • G# Maj • 01:47 • -10.57db
16% Popularity • 61% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
16% Popularity • 61% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Ricky Nelson
Fools Rush In
123 bpm • A Maj • 02:34 • -10.2db
41% Popularity • 66% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 87% Positiveness
41% Popularity • 66% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 87% Positiveness
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Betty Hutton
She's a Lady
134 bpm • G Maj • 02:50 • -9.82db
15% Popularity • 82% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
15% Popularity • 82% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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The Hilltoppers
I Love My Girl
122 bpm • D Maj • 01:46 • -10.15db
18% Popularity • 73% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
18% Popularity • 73% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Petula Clark
The Little Shoemaker
122 bpm • C# Maj • 02:18 • -10.25db
33% Popularity • 67% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
33% Popularity • 67% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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The Four Lads
That Old Feeling
122 bpm • G# Maj • 02:40 • -20.35db
2% Popularity • 56% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
2% Popularity • 56% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Russ Hamilton
Rainbow
122 bpm • D Maj • 02:43 • -9db
29% Popularity • 70% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
29% Popularity • 70% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Johnny Mercer
Personality
134 bpm • F Maj • 02:49 • -16.56db
50% Popularity • 74% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
50% Popularity • 74% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
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Johnnie Ray
Mountains In The Moonlight
122 bpm • E min • 02:34 • -12.9db
1% Popularity • 43% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
1% Popularity • 43% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Bob Hope
Yankee Doodle Dandy
122 bpm • D# Maj • 02:17 • -11.31db
16% Popularity • 66% Danceability • 33% Energy • 40% Liveness
0% Instrumentalness • 72% Positiveness
16% Popularity • 66% Danceability • 33% Energy • 40% Liveness
0% Instrumentalness • 72% Positiveness
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Rudy Vallee
Life Is Just a Bowl of Cherries
122 bpm • D# Maj • 03:20 • -16.43db
26% Popularity • 74% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
26% Popularity • 74% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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The Four Lads
Let Me Call You Sweetheart
134 bpm • A# Maj • 02:22 • -10.51db
3% Popularity • 29% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
3% Popularity • 29% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Betty Hutton
Murder, He Says
135 bpm • A# Maj • 03:12 • -10.63db
21% Popularity • 60% Danceability • 32% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
21% Popularity • 60% Danceability • 32% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
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Bob Crosby
Politics
122 bpm • G Maj • 02:05 • -13.14db
28% Popularity • 89% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
28% Popularity • 89% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Danny Kaye
The Woody Woodpecker Song
135 bpm • G Maj • 02:12 • -12.47db
8% Popularity • 84% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
8% Popularity • 84% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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Ronnie Hilton
Veni Vidi Vici
121 bpm • A# Maj • 02:30 • -10.36db
11% Popularity • 69% Danceability • 34% Energy • 40% Liveness
0% Instrumentalness • 84% Positiveness
11% Popularity • 69% Danceability • 34% Energy • 40% Liveness
0% Instrumentalness • 84% Positiveness
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The Four Preps
26 Miles (Santa Catalina)
121 bpm • A Maj • 02:26 • -12.73db
33% Popularity • 64% Danceability • 39% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
33% Popularity • 64% Danceability • 39% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
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The Four Lads
Round and Round - Remastered
134 bpm • A# Maj • 02:21 • -8.66db
4% Popularity • 57% Danceability • 70% Energy • 34% Liveness
0% Instrumentalness • 87% Positiveness
4% Popularity • 57% Danceability • 70% Energy • 34% Liveness
0% Instrumentalness • 87% Positiveness
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The Ames Brothers
Undecided
135 bpm • G# Maj • 02:59 • -8.91db
24% Popularity • 75% Danceability • 44% Energy • 24% Liveness
0% Instrumentalness • 87% Positiveness
24% Popularity • 75% Danceability • 44% Energy • 24% Liveness
0% Instrumentalness • 87% Positiveness
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Tommy Edwards
Take These Chains From My Heart
135 bpm • C# Maj • 02:28 • -9.48db
28% Popularity • 38% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
28% Popularity • 38% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Dodie Stevens
No
135 bpm • G# Maj • 01:56 • -10db
11% Popularity • 70% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
11% Popularity • 70% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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The King Brothers
In the Middle of an Island - Remastered
121 bpm • A# Maj • 02:40 • -7.7db
12% Popularity • 66% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
12% Popularity • 66% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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michael holliday
Starry Eyed - Single Version
121 bpm • D Maj • 02:23 • -10db
22% Popularity • 62% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 83% Positiveness
22% Popularity • 62% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 83% Positiveness
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The Four Lads
Moonlight Bay
121 bpm • G min • 02:07 • -9.7db
4% Popularity • 58% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
4% Popularity • 58% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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Dick Haymes
Pack up Your Troubles
120 bpm • F Maj • 02:30 • -11.71db
10% Popularity • 62% Danceability • 27% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
10% Popularity • 62% Danceability • 27% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
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Della Reese
And That Reminds Me
120 bpm • D min • 02:30 • -12.23db
24% Popularity • 39% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
24% Popularity • 39% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Helen O'Connell
Slow poke
136 bpm • D# Maj • 02:32 • -14.45db
9% Popularity • 80% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
9% Popularity • 80% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Archie Bleyer & His Orchestra
Hernando's Hideaway
120 bpm • C min • 02:32 • -12.61db
29% Popularity • 80% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
29% Popularity • 80% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Gale Storm
Memories Are Made Of This
136 bpm • C Maj • 02:20 • -9.56db
29% Popularity • 58% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
29% Popularity • 58% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
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The Four Lads
There's Only One of You
120 bpm • F# Maj • 02:52 • -10.35db
13% Popularity • 56% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
13% Popularity • 56% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Jerry Wallace
Primrose Lane
120 bpm • G# min • 02:23 • -13.63db
26% Popularity • 56% Danceability • 41% Energy • 9% Liveness
2% Instrumentalness • 61% Positiveness
26% Popularity • 56% Danceability • 41% Energy • 9% Liveness
2% Instrumentalness • 61% Positiveness
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Eddie Cantor
If You Knew Susie (Like I Know Susie)
120 bpm • D Maj • 02:51 • -14.63db
22% Popularity • 86% Danceability • 19% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
22% Popularity • 86% Danceability • 19% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
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Lloyd Price
I'm Gonna Get Married
120 bpm • G Maj • 02:20 • -12.75db
39% Popularity • 55% Danceability • 39% Energy • 64% Liveness
0% Instrumentalness • 65% Positiveness
39% Popularity • 55% Danceability • 39% Energy • 64% Liveness
0% Instrumentalness • 65% Positiveness
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Tommy Edwards
Please Mr. Sun
120 bpm • D# Maj • 02:20 • -9.78db
36% Popularity • 40% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
36% Popularity • 40% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
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Billy Cotton & His Band
I'm Just Wild About Harry
137 bpm • D# Maj • 02:24 • -19.16db
19% Popularity • 82% Danceability • 24% Energy • 9% Liveness
2% Instrumentalness • 93% Positiveness
19% Popularity • 82% Danceability • 24% Energy • 9% Liveness
2% Instrumentalness • 93% Positiveness
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Ruby Murray
Evermore
137 bpm • C Maj • 02:26 • -12.88db
18% Popularity • 33% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
18% Popularity • 33% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Kenny Ball
When I'm Sixty Four
137 bpm • G# Maj • 02:43 • -11.7db
18% Popularity • 62% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
18% Popularity • 62% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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The Four Lads
Somebody Loves Me
137 bpm • G Maj • 01:52 • -15.41db
22% Popularity • 55% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
22% Popularity • 55% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Laurel and Hardy
Shine on Harvest Moon
119 bpm • C# Maj • 01:15 • -8.26db
19% Popularity • 36% Danceability • 53% Energy • 15% Liveness
21% Instrumentalness • 42% Positiveness
19% Popularity • 36% Danceability • 53% Energy • 15% Liveness
21% Instrumentalness • 42% Positiveness
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Jimmy Clanton
Go, Jimmy, Go
137 bpm • C Maj • 02:09 • -4.78db
41% Popularity • 49% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
41% Popularity • 49% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Billy Williams
I'm Gonna Sit Right Down and Write Mysel...
138 bpm • C# Maj • 02:07 • -17db
31% Popularity • 71% Danceability • 17% Energy • 26% Liveness
0% Instrumentalness • 83% Positiveness
31% Popularity • 71% Danceability • 17% Energy • 26% Liveness
0% Instrumentalness • 83% Positiveness
