Songs like The Girl by City and Colour
Based on a tempo of (+/- 10%) and a similar genre
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Brandi Carlile
Heart's Content
109 bpm • D# Maj • 03:34 • -8.92db
59% Popularity • 56% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
59% Popularity • 56% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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City and Colour
Forgive Me
109 bpm • C Maj • 02:08 • -8.96db
13% Popularity • 52% Danceability • 35% Energy • 36% Liveness
0% Instrumentalness • 50% Positiveness
13% Popularity • 52% Danceability • 35% Energy • 36% Liveness
0% Instrumentalness • 50% Positiveness
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Lord Huron
Time to Run
109 bpm • A# Maj • 05:23 • -7.94db
48% Popularity • 54% Danceability • 86% Energy • 11% Liveness
57% Instrumentalness • 30% Positiveness
48% Popularity • 54% Danceability • 86% Energy • 11% Liveness
57% Instrumentalness • 30% Positiveness
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Bahamas
Whole Wide World
109 bpm • F Maj • 02:35 • -9.04db
59% Popularity • 73% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
59% Popularity • 73% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Angus & Julia Stone
Big Jet Plane
110 bpm • A# min • 03:59 • -8.62db
61% Popularity • 77% Danceability • 38% Energy • 9% Liveness
1% Instrumentalness • 26% Positiveness
61% Popularity • 77% Danceability • 38% Energy • 9% Liveness
1% Instrumentalness • 26% Positiveness
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The Avett Brothers
I Wish I Was
109 bpm • B Maj • 05:16 • -8.86db
53% Popularity • 49% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
53% Popularity • 49% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
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Young the Giant
Apartment - 2020 Remaster
110 bpm • D Maj • 03:54 • -8db
44% Popularity • 55% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
44% Popularity • 55% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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City and Colour
The Girl
109 bpm • A# Maj • 06:00 • -8db
38% Popularity • 40% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
38% Popularity • 40% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Feist
1234
110 bpm • D Maj • 03:03 • -7.42db
62% Popularity • 71% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
62% Popularity • 71% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Gregory Alan Isakov
Big Black Car
110 bpm • D# Maj • 03:37 • -15.93db
76% Popularity • 60% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
76% Popularity • 60% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Ziggy Alberts
Runaway
110 bpm • F Maj • 04:32 • -11.94db
62% Popularity • 75% Danceability • 50% Energy • 35% Liveness
0% Instrumentalness • 50% Positiveness
62% Popularity • 75% Danceability • 50% Energy • 35% Liveness
0% Instrumentalness • 50% Positiveness
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Jack Johnson
Better Together
110 bpm • F Maj • 03:27 • -9.48db
75% Popularity • 87% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
75% Popularity • 87% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Ray LaMontagne
Let It Be Me
108 bpm • C Maj • 04:40 • -8db
55% Popularity • 61% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
55% Popularity • 61% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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The Weepies
World Spins Madly On
108 bpm • C# Maj • 02:45 • -13.42db
61% Popularity • 50% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
61% Popularity • 50% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Bon Iver
For Emma
111 bpm • E min • 03:40 • -11.12db
68% Popularity • 67% Danceability • 61% Energy • 13% Liveness
18% Instrumentalness • 57% Positiveness
68% Popularity • 67% Danceability • 61% Energy • 13% Liveness
18% Instrumentalness • 57% Positiveness
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Gregory Alan Isakov
Dandelion Wine
111 bpm • C Maj • 03:04 • -16.35db
60% Popularity • 41% Danceability • 10% Energy • 8% Liveness
38% Instrumentalness • 19% Positiveness
60% Popularity • 41% Danceability • 10% Energy • 8% Liveness
38% Instrumentalness • 19% Positiveness
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Ben Howard
Follaton Wood
111 bpm • D# Maj • 04:49 • -14.03db
41% Popularity • 60% Danceability • 42% Energy • 13% Liveness
1% Instrumentalness • 56% Positiveness
41% Popularity • 60% Danceability • 42% Energy • 13% Liveness
1% Instrumentalness • 56% Positiveness
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Of Monsters and Men
Love Love Love
111 bpm • G Maj • 03:58 • -10db
54% Popularity • 32% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
54% Popularity • 32% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Kodaline
Love Like This - Acoustic
107 bpm • E Maj • 04:01 • -14.4db
54% Popularity • 40% Danceability • 15% Energy • 9% Liveness
4% Instrumentalness • 7% Positiveness
54% Popularity • 40% Danceability • 15% Energy • 9% Liveness
4% Instrumentalness • 7% Positiveness
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Phoebe Bridgers
Motion Sickness
107 bpm • C# Maj • 03:49 • -9.02db
76% Popularity • 65% Danceability • 55% Energy • 8% Liveness
4% Instrumentalness • 62% Positiveness
76% Popularity • 65% Danceability • 55% Energy • 8% Liveness
4% Instrumentalness • 62% Positiveness
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DISPATCH
Only the Wild Ones
111 bpm • G# Maj • 04:13 • -7db
58% Popularity • 42% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
58% Popularity • 42% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Hozier
From Eden
107 bpm • C Maj • 03:42 • -6.86db
47% Popularity • 48% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
47% Popularity • 48% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Hollow Coves
The Woods
106 bpm • A Maj • 04:02 • -11.83db
46% Popularity • 77% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
46% Popularity • 77% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Of Monsters and Men
Dirty Paws
112 bpm • D# Maj • 04:38 • -7.06db
69% Popularity • 36% Danceability • 65% Energy • 6% Liveness
1% Instrumentalness • 13% Positiveness
69% Popularity • 36% Danceability • 65% Energy • 6% Liveness
1% Instrumentalness • 13% Positiveness
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Elliot Root
June, After Dark
106 bpm • A Maj • 03:39 • -6.97db
47% Popularity • 59% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
47% Popularity • 59% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Yoke Lore
Truly Madly Deeply - Recorded at Spotify...
106 bpm • C min • 03:10 • -14.07db
62% Popularity • 68% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
62% Popularity • 68% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Citizen Cope
Sideways
112 bpm • D Maj • 05:22 • -6.88db
53% Popularity • 57% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
53% Popularity • 57% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
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The Avett Brothers
Murder in the City
106 bpm • D# Maj • 03:12 • -11db
52% Popularity • 63% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
52% Popularity • 63% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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City and Colour
Casey's Song
113 bpm • A# min • 03:27 • -6.29db
43% Popularity • 46% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
43% Popularity • 46% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Bright Eyes
Lua
105 bpm • D Maj • 04:31 • -17.03db
56% Popularity • 62% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
56% Popularity • 62% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Passenger
Shape of Love
106 bpm • C# min • 03:08 • -9db
57% Popularity • 62% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
57% Popularity • 62% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
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Tegan and Sara
Where Does the Good Go
105 bpm • D# Maj • 03:37 • -6.86db
59% Popularity • 74% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
59% Popularity • 74% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Jack Johnson
Sitting, Waiting, Wishing
105 bpm • C Maj • 03:03 • -7.25db
70% Popularity • 77% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
70% Popularity • 77% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Austin Plaine
Never Come Back Again
105 bpm • G# Maj • 03:16 • -8.87db
48% Popularity • 59% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
48% Popularity • 59% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Ben Howard
I Forget Where We Were
113 bpm • C Maj • 04:41 • -9.57db
55% Popularity • 30% Danceability • 46% Energy • 9% Liveness
12% Instrumentalness • 18% Positiveness
55% Popularity • 30% Danceability • 46% Energy • 9% Liveness
12% Instrumentalness • 18% Positiveness
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Sleeping At Last
I'm Gonna Be (500 Miles)
105 bpm • E Maj • 03:31 • -13db
53% Popularity • 39% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
53% Popularity • 39% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Gregory Alan Isakov
If I Go, I'm Goin
114 bpm • D# Maj • 04:27 • -17.29db
61% Popularity • 51% Danceability • 6% Energy • 11% Liveness
3% Instrumentalness • 19% Positiveness
61% Popularity • 51% Danceability • 6% Energy • 11% Liveness
3% Instrumentalness • 19% Positiveness
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Right Away, Great Captain!
Love, Come And Save Me
114 bpm • G Maj • 03:19 • -20.31db
35% Popularity • 66% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
35% Popularity • 66% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Bad Books
Forest Whitaker
114 bpm • B Maj • 03:43 • -5.48db
50% Popularity • 72% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
50% Popularity • 72% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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The Lighthouse And The Whaler
Venice
104 bpm • C Maj • 03:19 • -8db
38% Popularity • 66% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
38% Popularity • 66% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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Harry Styles
Sweet Creature
104 bpm • G Maj • 03:44 • -8.54db
73% Popularity • 43% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
73% Popularity • 43% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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Modest Mouse
Missed the Boat
104 bpm • D Maj • 04:24 • -5.8db
57% Popularity • 71% Danceability • 70% Energy • 48% Liveness
0% Instrumentalness • 85% Positiveness
57% Popularity • 71% Danceability • 70% Energy • 48% Liveness
0% Instrumentalness • 85% Positiveness
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Maggie Rogers
Alaska
104 bpm • A min • 03:08 • -11db
72% Popularity • 85% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
72% Popularity • 85% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Jack Johnson
Banana Pancakes
115 bpm • G Maj • 03:11 • -8.02db
71% Popularity • 81% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
71% Popularity • 81% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Bon Iver
Beach Baby
114 bpm • C Maj • 02:40 • -17.28db
76% Popularity • 67% Danceability • 8% Energy • 11% Liveness
41% Instrumentalness • 9% Positiveness
76% Popularity • 67% Danceability • 8% Energy • 11% Liveness
41% Instrumentalness • 9% Positiveness
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The Lumineers
Stubborn Love
115 bpm • C Maj • 04:39 • -11.68db
72% Popularity • 60% Danceability • 56% Energy • 20% Liveness
4% Instrumentalness • 22% Positiveness
72% Popularity • 60% Danceability • 56% Energy • 20% Liveness
4% Instrumentalness • 22% Positiveness
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Matt and Kim
Daylight
103 bpm • A Maj • 02:51 • -4.92db
66% Popularity • 57% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
66% Popularity • 57% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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Jordy Searcy
Love & War in Your Twenties
103 bpm • D Maj • 04:10 • -9.69db
65% Popularity • 74% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
65% Popularity • 74% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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City and Colour
The Death Of Me
103 bpm • G Maj • 03:09 • -6.37db
16% Popularity • 55% Danceability • 74% Energy • 35% Liveness
0% Instrumentalness • 65% Positiveness
16% Popularity • 55% Danceability • 74% Energy • 35% Liveness
0% Instrumentalness • 65% Positiveness
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Dustin Tebbutt
The Breach
103 bpm • C# Maj • 04:13 • -7.48db
46% Popularity • 63% Danceability • 62% Energy • 12% Liveness
10% Instrumentalness • 52% Positiveness
46% Popularity • 63% Danceability • 62% Energy • 12% Liveness
10% Instrumentalness • 52% Positiveness
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Bon Iver
Blindsided
115 bpm • A# Maj • 05:29 • -18.63db
52% Popularity • 67% Danceability • 15% Energy • 14% Liveness
8% Instrumentalness • 6% Positiveness
52% Popularity • 67% Danceability • 15% Energy • 14% Liveness
8% Instrumentalness • 6% Positiveness
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Iron & Wine
Autumn Town Leaves
116 bpm • C# Maj • 03:15 • -15db
61% Popularity • 66% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
61% Popularity • 66% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Death Cab for Cutie
Title and Registration
116 bpm • A Maj • 03:39 • -10.37db
56% Popularity • 75% Danceability • 55% Energy • 11% Liveness
8% Instrumentalness • 72% Positiveness
56% Popularity • 75% Danceability • 55% Energy • 11% Liveness
8% Instrumentalness • 72% Positiveness
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Noah Kahan
All My Love
116 bpm • D Maj • 04:11 • -7db
80% Popularity • 64% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
80% Popularity • 64% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Mt. Joy
Strangers
102 bpm • G Maj • 03:13 • -8.14db
70% Popularity • 56% Danceability • 64% Energy • 8% Liveness
2% Instrumentalness • 22% Positiveness
70% Popularity • 56% Danceability • 64% Energy • 8% Liveness
2% Instrumentalness • 22% Positiveness
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Houndmouth
Darlin'
117 bpm • D# Maj • 04:18 • -8.73db
44% Popularity • 47% Danceability • 32% Energy • 10% Liveness
3% Instrumentalness • 31% Positiveness
44% Popularity • 47% Danceability • 32% Energy • 10% Liveness
3% Instrumentalness • 31% Positiveness
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Bon Iver
Creature Fear
103 bpm • D Maj • 03:06 • -16db
53% Popularity • 39% Danceability • 13% Energy • 27% Liveness
0% Instrumentalness • 17% Positiveness
53% Popularity • 39% Danceability • 13% Energy • 27% Liveness
0% Instrumentalness • 17% Positiveness
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Ivan & Alyosha
Running for Cover
117 bpm • C# Maj • 03:57 • -7.71db
39% Popularity • 53% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
39% Popularity • 53% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Blind Pilot
The Colored Night
102 bpm • G Maj • 03:55 • -7.82db
40% Popularity • 66% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
40% Popularity • 66% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Caamp
Strawberries
117 bpm • D# Maj • 03:39 • -19db
60% Popularity • 55% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 26% Positiveness
60% Popularity • 55% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 26% Positiveness
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The Ballroom Thieves
Bees
102 bpm • C Maj • 03:10 • -15.26db
58% Popularity • 52% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
58% Popularity • 52% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Novo Amor
Anchor
117 bpm • A Maj • 04:17 • -11.48db
79% Popularity • 46% Danceability • 41% Energy • 13% Liveness
88% Instrumentalness • 13% Positiveness
79% Popularity • 46% Danceability • 41% Energy • 13% Liveness
88% Instrumentalness • 13% Positiveness
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Bon Iver
The Wolves (Act I and II)
116 bpm • F Maj • 05:22 • -16db
52% Popularity • 47% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
52% Popularity • 47% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Dan Auerbach
Never in My Wildest Dreams
117 bpm • F Maj • 02:56 • -6.77db
61% Popularity • 56% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
61% Popularity • 56% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Of Monsters and Men
Slow And Steady
117 bpm • G# min • 05:01 • -7.14db
46% Popularity • 32% Danceability • 80% Energy • 36% Liveness
17% Instrumentalness • 31% Positiveness
46% Popularity • 32% Danceability • 80% Energy • 36% Liveness
17% Instrumentalness • 31% Positiveness
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Caamp
By and By
101 bpm • A Maj • 04:40 • -7.98db
71% Popularity • 58% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
71% Popularity • 58% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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The Barr Brothers
Even the Darkness Has Arms
101 bpm • B Maj • 03:50 • -13.1db
60% Popularity • 51% Danceability • 65% Energy • 29% Liveness
15% Instrumentalness • 75% Positiveness
60% Popularity • 51% Danceability • 65% Energy • 29% Liveness
15% Instrumentalness • 75% Positiveness
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The Revivalists
Wish I Knew You
101 bpm • C min • 04:34 • -6.59db
69% Popularity • 65% Danceability • 72% Energy • 12% Liveness
7% Instrumentalness • 72% Positiveness
69% Popularity • 65% Danceability • 72% Energy • 12% Liveness
7% Instrumentalness • 72% Positiveness
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Bon Iver
Blood Bank
117 bpm • G Maj • 04:45 • -11.89db
62% Popularity • 49% Danceability • 37% Energy • 12% Liveness
3% Instrumentalness • 25% Positiveness
62% Popularity • 49% Danceability • 37% Energy • 12% Liveness
3% Instrumentalness • 25% Positiveness
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The Paper Kites
Halcyon
101 bpm • D Maj • 03:59 • -13.64db
43% Popularity • 63% Danceability • 38% Energy • 8% Liveness
16% Instrumentalness • 20% Positiveness
43% Popularity • 63% Danceability • 38% Energy • 8% Liveness
16% Instrumentalness • 20% Positiveness
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Of Monsters and Men
Yellow Light
101 bpm • D Maj • 04:52 • -10.98db
48% Popularity • 38% Danceability • 42% Energy • 38% Liveness
0% Instrumentalness • 6% Positiveness
48% Popularity • 38% Danceability • 42% Energy • 38% Liveness
0% Instrumentalness • 6% Positiveness
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Gregory Alan Isakov
Words
118 bpm • C# Maj • 04:01 • -17.71db
57% Popularity • 45% Danceability • 14% Energy • 11% Liveness
3% Instrumentalness • 11% Positiveness
57% Popularity • 45% Danceability • 14% Energy • 11% Liveness
3% Instrumentalness • 11% Positiveness
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Benjamin Francis Leftwich
Shine
118 bpm • E Maj • 03:02 • -10.5db
51% Popularity • 72% Danceability • 54% Energy • 28% Liveness
0% Instrumentalness • 68% Positiveness
51% Popularity • 72% Danceability • 54% Energy • 28% Liveness
0% Instrumentalness • 68% Positiveness
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Band of Horses
The General Specific
118 bpm • F Maj • 03:07 • -6db
48% Popularity • 75% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
48% Popularity • 75% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Novo Amor
From Gold
100 bpm • F Maj • 03:34 • -13.31db
65% Popularity • 39% Danceability • 43% Energy • 9% Liveness
65% Instrumentalness • 4% Positiveness
65% Popularity • 39% Danceability • 43% Energy • 9% Liveness
65% Instrumentalness • 4% Positiveness
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City and Colour
As Much As I Ever Could
119 bpm • A min • 05:25 • -12.61db
18% Popularity • 56% Danceability • 24% Energy • 26% Liveness
0% Instrumentalness • 14% Positiveness
18% Popularity • 56% Danceability • 24% Energy • 26% Liveness
0% Instrumentalness • 14% Positiveness
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Hollow Coves
Coastline
100 bpm • D Maj • 03:53 • -11.29db
57% Popularity • 67% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
57% Popularity • 67% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
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fun.
The Gambler
100 bpm • A# Maj • 04:11 • -7.57db
48% Popularity • 61% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
48% Popularity • 61% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Morningsiders
Empress
100 bpm • C Maj • 03:19 • -9.72db
60% Popularity • 70% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
60% Popularity • 70% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Band of Horses
I Go to the Barn Because I Like The
119 bpm • D Maj • 03:06 • -8db
51% Popularity • 42% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
51% Popularity • 42% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Ben Howard
The Wolves
119 bpm • C min • 05:09 • -9.9db
53% Popularity • 48% Danceability • 54% Energy • 13% Liveness
1% Instrumentalness • 49% Positiveness
53% Popularity • 48% Danceability • 54% Energy • 13% Liveness
1% Instrumentalness • 49% Positiveness
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Ray LaMontagne
Jolene
120 bpm • G Maj • 04:10 • -15.2db
62% Popularity • 59% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
62% Popularity • 59% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Noah Kahan
Orange Juice
120 bpm • A Maj • 04:57 • -11db
76% Popularity • 65% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
76% Popularity • 65% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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James Vincent McMorrow
Higher Love
120 bpm • F Maj • 03:35 • -14db
45% Popularity • 39% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
45% Popularity • 39% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Ingrid Michaelson
The Way I Am
120 bpm • F Maj • 02:15 • -9.25db
59% Popularity • 89% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
59% Popularity • 89% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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The Weepies
Can't Go Back Now
120 bpm • F Maj • 02:17 • -9db
47% Popularity • 69% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
47% Popularity • 69% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
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The Shins
Simple Song
120 bpm • G Maj • 04:15 • -5.14db
59% Popularity • 55% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
59% Popularity • 55% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Greg Laswell
Comes And Goes (In Waves)
120 bpm • C Maj • 04:13 • -8.6db
48% Popularity • 56% Danceability • 70% Energy • 12% Liveness
2% Instrumentalness • 16% Positiveness
48% Popularity • 56% Danceability • 70% Energy • 12% Liveness
2% Instrumentalness • 16% Positiveness
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City and Colour
Constant Knot
120 bpm • E min • 04:03 • -9.19db
13% Popularity • 65% Danceability • 36% Energy • 29% Liveness
0% Instrumentalness • 21% Positiveness
13% Popularity • 65% Danceability • 36% Energy • 29% Liveness
0% Instrumentalness • 21% Positiveness
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Blind Pilot
We Are the Tide
120 bpm • B Maj • 03:17 • -8db
51% Popularity • 63% Danceability • 77% Energy • 16% Liveness
15% Instrumentalness • 90% Positiveness
51% Popularity • 63% Danceability • 77% Energy • 16% Liveness
15% Instrumentalness • 90% Positiveness
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Wild Rivers
Heart Attack
120 bpm • F Maj • 04:20 • -13.54db
58% Popularity • 67% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
58% Popularity • 67% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Lord Huron
Ends of the Earth
121 bpm • E Maj • 04:44 • -9db
70% Popularity • 55% Danceability • 58% Energy • 27% Liveness
4% Instrumentalness • 41% Positiveness
70% Popularity • 55% Danceability • 58% Energy • 27% Liveness
4% Instrumentalness • 41% Positiveness
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Fruit Bats
When U Love Somebody
121 bpm • G Maj • 04:31 • -6.37db
57% Popularity • 72% Danceability • 76% Energy • 34% Liveness
1% Instrumentalness • 59% Positiveness
57% Popularity • 72% Danceability • 76% Energy • 34% Liveness
1% Instrumentalness • 59% Positiveness
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Shakey Graves
Tomorrow
98 bpm • G Maj • 04:00 • -10.85db
64% Popularity • 56% Danceability • 35% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
64% Popularity • 56% Danceability • 35% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
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Phillip Phillips
Home
121 bpm • C Maj • 03:30 • -6.04db
70% Popularity • 61% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
70% Popularity • 61% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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City and Colour
Against The Grain
121 bpm • E Maj • 03:45 • -12.12db
11% Popularity • 50% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
11% Popularity • 50% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Wild Rivers
Wandering Child
98 bpm • D Maj • 03:04 • -12db
64% Popularity • 67% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
64% Popularity • 67% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Blind Pilot
One Red Thread
98 bpm • D Maj • 04:31 • -13db
46% Popularity • 50% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
46% Popularity • 50% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
