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The Good I'll Do
Songs like
The Good I'll Do
by
Zach Bryan
Based on a tempo of (+/- 10%) and a similar genre
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Lainey Wilson
Wildflowers and Wild Horses
118 bpm • A# min • 04:10 • -6.26db
63% Popularity • 43% Danceability • 63% Energy • 27% Liveness
0% Instrumentalness • 28% Positiveness
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Gavin Adcock
Deep End
118 bpm • C# Maj • 02:46 • -4.64db
66% Popularity • 61% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Koe Wetzel
Good Die Young
118 bpm • B Maj • 02:45 • -5.63db
65% Popularity • 60% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
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Noah Kahan
Stick Season
118 bpm • A Maj • 03:02 • -6.89db
94% Popularity • 66% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Carly Pearce
I Hope You’re Happy Now
118 bpm • A# Maj • 03:18 • -4.73db
68% Popularity • 59% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Zach Bryan
The Good I'll Do
118 bpm • A# Maj • 03:31 • -8db
74% Popularity • 43% Danceability • 22% Energy • 46% Liveness
0% Instrumentalness • 19% Positiveness
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Lainey Wilson
Wildflowers and Wild Horses (Single Vers...
117 bpm • A# min • 03:36 • -5.79db
73% Popularity • 44% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Kameron Marlowe
Over Now
117 bpm • C# Maj • 03:41 • -4.31db
60% Popularity • 56% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Old Dominion
Memory Lane
119 bpm • F# Maj • 02:52 • -5.14db
71% Popularity • 65% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Cody Jinks
David
117 bpm • B Maj • 04:42 • -7.69db
60% Popularity • 56% Danceability • 72% Energy • 7% Liveness
2% Instrumentalness • 55% Positiveness
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Luke Combs
Where the Wild Things Are
117 bpm • D# Maj • 03:59 • -4.87db
84% Popularity • 71% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Dierks Bentley
Burning Man
119 bpm • F Maj • 03:58 • -7.22db
64% Popularity • 61% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Zach Bryan
Jamie
119 bpm • E min • 03:40 • -8db
67% Popularity • 42% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Dylan Gossett
Lone Ole Cowboy
119 bpm • C# Maj • 03:52 • -8.53db
61% Popularity • 53% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Morgan Wallen
You Proof
120 bpm • A Maj • 02:37 • -5.01db
83% Popularity • 73% Danceability • 84% Energy • 60% Liveness
0% Instrumentalness • 63% Positiveness
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Noah Kahan
Orange Juice
120 bpm • A Maj • 04:57 • -11db
76% Popularity • 65% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Watchhouse
Old Ties and Companions
116 bpm • G Maj • 03:08 • -10db
68% Popularity • 66% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Chris Stapleton
Fire Away
116 bpm • A Maj • 04:04 • -9.07db
71% Popularity • 56% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
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Cody Jinks
Mamma Song
120 bpm • A# Maj • 04:19 • -6.86db
61% Popularity • 57% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Koe Wetzel
Drunk Driving
120 bpm • C Maj • 03:58 • -5.62db
66% Popularity • 33% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Josh Meloy
You Here Tonight
120 bpm • G Maj • 03:34 • -8.4db
67% Popularity • 68% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Jon Pardi
Heartache On The Dance Floor
116 bpm • A Maj • 03:25 • -4.31db
74% Popularity • 60% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Josh Ross
Trouble
120 bpm • B Maj • 03:34 • -5.03db
72% Popularity • 64% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Cody Johnson
Dirt Cheap
120 bpm • C# Maj • 03:59 • -5.89db
73% Popularity • 62% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Noah Kahan
All My Love
116 bpm • D Maj • 04:11 • -7db
80% Popularity • 64% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Pecos & the Rooftops
This Damn Song
120 bpm • C Maj • 04:40 • -6.74db
72% Popularity • 65% Danceability • 47% Energy • 27% Liveness
0% Instrumentalness • 17% Positiveness
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The Red Clay Strays
Moment of Truth
116 bpm • A Maj • 05:39 • -9.06db
56% Popularity • 64% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
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Colter Wall
Corralling the Blues
115 bpm • C# Maj • 02:27 • -12.8db
60% Popularity • 52% Danceability • 38% Energy • 10% Liveness
47% Instrumentalness • 34% Positiveness
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Luke Grimes
No Horse To Ride
121 bpm • D Maj • 02:14 • -7.73db
53% Popularity • 67% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Cody Jinks
Hippies and Cowboys
115 bpm • F Maj • 05:00 • -5.07db
67% Popularity • 70% Danceability • 58% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
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Lee Brice
Soul
121 bpm • B Maj • 02:47 • -8.3db
66% Popularity • 79% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Shane Smith & the Saints
Dance the Night Away
115 bpm • G Maj • 04:22 • -5.56db
54% Popularity • 61% Danceability • 81% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
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Luke Bryan
Kiss Tomorrow Goodbye
115 bpm • F min • 03:23 • -3db
70% Popularity • 57% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
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Dierks Bentley
Gold
115 bpm • C# Maj • 02:47 • -4db
64% Popularity • 68% Danceability • 87% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
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Tyler Hubbard
Dancin’ In The Country
115 bpm • G Maj • 02:59 • -5db
72% Popularity • 66% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Dylan Scott
Good Times Go By Too Fast
115 bpm • F Maj • 02:49 • -5.22db
75% Popularity • 66% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Noah Kahan
Northern Attitude
121 bpm • D# Maj • 04:27 • -8.09db
78% Popularity • 51% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Colter Wall
Cowpoke
122 bpm • C Maj • 03:12 • -12.05db
70% Popularity • 48% Danceability • 37% Energy • 10% Liveness
1% Instrumentalness • 29% Positiveness
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Chris Stapleton
Scarecrow In The Garden
122 bpm • C# min • 03:20 • -10.98db
69% Popularity • 63% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Oliver Anthony Music
Rich Men North of Richmond
122 bpm • A# Maj • 03:07 • -12.38db
80% Popularity • 68% Danceability • 26% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
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Zach Bryan
Loom
114 bpm • D# Maj • 02:43 • -15.13db
68% Popularity • 61% Danceability • 22% Energy • 34% Liveness
0% Instrumentalness • 52% Positiveness
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Hailey Whitters
Everything She Ain’t
122 bpm • D Maj • 02:31 • -6.13db
65% Popularity • 80% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 81% Positiveness
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Bailey Zimmerman
Rock and A Hard Place
122 bpm • C# Maj • 03:27 • -7.3db
80% Popularity • 58% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Trey Lewis
Dicked Down in Dallas
122 bpm • F# Maj • 03:21 • -4.69db
69% Popularity • 51% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Cody Johnson
Dance Her Home
114 bpm • C Maj • 02:54 • -3.77db
71% Popularity • 67% Danceability • 89% Energy • 69% Liveness
0% Instrumentalness • 89% Positiveness
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Flatland Cavalry
Mornings With You
114 bpm • E Maj • 03:43 • -9.95db
54% Popularity • 63% Danceability • 30% Energy • 28% Liveness
0% Instrumentalness • 25% Positiveness
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Parker McCollum
I Can't Breathe
114 bpm • C Maj • 04:17 • -6.66db
63% Popularity • 55% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Uncle Lucius
Keep The Wolves Away
122 bpm • C# min • 04:35 • -10.28db
71% Popularity • 68% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Chris Stapleton
Devil Always Made Me Think Twice
122 bpm • G Maj • 03:51 • -7.55db
66% Popularity • 73% Danceability • 68% Energy • 11% Liveness
1% Instrumentalness • 56% Positiveness
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The Steeldrivers
Where Rainbows Never Die
113 bpm • E Maj • 03:49 • -8.89db
64% Popularity • 60% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Billy Currington
Good Directions
123 bpm • F Maj • 03:35 • -2.18db
72% Popularity • 72% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Zach Bryan
Dawns
123 bpm • C Maj • 04:50 • -7.66db
82% Popularity • 45% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 29% Positiveness
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Parker McCollum
Young Man's Blues
114 bpm • G# Maj • 03:26 • -5db
61% Popularity • 55% Danceability • 87% Energy • 33% Liveness
0% Instrumentalness • 50% Positiveness
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Dylan Gossett
Flip a Coin
123 bpm • E Maj • 03:38 • -9.41db
59% Popularity • 48% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Colter Wall
Evangelina
123 bpm • G Maj • 03:47 • -9.69db
55% Popularity • 71% Danceability • 53% Energy • 11% Liveness
1% Instrumentalness • 78% Positiveness
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Tanner Usrey
Give It Some Time
123 bpm • F min • 03:22 • -5.29db
46% Popularity • 64% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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Chris Stapleton
Parachute
113 bpm • F# Maj • 04:13 • -7.41db
75% Popularity • 64% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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Zach Bryan
Oklahoma Smokeshow
123 bpm • G# Maj • 03:31 • -5.69db
82% Popularity • 54% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Muscadine Bloodline
Pieces
124 bpm • F# Maj • 03:16 • -11.5db
72% Popularity • 49% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Kameron Marlowe
Strangers
124 bpm • G# Maj • 03:31 • -4.06db
67% Popularity • 54% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
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Luke Grimes
Burn
124 bpm • D min • 03:20 • -9.49db
48% Popularity • 68% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Corey Kent
Something's Gonna Kill Me
113 bpm • E min • 03:03 • -5.77db
69% Popularity • 66% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Parker McCollum
Stoned
124 bpm • A Maj • 03:08 • -4.45db
56% Popularity • 50% Danceability • 67% Energy • 34% Liveness
0% Instrumentalness • 44% Positiveness
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HARDY
UNAPOLOGETICALLY COUNTRY AS HELL
124 bpm • C# Maj • 03:55 • -4.96db
63% Popularity • 54% Danceability • 65% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
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Koe Wetzel
Love
124 bpm • G Maj • 03:43 • -7.53db
63% Popularity • 63% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 20% Positiveness
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Noah Kahan
Dial Drunk
112 bpm • G# Maj • 03:33 • -7.58db
76% Popularity • 69% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Zach Bryan
Motorcycle Drive By
124 bpm • D# Maj • 02:41 • -4.56db
75% Popularity • 66% Danceability • 68% Energy • 67% Liveness
0% Instrumentalness • 52% Positiveness
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Thomas Rhett
Half Of Me
112 bpm • G Maj • 03:03 • -5.06db
67% Popularity • 57% Danceability • 84% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
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Treaty Oak Revival
Ode To Bourbon
112 bpm • G Maj • 04:01 • -3db
68% Popularity • 37% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Southall
Why
125 bpm • C Maj • 03:17 • -8.03db
68% Popularity • 67% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Jordan Davis
What My World Spins Around
125 bpm • D Maj • 03:06 • -6db
75% Popularity • 69% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Noah Kahan
Dial Drunk
112 bpm • G# Maj • 03:33 • -7.15db
84% Popularity • 67% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Kane Brown
Like I Love Country Music
125 bpm • G# Maj • 03:54 • -6.73db
63% Popularity • 53% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 69% Positiveness
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Bailey Zimmerman
House On Fire
125 bpm • C Maj • 03:40 • -8.17db
60% Popularity • 58% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Parker McCollum
Like A Cowboy
125 bpm • E Maj • 03:46 • -6.79db
58% Popularity • 49% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Ryan Bingham
Southside Of Heaven
111 bpm • G Maj • 06:19 • -10.21db
62% Popularity • 39% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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Morgan Wade
Wilder Days
111 bpm • A Maj • 04:11 • -4.04db
64% Popularity • 50% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Cody Jinks
Must Be the Whiskey
126 bpm • D# min • 03:25 • -5.81db
67% Popularity • 55% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Nate Smith
Sleeve
126 bpm • C Maj • 04:21 • -6db
57% Popularity • 70% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
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Bryan Martin
Memory to Drown
126 bpm • F# Maj • 03:35 • -3.29db
72% Popularity • 66% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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HARDY
GIVE HEAVEN SOME HELL
126 bpm • B Maj • 03:37 • -4.98db
71% Popularity • 64% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Zach Bryan
Something in the Orange - Z&E's Version
110 bpm • G Maj • 04:14 • -5db
64% Popularity • 59% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Morgan Wallen
More Than My Hometown
126 bpm • F# Maj • 03:36 • -5.48db
79% Popularity • 62% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Shane Smith & the Saints
All I See Is You
127 bpm • D Maj • 04:17 • -6.17db
66% Popularity • 39% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Oliver Anthony Music
Aint Gotta Dollar
110 bpm • A# Maj • 02:04 • -15.61db
66% Popularity • 70% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Nate Smith
Whiskey On You
110 bpm • G# Maj • 03:03 • -5.2db
71% Popularity • 47% Danceability • 75% Energy • 12% Liveness
2% Instrumentalness • 57% Positiveness
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Cody Johnson
Me and My Kind
110 bpm • D Maj • 02:36 • -3.43db
75% Popularity • 59% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Zach Bryan
Heading South
110 bpm • E Maj • 02:51 • -14.11db
85% Popularity • 68% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Pecos & the Rooftops
Wouldn't Have to Miss You
110 bpm • F min • 04:27 • -12db
54% Popularity • 43% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Chris Stapleton
Whiskey And You
127 bpm • D Maj • 03:56 • -14db
65% Popularity • 59% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Tyler Childers
In Your Love
127 bpm • G Maj • 03:45 • -9.56db
70% Popularity • 53% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Koe Wetzel
Cabo
127 bpm • E min • 04:03 • -7db
61% Popularity • 64% Danceability • 60% Energy • 36% Liveness
0% Instrumentalness • 20% Positiveness
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Sam Barber
Run Away High
128 bpm • E Maj • 03:21 • -7.82db
64% Popularity • 54% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Zach Bryan
Condemned
126 bpm • F Maj • 02:54 • -13.52db
78% Popularity • 62% Danceability • 15% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
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Colter Wall
The Devil Wears a Suit and Tie
128 bpm • F# min • 03:56 • -12.12db
72% Popularity • 62% Danceability • 32% Energy • 19% Liveness
24% Instrumentalness • 45% Positiveness
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Noah Kahan
She Calls Me Back
128 bpm • B Maj • 04:03 • -6.3db
77% Popularity • 74% Danceability • 67% Energy • 29% Liveness
0% Instrumentalness • 63% Positiveness
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Riley Green
There Was This Girl
128 bpm • C# Maj • 03:14 • -4.22db
68% Popularity • 62% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Morgan Wallen
Cover Me Up
128 bpm • G Maj • 04:53 • -8.19db
76% Popularity • 55% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Josh Meloy
Washington Street
128 bpm • G min • 03:41 • -11.49db
62% Popularity • 57% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Zach Bryan
From Austin
110 bpm • C Maj • 03:27 • -8db
78% Popularity • 50% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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The Good I'll Do