Songs like The Greatest Question by Belocca
Based on a tempo of (+/- 10%) and a similar genre
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Perpetual Universe
Can't Stop, Won't Stop - Belocca Remix
132 bpm • F Maj • 06:34 • -6.24db
5% Popularity • 78% Danceability • 89% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
5% Popularity • 78% Danceability • 89% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Tom Wax
The Sound of the Underground
132 bpm • C# Maj • 07:36 • -7.3db
4% Popularity • 64% Danceability • 90% Energy • 63% Liveness
79% Instrumentalness • 23% Positiveness
4% Popularity • 64% Danceability • 90% Energy • 63% Liveness
79% Instrumentalness • 23% Positiveness
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A.D.H.S.
Razor
132 bpm • F min • 06:53 • -5.89db
22% Popularity • 60% Danceability • 87% Energy • 8% Liveness
89% Instrumentalness • 35% Positiveness
22% Popularity • 60% Danceability • 87% Energy • 8% Liveness
89% Instrumentalness • 35% Positiveness
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LEVT
Vibrant
132 bpm • C# min • 07:04 • -7.15db
21% Popularity • 61% Danceability • 90% Energy • 6% Liveness
89% Instrumentalness • 40% Positiveness
21% Popularity • 61% Danceability • 90% Energy • 6% Liveness
89% Instrumentalness • 40% Positiveness
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Belocca
The Greatest Question
132 bpm • G Maj • 06:51 • -6.38db
21% Popularity • 78% Danceability • 76% Energy • 8% Liveness
83% Instrumentalness • 4% Positiveness
21% Popularity • 78% Danceability • 76% Energy • 8% Liveness
83% Instrumentalness • 4% Positiveness
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The Rocketman
Nebula
132 bpm • G Maj • 04:44 • -4.47db
25% Popularity • 61% Danceability • 94% Energy • 7% Liveness
96% Instrumentalness • 32% Positiveness
25% Popularity • 61% Danceability • 94% Energy • 7% Liveness
96% Instrumentalness • 32% Positiveness
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F-Rontal
Graphit
132 bpm • C# Maj • 05:51 • -8.12db
14% Popularity • 69% Danceability • 74% Energy • 14% Liveness
90% Instrumentalness • 11% Positiveness
14% Popularity • 69% Danceability • 74% Energy • 14% Liveness
90% Instrumentalness • 11% Positiveness
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Dubfire
Dark Matter
132 bpm • C# Maj • 08:50 • -7.63db
7% Popularity • 82% Danceability • 61% Energy • 7% Liveness
89% Instrumentalness • 12% Positiveness
7% Popularity • 82% Danceability • 61% Energy • 7% Liveness
89% Instrumentalness • 12% Positiveness
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Teenage Mutants
No Control - Original Mix
132 bpm • A Maj • 06:11 • -4.15db
11% Popularity • 71% Danceability • 93% Energy • 8% Liveness
69% Instrumentalness • 12% Positiveness
11% Popularity • 71% Danceability • 93% Energy • 8% Liveness
69% Instrumentalness • 12% Positiveness
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Adam Beyer
Restore My Soul - Remix
132 bpm • D Maj • 04:32 • -6.48db
32% Popularity • 65% Danceability • 96% Energy • 5% Liveness
80% Instrumentalness • 40% Positiveness
32% Popularity • 65% Danceability • 96% Energy • 5% Liveness
80% Instrumentalness • 40% Positiveness
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Belocca
Technodroid
132 bpm • B min • 06:04 • -7.54db
28% Popularity • 71% Danceability • 97% Energy • 10% Liveness
81% Instrumentalness • 7% Positiveness
28% Popularity • 71% Danceability • 97% Energy • 10% Liveness
81% Instrumentalness • 7% Positiveness
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The Rocketman
The Launch
132 bpm • G Maj • 04:43 • -9.3db
11% Popularity • 54% Danceability • 88% Energy • 7% Liveness
89% Instrumentalness • 49% Positiveness
11% Popularity • 54% Danceability • 88% Energy • 7% Liveness
89% Instrumentalness • 49% Positiveness
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Matteo Vitanza
Becoming Light - Original Mix
132 bpm • A Maj • 04:06 • -5db
10% Popularity • 60% Danceability • 98% Energy • 10% Liveness
85% Instrumentalness • 6% Positiveness
10% Popularity • 60% Danceability • 98% Energy • 10% Liveness
85% Instrumentalness • 6% Positiveness
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LEVT
Feelings
132 bpm • G Maj • 07:01 • -7.07db
14% Popularity • 62% Danceability • 97% Energy • 10% Liveness
85% Instrumentalness • 9% Positiveness
14% Popularity • 62% Danceability • 97% Energy • 10% Liveness
85% Instrumentalness • 9% Positiveness
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M.Smith
Assid
132 bpm • D Maj • 05:31 • -7.58db
21% Popularity • 73% Danceability • 82% Energy • 10% Liveness
81% Instrumentalness • 10% Positiveness
21% Popularity • 73% Danceability • 82% Energy • 10% Liveness
81% Instrumentalness • 10% Positiveness
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Sharpson
Double Drop
132 bpm • E min • 07:47 • -7.61db
21% Popularity • 66% Danceability • 84% Energy • 10% Liveness
80% Instrumentalness • 4% Positiveness
21% Popularity • 66% Danceability • 84% Energy • 10% Liveness
80% Instrumentalness • 4% Positiveness
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Joris Turenhout
The Last Dance - Original Mix
132 bpm • C Maj • 04:38 • -9.29db
8% Popularity • 56% Danceability • 92% Energy • 8% Liveness
85% Instrumentalness • 6% Positiveness
8% Popularity • 56% Danceability • 92% Energy • 8% Liveness
85% Instrumentalness • 6% Positiveness
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RSRRCT
Ghosts In My Radio
132 bpm • A Maj • 06:11 • -8.93db
10% Popularity • 71% Danceability • 77% Energy • 10% Liveness
90% Instrumentalness • 35% Positiveness
10% Popularity • 71% Danceability • 77% Energy • 10% Liveness
90% Instrumentalness • 35% Positiveness
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Belocca
Tribal Ritual
132 bpm • B Maj • 06:47 • -5.92db
16% Popularity • 79% Danceability • 94% Energy • 8% Liveness
88% Instrumentalness • 11% Positiveness
16% Popularity • 79% Danceability • 94% Energy • 8% Liveness
88% Instrumentalness • 11% Positiveness
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Sam WOLFE
Prison Break - Original Mix
132 bpm • F# min • 03:28 • -7.47db
26% Popularity • 74% Danceability • 87% Energy • 11% Liveness
81% Instrumentalness • 5% Positiveness
26% Popularity • 74% Danceability • 87% Energy • 11% Liveness
81% Instrumentalness • 5% Positiveness
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Marco V
ME/AN
132 bpm • G# Maj • 03:49 • -8db
10% Popularity • 58% Danceability • 89% Energy • 16% Liveness
79% Instrumentalness • 15% Positiveness
10% Popularity • 58% Danceability • 89% Energy • 16% Liveness
79% Instrumentalness • 15% Positiveness
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Drunken Kong
Phoenix
132 bpm • F# Maj • 06:49 • -5.86db
22% Popularity • 79% Danceability • 97% Energy • 11% Liveness
94% Instrumentalness • 14% Positiveness
22% Popularity • 79% Danceability • 97% Energy • 11% Liveness
94% Instrumentalness • 14% Positiveness
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Carl Cox
How It Makes You Feel
132 bpm • B Maj • 08:46 • -7.28db
38% Popularity • 79% Danceability • 80% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
38% Popularity • 79% Danceability • 80% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Patrick Scuro
Creatures on Acid - Radio-Edit
132 bpm • F Maj • 04:30 • -7.25db
22% Popularity • 64% Danceability • 98% Energy • 10% Liveness
72% Instrumentalness • 4% Positiveness
22% Popularity • 64% Danceability • 98% Energy • 10% Liveness
72% Instrumentalness • 4% Positiveness
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Belocca
Hyperactive
132 bpm • F# Maj • 06:34 • -5.14db
6% Popularity • 67% Danceability • 89% Energy • 10% Liveness
90% Instrumentalness • 39% Positiveness
6% Popularity • 67% Danceability • 89% Energy • 10% Liveness
90% Instrumentalness • 39% Positiveness
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Enrico Sangiuliano
Future Dust
132 bpm • G Maj • 08:29 • -4.9db
48% Popularity • 79% Danceability • 92% Energy • 10% Liveness
84% Instrumentalness • 9% Positiveness
48% Popularity • 79% Danceability • 92% Energy • 10% Liveness
84% Instrumentalness • 9% Positiveness
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Sam WOLFE
Gone - Original Mix
132 bpm • E min • 04:00 • -5.42db
18% Popularity • 74% Danceability • 92% Energy • 10% Liveness
86% Instrumentalness • 26% Positiveness
18% Popularity • 74% Danceability • 92% Energy • 10% Liveness
86% Instrumentalness • 26% Positiveness
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Kaiserdisco
Spule
132 bpm • E Maj • 07:16 • -8.04db
16% Popularity • 72% Danceability • 94% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
16% Popularity • 72% Danceability • 94% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Sabura
Tribal Space
132 bpm • D Maj • 05:59 • -10.87db
28% Popularity • 74% Danceability • 89% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
28% Popularity • 74% Danceability • 89% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
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Patrick Scuro
Pulchra
132 bpm • G Maj • 04:14 • -5.47db
43% Popularity • 75% Danceability • 98% Energy • 31% Liveness
70% Instrumentalness • 31% Positiveness
43% Popularity • 75% Danceability • 98% Energy • 31% Liveness
70% Instrumentalness • 31% Positiveness
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Belocca
Sabotage
132 bpm • F min • 06:09 • -5.61db
6% Popularity • 60% Danceability • 94% Energy • 9% Liveness
79% Instrumentalness • 18% Positiveness
6% Popularity • 60% Danceability • 94% Energy • 9% Liveness
79% Instrumentalness • 18% Positiveness
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Adam Beyer
Control - Remix
132 bpm • G Maj • 04:04 • -7.12db
30% Popularity • 63% Danceability • 97% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
30% Popularity • 63% Danceability • 97% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
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Karla Blum
Free Your Mind - Alex Stein Remix
132 bpm • B min • 05:43 • -7.82db
20% Popularity • 68% Danceability • 76% Energy • 7% Liveness
91% Instrumentalness • 18% Positiveness
20% Popularity • 68% Danceability • 76% Energy • 7% Liveness
91% Instrumentalness • 18% Positiveness
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![Destruction - [ Wex 10 ] Remix cover art](https://i.scdn.co/image/ab67616d00001e02136a39ccc21be7b978b63c2c)
Roger Lavelle
Destruction - [ Wex 10 ] Remix
132 bpm • E min • 03:40 • -6.65db
8% Popularity • 79% Danceability • 85% Energy • 10% Liveness
93% Instrumentalness • 18% Positiveness
8% Popularity • 79% Danceability • 85% Energy • 10% Liveness
93% Instrumentalness • 18% Positiveness
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A.D.H.S.
Dancin' 4Ever
132 bpm • G Maj • 06:51 • -5.11db
17% Popularity • 65% Danceability • 97% Energy • 12% Liveness
78% Instrumentalness • 3% Positiveness
17% Popularity • 65% Danceability • 97% Energy • 12% Liveness
78% Instrumentalness • 3% Positiveness
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Xenia (UA)
Acid React - Original Mix
132 bpm • C# Maj • 04:07 • -5.07db
23% Popularity • 61% Danceability • 98% Energy • 4% Liveness
83% Instrumentalness • 27% Positiveness
23% Popularity • 61% Danceability • 98% Energy • 4% Liveness
83% Instrumentalness • 27% Positiveness
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Belocca
Chemical Substance
132 bpm • C# Maj • 07:03 • -8db
28% Popularity • 65% Danceability • 92% Energy • 8% Liveness
93% Instrumentalness • 7% Positiveness
28% Popularity • 65% Danceability • 92% Energy • 8% Liveness
93% Instrumentalness • 7% Positiveness
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Nusha
Cip Cirip - Original Mix
132 bpm • B min • 06:36 • -6db
19% Popularity • 79% Danceability • 97% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
19% Popularity • 79% Danceability • 97% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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A*S*Y*S
Sweat & Tears - Original Mix
132 bpm • C# Maj • 05:12 • -7.67db
15% Popularity • 70% Danceability • 81% Energy • 7% Liveness
93% Instrumentalness • 55% Positiveness
15% Popularity • 70% Danceability • 81% Energy • 7% Liveness
93% Instrumentalness • 55% Positiveness
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Pleasurekraft
Body Horror
132 bpm • B min • 04:00 • -5.79db
25% Popularity • 57% Danceability • 96% Energy • 16% Liveness
88% Instrumentalness • 14% Positiveness
25% Popularity • 57% Danceability • 96% Energy • 16% Liveness
88% Instrumentalness • 14% Positiveness
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Spektre
Badlands
132 bpm • A# min • 04:00 • -7.59db
38% Popularity • 52% Danceability • 96% Energy • 56% Liveness
85% Instrumentalness • 17% Positiveness
38% Popularity • 52% Danceability • 96% Energy • 56% Liveness
85% Instrumentalness • 17% Positiveness
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Mark Michael
Blackout - Radio Edit
132 bpm • G Maj • 04:38 • -8.62db
25% Popularity • 58% Danceability • 77% Energy • 16% Liveness
13% Instrumentalness • 9% Positiveness
25% Popularity • 58% Danceability • 77% Energy • 16% Liveness
13% Instrumentalness • 9% Positiveness
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Belocca
Metamorphosis
132 bpm • F# min • 06:50 • -6.22db
15% Popularity • 78% Danceability • 95% Energy • 7% Liveness
91% Instrumentalness • 6% Positiveness
15% Popularity • 78% Danceability • 95% Energy • 7% Liveness
91% Instrumentalness • 6% Positiveness
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Kai Pattenberg
Triple - N.O.B.A Remix
132 bpm • F# min • 06:57 • -7db
22% Popularity • 80% Danceability • 74% Energy • 11% Liveness
84% Instrumentalness • 10% Positiveness
22% Popularity • 80% Danceability • 74% Energy • 11% Liveness
84% Instrumentalness • 10% Positiveness
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Xenia (UA)
Stimulant X - Belocca Remix
132 bpm • C# Maj • 06:51 • -4.87db
12% Popularity • 60% Danceability • 94% Energy • 5% Liveness
79% Instrumentalness • 32% Positiveness
12% Popularity • 60% Danceability • 94% Energy • 5% Liveness
79% Instrumentalness • 32% Positiveness
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Anahit Vardanyan
Haghtanak
132 bpm • G Maj • 06:38 • -7.11db
11% Popularity • 68% Danceability • 94% Energy • 8% Liveness
89% Instrumentalness • 6% Positiveness
11% Popularity • 68% Danceability • 94% Energy • 8% Liveness
89% Instrumentalness • 6% Positiveness
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Matteo Vitanza
Altered Consciousness
132 bpm • E min • 04:38 • -4.82db
13% Popularity • 67% Danceability • 97% Energy • 37% Liveness
79% Instrumentalness • 4% Positiveness
13% Popularity • 67% Danceability • 97% Energy • 37% Liveness
79% Instrumentalness • 4% Positiveness
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A.D.H.S.
Zulu
132 bpm • F# Maj • 04:58 • -8.43db
46% Popularity • 70% Danceability • 95% Energy • 32% Liveness
88% Instrumentalness • 18% Positiveness
46% Popularity • 70% Danceability • 95% Energy • 32% Liveness
88% Instrumentalness • 18% Positiveness
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Belocca
Concentrate
132 bpm • F# Maj • 06:48 • -5.93db
5% Popularity • 71% Danceability • 97% Energy • 10% Liveness
92% Instrumentalness • 19% Positiveness
5% Popularity • 71% Danceability • 97% Energy • 10% Liveness
92% Instrumentalness • 19% Positiveness
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Teenage Mutants
Ppt
132 bpm • C Maj • 03:37 • -6.92db
31% Popularity • 68% Danceability • 100% Energy • 11% Liveness
87% Instrumentalness • 14% Positiveness
31% Popularity • 68% Danceability • 100% Energy • 11% Liveness
87% Instrumentalness • 14% Positiveness
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Titus Grande
Acid Response
132 bpm • C# Maj • 07:44 • -5.53db
21% Popularity • 65% Danceability • 99% Energy • 8% Liveness
82% Instrumentalness • 55% Positiveness
21% Popularity • 65% Danceability • 99% Energy • 8% Liveness
82% Instrumentalness • 55% Positiveness
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Anahit Vardanyan
Huys
132 bpm • F# Maj • 07:20 • -8.31db
31% Popularity • 73% Danceability • 94% Energy • 8% Liveness
86% Instrumentalness • 7% Positiveness
31% Popularity • 73% Danceability • 94% Energy • 8% Liveness
86% Instrumentalness • 7% Positiveness
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Zafer Atabey
Like You - Radio Edit
132 bpm • C min • 04:15 • -6.9db
10% Popularity • 65% Danceability • 96% Energy • 68% Liveness
87% Instrumentalness • 58% Positiveness
10% Popularity • 65% Danceability • 96% Energy • 68% Liveness
87% Instrumentalness • 58% Positiveness
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Roberto Capuano
Dish Ya Now
132 bpm • A# min • 03:32 • -5.3db
29% Popularity • 63% Danceability • 97% Energy • 28% Liveness
88% Instrumentalness • 28% Positiveness
29% Popularity • 63% Danceability • 97% Energy • 28% Liveness
88% Instrumentalness • 28% Positiveness
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Belocca
Sonar
132 bpm • D min • 05:49 • -6.39db
14% Popularity • 68% Danceability • 88% Energy • 11% Liveness
86% Instrumentalness • 12% Positiveness
14% Popularity • 68% Danceability • 88% Energy • 11% Liveness
86% Instrumentalness • 12% Positiveness
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Layton Giordani
Digital Age
132 bpm • F# min • 03:58 • -7.77db
43% Popularity • 64% Danceability • 94% Energy • 8% Liveness
80% Instrumentalness • 18% Positiveness
43% Popularity • 64% Danceability • 94% Energy • 8% Liveness
80% Instrumentalness • 18% Positiveness
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Julien Riess
Mental Wall
132 bpm • G Maj • 06:11 • -6.98db
10% Popularity • 69% Danceability • 80% Energy • 9% Liveness
89% Instrumentalness • 29% Positiveness
10% Popularity • 69% Danceability • 80% Energy • 9% Liveness
89% Instrumentalness • 29% Positiveness
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Teenage Mutants
Angel Dust
132 bpm • G Maj • 03:39 • -7.26db
30% Popularity • 67% Danceability • 96% Energy • 10% Liveness
80% Instrumentalness • 11% Positiveness
30% Popularity • 67% Danceability • 96% Energy • 10% Liveness
80% Instrumentalness • 11% Positiveness
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RSRRCT
That's Right - Original Mix
132 bpm • A min • 04:03 • -7.91db
8% Popularity • 78% Danceability • 92% Energy • 9% Liveness
77% Instrumentalness • 30% Positiveness
8% Popularity • 78% Danceability • 92% Energy • 9% Liveness
77% Instrumentalness • 30% Positiveness
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Tet
Strange Things
132 bpm • C# Maj • 06:14 • -9.35db
15% Popularity • 71% Danceability • 89% Energy • 10% Liveness
94% Instrumentalness • 11% Positiveness
15% Popularity • 71% Danceability • 89% Energy • 10% Liveness
94% Instrumentalness • 11% Positiveness
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Belocca
Perception
132 bpm • F# Maj • 06:44 • -5.21db
25% Popularity • 77% Danceability • 94% Energy • 6% Liveness
86% Instrumentalness • 7% Positiveness
25% Popularity • 77% Danceability • 94% Energy • 6% Liveness
86% Instrumentalness • 7% Positiveness
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Joris Turenhout
Fauna
132 bpm • A# min • 05:10 • -8.91db
18% Popularity • 54% Danceability • 95% Energy • 10% Liveness
90% Instrumentalness • 16% Positiveness
18% Popularity • 54% Danceability • 95% Energy • 10% Liveness
90% Instrumentalness • 16% Positiveness
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H! DUDE
Endoloris
132 bpm • B min • 06:25 • -8db
23% Popularity • 74% Danceability • 95% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
23% Popularity • 74% Danceability • 95% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Teenage Mutants
Teatro
132 bpm • D Maj • 06:44 • -4.87db
22% Popularity • 68% Danceability • 92% Energy • 10% Liveness
86% Instrumentalness • 25% Positiveness
22% Popularity • 68% Danceability • 92% Energy • 10% Liveness
86% Instrumentalness • 25% Positiveness
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NoTune
Speak
132 bpm • F# min • 05:28 • -11.33db
10% Popularity • 74% Danceability • 68% Energy • 53% Liveness
72% Instrumentalness • 18% Positiveness
10% Popularity • 74% Danceability • 68% Energy • 53% Liveness
72% Instrumentalness • 18% Positiveness
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Clap Codex
Falling Apart
132 bpm • B min • 06:53 • -6.59db
34% Popularity • 76% Danceability • 79% Energy • 8% Liveness
79% Instrumentalness • 6% Positiveness
34% Popularity • 76% Danceability • 79% Energy • 8% Liveness
79% Instrumentalness • 6% Positiveness
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Belocca
Rave Cave
132 bpm • G# Maj • 07:24 • -7.86db
27% Popularity • 65% Danceability • 86% Energy • 7% Liveness
92% Instrumentalness • 9% Positiveness
27% Popularity • 65% Danceability • 86% Energy • 7% Liveness
92% Instrumentalness • 9% Positiveness
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Adam Beyer
Legend
132 bpm • C Maj • 03:40 • -6.6db
32% Popularity • 54% Danceability • 97% Energy • 12% Liveness
87% Instrumentalness • 13% Positiveness
32% Popularity • 54% Danceability • 97% Energy • 12% Liveness
87% Instrumentalness • 13% Positiveness
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Pleasurekraft
Sex and the Machine
132 bpm • F min • 04:00 • -5.93db
34% Popularity • 55% Danceability • 98% Energy • 11% Liveness
55% Instrumentalness • 23% Positiveness
34% Popularity • 55% Danceability • 98% Energy • 11% Liveness
55% Instrumentalness • 23% Positiveness
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Sopik
Hesperus
132 bpm • C# Maj • 06:18 • -7.57db
17% Popularity • 73% Danceability • 59% Energy • 8% Liveness
76% Instrumentalness • 8% Positiveness
17% Popularity • 73% Danceability • 59% Energy • 8% Liveness
76% Instrumentalness • 8% Positiveness
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Lautaro Ibañez
Evolution - Original Mix
132 bpm • F# min • 04:32 • -6.02db
14% Popularity • 67% Danceability • 99% Energy • 13% Liveness
87% Instrumentalness • 49% Positiveness
14% Popularity • 67% Danceability • 99% Energy • 13% Liveness
87% Instrumentalness • 49% Positiveness
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Heerhorst
Usp
132 bpm • G Maj • 06:24 • -6.23db
22% Popularity • 65% Danceability • 90% Energy • 4% Liveness
81% Instrumentalness • 52% Positiveness
22% Popularity • 65% Danceability • 90% Energy • 4% Liveness
81% Instrumentalness • 52% Positiveness
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Belocca
Way Of Thinking - Belocca's 10th Anniver...
132 bpm • G# Maj • 05:58 • -4.67db
4% Popularity • 78% Danceability • 90% Energy • 12% Liveness
84% Instrumentalness • 9% Positiveness
4% Popularity • 78% Danceability • 90% Energy • 12% Liveness
84% Instrumentalness • 9% Positiveness
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Noseda
Girl On Fire
132 bpm • F min • 06:56 • -8db
24% Popularity • 63% Danceability • 83% Energy • 13% Liveness
88% Instrumentalness • 3% Positiveness
24% Popularity • 63% Danceability • 83% Energy • 13% Liveness
88% Instrumentalness • 3% Positiveness
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Carl Cox
World Gone Mad
132 bpm • C# Maj • 04:24 • -4.03db
24% Popularity • 60% Danceability • 99% Energy • 10% Liveness
60% Instrumentalness • 26% Positiveness
24% Popularity • 60% Danceability • 99% Energy • 10% Liveness
60% Instrumentalness • 26% Positiveness
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Milo Spykers
Infinite - Mixed
133 bpm • F# min • 04:02 • -8.32db
15% Popularity • 63% Danceability • 98% Energy • 10% Liveness
68% Instrumentalness • 5% Positiveness
15% Popularity • 63% Danceability • 98% Energy • 10% Liveness
68% Instrumentalness • 5% Positiveness
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Nusha
Fall Back
133 bpm • C# Maj • 06:19 • -8db
14% Popularity • 76% Danceability • 86% Energy • 10% Liveness
86% Instrumentalness • 9% Positiveness
14% Popularity • 76% Danceability • 86% Energy • 10% Liveness
86% Instrumentalness • 9% Positiveness
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Reinier Zonneveld
Flying Octopus
131 bpm • F# Maj • 03:31 • -5.89db
51% Popularity • 64% Danceability • 97% Energy • 10% Liveness
85% Instrumentalness • 47% Positiveness
51% Popularity • 64% Danceability • 97% Energy • 10% Liveness
85% Instrumentalness • 47% Positiveness
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Chris Veron
My Vision - Original Mix
131 bpm • F min • 03:19 • -5.53db
21% Popularity • 84% Danceability • 93% Energy • 10% Liveness
49% Instrumentalness • 54% Positiveness
21% Popularity • 84% Danceability • 93% Energy • 10% Liveness
49% Instrumentalness • 54% Positiveness
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Ignacio Arfeli
In My Heart - Vocal Mix
133 bpm • A# min • 04:31 • -7.57db
11% Popularity • 62% Danceability • 96% Energy • 4% Liveness
81% Instrumentalness • 4% Positiveness
11% Popularity • 62% Danceability • 96% Energy • 4% Liveness
81% Instrumentalness • 4% Positiveness
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Rebel Boy
Dismantle the System - Original Mix
131 bpm • F min • 04:05 • -6.49db
17% Popularity • 66% Danceability • 98% Energy • 6% Liveness
83% Instrumentalness • 9% Positiveness
17% Popularity • 66% Danceability • 98% Energy • 6% Liveness
83% Instrumentalness • 9% Positiveness
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Tømas Sinn
Disturb
131 bpm • C Maj • 04:00 • -5.59db
17% Popularity • 67% Danceability • 92% Energy • 22% Liveness
69% Instrumentalness • 9% Positiveness
17% Popularity • 67% Danceability • 92% Energy • 22% Liveness
69% Instrumentalness • 9% Positiveness
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Sisko Electrofanatik
Solar Rock
131 bpm • C# min • 04:34 • -8.45db
23% Popularity • 78% Danceability • 69% Energy • 9% Liveness
86% Instrumentalness • 35% Positiveness
23% Popularity • 78% Danceability • 69% Energy • 9% Liveness
86% Instrumentalness • 35% Positiveness
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Kai Tracid
Mockmoon (Peace, Love, XTC)
133 bpm • E min • 06:08 • -5.32db
29% Popularity • 76% Danceability • 93% Energy • 9% Liveness
71% Instrumentalness • 8% Positiveness
29% Popularity • 76% Danceability • 93% Energy • 9% Liveness
71% Instrumentalness • 8% Positiveness
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DANNY AVILA
Be Real! - Extended
131 bpm • C Maj • 06:08 • -7.34db
22% Popularity • 71% Danceability • 89% Energy • 7% Liveness
92% Instrumentalness • 18% Positiveness
22% Popularity • 71% Danceability • 89% Energy • 7% Liveness
92% Instrumentalness • 18% Positiveness
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LEVT
Fears Fight
133 bpm • A# min • 06:34 • -5.95db
10% Popularity • 63% Danceability • 89% Energy • 8% Liveness
84% Instrumentalness • 7% Positiveness
10% Popularity • 63% Danceability • 89% Energy • 8% Liveness
84% Instrumentalness • 7% Positiveness
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Rudaki
Meet Her at the Rave - Original Mix
131 bpm • F# Maj • 04:56 • -7.58db
10% Popularity • 63% Danceability • 89% Energy • 8% Liveness
90% Instrumentalness • 45% Positiveness
10% Popularity • 63% Danceability • 89% Energy • 8% Liveness
90% Instrumentalness • 45% Positiveness
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Layton Giordani
Hyper World
131 bpm • G Maj • 06:25 • -6.22db
36% Popularity • 74% Danceability • 83% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
36% Popularity • 74% Danceability • 83% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
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Reinier Zonneveld
Trek Drop
133 bpm • G# min • 07:41 • -7.14db
22% Popularity • 73% Danceability • 87% Energy • 11% Liveness
91% Instrumentalness • 20% Positiveness
22% Popularity • 73% Danceability • 87% Energy • 11% Liveness
91% Instrumentalness • 20% Positiveness
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Patrik Berg
Living the Lie
131 bpm • C Maj • 06:57 • -5.64db
19% Popularity • 76% Danceability • 99% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
19% Popularity • 76% Danceability • 99% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
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BAMI
My Body
131 bpm • G# Maj • 05:07 • -8.95db
24% Popularity • 75% Danceability • 98% Energy • 70% Liveness
85% Instrumentalness • 12% Positiveness
24% Popularity • 75% Danceability • 98% Energy • 70% Liveness
85% Instrumentalness • 12% Positiveness
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Belocca
Time Will Tell
131 bpm • C Maj • 07:52 • -7.19db
13% Popularity • 78% Danceability • 97% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
13% Popularity • 78% Danceability • 97% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Mark Dekoda
Hybrid
133 bpm • A Maj • 05:03 • -8.15db
15% Popularity • 74% Danceability • 84% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
15% Popularity • 74% Danceability • 84% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
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Layton Giordani
UFOs & LFOs
131 bpm • C# Maj • 04:56 • -6.86db
38% Popularity • 72% Danceability • 81% Energy • 13% Liveness
68% Instrumentalness • 7% Positiveness
38% Popularity • 72% Danceability • 81% Energy • 13% Liveness
68% Instrumentalness • 7% Positiveness
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Novem Vivit
Bring Back The Rave - Belocca Remix
131 bpm • C# Maj • 06:35 • -5.85db
6% Popularity • 72% Danceability • 89% Energy • 8% Liveness
87% Instrumentalness • 8% Positiveness
6% Popularity • 72% Danceability • 89% Energy • 8% Liveness
87% Instrumentalness • 8% Positiveness
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Joris Turenhout
Trinity
133 bpm • G Maj • 05:03 • -9.96db
28% Popularity • 54% Danceability • 89% Energy • 16% Liveness
81% Instrumentalness • 4% Positiveness
28% Popularity • 54% Danceability • 89% Energy • 16% Liveness
81% Instrumentalness • 4% Positiveness
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Chris Veron
Bluster of the Moon
133 bpm • D Maj • 03:53 • -7.14db
38% Popularity • 74% Danceability • 96% Energy • 24% Liveness
55% Instrumentalness • 53% Positiveness
38% Popularity • 74% Danceability • 96% Energy • 24% Liveness
55% Instrumentalness • 53% Positiveness
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Belocca
Atmos
131 bpm • G Maj • 05:38 • -6.73db
6% Popularity • 76% Danceability • 91% Energy • 9% Liveness
93% Instrumentalness • 13% Positiveness
6% Popularity • 76% Danceability • 91% Energy • 9% Liveness
93% Instrumentalness • 13% Positiveness
