Songs like The Green Grass Of Home by The Melachrino Strings
Based on a tempo of (+/- 10%) and a similar genre
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The Melachrino Strings
Somewhere Over The Rainbow
60 bpm • E Maj • 02:02 • -25.29db
3% Popularity • 21% Danceability • 9% Energy • 22% Liveness
33% Instrumentalness • 6% Positiveness
3% Popularity • 21% Danceability • 9% Energy • 22% Liveness
33% Instrumentalness • 6% Positiveness
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Frank Chacksfield & His Orchestra
I Will Wait For You
62 bpm • D min • 02:21 • -14.23db
40% Popularity • 29% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
40% Popularity • 29% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Alfred Newman
Main Title
60 bpm • F min • 01:33 • -14db
23% Popularity • 22% Danceability • 26% Energy • 12% Liveness
82% Instrumentalness • 14% Positiveness
23% Popularity • 22% Danceability • 26% Energy • 12% Liveness
82% Instrumentalness • 14% Positiveness
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David Rose
California Melodies
63 bpm • G min • 03:00 • -14.46db
9% Popularity • 23% Danceability • 22% Energy • 14% Liveness
52% Instrumentalness • 6% Positiveness
9% Popularity • 23% Danceability • 22% Energy • 14% Liveness
52% Instrumentalness • 6% Positiveness
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Joni James
Hi-Lili, Hi Lo!
63 bpm • D Maj • 03:07 • -15.71db
8% Popularity • 24% Danceability • 18% Energy • 11% Liveness
34% Instrumentalness • 12% Positiveness
8% Popularity • 24% Danceability • 18% Energy • 11% Liveness
34% Instrumentalness • 12% Positiveness
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Don Costa
Theme From ''The Unforgiven'' (The Need ...
63 bpm • A min • 02:55 • -14.58db
15% Popularity • 14% Danceability • 27% Energy • 9% Liveness
91% Instrumentalness • 20% Positiveness
15% Popularity • 14% Danceability • 27% Energy • 9% Liveness
91% Instrumentalness • 20% Positiveness
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The Melachrino Strings
I Could Have Danced All Night
59 bpm • C min • 02:28 • -24.35db
2% Popularity • 24% Danceability • 10% Energy • 16% Liveness
78% Instrumentalness • 4% Positiveness
2% Popularity • 24% Danceability • 10% Energy • 16% Liveness
78% Instrumentalness • 4% Positiveness
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Ray Anthony & His Orchestra
Misty
59 bpm • G Maj • 03:31 • -18.43db
16% Popularity • 19% Danceability • 14% Energy • 10% Liveness
47% Instrumentalness • 10% Positiveness
16% Popularity • 19% Danceability • 14% Energy • 10% Liveness
47% Instrumentalness • 10% Positiveness
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François Gilbert
Nebuloso
58 bpm • F Maj • 03:01 • -10.72db
23% Popularity • 35% Danceability • 30% Energy • 28% Liveness
8% Instrumentalness • 21% Positiveness
23% Popularity • 35% Danceability • 30% Energy • 28% Liveness
8% Instrumentalness • 21% Positiveness
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Mantovani & His Orchestra
A Taste Of Honey
65 bpm • A min • 02:56 • -25.68db
11% Popularity • 14% Danceability • 5% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
11% Popularity • 14% Danceability • 5% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
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Frank Davis Orchestra
When I Fall in Love
65 bpm • G min • 03:15 • -8db
16% Popularity • 21% Danceability • 45% Energy • 32% Liveness
71% Instrumentalness • 17% Positiveness
16% Popularity • 21% Danceability • 45% Energy • 32% Liveness
71% Instrumentalness • 17% Positiveness
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The Percy Faith Strings
The Song from "Moulin Rose"
66 bpm • G Maj • 03:48 • -14.2db
37% Popularity • 21% Danceability • 30% Energy • 31% Liveness
86% Instrumentalness • 8% Positiveness
37% Popularity • 21% Danceability • 30% Energy • 31% Liveness
86% Instrumentalness • 8% Positiveness
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The Melachrino Strings
Drifting and Dreaming
63 bpm • C min • 03:44 • -17.1db
4% Popularity • 23% Danceability • 23% Energy • 16% Liveness
94% Instrumentalness • 13% Positiveness
4% Popularity • 23% Danceability • 23% Energy • 16% Liveness
94% Instrumentalness • 13% Positiveness
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Hugo Winterhalter And His Orchestra
Boulevard of Broken Dreams - Instrumenta...
67 bpm • D min • 03:11 • -12.41db
20% Popularity • 22% Danceability • 25% Energy • 11% Liveness
94% Instrumentalness • 6% Positiveness
20% Popularity • 22% Danceability • 25% Energy • 11% Liveness
94% Instrumentalness • 6% Positiveness
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The Gino Marinello Orchestra
The Impossible Dream
68 bpm • G Maj • 01:56 • -13.89db
40% Popularity • 48% Danceability • 24% Energy • 12% Liveness
11% Instrumentalness • 23% Positiveness
40% Popularity • 48% Danceability • 24% Energy • 12% Liveness
11% Instrumentalness • 23% Positiveness
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Doug Montgomery
In a French Cafe
70 bpm • G min • 03:02 • -19.56db
29% Popularity • 38% Danceability • 14% Energy • 11% Liveness
95% Instrumentalness • 16% Positiveness
29% Popularity • 38% Danceability • 14% Energy • 11% Liveness
95% Instrumentalness • 16% Positiveness
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Hugh Martin
The Boy Next Door
69 bpm • F Maj • 03:00 • -14.77db
11% Popularity • 24% Danceability • 28% Energy • 17% Liveness
60% Instrumentalness • 8% Positiveness
11% Popularity • 24% Danceability • 28% Energy • 17% Liveness
60% Instrumentalness • 8% Positiveness
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André Previn
Lost In The Stars
70 bpm • C# Maj • 03:32 • -13db
22% Popularity • 34% Danceability • 26% Energy • 25% Liveness
63% Instrumentalness • 24% Positiveness
22% Popularity • 34% Danceability • 26% Energy • 25% Liveness
63% Instrumentalness • 24% Positiveness
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The Melachrino Strings
Golden Violins
65 bpm • G Maj • 02:48 • -7.29db
2% Popularity • 16% Danceability • 39% Energy • 37% Liveness
93% Instrumentalness • 33% Positiveness
2% Popularity • 16% Danceability • 39% Energy • 37% Liveness
93% Instrumentalness • 33% Positiveness
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Paul Weston
Gone With The Wind
70 bpm • D Maj • 03:17 • -13.52db
37% Popularity • 21% Danceability • 23% Energy • 9% Liveness
78% Instrumentalness • 7% Positiveness
37% Popularity • 21% Danceability • 23% Energy • 9% Liveness
78% Instrumentalness • 7% Positiveness
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Cole Porter (composer), The MGM Studio Orchestra
Easy to Love
71 bpm • G Maj • 01:19 • -16.65db
35% Popularity • 21% Danceability • 28% Energy • 12% Liveness
91% Instrumentalness • 43% Positiveness
35% Popularity • 21% Danceability • 28% Energy • 12% Liveness
91% Instrumentalness • 43% Positiveness
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Philippe Sarde
Le Toubib - Générique from Le toubib
71 bpm • A# min • 02:01 • -12db
16% Popularity • 18% Danceability • 26% Energy • 8% Liveness
85% Instrumentalness • 10% Positiveness
16% Popularity • 18% Danceability • 26% Energy • 8% Liveness
85% Instrumentalness • 10% Positiveness
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Gary Grant
Ballet
71 bpm • G Maj • 01:00 • -14.67db
27% Popularity • 49% Danceability • 36% Energy • 26% Liveness
90% Instrumentalness • 51% Positiveness
27% Popularity • 49% Danceability • 36% Energy • 26% Liveness
90% Instrumentalness • 51% Positiveness
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Johnny Pearson
Warm Heartland - 60 Second Edit
72 bpm • D# Maj • 01:05 • -13.55db
20% Popularity • 28% Danceability • 22% Energy • 10% Liveness
83% Instrumentalness • 20% Positiveness
20% Popularity • 28% Danceability • 22% Energy • 10% Liveness
83% Instrumentalness • 20% Positiveness
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The Melachrino Strings
They Didn't Believe Me
71 bpm • G Maj • 02:40 • -9.71db
2% Popularity • 11% Danceability • 40% Energy • 57% Liveness
90% Instrumentalness • 7% Positiveness
2% Popularity • 11% Danceability • 40% Energy • 57% Liveness
90% Instrumentalness • 7% Positiveness
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The Melachrino Strings and Orchestra
Dancing in the Dark
73 bpm • A min • 02:57 • -11.64db
22% Popularity • 23% Danceability • 33% Energy • 12% Liveness
84% Instrumentalness • 12% Positiveness
22% Popularity • 23% Danceability • 33% Energy • 12% Liveness
84% Instrumentalness • 12% Positiveness
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Giovanni Vivanco
Tema de Picnic
73 bpm • C Maj • 04:19 • -13db
17% Popularity • 8% Danceability • 32% Energy • 9% Liveness
90% Instrumentalness • 14% Positiveness
17% Popularity • 8% Danceability • 32% Energy • 9% Liveness
90% Instrumentalness • 14% Positiveness
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The Fantasy Strings
How Do You Keep the Music Playing
73 bpm • G min • 04:05 • -8.43db
16% Popularity • 27% Danceability • 58% Energy • 10% Liveness
2% Instrumentalness • 30% Positiveness
16% Popularity • 27% Danceability • 58% Energy • 10% Liveness
2% Instrumentalness • 30% Positiveness
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Stelvio Cipriani
Anonimo Veneziano
73 bpm • A Maj • 05:50 • -19.87db
16% Popularity • 36% Danceability • 14% Energy • 11% Liveness
94% Instrumentalness • 12% Positiveness
16% Popularity • 36% Danceability • 14% Energy • 11% Liveness
94% Instrumentalness • 12% Positiveness
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Joaquin Borges
Un Amoroso Camino
74 bpm • C# min • 04:05 • -21.23db
10% Popularity • 14% Danceability • 9% Energy • 18% Liveness
87% Instrumentalness • 9% Positiveness
10% Popularity • 14% Danceability • 9% Energy • 18% Liveness
87% Instrumentalness • 9% Positiveness
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Alessio Busanel And His Orchestra
Nabucco
74 bpm • G Maj • 03:06 • -22db
38% Popularity • 21% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 5% Positiveness
38% Popularity • 21% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 5% Positiveness
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Mantovani & His Orchestra
Born Free
74 bpm • F Maj • 02:31 • -17.68db
13% Popularity • 14% Danceability • 23% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
13% Popularity • 14% Danceability • 23% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
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Alfred Hause
Fantasie Impromptu Op. 66
74 bpm • D Maj • 03:11 • -15.36db
32% Popularity • 22% Danceability • 29% Energy • 17% Liveness
86% Instrumentalness • 20% Positiveness
32% Popularity • 22% Danceability • 29% Energy • 17% Liveness
86% Instrumentalness • 20% Positiveness
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The Fantasy Strings
Always On My Mind
74 bpm • D Maj • 03:54 • -7.29db
21% Popularity • 16% Danceability • 45% Energy • 11% Liveness
93% Instrumentalness • 26% Positiveness
21% Popularity • 16% Danceability • 45% Energy • 11% Liveness
93% Instrumentalness • 26% Positiveness
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Ray Anthony
Laura
75 bpm • G Maj • 02:52 • -15.49db
19% Popularity • 19% Danceability • 24% Energy • 38% Liveness
93% Instrumentalness • 11% Positiveness
19% Popularity • 19% Danceability • 24% Energy • 38% Liveness
93% Instrumentalness • 11% Positiveness
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Claudius Alzner
What a wonderful world - Les feulles mor...
75 bpm • F Maj • 03:13 • -12db
15% Popularity • 38% Danceability • 28% Energy • 11% Liveness
86% Instrumentalness • 14% Positiveness
15% Popularity • 38% Danceability • 28% Energy • 11% Liveness
86% Instrumentalness • 14% Positiveness
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Stanley Black and his Orchestra
Moon River
75 bpm • F Maj • 03:26 • -14.56db
8% Popularity • 14% Danceability • 24% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
8% Popularity • 14% Danceability • 24% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Johnny Pearson Y Su Orquesta
Verano del 42
75 bpm • D min • 02:52 • -9.23db
32% Popularity • 26% Danceability • 34% Energy • 8% Liveness
89% Instrumentalness • 16% Positiveness
32% Popularity • 26% Danceability • 34% Energy • 8% Liveness
89% Instrumentalness • 16% Positiveness
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Ron Goodwin
Every Woman in the World
75 bpm • C min • 03:08 • -19db
11% Popularity • 32% Danceability • 21% Energy • 8% Liveness
59% Instrumentalness • 23% Positiveness
11% Popularity • 32% Danceability • 21% Energy • 8% Liveness
59% Instrumentalness • 23% Positiveness
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London Festival Symphony Orchestra
Dream Of Olwen
76 bpm • G min • 03:35 • -15.9db
8% Popularity • 17% Danceability • 15% Energy • 8% Liveness
25% Instrumentalness • 15% Positiveness
8% Popularity • 17% Danceability • 15% Energy • 8% Liveness
25% Instrumentalness • 15% Positiveness
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Antonio Rossi & His Orchestra
Yesterday, Once More
76 bpm • D# Maj • 04:05 • -16.92db
18% Popularity • 25% Danceability • 15% Energy • 12% Liveness
96% Instrumentalness • 6% Positiveness
18% Popularity • 25% Danceability • 15% Energy • 12% Liveness
96% Instrumentalness • 6% Positiveness
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Robert Farnon
Westminster Waltz
76 bpm • D Maj • 03:24 • -11.33db
10% Popularity • 11% Danceability • 27% Energy • 25% Liveness
74% Instrumentalness • 17% Positiveness
10% Popularity • 11% Danceability • 27% Energy • 25% Liveness
74% Instrumentalness • 17% Positiveness
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Pasapoga Light Orchestra
Fascinación
76 bpm • A min • 02:14 • -13.81db
16% Popularity • 20% Danceability • 29% Energy • 34% Liveness
92% Instrumentalness • 31% Positiveness
16% Popularity • 20% Danceability • 29% Energy • 34% Liveness
92% Instrumentalness • 31% Positiveness
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Ray Anthony
This Love Of Mine
76 bpm • A# Maj • 02:45 • -14db
17% Popularity • 25% Danceability • 22% Energy • 32% Liveness
86% Instrumentalness • 20% Positiveness
17% Popularity • 25% Danceability • 22% Energy • 32% Liveness
86% Instrumentalness • 20% Positiveness
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Johnny Pearson Y Su Orquesta
Gente
76 bpm • A# Maj • 02:53 • -11db
24% Popularity • 23% Danceability • 29% Energy • 34% Liveness
89% Instrumentalness • 22% Positiveness
24% Popularity • 23% Danceability • 29% Energy • 34% Liveness
89% Instrumentalness • 22% Positiveness
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The Melachrino Strings and Orchestra
The Loveliest Night of the Year
76 bpm • A Maj • 02:45 • -12db
30% Popularity • 15% Danceability • 33% Energy • 6% Liveness
92% Instrumentalness • 23% Positiveness
30% Popularity • 15% Danceability • 33% Energy • 6% Liveness
92% Instrumentalness • 23% Positiveness
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Ron Goodwin
The Girl from Corsica
76 bpm • G min • 02:59 • -10.67db
16% Popularity • 22% Danceability • 38% Energy • 15% Liveness
90% Instrumentalness • 29% Positiveness
16% Popularity • 22% Danceability • 38% Energy • 15% Liveness
90% Instrumentalness • 29% Positiveness
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The Melachrino Strings
Estrellita (Little Star)
77 bpm • D Maj • 03:15 • -9.37db
2% Popularity • 18% Danceability • 35% Energy • 31% Liveness
73% Instrumentalness • 13% Positiveness
2% Popularity • 18% Danceability • 35% Energy • 31% Liveness
73% Instrumentalness • 13% Positiveness
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Mantovani & His Orchestra
September Song
77 bpm • D min • 02:50 • -16.71db
17% Popularity • 7% Danceability • 19% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
17% Popularity • 7% Danceability • 19% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
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Ray Anthony
I Only Have Eyes For You
77 bpm • G Maj • 03:08 • -15.2db
16% Popularity • 19% Danceability • 16% Energy • 11% Liveness
86% Instrumentalness • 12% Positiveness
16% Popularity • 19% Danceability • 16% Energy • 11% Liveness
86% Instrumentalness • 12% Positiveness
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Alfred Newman
Airport Love Theme
78 bpm • G# min • 03:32 • -23db
25% Popularity • 15% Danceability • 14% Energy • 21% Liveness
96% Instrumentalness • 8% Positiveness
25% Popularity • 15% Danceability • 14% Energy • 21% Liveness
96% Instrumentalness • 8% Positiveness
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Ronnie Aldrich & Orchestra
The First Time Ever I Saw Your Face
78 bpm • D min • 03:34 • -20.83db
7% Popularity • 32% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
7% Popularity • 32% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
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Gary Freeman
What A Difference A Day Made
78 bpm • F Maj • 02:06 • -13.21db
21% Popularity • 35% Danceability • 30% Energy • 14% Liveness
72% Instrumentalness • 30% Positiveness
21% Popularity • 35% Danceability • 30% Energy • 14% Liveness
72% Instrumentalness • 30% Positiveness
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The Melachrino Strings
Indian Summer
77 bpm • G Maj • 02:33 • -18.07db
3% Popularity • 12% Danceability • 29% Energy • 48% Liveness
70% Instrumentalness • 6% Positiveness
3% Popularity • 12% Danceability • 29% Energy • 48% Liveness
70% Instrumentalness • 6% Positiveness
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Pierre Charlon
Charade
78 bpm • A min • 03:12 • -15.21db
34% Popularity • 43% Danceability • 24% Energy • 10% Liveness
37% Instrumentalness • 31% Positiveness
34% Popularity • 43% Danceability • 24% Energy • 10% Liveness
37% Instrumentalness • 31% Positiveness
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Mantovani & His Orchestra
September Song
78 bpm • D min • 02:50 • -21.03db
10% Popularity • 17% Danceability • 8% Energy • 7% Liveness
83% Instrumentalness • 3% Positiveness
10% Popularity • 17% Danceability • 8% Energy • 7% Liveness
83% Instrumentalness • 3% Positiveness
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Les & Larry Elgart
Skyliner
79 bpm • D Maj • 02:12 • -14db
33% Popularity • 75% Danceability • 25% Energy • 13% Liveness
89% Instrumentalness • 66% Positiveness
33% Popularity • 75% Danceability • 25% Energy • 13% Liveness
89% Instrumentalness • 66% Positiveness
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Ron Goodwin
Theme from Limelight
78 bpm • F Maj • 03:01 • -19.86db
15% Popularity • 22% Danceability • 11% Energy • 36% Liveness
47% Instrumentalness • 9% Positiveness
15% Popularity • 22% Danceability • 11% Energy • 36% Liveness
47% Instrumentalness • 9% Positiveness
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The Fantasy Strings
Moonlight In Vermont
79 bpm • F min • 03:15 • -8.23db
21% Popularity • 41% Danceability • 64% Energy • 23% Liveness
60% Instrumentalness • 33% Positiveness
21% Popularity • 41% Danceability • 64% Energy • 23% Liveness
60% Instrumentalness • 33% Positiveness
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Ray Anthony & His Orchestra
Pretend
79 bpm • G# Maj • 02:44 • -11.52db
12% Popularity • 29% Danceability • 22% Energy • 30% Liveness
50% Instrumentalness • 16% Positiveness
12% Popularity • 29% Danceability • 22% Energy • 30% Liveness
50% Instrumentalness • 16% Positiveness
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Ballroom Dance Orchestra
Young at Heart
79 bpm • A# Maj • 03:06 • -9.84db
24% Popularity • 26% Danceability • 36% Energy • 22% Liveness
87% Instrumentalness • 36% Positiveness
24% Popularity • 26% Danceability • 36% Energy • 22% Liveness
87% Instrumentalness • 36% Positiveness
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Hollyridge Strings
Caroline, No
79 bpm • A# min • 02:09 • -9.01db
17% Popularity • 38% Danceability • 39% Energy • 7% Liveness
39% Instrumentalness • 34% Positiveness
17% Popularity • 38% Danceability • 39% Energy • 7% Liveness
39% Instrumentalness • 34% Positiveness
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Frank Chacksfield
Stranger on the Shore
79 bpm • D Maj • 03:14 • -14.59db
28% Popularity • 26% Danceability • 15% Energy • 9% Liveness
82% Instrumentalness • 13% Positiveness
28% Popularity • 26% Danceability • 15% Energy • 9% Liveness
82% Instrumentalness • 13% Positiveness
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Gary Grant
Continue
79 bpm • G min • 03:03 • -21db
26% Popularity • 29% Danceability • 16% Energy • 9% Liveness
94% Instrumentalness • 38% Positiveness
26% Popularity • 29% Danceability • 16% Energy • 9% Liveness
94% Instrumentalness • 38% Positiveness
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Dick Bakker
Here There and Everywhere
79 bpm • F Maj • 03:22 • -17.27db
13% Popularity • 52% Danceability • 22% Energy • 7% Liveness
82% Instrumentalness • 16% Positiveness
13% Popularity • 52% Danceability • 22% Energy • 7% Liveness
82% Instrumentalness • 16% Positiveness
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Laurent Hess
Why Do You Pass Me By (Vous Qui Passez S...
79 bpm • G Maj • 03:01 • -12.63db
11% Popularity • 22% Danceability • 40% Energy • 9% Liveness
88% Instrumentalness • 10% Positiveness
11% Popularity • 22% Danceability • 40% Energy • 9% Liveness
88% Instrumentalness • 10% Positiveness
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David Rose Orchestra
Night & Day
79 bpm • A# Maj • 03:43 • -12.78db
18% Popularity • 23% Danceability • 32% Energy • 36% Liveness
77% Instrumentalness • 6% Positiveness
18% Popularity • 23% Danceability • 32% Energy • 36% Liveness
77% Instrumentalness • 6% Positiveness
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Mantovani & His Orchestra
Some Enchanted Evening
80 bpm • G Maj • 03:30 • -17.69db
11% Popularity • 19% Danceability • 19% Energy • 38% Liveness
90% Instrumentalness • 4% Positiveness
11% Popularity • 19% Danceability • 19% Energy • 38% Liveness
90% Instrumentalness • 4% Positiveness
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Frank Chacksfield
Ebb Tide
79 bpm • C Maj • 03:40 • -9.7db
28% Popularity • 15% Danceability • 48% Energy • 28% Liveness
2% Instrumentalness • 5% Positiveness
28% Popularity • 15% Danceability • 48% Energy • 28% Liveness
2% Instrumentalness • 5% Positiveness
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The Melachrino Strings
Lara's Theme
80 bpm • G Maj • 03:24 • -21.35db
5% Popularity • 19% Danceability • 16% Energy • 20% Liveness
90% Instrumentalness • 12% Positiveness
5% Popularity • 19% Danceability • 16% Energy • 20% Liveness
90% Instrumentalness • 12% Positiveness
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Emile Pandolfi
Dr. Zhivago
80 bpm • C Maj • 02:18 • -18.2db
30% Popularity • 24% Danceability • 22% Energy • 26% Liveness
90% Instrumentalness • 10% Positiveness
30% Popularity • 24% Danceability • 22% Energy • 26% Liveness
90% Instrumentalness • 10% Positiveness
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Ronald Valentino
Sobre el Arcoiris
80 bpm • D# Maj • 03:50 • -10.9db
40% Popularity • 65% Danceability • 33% Energy • 16% Liveness
89% Instrumentalness • 27% Positiveness
40% Popularity • 65% Danceability • 33% Energy • 16% Liveness
89% Instrumentalness • 27% Positiveness
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The Melachrino Strings and Orchestra
In the Blue of the Evening
80 bpm • F Maj • 03:33 • -16db
15% Popularity • 21% Danceability • 26% Energy • 11% Liveness
51% Instrumentalness • 16% Positiveness
15% Popularity • 21% Danceability • 26% Energy • 11% Liveness
51% Instrumentalness • 16% Positiveness
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Lester Lanin
The Merry Widow Waltz - Bright Viennese ...
80 bpm • G Maj • 01:59 • -9.98db
23% Popularity • 34% Danceability • 36% Energy • 52% Liveness
76% Instrumentalness • 55% Positiveness
23% Popularity • 34% Danceability • 36% Energy • 52% Liveness
76% Instrumentalness • 55% Positiveness
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Frank Chacksfield
Shadow Play
79 bpm • C min • 03:24 • -15.16db
21% Popularity • 30% Danceability • 24% Energy • 29% Liveness
90% Instrumentalness • 11% Positiveness
21% Popularity • 30% Danceability • 24% Energy • 29% Liveness
90% Instrumentalness • 11% Positiveness
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Billy May & His Orchestra
Heart of Mine
80 bpm • A Maj • 02:22 • -15db
21% Popularity • 21% Danceability • 30% Energy • 16% Liveness
88% Instrumentalness • 20% Positiveness
21% Popularity • 21% Danceability • 30% Energy • 16% Liveness
88% Instrumentalness • 20% Positiveness
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Otto Cesana
Enchantment
81 bpm • F Maj • 03:09 • -10db
15% Popularity • 12% Danceability • 45% Energy • 12% Liveness
93% Instrumentalness • 5% Positiveness
15% Popularity • 12% Danceability • 45% Energy • 12% Liveness
93% Instrumentalness • 5% Positiveness
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Joaquin Borges
GreenSleeves
80 bpm • E min • 03:09 • -21.14db
28% Popularity • 16% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 9% Positiveness
28% Popularity • 16% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 9% Positiveness
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The Fantasy Strings
Our Love Is Here To Stay
81 bpm • D# Maj • 02:50 • -8.05db
16% Popularity • 32% Danceability • 64% Energy • 28% Liveness
65% Instrumentalness • 31% Positiveness
16% Popularity • 32% Danceability • 64% Energy • 28% Liveness
65% Instrumentalness • 31% Positiveness
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Gary Grant
Villefranche / In The Chapel
81 bpm • G Maj • 03:37 • -22.31db
14% Popularity • 15% Danceability • 15% Energy • 14% Liveness
93% Instrumentalness • 4% Positiveness
14% Popularity • 15% Danceability • 15% Energy • 14% Liveness
93% Instrumentalness • 4% Positiveness
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The Melachrino Strings
Theme
81 bpm • C# Maj • 03:20 • -13.34db
2% Popularity • 21% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
2% Popularity • 21% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Ray Anthony & His Orchestra
You'll Never Know
81 bpm • C# Maj • 02:37 • -11db
13% Popularity • 27% Danceability • 27% Energy • 33% Liveness
81% Instrumentalness • 19% Positiveness
13% Popularity • 27% Danceability • 27% Energy • 33% Liveness
81% Instrumentalness • 19% Positiveness
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Georges Garvarentz
Révélation à Asuncion
81 bpm • A# Maj • 01:28 • -16.47db
25% Popularity • 20% Danceability • 24% Energy • 34% Liveness
95% Instrumentalness • 24% Positiveness
25% Popularity • 20% Danceability • 24% Energy • 34% Liveness
95% Instrumentalness • 24% Positiveness
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Cuerdas y Metales
Verano Indio
81 bpm • G Maj • 03:36 • -13.04db
5% Popularity • 10% Danceability • 35% Energy • 33% Liveness
77% Instrumentalness • 20% Positiveness
5% Popularity • 10% Danceability • 35% Energy • 33% Liveness
77% Instrumentalness • 20% Positiveness
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The Fantasy Strings
All the Things You Are
81 bpm • F min • 03:24 • -8.77db
15% Popularity • 39% Danceability • 47% Energy • 11% Liveness
14% Instrumentalness • 22% Positiveness
15% Popularity • 39% Danceability • 47% Energy • 11% Liveness
14% Instrumentalness • 22% Positiveness
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Joaquin Borges
Cavatina 1ra Parte (En Vivo)
81 bpm • G Maj • 04:35 • -18db
13% Popularity • 11% Danceability • 23% Energy • 68% Liveness
82% Instrumentalness • 4% Positiveness
13% Popularity • 11% Danceability • 23% Energy • 68% Liveness
82% Instrumentalness • 4% Positiveness
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Gary Grant
Return To Villefranche
81 bpm • E Maj • 03:53 • -21db
14% Popularity • 20% Danceability • 13% Energy • 19% Liveness
86% Instrumentalness • 4% Positiveness
14% Popularity • 20% Danceability • 13% Energy • 19% Liveness
86% Instrumentalness • 4% Positiveness
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Frank Chacksfield & His Orchestra
Sleepy Lagoon
81 bpm • F Maj • 02:56 • -18.42db
25% Popularity • 28% Danceability • 23% Energy • 15% Liveness
94% Instrumentalness • 14% Positiveness
25% Popularity • 28% Danceability • 23% Energy • 15% Liveness
94% Instrumentalness • 14% Positiveness
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Rubén Ochoa
Penas del Corazón
81 bpm • A# min • 01:59 • -10db
35% Popularity • 49% Danceability • 32% Energy • 14% Liveness
19% Instrumentalness • 40% Positiveness
35% Popularity • 49% Danceability • 32% Energy • 14% Liveness
19% Instrumentalness • 40% Positiveness
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Alfred Hause
Serenata Espanola
82 bpm • A min • 03:59 • -14.43db
15% Popularity • 23% Danceability • 37% Energy • 34% Liveness
54% Instrumentalness • 19% Positiveness
15% Popularity • 23% Danceability • 37% Energy • 34% Liveness
54% Instrumentalness • 19% Positiveness
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Hollyridge Strings
God Only Knows
82 bpm • A Maj • 02:44 • -10.12db
19% Popularity • 12% Danceability • 39% Energy • 13% Liveness
79% Instrumentalness • 11% Positiveness
19% Popularity • 12% Danceability • 39% Energy • 13% Liveness
79% Instrumentalness • 11% Positiveness
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Joaquin Borges
Candilejas
81 bpm • F Maj • 03:20 • -24db
31% Popularity • 15% Danceability • 7% Energy • 14% Liveness
40% Instrumentalness • 5% Positiveness
31% Popularity • 15% Danceability • 7% Energy • 14% Liveness
40% Instrumentalness • 5% Positiveness
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The Melachrino Strings and Orchestra
The Song from Moulin Rouge
82 bpm • G# Maj • 03:15 • -17.87db
27% Popularity • 15% Danceability • 12% Energy • 10% Liveness
20% Instrumentalness • 17% Positiveness
27% Popularity • 15% Danceability • 12% Energy • 10% Liveness
20% Instrumentalness • 17% Positiveness
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Gary Grant
Revelation
82 bpm • G min • 03:14 • -21db
26% Popularity • 8% Danceability • 16% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
26% Popularity • 8% Danceability • 16% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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The Melachrino Strings
Help Yourself
82 bpm • A Maj • 02:14 • -21.71db
2% Popularity • 41% Danceability • 20% Energy • 10% Liveness
75% Instrumentalness • 74% Positiveness
2% Popularity • 41% Danceability • 20% Energy • 10% Liveness
75% Instrumentalness • 74% Positiveness
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Tony Mottola y Su Orquesta
Sorrento
82 bpm • A min • 02:47 • -12.94db
26% Popularity • 32% Danceability • 19% Energy • 12% Liveness
69% Instrumentalness • 49% Positiveness
26% Popularity • 32% Danceability • 19% Energy • 12% Liveness
69% Instrumentalness • 49% Positiveness
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Don Costa
The Third Man - Remastered
82 bpm • C# Maj • 02:06 • -9db
37% Popularity • 45% Danceability • 36% Energy • 20% Liveness
85% Instrumentalness • 78% Positiveness
37% Popularity • 45% Danceability • 36% Energy • 20% Liveness
85% Instrumentalness • 78% Positiveness
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Geoff Love
Love Is Blue (L'Amour Est Bleu)
82 bpm • E min • 03:39 • -14.46db
13% Popularity • 20% Danceability • 19% Energy • 33% Liveness
83% Instrumentalness • 11% Positiveness
13% Popularity • 20% Danceability • 19% Energy • 33% Liveness
83% Instrumentalness • 11% Positiveness
