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The Groundskeeper
Songs like
The Groundskeeper
by
David Keenan
Based on a tempo of (+/- 10%) and a similar genre
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David Keenan
The Groundskeeper
67 bpm • G Maj • 06:22 • -8.58db
19% Popularity • 34% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Rose Cousins
Donoughmore
66 bpm • F Maj • 03:15 • -15.74db
37% Popularity • 36% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Lucy Rose
Nobody Comes Round Here
65 bpm • A Maj • 03:46 • -18.11db
22% Popularity • 50% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Haley Heynderickx
Crow Song
69 bpm • E Maj • 03:04 • -12.89db
36% Popularity • 42% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Blanco White
So Certain
65 bpm • A min • 03:14 • -17.63db
35% Popularity • 29% Danceability • 8% Energy • 9% Liveness
22% Instrumentalness • 8% Positiveness
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IMOGEN
White Lines
64 bpm • F# Maj • 03:44 • -12.73db
21% Popularity • 56% Danceability • 23% Energy • 11% Liveness
11% Instrumentalness • 17% Positiveness
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David Keenan
Full Stop
66 bpm • G Maj • 05:22 • -15.91db
12% Popularity • 43% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Moonrise Nation
Teach Me How
64 bpm • G Maj • 04:12 • -11.55db
13% Popularity • 41% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Anna Tivel
The Question
71 bpm • C min • 04:52 • -8.35db
24% Popularity • 33% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 13% Positiveness
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Eddie Berman
Sparrow
64 bpm • E Maj • 03:25 • -14.55db
29% Popularity • 23% Danceability • 24% Energy • 16% Liveness
32% Instrumentalness • 20% Positiveness
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Wolf Larsen
No One's to Blame
72 bpm • A Maj • 03:35 • -16.5db
29% Popularity • 70% Danceability • 15% Energy • 37% Liveness
0% Instrumentalness • 29% Positiveness
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Maria Kelly
june
73 bpm • D Maj • 03:29 • -19.16db
18% Popularity • 44% Danceability • 10% Energy • 8% Liveness
1% Instrumentalness • 10% Positiveness
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David Keenan
Altar Wine
66 bpm • C Maj • 03:35 • -7.93db
24% Popularity • 55% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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John Joseph Brill
Oil in the Water
61 bpm • G Maj • 02:45 • -12.78db
17% Popularity • 43% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Keaton Henson
Ambulance
73 bpm • F Maj • 04:32 • -12.83db
28% Popularity • 41% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
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Mappe Of
Nimbin
74 bpm • A Maj • 04:43 • -10.15db
28% Popularity • 36% Danceability • 41% Energy • 8% Liveness
3% Instrumentalness • 18% Positiveness
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Birdtalker
Medea
73 bpm • E Maj • 03:55 • -11db
27% Popularity • 32% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Kirby Brown
Ashes and Leaves
74 bpm • E Maj • 03:32 • -11.75db
33% Popularity • 63% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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David Keenan
Garden of Remembrance
63 bpm • G# Maj • 02:56 • -12.07db
5% Popularity • 44% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Wyvern Lingo
Run
74 bpm • G Maj • 03:31 • -8db
20% Popularity • 62% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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The Last Bison
Come What May
74 bpm • A min • 04:01 • -12.92db
30% Popularity • 19% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 13% Positiveness
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Xavia
Horizons
75 bpm • C Maj • 04:34 • -9.21db
34% Popularity • 44% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Justin Wade Tam
Patchwork Heart
75 bpm • D Maj • 03:59 • -12.22db
30% Popularity • 61% Danceability • 20% Energy • 11% Liveness
22% Instrumentalness • 18% Positiveness
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Sam Moss
Allies
75 bpm • G Maj • 03:09 • -15.8db
13% Popularity • 44% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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David Keenan
Evidence of Living
72 bpm • A Maj • 06:48 • -11.77db
31% Popularity • 42% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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Billie Marten
Green
75 bpm • E min • 02:49 • -12.21db
28% Popularity • 56% Danceability • 53% Energy • 24% Liveness
0% Instrumentalness • 44% Positiveness
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Lucy Rose
The Confines Of This World
75 bpm • E Maj • 03:39 • -15.15db
29% Popularity • 40% Danceability • 18% Energy • 15% Liveness
2% Instrumentalness • 28% Positiveness
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Saint Sister
Blood Moon
76 bpm • A# Maj • 03:16 • -14db
37% Popularity • 70% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Joshua Burnside
The Only Thing I Fear
76 bpm • D Maj • 03:30 • -16.84db
34% Popularity • 44% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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The Western Den
Spark, Set Fire
76 bpm • F# min • 03:51 • -11.02db
41% Popularity • 62% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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David Keenan
James Dean
76 bpm • G Maj • 03:46 • -12.8db
24% Popularity • 49% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Gregory Alan Isakov
Liars
76 bpm • C Maj • 05:16 • -11.08db
46% Popularity • 23% Danceability • 25% Energy • 12% Liveness
5% Instrumentalness • 14% Positiveness
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Anna Tivel
Illinois
76 bpm • G min • 03:33 • -13.04db
28% Popularity • 56% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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I'm With Her
Call My Name - Acoustic
76 bpm • F min • 03:17 • -11db
42% Popularity • 57% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Joshua Burnside
Desert Wine (Acoustic)
76 bpm • B Maj • 03:08 • -16.52db
33% Popularity • 41% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Stu Larsen
By The River - Mahogany Sessions
76 bpm • D min • 06:12 • -10.87db
32% Popularity • 36% Danceability • 22% Energy • 12% Liveness
1% Instrumentalness • 11% Positiveness
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Beta Radio
Tongue Tied
77 bpm • D Maj • 03:06 • -13.32db
46% Popularity • 29% Danceability • 31% Energy • 11% Liveness
89% Instrumentalness • 31% Positiveness
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Roman Lewis
Mindless Town
76 bpm • D Maj • 05:16 • -8.79db
27% Popularity • 33% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
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David Keenan
Jokes not Funny
77 bpm • D Maj • 03:26 • -8.9db
5% Popularity • 50% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
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Archie Faulks
It Rains
77 bpm • F# min • 04:00 • -11.25db
32% Popularity • 50% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Joan Shelley
Bed In The River
77 bpm • F Maj • 03:19 • -19.18db
29% Popularity • 45% Danceability • 6% Energy • 32% Liveness
2% Instrumentalness • 38% Positiveness
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The Deep Dark Woods
Drifting on a Summer's Night
78 bpm • D Maj • 02:54 • -8.73db
38% Popularity • 51% Danceability • 49% Energy • 11% Liveness
9% Instrumentalness • 53% Positiveness
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Robby Hecht
The Ends and the Means
77 bpm • E Maj • 04:09 • -9.93db
26% Popularity • 41% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Wolf Larsen
Jesse's Song
58 bpm • F Maj • 03:49 • -12.91db
21% Popularity • 67% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Lydia Luce
Occasionally
78 bpm • F# Maj • 03:14 • -13.43db
35% Popularity • 46% Danceability • 29% Energy • 18% Liveness
21% Instrumentalness • 19% Positiveness
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Rebecca Roubion
Don't Know Who I Am
78 bpm • C# min • 02:20 • -9db
38% Popularity • 74% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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The Brother Brothers
Siren Song
78 bpm • D min • 03:03 • -13db
46% Popularity • 54% Danceability • 16% Energy • 11% Liveness
2% Instrumentalness • 25% Positiveness
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Swan Levitt
Parkhurst
78 bpm • G Maj • 03:00 • -9.4db
14% Popularity • 50% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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The Tide Rose
On the Road
79 bpm • C# Maj • 03:56 • -7.7db
13% Popularity • 47% Danceability • 34% Energy • 8% Liveness
2% Instrumentalness • 33% Positiveness
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Field Division
Modest Mountains
79 bpm • D Maj • 03:58 • -8.06db
28% Popularity • 33% Danceability • 50% Energy • 12% Liveness
1% Instrumentalness • 32% Positiveness
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Lemoncello
Stuck Upon the Staircase
79 bpm • C Maj • 06:04 • -14.51db
10% Popularity • 37% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Henry Jamison
Through a Glass (Quartet Version)
79 bpm • D# Maj • 03:53 • -9.1db
31% Popularity • 24% Danceability • 26% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
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The Brother Brothers
Siren Song - Audiotree Live Version
79 bpm • D min • 03:03 • -15.74db
26% Popularity • 53% Danceability • 12% Energy • 11% Liveness
4% Instrumentalness • 37% Positiveness
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Cold Weather Company
Fellow in the North
79 bpm • E Maj • 05:18 • -8.98db
24% Popularity • 56% Danceability • 45% Energy • 10% Liveness
54% Instrumentalness • 18% Positiveness
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David Keenan
Eastern Nights
80 bpm • D# min • 04:25 • -13.34db
8% Popularity • 50% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Aoife O'Donovan
Stanley Park (Recorded at Spotify Studio...
80 bpm • C# Maj • 02:29 • -10db
42% Popularity • 38% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Saint Sister
Tin Man
80 bpm • G min • 03:15 • -13.18db
16% Popularity • 60% Danceability • 31% Energy • 13% Liveness
1% Instrumentalness • 20% Positiveness
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isaac gracie
all the burning lovers - demo
80 bpm • E min • 04:49 • -11.21db
18% Popularity • 40% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Peter Oren
Falling Water
80 bpm • F# min • 03:18 • -13.12db
37% Popularity • 54% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Maddie Medley
Coming of Age (demo)
80 bpm • A# min • 04:11 • -6.39db
33% Popularity • 46% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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The Brother Brothers
Sorrow
81 bpm • A# Maj • 03:55 • -11.23db
22% Popularity • 41% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Charlie Cunningham
Don't Go Far
81 bpm • E Maj • 03:39 • -16.11db
43% Popularity • 62% Danceability • 31% Energy • 11% Liveness
40% Instrumentalness • 23% Positiveness
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Saint Sister
Versions Of Hate
80 bpm • E min • 05:21 • -14.77db
12% Popularity • 59% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Before Breakfast
Buddleia
81 bpm • F Maj • 03:39 • -13.21db
11% Popularity • 35% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Ciaran Lavery
Wicked Teeth
81 bpm • F# Maj • 04:35 • -13.44db
8% Popularity • 36% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Lorkin O'Reilly
Twist
81 bpm • D Maj • 03:06 • -19.28db
50% Popularity • 54% Danceability • 8% Energy • 11% Liveness
35% Instrumentalness • 23% Positiveness
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Lady Lamb
Crater Lake
81 bpm • A# Maj • 01:54 • -11.45db
35% Popularity • 43% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
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Aoife O'Donovan
The King of All Birds
81 bpm • A Maj • 03:56 • -7.37db
32% Popularity • 47% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Gregory Alan Isakov
Caves
82 bpm • A Maj • 04:49 • -7.62db
41% Popularity • 45% Danceability • 74% Energy • 12% Liveness
11% Instrumentalness • 19% Positiveness
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Nick Mulvey
House Of Saint Give Me
82 bpm • F Maj • 04:12 • -10.87db
28% Popularity • 53% Danceability • 43% Energy • 13% Liveness
2% Instrumentalness • 16% Positiveness
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David Keenan
Postcards from Catalonia
82 bpm • E Maj • 04:44 • -17db
23% Popularity • 40% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Johanna Warren
Hopelessness Has Done Nothing for Me
82 bpm • G# min • 03:16 • -12.71db
27% Popularity • 64% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Sami Simon
Morning Sun
82 bpm • B min • 03:22 • -10.18db
10% Popularity • 50% Danceability • 35% Energy • 37% Liveness
0% Instrumentalness • 36% Positiveness
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whenyoung
Sleeper
82 bpm • A min • 04:36 • -12db
31% Popularity • 53% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Joshua Burnside
Rana the Fortunate
82 bpm • B Maj • 03:20 • -13.38db
21% Popularity • 43% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Gregory Alan Isakov
Dandelion Wine
83 bpm • C Maj • 03:08 • -14.01db
40% Popularity • 21% Danceability • 19% Energy • 10% Liveness
45% Instrumentalness • 29% Positiveness
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David Keenan
Aldente Pasta
82 bpm • C Maj • 04:36 • -11.49db
5% Popularity • 37% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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The Accidentals
Ghost of a Lie
83 bpm • F# min • 03:30 • -9.59db
22% Popularity • 47% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Rosie Carney
What You've Been Looking For
83 bpm • B Maj • 03:10 • -14.92db
21% Popularity • 45% Danceability • 21% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
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Ailbhe Reddy
Seasonal
84 bpm • D Maj • 03:29 • -8.66db
13% Popularity • 33% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Aisha Badru
Navy Blues - Acoustic
84 bpm • F# Maj • 03:51 • -10db
35% Popularity • 30% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
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Blanco White
I Belong to You
84 bpm • C# min • 03:55 • -14.19db
38% Popularity • 34% Danceability • 24% Energy • 8% Liveness
21% Instrumentalness • 7% Positiveness
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David Keenan
James Dean
83 bpm • G Maj • 03:34 • -13.46db
11% Popularity • 42% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Wolf Larsen
Wolf Larsen
85 bpm • A Maj • 06:35 • -12.29db
16% Popularity • 53% Danceability • 20% Energy • 24% Liveness
0% Instrumentalness • 16% Positiveness
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Ciaran Lavery
Let Bad In
85 bpm • G Maj • 01:59 • -11.14db
13% Popularity • 48% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Cale Tyson
Not Healthy Anymore
85 bpm • F min • 04:01 • -13db
23% Popularity • 44% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Eddie Berman
This Past Storm
86 bpm • D Maj • 05:43 • -11db
22% Popularity • 35% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Abigail Lapell
Sparrow for a Heart
87 bpm • G# Maj • 02:57 • -16db
40% Popularity • 44% Danceability • 5% Energy • 9% Liveness
1% Instrumentalness • 35% Positiveness
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David Keenan
Tin Pan Alley
84 bpm • G Maj • 04:07 • -10.84db
10% Popularity • 41% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Will Killen
The Outside
87 bpm • C Maj • 03:32 • -7.51db
21% Popularity • 48% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Emily Jane White
Washed Away
87 bpm • A# Maj • 03:56 • -10db
41% Popularity • 51% Danceability • 38% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
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Amber Run
The Weight
87 bpm • A Maj • 04:07 • -13.63db
27% Popularity • 31% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Devarrow
Heart Attack
87 bpm • G Maj • 02:31 • -14.54db
13% Popularity • 44% Danceability • 20% Energy • 29% Liveness
0% Instrumentalness • 26% Positiveness
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Maria Kelly
i leave early
87 bpm • G# Maj • 03:13 • -13.62db
36% Popularity • 50% Danceability • 24% Energy • 12% Liveness
1% Instrumentalness • 28% Positiveness
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David Keenan
Back to the Pavement
85 bpm • G# min • 03:18 • -8.28db
4% Popularity • 45% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Ailbhe Reddy
Walk Away
87 bpm • F# Maj • 03:12 • -16db
37% Popularity • 67% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Billie Marten
Emily
87 bpm • D min • 04:03 • -9.86db
26% Popularity • 34% Danceability • 32% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
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Blanco White
Kauai O'o
87 bpm • A# min • 05:53 • -10.68db
31% Popularity • 26% Danceability • 39% Energy • 41% Liveness
11% Instrumentalness • 32% Positiveness
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KaiL Baxley
Mirrors Of Paradise
87 bpm • F# Maj • 04:11 • -11.62db
25% Popularity • 57% Danceability • 32% Energy • 10% Liveness
3% Instrumentalness • 18% Positiveness
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Saint Sister
You Never Call
88 bpm • C Maj • 03:16 • -9.92db
15% Popularity • 56% Danceability • 50% Energy • 13% Liveness
1% Instrumentalness • 13% Positiveness
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The Groundskeeper