Songs like The Gun And The Kiss by Daniel Hart
Based on a tempo of (+/- 10%) and a similar genre
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Trevor Gureckis
Slot Canyon
74 bpm • F# Maj • 01:39 • -19db
36% Popularity • 23% Danceability • 30% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
36% Popularity • 23% Danceability • 30% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Michael Abels
Hypnosis
74 bpm • A# min • 04:17 • -18.99db
13% Popularity • 32% Danceability • 10% Energy • 16% Liveness
86% Instrumentalness • 3% Positiveness
13% Popularity • 32% Danceability • 10% Energy • 16% Liveness
86% Instrumentalness • 3% Positiveness
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Hildur Guðnadóttir
Leaving
74 bpm • A min • 03:41 • -14.18db
23% Popularity • 42% Danceability • 39% Energy • 14% Liveness
95% Instrumentalness • 5% Positiveness
23% Popularity • 42% Danceability • 39% Energy • 14% Liveness
95% Instrumentalness • 5% Positiveness
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Daniel Hart
One Hardly Notices any Scarring at All
74 bpm • G Maj • 01:57 • -22.23db
8% Popularity • 19% Danceability • 7% Energy • 6% Liveness
87% Instrumentalness • 7% Positiveness
8% Popularity • 19% Danceability • 7% Energy • 6% Liveness
87% Instrumentalness • 7% Positiveness
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Emile Mosseri
Calico
74 bpm • D# Maj • 02:18 • -14db
29% Popularity • 36% Danceability • 15% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
29% Popularity • 36% Danceability • 15% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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조영욱과 THE SOUNDTRACKINGS
My Name is Nam Sookee
73 bpm • G# Maj • 01:12 • -20.95db
19% Popularity • 32% Danceability • 14% Energy • 12% Liveness
97% Instrumentalness • 15% Positiveness
19% Popularity • 32% Danceability • 14% Energy • 12% Liveness
97% Instrumentalness • 15% Positiveness
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Mark Korven
Standish (Traditional)
73 bpm • E min • 02:27 • -17.04db
22% Popularity • 11% Danceability • 4% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
22% Popularity • 11% Danceability • 4% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
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Bobby Krlic
Ritual In Transfigured Time
73 bpm • A min • 01:28 • -14.93db
21% Popularity • 21% Danceability • 29% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
21% Popularity • 21% Danceability • 29% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
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James Horner
The Lighthouse - Casper & Kat
75 bpm • E min • 04:56 • -33.8db
18% Popularity • 13% Danceability • 1% Energy • 10% Liveness
64% Instrumentalness • 4% Positiveness
18% Popularity • 13% Danceability • 1% Energy • 10% Liveness
64% Instrumentalness • 4% Positiveness
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Daniel Hart
O Greatest Of Kings
75 bpm • D min • 02:56 • -21db
19% Popularity • 7% Danceability • 17% Energy • 10% Liveness
56% Instrumentalness • 4% Positiveness
19% Popularity • 7% Danceability • 17% Energy • 10% Liveness
56% Instrumentalness • 4% Positiveness
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Amelia Warner
Clara
73 bpm • A min • 02:58 • -16.84db
16% Popularity • 18% Danceability • 9% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
16% Popularity • 18% Danceability • 9% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
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Amie Doherty
Large Ventricles
75 bpm • E min • 03:17 • -18.01db
14% Popularity • 24% Danceability • 10% Energy • 10% Liveness
72% Instrumentalness • 3% Positiveness
14% Popularity • 24% Danceability • 10% Energy • 10% Liveness
72% Instrumentalness • 3% Positiveness
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Dan Romer
Counting the Days
75 bpm • A# Maj • 02:31 • -16.58db
10% Popularity • 20% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
10% Popularity • 20% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Steven Price
I Am Already Dead
75 bpm • E min • 03:16 • -25.56db
15% Popularity • 11% Danceability • 12% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
15% Popularity • 11% Danceability • 12% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Drum & Lace
This Was a Poet
73 bpm • D Maj • 02:14 • -17.94db
24% Popularity • 17% Danceability • 17% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
24% Popularity • 17% Danceability • 17% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
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Daniel Hart
Should Not A Knight Offer A Lady A Kiss ...
73 bpm • F min • 01:03 • -23.97db
16% Popularity • 10% Danceability • 8% Energy • 6% Liveness
12% Instrumentalness • 6% Positiveness
16% Popularity • 10% Danceability • 8% Energy • 6% Liveness
12% Instrumentalness • 6% Positiveness
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Danny Bensi and Saunder Jurriaans
The Dark Room
75 bpm • D Maj • 04:45 • -18.94db
15% Popularity • 15% Danceability • 16% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
15% Popularity • 15% Danceability • 16% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
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Amie Doherty
Learning English
75 bpm • A min • 01:51 • -13.92db
11% Popularity • 21% Danceability • 14% Energy • 6% Liveness
36% Instrumentalness • 5% Positiveness
11% Popularity • 21% Danceability • 14% Energy • 6% Liveness
36% Instrumentalness • 5% Positiveness
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Dan Romer
Sneak Away
75 bpm • D min • 01:24 • -17.25db
12% Popularity • 61% Danceability • 12% Energy • 18% Liveness
99% Instrumentalness • 14% Positiveness
12% Popularity • 61% Danceability • 12% Energy • 18% Liveness
99% Instrumentalness • 14% Positiveness
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Thomas Newman
Lúthien Tinúviel
75 bpm • D# Maj • 01:45 • -29.15db
33% Popularity • 20% Danceability • 4% Energy • 10% Liveness
99% Instrumentalness • 5% Positiveness
33% Popularity • 20% Danceability • 4% Energy • 10% Liveness
99% Instrumentalness • 5% Positiveness
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Steven Price
Aurora Borealis
73 bpm • D Maj • 01:43 • -43db
38% Popularity • 22% Danceability • 0% Energy • 22% Liveness
0% Instrumentalness • 7% Positiveness
38% Popularity • 22% Danceability • 0% Energy • 22% Liveness
0% Instrumentalness • 7% Positiveness
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Atli Örvarsson
Secrets and Lies
75 bpm • A min • 04:24 • -18db
12% Popularity • 17% Danceability • 19% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
12% Popularity • 17% Danceability • 19% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Rachel Portman
Souls at All
73 bpm • D min • 02:50 • -23.03db
15% Popularity • 6% Danceability • 7% Energy • 6% Liveness
92% Instrumentalness • 3% Positiveness
15% Popularity • 6% Danceability • 7% Energy • 6% Liveness
92% Instrumentalness • 3% Positiveness
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Michael Giacchino
The Hands Dealt
73 bpm • G min • 02:56 • -27.27db
34% Popularity • 27% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
34% Popularity • 27% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Johan Söderqvist
Eli's Theme
76 bpm • F min • 02:40 • -13db
28% Popularity • 18% Danceability • 23% Energy • 19% Liveness
94% Instrumentalness • 8% Positiveness
28% Popularity • 18% Danceability • 23% Energy • 19% Liveness
94% Instrumentalness • 8% Positiveness
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John Hardy Music
Nightshift
72 bpm • A min • 03:02 • -20.36db
12% Popularity • 18% Danceability • 9% Energy • 7% Liveness
89% Instrumentalness • 3% Positiveness
12% Popularity • 18% Danceability • 9% Energy • 7% Liveness
89% Instrumentalness • 3% Positiveness
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Jeff Beal
Melancholia
72 bpm • A min • 03:24 • -17.99db
35% Popularity • 9% Danceability • 16% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
35% Popularity • 9% Danceability • 16% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Amie Doherty
Trick Or Treating
76 bpm • G min • 01:24 • -25.03db
14% Popularity • 24% Danceability • 3% Energy • 18% Liveness
78% Instrumentalness • 9% Positiveness
14% Popularity • 24% Danceability • 3% Energy • 18% Liveness
78% Instrumentalness • 9% Positiveness
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Bear McCreary
Ava and Michael
76 bpm • B min • 02:25 • -23.55db
8% Popularity • 21% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
8% Popularity • 21% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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John Williams
Ilsa's Library
72 bpm • A min • 02:21 • -28.61db
26% Popularity • 16% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 5% Positiveness
26% Popularity • 16% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 5% Positiveness
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Nathan Johnson
A Body That Technically Does Not Exist
76 bpm • F Maj • 01:21 • -24db
30% Popularity • 25% Danceability • 31% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
30% Popularity • 25% Danceability • 31% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
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Amelia Warner
Mary's Nightmare
76 bpm • A min • 02:59 • -18.23db
16% Popularity • 18% Danceability • 13% Energy • 5% Liveness
98% Instrumentalness • 3% Positiveness
16% Popularity • 18% Danceability • 13% Energy • 5% Liveness
98% Instrumentalness • 3% Positiveness
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Christopher Willis
Concluding Words
72 bpm • C Maj • 00:57 • -21.63db
22% Popularity • 18% Danceability • 12% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
22% Popularity • 18% Danceability • 12% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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Amie Doherty
The Wizard Of Oz
72 bpm • G Maj • 01:03 • -15.4db
15% Popularity • 25% Danceability • 20% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
15% Popularity • 25% Danceability • 20% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
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Christopher Spelman
The First Goodbye
76 bpm • C# min • 02:33 • -21.04db
20% Popularity • 34% Danceability • 8% Energy • 11% Liveness
96% Instrumentalness • 5% Positiveness
20% Popularity • 34% Danceability • 8% Energy • 11% Liveness
96% Instrumentalness • 5% Positiveness
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Daniel Hart
Aiganz O Kulzphazur
76 bpm • C min • 02:30 • -12.56db
21% Popularity • 18% Danceability • 37% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
21% Popularity • 18% Danceability • 37% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
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Jason Hill
Main Titles - Mindhunter
76 bpm • F# Maj • 03:14 • -29db
30% Popularity • 20% Danceability • 5% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
30% Popularity • 20% Danceability • 5% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Theodore Shapiro
Kimono Hallway
72 bpm • A# Maj • 04:26 • -21.75db
26% Popularity • 14% Danceability • 6% Energy • 19% Liveness
32% Instrumentalness • 4% Positiveness
26% Popularity • 14% Danceability • 6% Energy • 19% Liveness
32% Instrumentalness • 4% Positiveness
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Atli Örvarsson
First Day in Court
76 bpm • C# Maj • 06:19 • -24db
8% Popularity • 23% Danceability • 10% Energy • 7% Liveness
79% Instrumentalness • 3% Positiveness
8% Popularity • 23% Danceability • 10% Energy • 7% Liveness
79% Instrumentalness • 3% Positiveness
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Amie Doherty
The Life You Were Living
76 bpm • A# min • 01:19 • -17.1db
32% Popularity • 20% Danceability • 7% Energy • 8% Liveness
62% Instrumentalness • 4% Positiveness
32% Popularity • 20% Danceability • 7% Energy • 8% Liveness
62% Instrumentalness • 4% Positiveness
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Johan Söderqvist
Oscar in Love
76 bpm • D min • 02:11 • -29.62db
17% Popularity • 14% Danceability • 7% Energy • 14% Liveness
20% Instrumentalness • 6% Positiveness
17% Popularity • 14% Danceability • 7% Energy • 14% Liveness
20% Instrumentalness • 6% Positiveness
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Daniel Hart
Gentleman Caller
72 bpm • C Maj • 04:10 • -17.28db
13% Popularity • 7% Danceability • 42% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
13% Popularity • 7% Danceability • 42% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
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Junkie XL
Many Mothers - Extended Version
77 bpm • A min • 08:58 • -18db
24% Popularity • 9% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
24% Popularity • 9% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Theodore Shapiro
Hall Of Eagans
72 bpm • C min • 02:18 • -29.2db
26% Popularity • 16% Danceability • 3% Energy • 9% Liveness
30% Instrumentalness • 3% Positiveness
26% Popularity • 16% Danceability • 3% Energy • 9% Liveness
30% Instrumentalness • 3% Positiveness
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Mark Korven
Into the Light
71 bpm • C Maj • 03:32 • -25db
18% Popularity • 17% Danceability • 28% Energy • 16% Liveness
93% Instrumentalness • 4% Positiveness
18% Popularity • 17% Danceability • 28% Energy • 16% Liveness
93% Instrumentalness • 4% Positiveness
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Alex Weston
The Novice
71 bpm • G min • 01:24 • -13.1db
10% Popularity • 21% Danceability • 42% Energy • 23% Liveness
75% Instrumentalness • 4% Positiveness
10% Popularity • 21% Danceability • 42% Energy • 23% Liveness
75% Instrumentalness • 4% Positiveness
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Steven Price
You Stop My Heart
71 bpm • E min • 01:17 • -32.96db
43% Popularity • 20% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
43% Popularity • 20% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Thomas Newman
The Night Window
77 bpm • A# Maj • 03:41 • -20.65db
45% Popularity • 18% Danceability • 10% Energy • 10% Liveness
2% Instrumentalness • 3% Positiveness
45% Popularity • 18% Danceability • 10% Energy • 10% Liveness
2% Instrumentalness • 3% Positiveness
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Mark Isham
Hospital
77 bpm • A Maj • 01:07 • -26db
39% Popularity • 20% Danceability • 6% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
39% Popularity • 20% Danceability • 6% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Robin Carolan
Strike, Brother
77 bpm • D# Maj • 02:51 • -16db
29% Popularity • 19% Danceability • 9% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
29% Popularity • 19% Danceability • 9% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Mark Korven
Arrival
77 bpm • C Maj • 01:49 • -17db
31% Popularity • 16% Danceability • 27% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
31% Popularity • 16% Danceability • 27% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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조영욱과 THE SOUNDTRACKINGS
You Must Be a Natural
71 bpm • C# Maj • 03:22 • -7.42db
17% Popularity • 16% Danceability • 32% Energy • 12% Liveness
71% Instrumentalness • 3% Positiveness
17% Popularity • 16% Danceability • 32% Energy • 12% Liveness
71% Instrumentalness • 3% Positiveness
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Federico Jusid
"Soon" Has Come
71 bpm • A min • 07:48 • -23.38db
14% Popularity • 19% Danceability • 4% Energy • 11% Liveness
52% Instrumentalness • 4% Positiveness
14% Popularity • 19% Danceability • 4% Energy • 11% Liveness
52% Instrumentalness • 4% Positiveness
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Thomas Newman
Danger of Hell
78 bpm • C min • 02:27 • -36.61db
46% Popularity • 20% Danceability • 1% Energy • 7% Liveness
81% Instrumentalness • 4% Positiveness
46% Popularity • 20% Danceability • 1% Energy • 7% Liveness
81% Instrumentalness • 4% Positiveness
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Daniel Hart
You Are No Knight
70 bpm • D Maj • 01:22 • -14.99db
16% Popularity • 21% Danceability • 45% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
16% Popularity • 21% Danceability • 45% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Mark Isham
Harbor Neuroscience
78 bpm • A min • 01:19 • -25.6db
30% Popularity • 24% Danceability • 8% Energy • 14% Liveness
91% Instrumentalness • 8% Positiveness
30% Popularity • 24% Danceability • 8% Energy • 14% Liveness
91% Instrumentalness • 8% Positiveness
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Bobby Krlic
The House that Hårga Built
78 bpm • F# Maj • 03:33 • -14.49db
33% Popularity • 8% Danceability • 22% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
33% Popularity • 8% Danceability • 22% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
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Michael Abels
Moments of Melancholy
70 bpm • A# Maj • 01:39 • -21.38db
28% Popularity • 16% Danceability • 16% Energy • 8% Liveness
90% Instrumentalness • 5% Positiveness
28% Popularity • 16% Danceability • 16% Energy • 8% Liveness
90% Instrumentalness • 5% Positiveness
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Bear McCreary
New Dawn at Fraser's Ridge
78 bpm • G Maj • 03:45 • -15.62db
29% Popularity • 19% Danceability • 15% Energy • 18% Liveness
93% Instrumentalness • 3% Positiveness
29% Popularity • 19% Danceability • 15% Energy • 18% Liveness
93% Instrumentalness • 3% Positiveness
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Isabella Summers
False Hope
78 bpm • C min • 01:39 • -18.62db
18% Popularity • 24% Danceability • 14% Energy • 14% Liveness
94% Instrumentalness • 4% Positiveness
18% Popularity • 24% Danceability • 14% Energy • 14% Liveness
94% Instrumentalness • 4% Positiveness
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Carlos Rafael Rivera
The Scholar's Mate
70 bpm • F Maj • 01:18 • -19.62db
58% Popularity • 22% Danceability • 26% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
58% Popularity • 22% Danceability • 26% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Mark Isham
August 3rd, 1896
78 bpm • C# Maj • 02:39 • -17.49db
13% Popularity • 26% Danceability • 25% Energy • 6% Liveness
72% Instrumentalness • 4% Positiveness
13% Popularity • 26% Danceability • 25% Energy • 6% Liveness
72% Instrumentalness • 4% Positiveness
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Nathan Johnson
The Wake
70 bpm • G min • 01:32 • -22.61db
35% Popularity • 58% Danceability • 2% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
35% Popularity • 58% Danceability • 2% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Saunder Jurriaans
Knockemstiff, Ohio
70 bpm • C Maj • 02:51 • -26.19db
13% Popularity • 11% Danceability • 2% Energy • 7% Liveness
52% Instrumentalness • 4% Positiveness
13% Popularity • 11% Danceability • 2% Energy • 7% Liveness
52% Instrumentalness • 4% Positiveness
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Anthony Willis
Romance Suite
70 bpm • E Maj • 03:32 • -21.26db
44% Popularity • 14% Danceability • 8% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
44% Popularity • 14% Danceability • 8% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Daniel Hart
Whatever Hour You Woke
78 bpm • A min • 02:25 • -12.99db
23% Popularity • 12% Danceability • 23% Energy • 15% Liveness
88% Instrumentalness • 6% Positiveness
23% Popularity • 12% Danceability • 23% Energy • 15% Liveness
88% Instrumentalness • 6% Positiveness
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Alex Weston
Ye Ye
70 bpm • F Maj • 01:00 • -22db
29% Popularity • 16% Danceability • 4% Energy • 13% Liveness
63% Instrumentalness • 4% Positiveness
29% Popularity • 16% Danceability • 4% Energy • 13% Liveness
63% Instrumentalness • 4% Positiveness
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Carlos Rafael Rivera
LaBelle Opera
78 bpm • G# Maj • 02:23 • -18.19db
21% Popularity • 16% Danceability • 12% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
21% Popularity • 16% Danceability • 12% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Mark Bradshaw
Negative Capability
70 bpm • G Maj • 03:55 • -16.17db
15% Popularity • 27% Danceability • 17% Energy • 23% Liveness
24% Instrumentalness • 7% Positiveness
15% Popularity • 27% Danceability • 17% Energy • 23% Liveness
24% Instrumentalness • 7% Positiveness
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Maurice Jarre
To The Cave
70 bpm • C min • 02:34 • -17.99db
25% Popularity • 19% Danceability • 26% Energy • 15% Liveness
85% Instrumentalness • 4% Positiveness
25% Popularity • 19% Danceability • 26% Energy • 15% Liveness
85% Instrumentalness • 4% Positiveness
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Danny Bensi and Saunder Jurriaans
Control
70 bpm • E Maj • 04:49 • -17.54db
11% Popularity • 16% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Daniel Hart
One Year Hence
70 bpm • D Maj • 03:00 • -18db
20% Popularity • 18% Danceability • 29% Energy • 13% Liveness
69% Instrumentalness • 4% Positiveness
20% Popularity • 18% Danceability • 29% Energy • 13% Liveness
69% Instrumentalness • 4% Positiveness
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David Buckley
Fortune Go with You
78 bpm • E Maj • 02:10 • -20db
22% Popularity • 15% Danceability • 9% Energy • 9% Liveness
97% Instrumentalness • 3% Positiveness
22% Popularity • 15% Danceability • 9% Energy • 9% Liveness
97% Instrumentalness • 3% Positiveness
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Christopher Spelman
The Argument
78 bpm • E Maj • 02:25 • -18db
10% Popularity • 8% Danceability • 19% Energy • 11% Liveness
77% Instrumentalness • 4% Positiveness
10% Popularity • 8% Danceability • 19% Energy • 11% Liveness
77% Instrumentalness • 4% Positiveness
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Steven Price
Airlock
70 bpm • F Maj • 01:57 • -36.84db
33% Popularity • 20% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
33% Popularity • 20% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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Nathan Barr
Archie’s Blessing
70 bpm • D# min • 01:25 • -19.71db
11% Popularity • 23% Danceability • 7% Energy • 9% Liveness
72% Instrumentalness • 7% Positiveness
11% Popularity • 23% Danceability • 7% Energy • 9% Liveness
72% Instrumentalness • 7% Positiveness
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John Ottman
I Have Faith in You - Goodbyes
79 bpm • F Maj • 03:19 • -29db
31% Popularity • 7% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
31% Popularity • 7% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
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Daniel Hart
Are You Real, Or Are You A Spirit?
70 bpm • G Maj • 01:19 • -12.71db
18% Popularity • 28% Danceability • 26% Energy • 12% Liveness
78% Instrumentalness • 3% Positiveness
18% Popularity • 28% Danceability • 26% Energy • 12% Liveness
78% Instrumentalness • 3% Positiveness
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Lele Marchitelli
Erin Attacked
70 bpm • C Maj • 01:55 • -22.24db
10% Popularity • 6% Danceability • 18% Energy • 40% Liveness
84% Instrumentalness • 4% Positiveness
10% Popularity • 6% Danceability • 18% Energy • 40% Liveness
84% Instrumentalness • 4% Positiveness
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Mark Korven
Banished
70 bpm • B min • 01:52 • -24db
22% Popularity • 23% Danceability • 4% Energy • 56% Liveness
96% Instrumentalness • 2% Positiveness
22% Popularity • 23% Danceability • 4% Energy • 56% Liveness
96% Instrumentalness • 2% Positiveness
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Bobby Krlic
Gassed
79 bpm • A Maj • 04:28 • -10db
30% Popularity • 7% Danceability • 41% Energy • 14% Liveness
96% Instrumentalness • 3% Positiveness
30% Popularity • 7% Danceability • 41% Energy • 14% Liveness
96% Instrumentalness • 3% Positiveness
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Anthony Willis
Cassie
79 bpm • F min • 01:48 • -19.36db
26% Popularity • 12% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
26% Popularity • 12% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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Johannes Lehniger
I love only you
70 bpm • A# min • 02:43 • -21.66db
23% Popularity • 6% Danceability • 11% Energy • 7% Liveness
93% Instrumentalness • 3% Positiveness
23% Popularity • 6% Danceability • 11% Energy • 7% Liveness
93% Instrumentalness • 3% Positiveness
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Thomas Newman
Come Back to Us
79 bpm • G min • 05:39 • -30.22db
53% Popularity • 7% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
53% Popularity • 7% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Jonny Greenwood
Phantom Thread I
79 bpm • E min • 03:35 • -18.66db
31% Popularity • 10% Danceability • 16% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
31% Popularity • 10% Danceability • 16% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
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Hildur Guðnadóttir
Learning How to Act Normal
79 bpm • A Maj • 01:17 • -33.96db
34% Popularity • 14% Danceability • 3% Energy • 7% Liveness
95% Instrumentalness • 3% Positiveness
34% Popularity • 14% Danceability • 3% Energy • 7% Liveness
95% Instrumentalness • 3% Positiveness
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Danny Bensi
Tilden
79 bpm • G min • 01:23 • -24.61db
18% Popularity • 34% Danceability • 2% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
18% Popularity • 34% Danceability • 2% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
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Bear McCreary
The Dream of Cleon the First
69 bpm • A# min • 10:18 • -25.81db
22% Popularity • 12% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
22% Popularity • 12% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Clinton Shorter
Milowda
79 bpm • A# min • 06:25 • -19.39db
24% Popularity • 7% Danceability • 15% Energy • 10% Liveness
85% Instrumentalness • 3% Positiveness
24% Popularity • 7% Danceability • 15% Energy • 10% Liveness
85% Instrumentalness • 3% Positiveness
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John Lunn
A meeting is arranged
69 bpm • B min • 02:13 • -14.22db
10% Popularity • 13% Danceability • 16% Energy • 10% Liveness
71% Instrumentalness • 5% Positiveness
10% Popularity • 13% Danceability • 16% Energy • 10% Liveness
71% Instrumentalness • 5% Positiveness
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Amelia Warner
It's Time We Left This Place
69 bpm • A min • 01:35 • -15.1db
16% Popularity • 22% Danceability • 22% Energy • 9% Liveness
69% Instrumentalness • 4% Positiveness
16% Popularity • 22% Danceability • 22% Energy • 9% Liveness
69% Instrumentalness • 4% Positiveness
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Michael Giacchino
Rosie's Nocturne
69 bpm • G# Maj • 02:36 • -25.1db
25% Popularity • 25% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
25% Popularity • 25% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Craig Armstrong
The Circus
69 bpm • D# min • 02:35 • -19.4db
10% Popularity • 7% Danceability • 20% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
10% Popularity • 7% Danceability • 20% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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Bear McCreary
Howard
79 bpm • G Maj • 05:00 • -26.66db
8% Popularity • 7% Danceability • 11% Energy • 11% Liveness
70% Instrumentalness • 3% Positiveness
8% Popularity • 7% Danceability • 11% Energy • 11% Liveness
70% Instrumentalness • 3% Positiveness
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Amie Doherty
Midnight Research
80 bpm • F# Maj • 01:07 • -23db
23% Popularity • 35% Danceability • 15% Energy • 12% Liveness
77% Instrumentalness • 3% Positiveness
23% Popularity • 35% Danceability • 15% Energy • 12% Liveness
77% Instrumentalness • 3% Positiveness
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Daniel Hart
Do You Believe In Witchcraft?
69 bpm • D Maj • 03:06 • -18.88db
15% Popularity • 22% Danceability • 14% Energy • 20% Liveness
59% Instrumentalness • 3% Positiveness
15% Popularity • 22% Danceability • 14% Energy • 20% Liveness
59% Instrumentalness • 3% Positiveness
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Thomas Newman
Victoria & Abdul
80 bpm • B min • 01:58 • -19db
50% Popularity • 14% Danceability • 15% Energy • 26% Liveness
81% Instrumentalness • 4% Positiveness
50% Popularity • 14% Danceability • 15% Energy • 26% Liveness
81% Instrumentalness • 4% Positiveness
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Alexis Grapsas
Salted Baguette
80 bpm • A Maj • 01:51 • -23db
16% Popularity • 53% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
16% Popularity • 53% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
