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The Half Light
Songs like
The Half Light
by
Peter Cavallo
Based on a tempo of (+/- 10%) and a similar genre
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Virginio Aiello
Il campo di girasoli
110 bpm • F Maj • 01:23 • -25.09db
39% Popularity • 52% Danceability • 16% Energy • 13% Liveness
93% Instrumentalness • 33% Positiveness
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Peter Cavallo
The Half Light
110 bpm • C min • 03:04 • -22.38db
39% Popularity • 42% Danceability • 4% Energy • 10% Liveness
95% Instrumentalness • 11% Positiveness
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Max Richter
Written On the Sky
109 bpm • C# Maj • 01:56 • -26.34db
24% Popularity • 34% Danceability • 12% Energy • 14% Liveness
93% Instrumentalness • 18% Positiveness
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MettaForm
Warm Embrace
109 bpm • A Maj • 01:50 • -29.19db
53% Popularity • 67% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 51% Positiveness
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Becky Ainge
Wanderlust
109 bpm • G# Maj • 01:46 • -24db
47% Popularity • 49% Danceability • 4% Energy • 13% Liveness
95% Instrumentalness • 37% Positiveness
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Arden Forest
Kiriume
111 bpm • G Maj • 02:24 • -22.06db
39% Popularity • 37% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 50% Positiveness
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Sophie Hutchings
Not Alone
111 bpm • A# Maj • 02:36 • -30db
53% Popularity • 35% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 24% Positiveness
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Johannes Bornlöf
Streams
109 bpm • C# min • 02:14 • -21.48db
46% Popularity • 54% Danceability • 4% Energy • 10% Liveness
95% Instrumentalness • 22% Positiveness
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Piotr Wiese
Solituned
109 bpm • C min • 03:18 • -28.4db
47% Popularity • 46% Danceability • 2% Energy • 12% Liveness
93% Instrumentalness • 20% Positiveness
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GÃ…EL
Budapest
109 bpm • G# min • 02:34 • -26.18db
24% Popularity • 50% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 32% Positiveness
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Shoshana Michel
Shooting Stars
109 bpm • E min • 05:18 • -19.1db
25% Popularity • 35% Danceability • 26% Energy • 6% Liveness
89% Instrumentalness • 11% Positiveness
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Peter Cavallo
Watching Trains
111 bpm • F Maj • 02:43 • -31.18db
28% Popularity • 40% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 29% Positiveness
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Eric Badanti
Vals De Rodrigues
111 bpm • B min • 02:41 • -24.3db
47% Popularity • 42% Danceability • 4% Energy • 8% Liveness
94% Instrumentalness • 12% Positiveness
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Lake Isabel
Saving Daylight
108 bpm • C min • 02:50 • -20.55db
37% Popularity • 34% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 7% Positiveness
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Amity Fall
Duende
112 bpm • G Maj • 02:31 • -27.84db
43% Popularity • 48% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
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GÃ…EL
A Game of Croquet
111 bpm • E min • 02:45 • -25db
18% Popularity • 35% Danceability • 19% Energy • 9% Liveness
96% Instrumentalness • 44% Positiveness
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Sarah Coponat
Insouciance
112 bpm • A Maj • 02:03 • -28.59db
38% Popularity • 48% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 46% Positiveness
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Peter Cavallo
Lullaby Dream
109 bpm • G min • 02:22 • -22.41db
5% Popularity • 44% Danceability • 22% Energy • 16% Liveness
80% Instrumentalness • 34% Positiveness
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Luke Howard
A Bad Dream That Will Pass Away
112 bpm • A# Maj • 02:56 • -31db
57% Popularity • 39% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 25% Positiveness
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Élise Aucoin
Qui n’avance pas, recule
112 bpm • F Maj • 02:20 • -25.9db
43% Popularity • 34% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 23% Positiveness
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Jef Martens
Les malentendus
108 bpm • C# min • 05:10 • -27.4db
26% Popularity • 46% Danceability • 4% Energy • 13% Liveness
92% Instrumentalness • 18% Positiveness
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GÃ…EL
Mid Air
112 bpm • C Maj • 02:27 • -29db
58% Popularity • 52% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 25% Positiveness
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Dominique Marais
D-Bus-Y
108 bpm • C# Maj • 02:50 • -25.53db
33% Popularity • 33% Danceability • 8% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
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Peter Cavallo
Please Don't Go
112 bpm • D min • 04:53 • -12.2db
6% Popularity • 20% Danceability • 20% Energy • 9% Liveness
21% Instrumentalness • 7% Positiveness
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Dominique Charpentier
Plume
112 bpm • A min • 01:58 • -24.51db
35% Popularity • 52% Danceability • 1% Energy • 6% Liveness
96% Instrumentalness • 36% Positiveness
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Falerina Paquet
Fin de l'été
112 bpm • D# min • 01:53 • -24.29db
37% Popularity • 31% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 33% Positiveness
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Annelie
Return
108 bpm • G# min • 02:36 • -29.46db
24% Popularity • 26% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 13% Positiveness
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Sean Oban
Ripples
108 bpm • D min • 02:12 • -28.13db
44% Popularity • 48% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 31% Positiveness
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Becky Ainge
One Step at a Time
113 bpm • C Maj • 02:17 • -21.97db
40% Popularity • 60% Danceability • 9% Energy • 9% Liveness
94% Instrumentalness • 35% Positiveness
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Peter Cavallo
Prayer of love
107 bpm • F min • 03:43 • -25.37db
20% Popularity • 47% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
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Muriël Bostdorp
Nocturne
107 bpm • A# Maj • 02:32 • -27.51db
44% Popularity • 44% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
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Clara Nishimoto
Musing
113 bpm • D# min • 02:34 • -28db
20% Popularity • 33% Danceability • 5% Energy • 12% Liveness
93% Instrumentalness • 19% Positiveness
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Leroy Bolander
That day
113 bpm • E Maj • 01:58 • -25.71db
30% Popularity • 46% Danceability • 9% Energy • 10% Liveness
96% Instrumentalness • 25% Positiveness
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Manuel Zito
Rose
113 bpm • B Maj • 03:20 • -25.96db
20% Popularity • 48% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 17% Positiveness
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Ben Laver
Rewind
114 bpm • G min • 03:06 • -26.88db
32% Popularity • 57% Danceability • 3% Energy • 12% Liveness
89% Instrumentalness • 32% Positiveness
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Arelius
20/20
114 bpm • D# Maj • 01:46 • -24.84db
35% Popularity • 39% Danceability • 4% Energy • 11% Liveness
98% Instrumentalness • 11% Positiveness
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Muriël Bostdorp
Lost In The Right Direction
113 bpm • B min • 02:55 • -27.02db
32% Popularity • 38% Danceability • 5% Energy • 7% Liveness
93% Instrumentalness • 16% Positiveness
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Kyran Martin
Brig O' Balgownie
106 bpm • F# min • 02:04 • -24.1db
31% Popularity • 39% Danceability • 6% Energy • 11% Liveness
95% Instrumentalness • 36% Positiveness
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Peter Cavallo
Elegy for Viola
106 bpm • G min • 02:46 • -18db
41% Popularity • 20% Danceability • 14% Energy • 10% Liveness
80% Instrumentalness • 8% Positiveness
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Ezequiel Johnson
A New Year's Walk
106 bpm • C# Maj • 01:57 • -23.2db
30% Popularity • 41% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 44% Positiveness
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Moldoveanu
Belle Chose
106 bpm • A# Maj • 02:40 • -28.73db
37% Popularity • 32% Danceability • 5% Energy • 12% Liveness
90% Instrumentalness • 21% Positiveness
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Jef Martens
Homeland
106 bpm • F Maj • 02:22 • -30.27db
33% Popularity • 35% Danceability • 3% Energy • 10% Liveness
87% Instrumentalness • 13% Positiveness
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Muriël Bostdorp
Inside
113 bpm • G min • 02:18 • -30.02db
23% Popularity • 44% Danceability • 3% Energy • 13% Liveness
93% Instrumentalness • 27% Positiveness
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Leonardo Cupelli
Here
114 bpm • C Maj • 02:26 • -35.16db
36% Popularity • 31% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 22% Positiveness
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Peter Cavallo
Looking Through Glass
114 bpm • C min • 03:09 • -18.18db
29% Popularity • 43% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 18% Positiveness
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Olivia Belli
The Faun's Dream
114 bpm • D min • 02:50 • -31.96db
20% Popularity • 45% Danceability • 4% Energy • 8% Liveness
91% Instrumentalness • 9% Positiveness
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Comet Blue
Where The Clouds Go
115 bpm • A Maj • 02:28 • -26.64db
30% Popularity • 40% Danceability • 4% Energy • 8% Liveness
94% Instrumentalness • 9% Positiveness
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Jef Martens
When We're On The Mountain
106 bpm • E Maj • 02:28 • -28.71db
32% Popularity • 37% Danceability • 2% Energy • 10% Liveness
95% Instrumentalness • 14% Positiveness
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Ledetraad
Røgslør
115 bpm • F# min • 02:12 • -26.67db
49% Popularity • 45% Danceability • 14% Energy • 11% Liveness
96% Instrumentalness • 24% Positiveness
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Annelie
Tuesday
105 bpm • E min • 03:11 • -30.33db
38% Popularity • 33% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 7% Positiveness
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Alexander Motovilov
Little Prince
115 bpm • C Maj • 02:14 • -23.95db
30% Popularity • 44% Danceability • 14% Energy • 10% Liveness
96% Instrumentalness • 24% Positiveness
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Brique a Braq
Matisse piano solo
115 bpm • D min • 02:42 • -18.81db
31% Popularity • 54% Danceability • 10% Energy • 7% Liveness
94% Instrumentalness • 22% Positiveness
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Carlos Cipa
Playful (variation)
105 bpm • G min • 03:17 • -34.38db
39% Popularity • 33% Danceability • 0% Energy • 8% Liveness
88% Instrumentalness • 20% Positiveness
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Jenny Lange
Wheels in Motion
116 bpm • G# Maj • 03:08 • -32.04db
39% Popularity • 31% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
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Luke Howard
In Metaphor, Solace
116 bpm • A# min • 02:33 • -22.3db
39% Popularity • 28% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
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Teodor Wolgers
reflections
116 bpm • G# Maj • 03:13 • -29.83db
32% Popularity • 52% Danceability • 4% Energy • 10% Liveness
95% Instrumentalness • 43% Positiveness
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Arelius
Carillon
116 bpm • F# Maj • 02:14 • -24.7db
32% Popularity • 41% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 9% Positiveness
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Manuel Zito
Ann's Lullaby
104 bpm • C# Maj • 03:14 • -26.25db
32% Popularity • 42% Danceability • 2% Energy • 10% Liveness
95% Instrumentalness • 53% Positiveness
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Carlos Cipa
My fellow creatures
104 bpm • E min • 03:25 • -38.34db
56% Popularity • 32% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
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Ever So Blue
At Dawn
116 bpm • D Maj • 02:16 • -25db
52% Popularity • 62% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 36% Positiveness
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GÃ…EL
I Remember
116 bpm • C# Maj • 02:22 • -26.18db
38% Popularity • 45% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 26% Positiveness
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Dominique Charpentier
La tendresse
117 bpm • D Maj • 02:24 • -20.73db
43% Popularity • 54% Danceability • 5% Energy • 7% Liveness
94% Instrumentalness • 24% Positiveness
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Projet Calmant
Impasse des Bourdonnais
117 bpm • G min • 01:07 • -23.64db
43% Popularity • 26% Danceability • 19% Energy • 11% Liveness
95% Instrumentalness • 35% Positiveness
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Eric Cadogan
Cloudy Waltz
104 bpm • G min • 02:01 • -23.54db
35% Popularity • 38% Danceability • 14% Energy • 11% Liveness
97% Instrumentalness • 40% Positiveness
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Tim Linghaus
Wild Dandelion - Solo Piano
104 bpm • B Maj • 02:24 • -28.42db
56% Popularity • 36% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 20% Positiveness
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Jesse Brown
Notes From Tom
103 bpm • D# min • 02:47 • -21.85db
41% Popularity • 47% Danceability • 14% Energy • 9% Liveness
94% Instrumentalness • 15% Positiveness
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Arelius
Thrones
118 bpm • C Maj • 01:59 • -25.36db
29% Popularity • 50% Danceability • 0% Energy • 21% Liveness
93% Instrumentalness • 13% Positiveness
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Jaidy Thissen
schemering
103 bpm • G# Maj • 02:04 • -24.52db
40% Popularity • 30% Danceability • 10% Energy • 11% Liveness
96% Instrumentalness • 28% Positiveness
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Peter Cavallo
C'est La Vie
118 bpm • G min • 03:42 • -27.51db
16% Popularity • 56% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 12% Positiveness
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Mewael Yemane
Wishes
118 bpm • A min • 01:38 • -27.06db
44% Popularity • 47% Danceability • 8% Energy • 10% Liveness
96% Instrumentalness • 34% Positiveness
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Ragnar Seaholm
Small Steps
103 bpm • G# min • 02:45 • -29db
32% Popularity • 40% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 20% Positiveness
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Leroy Bolander
Mrs.Kelley
118 bpm • G min • 02:28 • -23.26db
22% Popularity • 50% Danceability • 6% Energy • 9% Liveness
96% Instrumentalness • 22% Positiveness
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Kiara Leonard
Deepest woods
102 bpm • A min • 02:49 • -27.13db
43% Popularity • 46% Danceability • 6% Energy • 8% Liveness
93% Instrumentalness • 26% Positiveness
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Biba Dupont
Mise en abyme
102 bpm • D# Maj • 02:14 • -23.94db
22% Popularity • 36% Danceability • 5% Energy • 19% Liveness
95% Instrumentalness • 6% Positiveness
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Peter Cavallo
Valencia: Garden of Sorrow
102 bpm • A min • 04:25 • -17.02db
24% Popularity • 22% Danceability • 15% Energy • 10% Liveness
79% Instrumentalness • 7% Positiveness
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Matt Stewart-Evans
Opus #25 Reprise
119 bpm • C# Maj • 01:55 • -20.61db
41% Popularity • 39% Danceability • 13% Energy • 9% Liveness
91% Instrumentalness • 14% Positiveness
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Manuel Zito
On Hold
119 bpm • G min • 02:14 • -25.96db
32% Popularity • 47% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 58% Positiveness
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Daigo Hanada
A World Without Pain
102 bpm • F# min • 02:36 • -33.02db
40% Popularity • 38% Danceability • 0% Energy • 7% Liveness
88% Instrumentalness • 8% Positiveness
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Olivia Belli
Nocturne I
119 bpm • G# Maj • 02:53 • -27.77db
37% Popularity • 46% Danceability • 2% Energy • 12% Liveness
96% Instrumentalness • 5% Positiveness
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Carlos Cipa
Surges (variation)
120 bpm • C min • 05:20 • -29.16db
32% Popularity • 41% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Teodor Wolgers
interstices
101 bpm • G Maj • 02:13 • -30db
32% Popularity • 30% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 9% Positiveness
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Peter Cavallo
Of Night and Light and the Half Light
101 bpm • C min • 03:05 • -15.89db
42% Popularity • 33% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 9% Positiveness
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Igor Longhi
Il Mare a Nord Est
120 bpm • A min • 04:20 • -19.93db
31% Popularity • 71% Danceability • 12% Energy • 12% Liveness
90% Instrumentalness • 6% Positiveness
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Justus Rümenapp
Forgotten Years
120 bpm • G Maj • 03:02 • -28.64db
23% Popularity • 60% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 17% Positiveness
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Tristan Eckerson
Luz
120 bpm • D# min • 03:23 • -32db
28% Popularity • 51% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 12% Positiveness
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Chad Lawson
fields of forever - sleep rework
120 bpm • A# Maj • 03:41 • -35.04db
40% Popularity • 66% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 30% Positiveness
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Jonas Holmes
Flying South
120 bpm • D# Maj • 02:02 • -28db
35% Popularity • 40% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
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Luke Faulkner
Clocks
120 bpm • A# min • 02:49 • -25.64db
47% Popularity • 35% Danceability • 8% Energy • 12% Liveness
89% Instrumentalness • 32% Positiveness
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Matt Stewart-Evans
Becalm
100 bpm • E Maj • 02:29 • -22db
39% Popularity • 44% Danceability • 5% Energy • 13% Liveness
95% Instrumentalness • 34% Positiveness
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Becky Ainge
Waves
100 bpm • D min • 03:15 • -22.67db
34% Popularity • 51% Danceability • 9% Energy • 13% Liveness
96% Instrumentalness • 10% Positiveness
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Tom Merrall
Hopedale
100 bpm • C Maj • 02:37 • -23.54db
27% Popularity • 69% Danceability • 7% Energy • 8% Liveness
94% Instrumentalness • 50% Positiveness
► Preview
Chad Lawson
Home Sweet Home: The Lore Variations
120 bpm • G min • 06:25 • -30.65db
30% Popularity • 52% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Mauro Cangemi
Continuo
100 bpm • C Maj • 02:14 • -21.15db
43% Popularity • 43% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 22% Positiveness
► Preview
Peter Cavallo
Resolute
99 bpm • D min • 04:46 • -15.23db
6% Popularity • 15% Danceability • 24% Energy • 6% Liveness
90% Instrumentalness • 6% Positiveness
► Preview
Jordane Tumarinson
Quintessence
99 bpm • A# min • 02:24 • -36.73db
47% Popularity • 46% Danceability • 0% Energy • 9% Liveness
89% Instrumentalness • 9% Positiveness
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Jonas Holmes
Nature Calling
99 bpm • D Maj • 01:54 • -26.97db
42% Popularity • 57% Danceability • 1% Energy • 11% Liveness
87% Instrumentalness • 22% Positiveness
► Preview
Leonid Gautier
Gran Separado
98 bpm • C Maj • 03:41 • -28db
35% Popularity • 36% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 9% Positiveness
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Matt Stewart-Evans
Closer
124 bpm • C# Maj • 02:24 • -29db
42% Popularity • 41% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 14% Positiveness
► Preview
Muriël Bostdorp
Save Me
98 bpm • G Maj • 02:53 • -32db
19% Popularity • 40% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 18% Positiveness
► Preview
Peter Cavallo
Romance for Viola
98 bpm • C min • 03:21 • -15.41db
26% Popularity • 22% Danceability • 18% Energy • 11% Liveness
87% Instrumentalness • 7% Positiveness
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The Half Light