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The Haunting of Hill House (Main Titles)
Songs like
The Haunting of Hill House (Main Titles)
by
The Newton Brothers
Based on a tempo of (+/- 10%) and a similar genre
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The Newton Brothers
The Haunting of Hill House (Main Titles)
63 bpm • F Maj • 01:06 • -15.33db
41% Popularity • 23% Danceability • 29% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
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Murray Gold
Trenzalore / The Long Song / I Am Inform...
63 bpm • A Maj • 04:03 • -11.4db
34% Popularity • 13% Danceability • 31% Energy • 13% Liveness
69% Instrumentalness • 4% Positiveness
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David Julyan
The Cabin In The Woods
63 bpm • G# min • 01:57 • -30.31db
26% Popularity • 16% Danceability • 3% Energy • 13% Liveness
97% Instrumentalness • 4% Positiveness
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Michael Giacchino
Paradise Found
63 bpm • C Maj • 05:35 • -18.8db
26% Popularity • 6% Danceability • 5% Energy • 19% Liveness
94% Instrumentalness • 3% Positiveness
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Jerry Goldsmith
Imhotep
63 bpm • G# Maj • 04:16 • -21.58db
36% Popularity • 6% Danceability • 15% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
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Nicholas Hooper
In Noctem
64 bpm • C min • 02:00 • -29.88db
52% Popularity • 28% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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Blake Neely
Face to Face
62 bpm • D min • 04:11 • -27.82db
15% Popularity • 10% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Henry Jackman
Rage and Serenity
62 bpm • F min • 02:05 • -16.23db
32% Popularity • 10% Danceability • 11% Energy • 14% Liveness
86% Instrumentalness • 3% Positiveness
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joseph bishara
the Insidious plane
64 bpm • F min • 01:45 • -20.09db
25% Popularity • 20% Danceability • 21% Energy • 56% Liveness
88% Instrumentalness • 4% Positiveness
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The Newton Brothers
Did I Miss the Ball?
65 bpm • A min • 02:46 • -27db
26% Popularity • 15% Danceability • 2% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
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Nathan Barr
Crime Scene
65 bpm • F min • 02:59 • -20.12db
19% Popularity • 16% Danceability • 10% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Martin Phipps
Philip
65 bpm • A min • 03:03 • -21.73db
37% Popularity • 6% Danceability • 13% Energy • 12% Liveness
87% Instrumentalness • 3% Positiveness
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David Julyan
The Descent
65 bpm • C# min • 04:54 • -18.45db
22% Popularity • 11% Danceability • 17% Energy • 19% Liveness
92% Instrumentalness • 3% Positiveness
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Henry Jackman
The Necklace
65 bpm • D min • 01:21 • -24.31db
30% Popularity • 24% Danceability • 8% Energy • 12% Liveness
72% Instrumentalness • 5% Positiveness
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Mike Higham
Squirrel Rescue
60 bpm • F min • 02:31 • -15.26db
22% Popularity • 26% Danceability • 20% Energy • 7% Liveness
21% Instrumentalness • 4% Positiveness
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The Newton Brothers
Haunted Past
65 bpm • C Maj • 01:51 • -35.61db
23% Popularity • 12% Danceability • 1% Energy • 9% Liveness
67% Instrumentalness • 3% Positiveness
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joseph bishara
Ritual casting
60 bpm • G# Maj • 03:25 • -25.1db
22% Popularity • 17% Danceability • 14% Energy • 7% Liveness
91% Instrumentalness • 3% Positiveness
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Carlos Rafael Rivera
Playing Beltik
60 bpm • C Maj • 03:10 • -26.62db
40% Popularity • 35% Danceability • 2% Energy • 12% Liveness
97% Instrumentalness • 4% Positiveness
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Natalie Holt
Lokius
66 bpm • G min • 03:00 • -21.68db
28% Popularity • 18% Danceability • 12% Energy • 11% Liveness
83% Instrumentalness • 3% Positiveness
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L'Orchestre d'Academie
Born To Darkness Part 2 - from 'Intervie...
60 bpm • C Maj • 01:22 • -20db
19% Popularity • 22% Danceability • 5% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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John Ottman
Silent Story / Max's Theme
67 bpm • B min • 03:34 • -21.2db
10% Popularity • 8% Danceability • 11% Energy • 14% Liveness
96% Instrumentalness • 4% Positiveness
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The Newton Brothers
I Believe You
60 bpm • G# Maj • 01:42 • -29.11db
24% Popularity • 30% Danceability • 1% Energy • 34% Liveness
81% Instrumentalness • 3% Positiveness
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West Dylan Thordson
Kevin & Casey
67 bpm • F min • 02:11 • -20.51db
49% Popularity • 25% Danceability • 19% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Lolita Ritmanis
All It Takes Is One Bad Day
60 bpm • C# Maj • 03:30 • -15.3db
16% Popularity • 8% Danceability • 32% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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John Murphy
Les Misérables
67 bpm • E min • 01:20 • -21.73db
21% Popularity • 24% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 11% Positiveness
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David Arnold
Who I Want to Be
67 bpm • A min • 02:42 • -20db
39% Popularity • 21% Danceability • 20% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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Fernando Velázquez
Lullaby Variation
67 bpm • A# min • 01:41 • -22.17db
35% Popularity • 62% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 18% Positiveness
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The Newton Brothers
Move Mountains
66 bpm • C Maj • 03:17 • -21.37db
21% Popularity • 6% Danceability • 19% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Natalie Holt
New York, 2012
59 bpm • B Maj • 01:30 • -17.1db
29% Popularity • 22% Danceability • 35% Energy • 14% Liveness
94% Instrumentalness • 4% Positiveness
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Sonya Belousova
Happy Childhoods Make For Dull Company
67 bpm • A# Maj • 03:16 • -16.43db
42% Popularity • 14% Danceability • 26% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
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Henry Jackman
End of the Line
67 bpm • E min • 02:51 • -22.98db
36% Popularity • 22% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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Rohan Stevenson
Farewell to Gwen
67 bpm • A# min • 01:42 • -20db
40% Popularity • 14% Danceability • 7% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
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Hildur Guðnadóttir
Penny in the Hospital
68 bpm • D# Maj • 01:18 • -21.52db
35% Popularity • 14% Danceability • 2% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Niklas Wagner
Moonlight Circus
68 bpm • F# min • 01:57 • -15.58db
29% Popularity • 47% Danceability • 49% Energy • 9% Liveness
76% Instrumentalness • 16% Positiveness
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Christian Henson
Open Seas
68 bpm • G Maj • 01:33 • -16.28db
32% Popularity • 28% Danceability • 16% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Natalie Holt
Glorious Purpose
68 bpm • C min • 02:34 • -17.67db
39% Popularity • 15% Danceability • 22% Energy • 16% Liveness
97% Instrumentalness • 4% Positiveness
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Arkadiusz Reikowski
Main Theme
68 bpm • G# Maj • 02:12 • -12.61db
31% Popularity • 24% Danceability • 46% Energy • 9% Liveness
76% Instrumentalness • 8% Positiveness
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Martin Phipps
Fairytale
68 bpm • F Maj • 04:47 • -15.32db
40% Popularity • 17% Danceability • 10% Energy • 9% Liveness
42% Instrumentalness • 3% Positiveness
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Hildur Guðnadóttir
Hoyt's Office
58 bpm • B Maj • 01:24 • -18.67db
41% Popularity • 14% Danceability • 13% Energy • 11% Liveness
98% Instrumentalness • 3% Positiveness
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Jóhann Jóhannsson
Through Falling Snow
68 bpm • C min • 02:44 • -15.74db
38% Popularity • 21% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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Henry Jackman
Frankenstein's Monster
68 bpm • G# Maj • 03:02 • -11.87db
37% Popularity • 15% Danceability • 33% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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David Buckley
A Kind Word and a Friendly Face
68 bpm • A min • 02:28 • -19.93db
31% Popularity • 16% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Secession Studios
The Untold II
68 bpm • C min • 05:18 • -12.97db
37% Popularity • 11% Danceability • 37% Energy • 16% Liveness
93% Instrumentalness • 4% Positiveness
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Craig Armstrong
That Night He Told Me Everything
69 bpm • C Maj • 04:50 • -26.63db
21% Popularity • 6% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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The Newton Brothers
The End
69 bpm • B min • 02:48 • -26.32db
31% Popularity • 33% Danceability • 2% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
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Mike Higham
The Augusta
69 bpm • D min • 05:24 • -16db
20% Popularity • 12% Danceability • 27% Energy • 16% Liveness
94% Instrumentalness • 3% Positiveness
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Philip Sheppard
Keep Turning - Kara
69 bpm • A min • 02:00 • -16.01db
30% Popularity • 6% Danceability • 28% Energy • 8% Liveness
85% Instrumentalness • 3% Positiveness
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Peter Gundry
The Targaryen Wolf Game of Thrones
58 bpm • A Maj • 03:43 • -19.77db
30% Popularity • 6% Danceability • 15% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Michael Giacchino
Rosie's Nocturne
69 bpm • G# Maj • 02:36 • -25.1db
25% Popularity • 25% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Murray Gold
The Doctor's Theme Series 4
69 bpm • D min • 02:45 • -12db
35% Popularity • 12% Danceability • 46% Energy • 21% Liveness
93% Instrumentalness • 4% Positiveness
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The Newton Brothers
Love Story
69 bpm • B min • 04:22 • -25db
33% Popularity • 16% Danceability • 4% Energy • 24% Liveness
83% Instrumentalness • 4% Positiveness
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David Buckley
The Throne Room of the King of Dreams
69 bpm • F# min • 05:01 • -23.21db
21% Popularity • 6% Danceability • 5% Energy • 8% Liveness
78% Instrumentalness • 3% Positiveness
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Bruno Coulais
The Hand
57 bpm • F# Maj • 03:14 • -13.81db
31% Popularity • 17% Danceability • 18% Energy • 9% Liveness
69% Instrumentalness • 3% Positiveness
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Fernando Velázquez
Allerdale Hall
69 bpm • G min • 06:19 • -14.87db
33% Popularity • 19% Danceability • 12% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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Roque Baños
Sad Memories
69 bpm • D min • 05:21 • -36db
13% Popularity • 6% Danceability • 1% Energy • 12% Liveness
13% Instrumentalness • 3% Positiveness
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Alejandro Amenábar
End Credits - Instrumental
70 bpm • C min • 04:10 • -26.75db
16% Popularity • 14% Danceability • 5% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
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Martin Phipps
Black Widow
57 bpm • D min • 02:01 • -26.77db
40% Popularity • 7% Danceability • 9% Energy • 11% Liveness
64% Instrumentalness • 4% Positiveness
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Murray Gold
Infinite Potential
70 bpm • F# min • 02:05 • -12.46db
34% Popularity • 15% Danceability • 25% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
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The Newton Brothers
We Are Special
70 bpm • E min • 02:10 • -27.72db
27% Popularity • 11% Danceability • 5% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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Clint Mansell
A New Swan Queen
70 bpm • F# Maj • 03:28 • -23.59db
28% Popularity • 20% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Nathan Johnson
The Wake
70 bpm • G min • 01:32 • -22.61db
36% Popularity • 58% Danceability • 2% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Carlos Rafael Rivera
The Scholar's Mate
70 bpm • F Maj • 01:18 • -19.62db
59% Popularity • 22% Danceability • 26% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Nicholas Hooper
Another Story
70 bpm • F Maj • 02:37 • -25db
45% Popularity • 18% Danceability • 5% Energy • 11% Liveness
79% Instrumentalness • 3% Positiveness
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Jed Kurzel
The Child, Pt.1
70 bpm • A Maj • 02:06 • -25db
30% Popularity • 20% Danceability • 3% Energy • 23% Liveness
90% Instrumentalness • 3% Positiveness
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David Arnold
Dracula is God
70 bpm • D# Maj • 02:52 • -20.39db
9% Popularity • 6% Danceability • 18% Energy • 20% Liveness
94% Instrumentalness • 3% Positiveness
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Nicholas Britell
Ballade in F# Minor: Trebuchets
71 bpm • F# Maj • 01:56 • -23.07db
39% Popularity • 16% Danceability • 20% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
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Secession Studios
The Immortalist
72 bpm • G min • 06:53 • -17db
36% Popularity • 7% Danceability • 29% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
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Austin Wintory
Bloodlines
72 bpm • G min • 01:53 • -11.66db
36% Popularity • 15% Danceability • 34% Energy • 9% Liveness
31% Instrumentalness • 7% Positiveness
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Michael Giacchino
The Hands Dealt
73 bpm • G min • 02:56 • -27.27db
34% Popularity • 27% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Jed Kurzel
Chest Burster
71 bpm • D# Maj • 01:24 • -25.37db
36% Popularity • 16% Danceability • 7% Energy • 35% Liveness
95% Instrumentalness • 4% Positiveness
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West Dylan Thordson
Pink Room
73 bpm • G# Maj • 01:24 • -32.22db
38% Popularity • 19% Danceability • 5% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Nicholas Britell
Song of Hal: Strings in B Minor
55 bpm • B min • 04:20 • -18.38db
38% Popularity • 22% Danceability • 7% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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The Newton Brothers
Beginning of the End Movement VI
73 bpm • A min • 03:50 • -21db
30% Popularity • 7% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
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Nathan Johnson
The Game's Afoot
73 bpm • D min • 03:59 • -23.83db
24% Popularity • 15% Danceability • 8% Energy • 14% Liveness
76% Instrumentalness • 4% Positiveness
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joseph bishara
unawakened (mvmt2)
73 bpm • C Maj • 01:20 • -33.49db
17% Popularity • 15% Danceability • 1% Energy • 7% Liveness
78% Instrumentalness • 6% Positiveness
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Wojciech Kilar
Mina's Photo
73 bpm • B Maj • 01:24 • -28.57db
32% Popularity • 15% Danceability • 8% Energy • 8% Liveness
73% Instrumentalness • 3% Positiveness
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Ludwig Göransson
Ancestral Plane
73 bpm • D min • 04:27 • -23.59db
37% Popularity • 9% Danceability • 3% Energy • 21% Liveness
86% Instrumentalness • 4% Positiveness
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Michael Giacchino
Forget Me Knots
73 bpm • C min • 06:49 • -19db
38% Popularity • 7% Danceability • 6% Energy • 5% Liveness
91% Instrumentalness • 3% Positiveness
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The Newton Brothers
Beginning of the End Movement III
73 bpm • A min • 02:29 • -22.72db
29% Popularity • 28% Danceability • 9% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Mark Korven
Standish (Traditional)
73 bpm • E min • 02:27 • -17.04db
23% Popularity • 11% Danceability • 4% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
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Soundtrack/Cast Album
Born to Darkness
73 bpm • C Maj • 01:22 • -11.98db
15% Popularity • 16% Danceability • 25% Energy • 11% Liveness
70% Instrumentalness • 6% Positiveness
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Martin Phipps
Mountbatten
73 bpm • D# Maj • 01:40 • -26db
39% Popularity • 14% Danceability • 12% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
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Krutikov Music
Loki TVA Theme - Sad Version
74 bpm • A min • 03:20 • -16.97db
19% Popularity • 17% Danceability • 18% Energy • 6% Liveness
81% Instrumentalness • 4% Positiveness
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Craig Armstrong
Igor Transformed
74 bpm • B min • 01:21 • -16.79db
9% Popularity • 20% Danceability • 27% Energy • 16% Liveness
92% Instrumentalness • 14% Positiveness
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The Newton Brothers
Darkness and Chaos
73 bpm • F Maj • 01:45 • -26.89db
22% Popularity • 25% Danceability • 12% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
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Segun Akinola
Thirteen
74 bpm • A min • 02:22 • -19db
30% Popularity • 15% Danceability • 21% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
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Fernando Velázquez
The House
74 bpm • C# Maj • 01:48 • -19db
25% Popularity • 7% Danceability • 14% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
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Christian Henson
Robin Attacks / Arrival at Moonacre
75 bpm • B min • 00:59 • -17.99db
35% Popularity • 21% Danceability • 41% Energy • 37% Liveness
79% Instrumentalness • 4% Positiveness
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Secession Studios
All Your Rage, All Your Pain
75 bpm • D# min • 03:05 • -19.88db
32% Popularity • 7% Danceability • 10% Energy • 9% Liveness
82% Instrumentalness • 4% Positiveness
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Amie Doherty
Large Ventricles
75 bpm • E min • 03:17 • -18.01db
14% Popularity • 24% Danceability • 10% Energy • 10% Liveness
72% Instrumentalness • 3% Positiveness
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The Newton Brothers
Beginning of the End Movement I
74 bpm • F Maj • 03:28 • -22.72db
32% Popularity • 24% Danceability • 5% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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Thomas Newman
A Scrap of Ribbon
75 bpm • G# Maj • 06:29 • -41.81db
31% Popularity • 7% Danceability • 1% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
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Natalie Holt
Burden of Wisdom
75 bpm • G Maj • 02:06 • -11.7db
36% Popularity • 35% Danceability • 39% Energy • 29% Liveness
89% Instrumentalness • 10% Positiveness
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Mark Isham
Leaving Storybrooke
76 bpm • E min • 03:33 • -11.83db
25% Popularity • 12% Danceability • 18% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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Mike Higham
Arrival at the Island
76 bpm • C min • 02:26 • -20.16db
20% Popularity • 18% Danceability • 19% Energy • 11% Liveness
88% Instrumentalness • 2% Positiveness
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Amie Doherty
The Life You Were Living
76 bpm • A# min • 01:19 • -17.1db
32% Popularity • 20% Danceability • 7% Energy • 8% Liveness
62% Instrumentalness • 4% Positiveness
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The Newton Brothers
Beginning of the End Movement VII
74 bpm • A min • 03:42 • -20.09db
28% Popularity • 31% Danceability • 3% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
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Thomas Newman
Blake and Schofield
75 bpm • F min • 04:20 • -40.31db
32% Popularity • 16% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Nathan Johnson
A Body That Technically Does Not Exist
76 bpm • F Maj • 01:21 • -24db
31% Popularity • 25% Danceability • 31% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
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David Arnold
War
76 bpm • C min • 03:18 • -25.57db
30% Popularity • 18% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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The Haunting of Hill House (Main Titles)