Songs like The Hell Raisers by Syd Dale
Based on a tempo of (+/- 10%) and a similar genre
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Syd Dale
The Hell Raisers
153 bpm • A# min • 02:21 • -5.69db
19% Popularity • 54% Danceability • 91% Energy • 10% Liveness
13% Instrumentalness • 72% Positiveness
19% Popularity • 54% Danceability • 91% Energy • 10% Liveness
13% Instrumentalness • 72% Positiveness
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Combustible Edison
Spy Vs. Spy
153 bpm • A min • 03:36 • -8.29db
31% Popularity • 43% Danceability • 70% Energy • 10% Liveness
49% Instrumentalness • 36% Positiveness
31% Popularity • 43% Danceability • 70% Energy • 10% Liveness
49% Instrumentalness • 36% Positiveness
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The Bob Crewe Generation Orchestra
Pygar's Persecution
153 bpm • F min • 01:16 • -15db
19% Popularity • 59% Danceability • 48% Energy • 30% Liveness
23% Instrumentalness • 61% Positiveness
19% Popularity • 59% Danceability • 48% Energy • 30% Liveness
23% Instrumentalness • 61% Positiveness
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Lalo Schifrin
The Chelsea Memorandum
153 bpm • C Maj • 03:02 • -11.49db
9% Popularity • 52% Danceability • 50% Energy • 10% Liveness
92% Instrumentalness • 60% Positiveness
9% Popularity • 52% Danceability • 50% Energy • 10% Liveness
92% Instrumentalness • 60% Positiveness
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Terry Snyder & The All-Stars
Binga Banga Bongo/Percolator
154 bpm • C# Maj • 04:44 • -12.95db
15% Popularity • 51% Danceability • 56% Energy • 11% Liveness
86% Instrumentalness • 57% Positiveness
15% Popularity • 51% Danceability • 56% Energy • 11% Liveness
86% Instrumentalness • 57% Positiveness
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Sandro Brugnolini
Megattera
152 bpm • D Maj • 03:02 • -14db
10% Popularity • 44% Danceability • 51% Energy • 12% Liveness
94% Instrumentalness • 94% Positiveness
10% Popularity • 44% Danceability • 51% Energy • 12% Liveness
94% Instrumentalness • 94% Positiveness
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Syd Dale
More Mexicana
152 bpm • C Maj • 01:52 • -8.84db
2% Popularity • 70% Danceability • 72% Energy • 9% Liveness
27% Instrumentalness • 80% Positiveness
2% Popularity • 70% Danceability • 72% Energy • 9% Liveness
27% Instrumentalness • 80% Positiveness
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Nelson Riddle
The Theme From Route 66
154 bpm • C Maj • 02:10 • -12.26db
35% Popularity • 29% Danceability • 47% Energy • 21% Liveness
2% Instrumentalness • 57% Positiveness
35% Popularity • 29% Danceability • 47% Energy • 21% Liveness
2% Instrumentalness • 57% Positiveness
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Dickie Harrell
Drivin' Around The Block - Remastered
151 bpm • C Maj • 02:15 • -12.68db
13% Popularity • 37% Danceability • 75% Energy • 4% Liveness
41% Instrumentalness • 62% Positiveness
13% Popularity • 37% Danceability • 75% Energy • 4% Liveness
41% Instrumentalness • 62% Positiveness
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David Lindup
Unarmed Combat
151 bpm • C# Maj • 01:56 • -16.34db
7% Popularity • 46% Danceability • 77% Energy • 14% Liveness
54% Instrumentalness • 11% Positiveness
7% Popularity • 46% Danceability • 77% Energy • 14% Liveness
54% Instrumentalness • 11% Positiveness
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Dave Pike
Devilette
151 bpm • D min • 06:04 • -8.46db
14% Popularity • 44% Danceability • 62% Energy • 41% Liveness
0% Instrumentalness • 52% Positiveness
14% Popularity • 44% Danceability • 62% Energy • 41% Liveness
0% Instrumentalness • 52% Positiveness
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Jean-Jacques Perrey
Chicken on the Rocks
155 bpm • C Maj • 01:51 • -8.96db
9% Popularity • 80% Danceability • 84% Energy • 8% Liveness
2% Instrumentalness • 97% Positiveness
9% Popularity • 80% Danceability • 84% Energy • 8% Liveness
2% Instrumentalness • 97% Positiveness
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Ingfried Hoffmann
Midnight Bossa Nova
150 bpm • G# Maj • 03:13 • -16.07db
12% Popularity • 65% Danceability • 47% Energy • 9% Liveness
52% Instrumentalness • 90% Positiveness
12% Popularity • 65% Danceability • 47% Energy • 9% Liveness
52% Instrumentalness • 90% Positiveness
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Lalo Schifrin
Hotel Daniels
150 bpm • A Maj • 02:53 • -15.14db
20% Popularity • 45% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
20% Popularity • 45% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Si Zentner
The Fugitive Theme - Remastered
156 bpm • C Maj • 02:03 • -12.31db
26% Popularity • 36% Danceability • 55% Energy • 28% Liveness
85% Instrumentalness • 91% Positiveness
26% Popularity • 36% Danceability • 55% Energy • 28% Liveness
85% Instrumentalness • 91% Positiveness
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John Buzon Trio
Mr. Ghost Goes To Town - Remastered
156 bpm • A# min • 02:20 • -14db
28% Popularity • 57% Danceability • 51% Energy • 17% Liveness
52% Instrumentalness • 96% Positiveness
28% Popularity • 57% Danceability • 51% Energy • 17% Liveness
52% Instrumentalness • 96% Positiveness
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Jack Costanzo & His Orchestra
Peter Gunn Mambo - Bonus Track
150 bpm • G min • 02:26 • -16db
17% Popularity • 53% Danceability • 71% Energy • 7% Liveness
94% Instrumentalness • 96% Positiveness
17% Popularity • 53% Danceability • 71% Energy • 7% Liveness
94% Instrumentalness • 96% Positiveness
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The Bob Crewe Generation
Barbarella
157 bpm • F min • 03:03 • -13.93db
13% Popularity • 47% Danceability • 58% Energy • 12% Liveness
92% Instrumentalness • 62% Positiveness
13% Popularity • 47% Danceability • 58% Energy • 12% Liveness
92% Instrumentalness • 62% Positiveness
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Bill Le Sage
Bossa Noches
149 bpm • F Maj • 02:30 • -25db
26% Popularity • 63% Danceability • 9% Energy • 9% Liveness
93% Instrumentalness • 69% Positiveness
26% Popularity • 63% Danceability • 9% Energy • 9% Liveness
93% Instrumentalness • 69% Positiveness
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Simon Haseley
Hammerhead
149 bpm • F Maj • 04:33 • -13.53db
15% Popularity • 39% Danceability • 49% Energy • 39% Liveness
5% Instrumentalness • 64% Positiveness
15% Popularity • 39% Danceability • 49% Energy • 39% Liveness
5% Instrumentalness • 64% Positiveness
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Si Zentner
Charade
157 bpm • A min • 02:38 • -10.16db
36% Popularity • 56% Danceability • 46% Energy • 7% Liveness
62% Instrumentalness • 60% Positiveness
36% Popularity • 56% Danceability • 46% Energy • 7% Liveness
62% Instrumentalness • 60% Positiveness
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Syd Dale
Walrus and the Carpenter
149 bpm • C Maj • 02:49 • -4.37db
8% Popularity • 37% Danceability • 79% Energy • 58% Liveness
0% Instrumentalness • 79% Positiveness
8% Popularity • 37% Danceability • 79% Energy • 58% Liveness
0% Instrumentalness • 79% Positiveness
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The Three Sounds
Repeat After Me
157 bpm • C Maj • 06:42 • -9.76db
24% Popularity • 54% Danceability • 70% Energy • 23% Liveness
10% Instrumentalness • 71% Positiveness
24% Popularity • 54% Danceability • 70% Energy • 23% Liveness
10% Instrumentalness • 71% Positiveness
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André Charlier
Direction Saint Tropez
158 bpm • F min • 01:38 • -10db
32% Popularity • 69% Danceability • 70% Energy • 33% Liveness
52% Instrumentalness • 85% Positiveness
32% Popularity • 69% Danceability • 70% Energy • 33% Liveness
52% Instrumentalness • 85% Positiveness
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David Lindup
Motility
158 bpm • G# Maj • 01:29 • -13db
9% Popularity • 48% Danceability • 53% Energy • 8% Liveness
1% Instrumentalness • 62% Positiveness
9% Popularity • 48% Danceability • 53% Energy • 8% Liveness
1% Instrumentalness • 62% Positiveness
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Incredible Bongo Band
Last Bongo In Belgium
148 bpm • A Maj • 06:55 • -8db
21% Popularity • 46% Danceability • 89% Energy • 5% Liveness
54% Instrumentalness • 73% Positiveness
21% Popularity • 46% Danceability • 89% Energy • 5% Liveness
54% Instrumentalness • 73% Positiveness
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Jack McDuff
Hot Barbeque
148 bpm • C# Maj • 02:56 • -11db
30% Popularity • 59% Danceability • 69% Energy • 8% Liveness
28% Instrumentalness • 92% Positiveness
30% Popularity • 59% Danceability • 69% Energy • 8% Liveness
28% Instrumentalness • 92% Positiveness
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Syd Dale
Slipstream (B) - Underscore Version
149 bpm • D Maj • 02:11 • -8.61db
1% Popularity • 55% Danceability • 72% Energy • 9% Liveness
76% Instrumentalness • 77% Positiveness
1% Popularity • 55% Danceability • 72% Energy • 9% Liveness
76% Instrumentalness • 77% Positiveness
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Milt Buckner
The Beast
148 bpm • F Maj • 02:30 • -11db
35% Popularity • 71% Danceability • 60% Energy • 7% Liveness
85% Instrumentalness • 85% Positiveness
35% Popularity • 71% Danceability • 60% Energy • 7% Liveness
85% Instrumentalness • 85% Positiveness
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Roy Ayers
Escape
159 bpm • C# Maj • 02:18 • -10.62db
28% Popularity • 52% Danceability • 94% Energy • 26% Liveness
85% Instrumentalness • 82% Positiveness
28% Popularity • 52% Danceability • 94% Energy • 26% Liveness
85% Instrumentalness • 82% Positiveness
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Don Ralke
Zulu Magic
147 bpm • A# min • 01:55 • -23.44db
15% Popularity • 56% Danceability • 43% Energy • 14% Liveness
69% Instrumentalness • 80% Positiveness
15% Popularity • 56% Danceability • 43% Energy • 14% Liveness
69% Instrumentalness • 80% Positiveness
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James Clarke
The Free Life
147 bpm • A# Maj • 03:00 • -14db
18% Popularity • 52% Danceability • 40% Energy • 11% Liveness
7% Instrumentalness • 74% Positiveness
18% Popularity • 52% Danceability • 40% Energy • 11% Liveness
7% Instrumentalness • 74% Positiveness
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David Lindup
Juggernaut
147 bpm • G Maj • 01:50 • -13db
9% Popularity • 56% Danceability • 61% Energy • 11% Liveness
70% Instrumentalness • 68% Positiveness
9% Popularity • 56% Danceability • 61% Energy • 11% Liveness
70% Instrumentalness • 68% Positiveness
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Syd Dale
Bill Sykes
158 bpm • D min • 02:23 • -5.11db
8% Popularity • 31% Danceability • 83% Energy • 21% Liveness
97% Instrumentalness • 79% Positiveness
8% Popularity • 31% Danceability • 83% Energy • 21% Liveness
97% Instrumentalness • 79% Positiveness
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Gert Wilden & Orchestra
Title Theme (Schulmädchen Report 1 - 13...
160 bpm • C Maj • 02:27 • -7.67db
8% Popularity • 48% Danceability • 66% Energy • 11% Liveness
57% Instrumentalness • 83% Positiveness
8% Popularity • 48% Danceability • 66% Energy • 11% Liveness
57% Instrumentalness • 83% Positiveness
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Johnny Pearson
Leap Frog
146 bpm • F Maj • 02:34 • -8.02db
12% Popularity • 68% Danceability • 60% Energy • 6% Liveness
2% Instrumentalness • 94% Positiveness
12% Popularity • 68% Danceability • 60% Energy • 6% Liveness
2% Instrumentalness • 94% Positiveness
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Perrey and Kingsley
Computer In Love
160 bpm • A# min • 02:07 • -21.1db
14% Popularity • 66% Danceability • 49% Energy • 5% Liveness
66% Instrumentalness • 97% Positiveness
14% Popularity • 66% Danceability • 49% Energy • 5% Liveness
66% Instrumentalness • 97% Positiveness
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Keith Mansfield
Teenage Chase
145 bpm • C Maj • 02:26 • -13db
22% Popularity • 73% Danceability • 42% Energy • 12% Liveness
91% Instrumentalness • 87% Positiveness
22% Popularity • 73% Danceability • 42% Energy • 12% Liveness
91% Instrumentalness • 87% Positiveness
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Augusto Martelli
Crazy Sax
145 bpm • F Maj • 02:37 • -15.79db
10% Popularity • 55% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
10% Popularity • 55% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Syd Dale
Cuban Riot
147 bpm • E Maj • 01:48 • -5.77db
1% Popularity • 40% Danceability • 94% Energy • 6% Liveness
80% Instrumentalness • 77% Positiveness
1% Popularity • 40% Danceability • 94% Energy • 6% Liveness
80% Instrumentalness • 77% Positiveness
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Tak Shindo
Stumbling
145 bpm • D min • 02:08 • -12.84db
22% Popularity • 43% Danceability • 34% Energy • 13% Liveness
81% Instrumentalness • 51% Positiveness
22% Popularity • 43% Danceability • 34% Energy • 13% Liveness
81% Instrumentalness • 51% Positiveness
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Skeewiff
The Hyper Hippo
145 bpm • G Maj • 03:37 • -7db
1% Popularity • 63% Danceability • 92% Energy • 7% Liveness
78% Instrumentalness • 91% Positiveness
1% Popularity • 63% Danceability • 92% Energy • 7% Liveness
78% Instrumentalness • 91% Positiveness
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Al Caiola
Big Noise From Winnetka / Midnight Swim
145 bpm • C min • 04:23 • -11.48db
13% Popularity • 42% Danceability • 59% Energy • 38% Liveness
16% Instrumentalness • 78% Positiveness
13% Popularity • 42% Danceability • 59% Energy • 38% Liveness
16% Instrumentalness • 78% Positiveness
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Combustible Edison
Summer Samba
145 bpm • G min • 03:25 • -14.36db
10% Popularity • 59% Danceability • 42% Energy • 10% Liveness
28% Instrumentalness • 39% Positiveness
10% Popularity • 59% Danceability • 42% Energy • 10% Liveness
28% Instrumentalness • 39% Positiveness
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John Shakespeare
Against the Clock
162 bpm • A min • 01:30 • -6db
10% Popularity • 47% Danceability • 96% Energy • 9% Liveness
96% Instrumentalness • 55% Positiveness
10% Popularity • 47% Danceability • 96% Energy • 9% Liveness
96% Instrumentalness • 55% Positiveness
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Syd Dale
Two Time
160 bpm • G# Maj • 02:09 • -8.98db
8% Popularity • 66% Danceability • 61% Energy • 5% Liveness
18% Instrumentalness • 69% Positiveness
8% Popularity • 66% Danceability • 61% Energy • 5% Liveness
18% Instrumentalness • 69% Positiveness
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Eddie Harris
Listen Here
144 bpm • G# Maj • 07:43 • -15.94db
30% Popularity • 69% Danceability • 36% Energy • 23% Liveness
7% Instrumentalness • 90% Positiveness
30% Popularity • 69% Danceability • 36% Energy • 23% Liveness
7% Instrumentalness • 90% Positiveness
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Quantum Gears
Hypotenuse Groove
144 bpm • B min • 01:04 • -11.7db
15% Popularity • 57% Danceability • 73% Energy • 45% Liveness
96% Instrumentalness • 86% Positiveness
15% Popularity • 57% Danceability • 73% Energy • 45% Liveness
96% Instrumentalness • 86% Positiveness
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The Quik
Berts Apple Crumble
143 bpm • E Maj • 02:13 • -7.65db
31% Popularity • 65% Danceability • 70% Energy • 11% Liveness
75% Instrumentalness • 78% Positiveness
31% Popularity • 65% Danceability • 70% Energy • 11% Liveness
75% Instrumentalness • 78% Positiveness
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The Marketts
Here Comes The Ho-Dads
143 bpm • G Maj • 02:15 • -9.48db
35% Popularity • 76% Danceability • 73% Energy • 37% Liveness
52% Instrumentalness • 88% Positiveness
35% Popularity • 76% Danceability • 73% Energy • 37% Liveness
52% Instrumentalness • 88% Positiveness
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Neil Richardson
Firebird
143 bpm • F min • 02:18 • -5.68db
18% Popularity • 32% Danceability • 68% Energy • 8% Liveness
94% Instrumentalness • 70% Positiveness
18% Popularity • 32% Danceability • 68% Energy • 8% Liveness
94% Instrumentalness • 70% Positiveness
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The Tarantulas
Tarantula
143 bpm • C min • 02:07 • -9db
16% Popularity • 49% Danceability • 71% Energy • 9% Liveness
79% Instrumentalness • 96% Positiveness
16% Popularity • 49% Danceability • 71% Energy • 9% Liveness
79% Instrumentalness • 96% Positiveness
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Syd Dale
Mexican Highway
146 bpm • C min • 02:39 • -11.81db
19% Popularity • 78% Danceability • 43% Energy • 11% Liveness
2% Instrumentalness • 90% Positiveness
19% Popularity • 78% Danceability • 43% Energy • 11% Liveness
2% Instrumentalness • 90% Positiveness
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Herbie Hancock
Death Wish (Main Title)
163 bpm • E min • 06:11 • -14.76db
16% Popularity • 28% Danceability • 57% Energy • 20% Liveness
47% Instrumentalness • 47% Positiveness
16% Popularity • 28% Danceability • 57% Energy • 20% Liveness
47% Instrumentalness • 47% Positiveness
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Cal Tjader
Soul Sauce
143 bpm • F Maj • 02:26 • -13db
36% Popularity • 67% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
36% Popularity • 67% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
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John Shakespeare
Sandals in the Sand
143 bpm • C Maj • 03:00 • -16.96db
17% Popularity • 48% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
17% Popularity • 48% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Neil Richardson
Speed Merchant
143 bpm • F Maj • 01:21 • -11.45db
12% Popularity • 38% Danceability • 50% Energy • 11% Liveness
87% Instrumentalness • 16% Positiveness
12% Popularity • 38% Danceability • 50% Energy • 11% Liveness
87% Instrumentalness • 16% Positiveness
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John Barry Orchestra
Twisting With James
142 bpm • F min • 03:11 • -9.95db
8% Popularity • 51% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
8% Popularity • 51% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
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Syd Dale
Rescue Squad
146 bpm • G Maj • 01:39 • -10.3db
4% Popularity • 49% Danceability • 84% Energy • 62% Liveness
0% Instrumentalness • 71% Positiveness
4% Popularity • 49% Danceability • 84% Energy • 62% Liveness
0% Instrumentalness • 71% Positiveness
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James Clarke
Blow Up A-Go-Go!
142 bpm • B min • 02:32 • -9.52db
17% Popularity • 69% Danceability • 84% Energy • 5% Liveness
69% Instrumentalness • 89% Positiveness
17% Popularity • 69% Danceability • 84% Energy • 5% Liveness
69% Instrumentalness • 89% Positiveness
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Sandro Brugnolini
Alipid
142 bpm • A min • 03:49 • -10.13db
9% Popularity • 34% Danceability • 59% Energy • 11% Liveness
40% Instrumentalness • 64% Positiveness
9% Popularity • 34% Danceability • 59% Energy • 11% Liveness
40% Instrumentalness • 64% Positiveness
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Skeewiff
Bond Step
142 bpm • C Maj • 03:24 • -8.8db
1% Popularity • 44% Danceability • 67% Energy • 39% Liveness
64% Instrumentalness • 59% Positiveness
1% Popularity • 44% Danceability • 67% Energy • 39% Liveness
64% Instrumentalness • 59% Positiveness
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David Lindup
Enfant Terrible
164 bpm • E min • 00:47 • -13.35db
18% Popularity • 32% Danceability • 56% Energy • 21% Liveness
95% Instrumentalness • 73% Positiveness
18% Popularity • 32% Danceability • 56% Energy • 21% Liveness
95% Instrumentalness • 73% Positiveness
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Al Caiola
The Mod Squad Theme - Remastered
142 bpm • D# min • 02:05 • -11db
17% Popularity • 54% Danceability • 56% Energy • 24% Liveness
82% Instrumentalness • 96% Positiveness
17% Popularity • 54% Danceability • 56% Energy • 24% Liveness
82% Instrumentalness • 96% Positiveness
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Syd Dale
The Syndicate
144 bpm • A min • 01:19 • -8.9db
2% Popularity • 42% Danceability • 80% Energy • 12% Liveness
75% Instrumentalness • 71% Positiveness
2% Popularity • 42% Danceability • 80% Energy • 12% Liveness
75% Instrumentalness • 71% Positiveness
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The Viscounts
Harlem Nocturne - Single Version
166 bpm • B Maj • 02:23 • -14.85db
30% Popularity • 36% Danceability • 32% Energy • 11% Liveness
63% Instrumentalness • 47% Positiveness
30% Popularity • 36% Danceability • 32% Energy • 11% Liveness
63% Instrumentalness • 47% Positiveness
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Jack McDuff
Duffin' 'Round
141 bpm • G# Maj • 05:09 • -12.22db
7% Popularity • 60% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
7% Popularity • 60% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Keith Mansfield
The Mexican D.J.
141 bpm • C Maj • 02:15 • -6.97db
12% Popularity • 67% Danceability • 75% Energy • 34% Liveness
52% Instrumentalness • 89% Positiveness
12% Popularity • 67% Danceability • 75% Energy • 34% Liveness
52% Instrumentalness • 89% Positiveness
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Skeewiff
Break Beat Bubble Bath
166 bpm • C Maj • 03:20 • -7.64db
2% Popularity • 57% Danceability • 76% Energy • 11% Liveness
96% Instrumentalness • 65% Positiveness
2% Popularity • 57% Danceability • 76% Energy • 11% Liveness
96% Instrumentalness • 65% Positiveness
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The Merced Blue Notes
Mama Rufus
166 bpm • A# Maj • 01:55 • -7db
11% Popularity • 46% Danceability • 72% Energy • 33% Liveness
48% Instrumentalness • 96% Positiveness
11% Popularity • 46% Danceability • 72% Energy • 33% Liveness
48% Instrumentalness • 96% Positiveness
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Syd Dale
The Sample Syndicate
143 bpm • D Maj • 03:03 • -5.17db
10% Popularity • 66% Danceability • 99% Energy • 39% Liveness
92% Instrumentalness • 87% Positiveness
10% Popularity • 66% Danceability • 99% Energy • 39% Liveness
92% Instrumentalness • 87% Positiveness
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Alain Goraguer
Générique
167 bpm • A# min • 01:36 • -11db
15% Popularity • 44% Danceability • 78% Energy • 37% Liveness
91% Instrumentalness • 87% Positiveness
15% Popularity • 44% Danceability • 78% Energy • 37% Liveness
91% Instrumentalness • 87% Positiveness
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Alan Tew
Helicop
167 bpm • G Maj • 02:55 • -15.1db
13% Popularity • 60% Danceability • 52% Energy • 11% Liveness
64% Instrumentalness • 73% Positiveness
13% Popularity • 60% Danceability • 52% Energy • 11% Liveness
64% Instrumentalness • 73% Positiveness
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Lalo Schifrin
Secret Code
140 bpm • C min • 02:30 • -10.3db
14% Popularity • 62% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
14% Popularity • 62% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Keith Mansfield
Funky Flight
140 bpm • C# Maj • 01:38 • -13.6db
20% Popularity • 50% Danceability • 60% Energy • 27% Liveness
85% Instrumentalness • 54% Positiveness
20% Popularity • 50% Danceability • 60% Energy • 27% Liveness
85% Instrumentalness • 54% Positiveness
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Cal Tjader
Mamblues
140 bpm • G# Maj • 03:03 • -11.15db
14% Popularity • 54% Danceability • 86% Energy • 12% Liveness
80% Instrumentalness • 84% Positiveness
14% Popularity • 54% Danceability • 86% Energy • 12% Liveness
80% Instrumentalness • 84% Positiveness
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Syd Dale
The Pacemaker
164 bpm • C min • 01:51 • -7.83db
1% Popularity • 30% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
1% Popularity • 30% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
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Pucho and His Latin Soul Brothers
Chitterlings Con Carne
140 bpm • C Maj • 04:43 • -14db
15% Popularity • 64% Danceability • 42% Energy • 32% Liveness
3% Instrumentalness • 86% Positiveness
15% Popularity • 64% Danceability • 42% Energy • 32% Liveness
3% Instrumentalness • 86% Positiveness
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The Mohawks
Roving Reporter (Dr. Jekyll & Hyde Park)
168 bpm • F# Maj • 01:42 • -4.39db
18% Popularity • 63% Danceability • 92% Energy • 15% Liveness
12% Instrumentalness • 66% Positiveness
18% Popularity • 63% Danceability • 92% Energy • 15% Liveness
12% Instrumentalness • 66% Positiveness
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Johnny Pearson
The Big Fuzz
139 bpm • F Maj • 01:15 • -5.61db
9% Popularity • 47% Danceability • 84% Energy • 21% Liveness
86% Instrumentalness • 28% Positiveness
9% Popularity • 47% Danceability • 84% Energy • 21% Liveness
86% Instrumentalness • 28% Positiveness
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Skeewiff
Supermarket Hustle
168 bpm • C Maj • 03:45 • -5.22db
1% Popularity • 66% Danceability • 91% Energy • 27% Liveness
70% Instrumentalness • 68% Positiveness
1% Popularity • 66% Danceability • 91% Energy • 27% Liveness
70% Instrumentalness • 68% Positiveness
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Melvin Van Peebles
Sweetback's Theme
139 bpm • F Maj • 03:22 • -11db
20% Popularity • 72% Danceability • 70% Energy • 15% Liveness
3% Instrumentalness • 82% Positiveness
20% Popularity • 72% Danceability • 70% Energy • 15% Liveness
3% Instrumentalness • 82% Positiveness
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Syd Dale
Off Centre
141 bpm • C Maj • 01:31 • -7.13db
2% Popularity • 56% Danceability • 69% Energy • 26% Liveness
45% Instrumentalness • 96% Positiveness
2% Popularity • 56% Danceability • 69% Energy • 26% Liveness
45% Instrumentalness • 96% Positiveness
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Eddie Beram
Riot In Thunder Alley
139 bpm • A# min • 02:09 • -7db
28% Popularity • 49% Danceability • 93% Energy • 16% Liveness
80% Instrumentalness • 20% Positiveness
28% Popularity • 49% Danceability • 93% Energy • 16% Liveness
80% Instrumentalness • 20% Positiveness
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Lalo Schifrin
Blues A-Go-Go
139 bpm • F Maj • 02:55 • -12.72db
15% Popularity • 68% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 68% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Elliott Fisher
Theme From "Our Man Flint" - Remastered
138 bpm • G# Maj • 02:31 • -10.9db
17% Popularity • 41% Danceability • 51% Energy • 10% Liveness
35% Instrumentalness • 25% Positiveness
17% Popularity • 41% Danceability • 51% Energy • 10% Liveness
35% Instrumentalness • 25% Positiveness
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Dave Pike
Sweet Tater Pie
138 bpm • D# Maj • 03:50 • -7.94db
24% Popularity • 66% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 95% Positiveness
24% Popularity • 66% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 95% Positiveness
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Piero Umiliani
Topless Party
138 bpm • B min • 03:04 • -9.66db
34% Popularity • 78% Danceability • 55% Energy • 24% Liveness
77% Instrumentalness • 69% Positiveness
34% Popularity • 78% Danceability • 55% Energy • 24% Liveness
77% Instrumentalness • 69% Positiveness
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Syd Dale
Man Friday
139 bpm • C Maj • 02:37 • -5.39db
18% Popularity • 35% Danceability • 90% Energy • 39% Liveness
25% Instrumentalness • 62% Positiveness
18% Popularity • 35% Danceability • 90% Energy • 39% Liveness
25% Instrumentalness • 62% Positiveness
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Hugo Montenegro
(Theme From) The Man From U.N.C.L.E.
170 bpm • F Maj • 02:00 • -10.65db
21% Popularity • 45% Danceability • 70% Energy • 13% Liveness
76% Instrumentalness • 82% Positiveness
21% Popularity • 45% Danceability • 70% Energy • 13% Liveness
76% Instrumentalness • 82% Positiveness
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The Mohawks
Landscape
170 bpm • G# Maj • 02:25 • -8db
16% Popularity • 57% Danceability • 57% Energy • 13% Liveness
22% Instrumentalness • 59% Positiveness
16% Popularity • 57% Danceability • 57% Energy • 13% Liveness
22% Instrumentalness • 59% Positiveness
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Melvin Van Peebles
Sweetback's Theme
137 bpm • F Maj • 07:36 • -7.88db
10% Popularity • 58% Danceability • 77% Energy • 31% Liveness
2% Instrumentalness • 80% Positiveness
10% Popularity • 58% Danceability • 77% Energy • 31% Liveness
2% Instrumentalness • 80% Positiveness
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Johnny Pearson
Product Efficiency
171 bpm • F min • 03:35 • -12.01db
9% Popularity • 59% Danceability • 56% Energy • 9% Liveness
74% Instrumentalness • 95% Positiveness
9% Popularity • 59% Danceability • 56% Energy • 9% Liveness
74% Instrumentalness • 95% Positiveness
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Skeewiff
The Happy Whomp
171 bpm • C# Maj • 03:51 • -8.52db
2% Popularity • 62% Danceability • 71% Energy • 11% Liveness
20% Instrumentalness • 66% Positiveness
2% Popularity • 62% Danceability • 71% Energy • 11% Liveness
20% Instrumentalness • 66% Positiveness
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Syd Dale
Not so Private Eye
137 bpm • G Maj • 01:22 • -8.31db
7% Popularity • 56% Danceability • 71% Energy • 19% Liveness
64% Instrumentalness • 71% Positiveness
7% Popularity • 56% Danceability • 71% Energy • 19% Liveness
64% Instrumentalness • 71% Positiveness
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Ray Cathode
Waltz in Orbit (Remastered)
136 bpm • A min • 01:53 • -8.3db
19% Popularity • 68% Danceability • 61% Energy • 14% Liveness
5% Instrumentalness • 96% Positiveness
19% Popularity • 68% Danceability • 61% Energy • 14% Liveness
5% Instrumentalness • 96% Positiveness
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Hugo Montenegro
For a Few Dollars More
136 bpm • C min • 02:04 • -11.42db
9% Popularity • 36% Danceability • 37% Energy • 18% Liveness
92% Instrumentalness • 39% Positiveness
9% Popularity • 36% Danceability • 37% Energy • 18% Liveness
92% Instrumentalness • 39% Positiveness
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Leonard Nimoy
Music To Watch Space Girls By
136 bpm • D Maj • 02:19 • -8.26db
34% Popularity • 43% Danceability • 61% Energy • 38% Liveness
14% Instrumentalness • 51% Positiveness
34% Popularity • 43% Danceability • 61% Energy • 38% Liveness
14% Instrumentalness • 51% Positiveness
