Songs like The High Seas by Brian Tyler
Based on a tempo of (+/- 10%) and a similar genre
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Russell Brower
Tides of War
130 bpm • A min • 03:10 • -7.23db
24% Popularity • 35% Danceability • 47% Energy • 34% Liveness
28% Instrumentalness • 19% Positiveness
24% Popularity • 35% Danceability • 47% Energy • 34% Liveness
28% Instrumentalness • 19% Positiveness
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Joe Henson
Tampa Bay
130 bpm • A Maj • 03:19 • -12.82db
21% Popularity • 55% Danceability • 68% Energy • 12% Liveness
92% Instrumentalness • 35% Positiveness
21% Popularity • 55% Danceability • 68% Energy • 12% Liveness
92% Instrumentalness • 35% Positiveness
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P.T. Adamczyk
Riches And Glory
130 bpm • D Maj • 03:53 • -14.55db
29% Popularity • 52% Danceability • 70% Energy • 74% Liveness
14% Instrumentalness • 68% Positiveness
29% Popularity • 52% Danceability • 70% Energy • 74% Liveness
14% Instrumentalness • 68% Positiveness
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Einar Selvik
Hausbrjótr - Skullcrusher
130 bpm • D min • 05:18 • -9.52db
41% Popularity • 31% Danceability • 82% Energy • 18% Liveness
90% Instrumentalness • 38% Positiveness
41% Popularity • 31% Danceability • 82% Energy • 18% Liveness
90% Instrumentalness • 38% Positiveness
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Mikolai Stroinski
Igni
130 bpm • A# Maj • 02:03 • -9.13db
39% Popularity • 58% Danceability • 84% Energy • 58% Liveness
35% Instrumentalness • 69% Positiveness
39% Popularity • 58% Danceability • 84% Energy • 58% Liveness
35% Instrumentalness • 69% Positiveness
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The Flight
Revenge of the Wolves
130 bpm • A Maj • 02:12 • -13.9db
28% Popularity • 55% Danceability • 54% Energy • 9% Liveness
82% Instrumentalness • 30% Positiveness
28% Popularity • 55% Danceability • 54% Energy • 9% Liveness
82% Instrumentalness • 30% Positiveness
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Antti Martikainen
The King of the Highlands
130 bpm • A# min • 08:15 • -7.92db
39% Popularity • 42% Danceability • 82% Energy • 19% Liveness
50% Instrumentalness • 15% Positiveness
39% Popularity • 42% Danceability • 82% Energy • 19% Liveness
50% Instrumentalness • 15% Positiveness
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Brian Tyler
The High Seas
130 bpm • C Maj • 02:44 • -11.18db
42% Popularity • 44% Danceability • 54% Energy • 24% Liveness
97% Instrumentalness • 12% Positiveness
42% Popularity • 44% Danceability • 54% Energy • 24% Liveness
97% Instrumentalness • 12% Positiveness
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Chance Thomas
Horse Lords of Norcrofts
130 bpm • C# Maj • 02:50 • -13.16db
27% Popularity • 50% Danceability • 50% Energy • 10% Liveness
92% Instrumentalness • 27% Positiveness
27% Popularity • 50% Danceability • 50% Energy • 10% Liveness
92% Instrumentalness • 27% Positiveness
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Elitsa Alexandrova
Conqueror
130 bpm • A min • 01:16 • -13.61db
21% Popularity • 57% Danceability • 78% Energy • 19% Liveness
59% Instrumentalness • 40% Positiveness
21% Popularity • 57% Danceability • 78% Energy • 19% Liveness
59% Instrumentalness • 40% Positiveness
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Mikolai Stroinski
Forged In Fire
130 bpm • A# Maj • 02:03 • -12.08db
44% Popularity • 70% Danceability • 71% Energy • 48% Liveness
70% Instrumentalness • 96% Positiveness
44% Popularity • 70% Danceability • 71% Energy • 48% Liveness
70% Instrumentalness • 96% Positiveness
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Jan Valta
Beer and Women
130 bpm • C# Maj • 01:50 • -6.96db
39% Popularity • 60% Danceability • 52% Energy • 33% Liveness
50% Instrumentalness • 68% Positiveness
39% Popularity • 60% Danceability • 52% Energy • 33% Liveness
50% Instrumentalness • 68% Positiveness
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Ilan Eshkeri
47 Ronin
130 bpm • G Maj • 02:42 • -15.92db
49% Popularity • 42% Danceability • 43% Energy • 10% Liveness
91% Instrumentalness • 12% Positiveness
49% Popularity • 42% Danceability • 43% Energy • 10% Liveness
91% Instrumentalness • 12% Positiveness
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Piotr Musiał
Titans Of Infamy
130 bpm • D min • 01:38 • -10db
36% Popularity • 68% Danceability • 80% Energy • 16% Liveness
95% Instrumentalness • 18% Positiveness
36% Popularity • 68% Danceability • 80% Energy • 16% Liveness
95% Instrumentalness • 18% Positiveness
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Jesper Kyd
Flight Through Jerusalem
130 bpm • A min • 03:39 • -14.58db
28% Popularity • 48% Danceability • 61% Energy • 28% Liveness
95% Instrumentalness • 25% Positiveness
28% Popularity • 48% Danceability • 61% Energy • 28% Liveness
95% Instrumentalness • 25% Positiveness
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Elitsa Alexandrova
The Guardian
130 bpm • C# Maj • 01:16 • -14.2db
27% Popularity • 68% Danceability • 58% Energy • 12% Liveness
84% Instrumentalness • 62% Positiveness
27% Popularity • 68% Danceability • 58% Energy • 12% Liveness
84% Instrumentalness • 62% Positiveness
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Chris Tilton
Chase by Chase Basis
130 bpm • D min • 02:28 • -17.23db
26% Popularity • 55% Danceability • 32% Energy • 10% Liveness
94% Instrumentalness • 39% Positiveness
26% Popularity • 55% Danceability • 32% Energy • 10% Liveness
94% Instrumentalness • 39% Positiveness
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Adam Skorupa
Arena Of Rage
130 bpm • C min • 01:11 • -9.54db
35% Popularity • 46% Danceability • 84% Energy • 10% Liveness
61% Instrumentalness • 12% Positiveness
35% Popularity • 46% Danceability • 84% Energy • 10% Liveness
61% Instrumentalness • 12% Positiveness
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John Paesano
A Better Beginning
129 bpm • C Maj • 04:25 • -16.54db
36% Popularity • 19% Danceability • 25% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
36% Popularity • 19% Danceability • 25% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Lorne Balfe
Assassins Creed Theme
131 bpm • C min • 04:43 • -14.53db
38% Popularity • 18% Danceability • 41% Energy • 14% Liveness
81% Instrumentalness • 4% Positiveness
38% Popularity • 18% Danceability • 41% Energy • 14% Liveness
81% Instrumentalness • 4% Positiveness
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Justin Bell
Their Hearts Grew Bold
131 bpm • G Maj • 01:46 • -11.77db
34% Popularity • 49% Danceability • 51% Energy • 12% Liveness
88% Instrumentalness • 14% Positiveness
34% Popularity • 49% Danceability • 51% Energy • 12% Liveness
88% Instrumentalness • 14% Positiveness
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Greg Edmonson
The City's Secret
131 bpm • F min • 03:32 • -20.08db
22% Popularity • 20% Danceability • 25% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
22% Popularity • 20% Danceability • 25% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Sarah Schachner
Assassin's Creed Origins Main Theme
131 bpm • G# Maj • 03:15 • -12.38db
46% Popularity • 16% Danceability • 53% Energy • 9% Liveness
87% Instrumentalness • 9% Positiveness
46% Popularity • 16% Danceability • 53% Energy • 9% Liveness
87% Instrumentalness • 9% Positiveness
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Marco Marin
Buleria
129 bpm • E min • 02:06 • -4.97db
30% Popularity • 58% Danceability • 75% Energy • 7% Liveness
1% Instrumentalness • 91% Positiveness
30% Popularity • 58% Danceability • 75% Energy • 7% Liveness
1% Instrumentalness • 91% Positiveness
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Bear McCreary
Jack the Ripper
132 bpm • D Maj • 07:16 • -13.65db
21% Popularity • 63% Danceability • 73% Energy • 9% Liveness
91% Instrumentalness • 12% Positiveness
21% Popularity • 63% Danceability • 73% Energy • 9% Liveness
91% Instrumentalness • 12% Positiveness
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Brian Tyler
Assassin's Creed IV Black Flag Main Them...
128 bpm • G Maj • 02:13 • -12.21db
56% Popularity • 32% Danceability • 62% Energy • 8% Liveness
90% Instrumentalness • 32% Positiveness
56% Popularity • 32% Danceability • 62% Energy • 8% Liveness
90% Instrumentalness • 32% Positiveness
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Jason Hayes
Orgrimmar
134 bpm • F Maj • 02:15 • -14.91db
36% Popularity • 33% Danceability • 48% Energy • 13% Liveness
88% Instrumentalness • 31% Positiveness
36% Popularity • 33% Danceability • 48% Energy • 13% Liveness
88% Instrumentalness • 31% Positiveness
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Greg Edmonson
Sir Francis Drake
128 bpm • G min • 01:07 • -16.44db
25% Popularity • 32% Danceability • 23% Energy • 11% Liveness
75% Instrumentalness • 34% Positiveness
25% Popularity • 32% Danceability • 23% Energy • 11% Liveness
75% Instrumentalness • 34% Positiveness
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Elitsa Alexandrova
Animus Black
126 bpm • E min • 01:19 • -26db
26% Popularity • 25% Danceability • 24% Energy • 18% Liveness
97% Instrumentalness • 27% Positiveness
26% Popularity • 25% Danceability • 24% Energy • 18% Liveness
97% Instrumentalness • 27% Positiveness
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Jesper Kyd
Venice Rooftops
126 bpm • A min • 03:18 • -9.92db
45% Popularity • 57% Danceability • 78% Energy • 9% Liveness
91% Instrumentalness • 14% Positiveness
45% Popularity • 57% Danceability • 78% Energy • 9% Liveness
91% Instrumentalness • 14% Positiveness
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Adam Skorupa
Assassins Of Kings
126 bpm • C Maj • 02:06 • -11db
31% Popularity • 24% Danceability • 60% Energy • 9% Liveness
97% Instrumentalness • 3% Positiveness
31% Popularity • 24% Danceability • 60% Energy • 9% Liveness
97% Instrumentalness • 3% Positiveness
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Brian Tyler
Iron Man 3
134 bpm • D Maj • 02:23 • -11.52db
53% Popularity • 38% Danceability • 58% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
53% Popularity • 38% Danceability • 58% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
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Christopher Lennertz
Stand Strong, Stand Together
126 bpm • G# Maj • 01:55 • -11db
32% Popularity • 17% Danceability • 44% Energy • 13% Liveness
90% Instrumentalness • 10% Positiveness
32% Popularity • 17% Danceability • 44% Energy • 13% Liveness
90% Instrumentalness • 10% Positiveness
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Patrick Doyle
Sons of Odin
126 bpm • F Maj • 01:48 • -16.56db
44% Popularity • 48% Danceability • 50% Energy • 10% Liveness
98% Instrumentalness • 24% Positiveness
44% Popularity • 48% Danceability • 50% Energy • 10% Liveness
98% Instrumentalness • 24% Positiveness
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Trailerhead
Glory Seeker
135 bpm • D min • 03:21 • -8.26db
30% Popularity • 48% Danceability • 83% Energy • 12% Liveness
83% Instrumentalness • 16% Positiveness
30% Popularity • 48% Danceability • 83% Energy • 12% Liveness
83% Instrumentalness • 16% Positiveness
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Lorne Balfe
Assassin's Creed III Main Theme
135 bpm • D min • 03:06 • -10.68db
50% Popularity • 41% Danceability • 88% Energy • 8% Liveness
81% Instrumentalness • 9% Positiveness
50% Popularity • 41% Danceability • 88% Energy • 8% Liveness
81% Instrumentalness • 9% Positiveness
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Ivan Duch
Givmaru Trading Harbor Combat
135 bpm • C# Maj • 01:04 • -11.88db
43% Popularity • 66% Danceability • 77% Energy • 11% Liveness
88% Instrumentalness • 43% Positiveness
43% Popularity • 66% Danceability • 77% Energy • 11% Liveness
88% Instrumentalness • 43% Positiveness
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Brian Tyler
Confrontation
126 bpm • D Maj • 03:15 • -12.76db
28% Popularity • 45% Danceability • 60% Energy • 10% Liveness
92% Instrumentalness • 10% Positiveness
28% Popularity • 45% Danceability • 60% Energy • 10% Liveness
92% Instrumentalness • 10% Positiveness
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Bill Brown
The Final Hour
135 bpm • G Maj • 04:08 • -16.31db
23% Popularity • 52% Danceability • 41% Energy • 7% Liveness
56% Instrumentalness • 11% Positiveness
23% Popularity • 52% Danceability • 41% Energy • 7% Liveness
56% Instrumentalness • 11% Positiveness
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Jan Valta
Rattay Feasts
135 bpm • C Maj • 01:34 • -11.44db
33% Popularity • 69% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
33% Popularity • 69% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Greg Edmonson
Nate's Theme 2.0
125 bpm • G Maj • 01:45 • -15db
42% Popularity • 29% Danceability • 39% Energy • 12% Liveness
92% Instrumentalness • 40% Positiveness
42% Popularity • 29% Danceability • 39% Energy • 12% Liveness
92% Instrumentalness • 40% Positiveness
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Danny Bensi and Saunder Jurriaans
The Emperor's Courtyard
125 bpm • G Maj • 01:38 • -14.48db
25% Popularity • 72% Danceability • 33% Energy • 10% Liveness
88% Instrumentalness • 9% Positiveness
25% Popularity • 72% Danceability • 33% Energy • 10% Liveness
88% Instrumentalness • 9% Positiveness
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Jason Hayes
The Golden Armada
125 bpm • B min • 02:23 • -10db
26% Popularity • 52% Danceability • 46% Energy • 6% Liveness
96% Instrumentalness • 14% Positiveness
26% Popularity • 52% Danceability • 46% Energy • 6% Liveness
96% Instrumentalness • 14% Positiveness
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Brian Tyler
Take What Is Ours!
124 bpm • A min • 03:15 • -11db
32% Popularity • 29% Danceability • 51% Energy • 8% Liveness
87% Instrumentalness • 12% Positiveness
32% Popularity • 29% Danceability • 51% Energy • 8% Liveness
87% Instrumentalness • 12% Positiveness
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Elitsa Alexandrova
Assassin's Creed Rogue Main Theme
136 bpm • D min • 02:08 • -15.11db
47% Popularity • 29% Danceability • 37% Energy • 12% Liveness
97% Instrumentalness • 25% Positiveness
47% Popularity • 29% Danceability • 37% Energy • 12% Liveness
97% Instrumentalness • 25% Positiveness
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League of Legends
Butcher's Bridge - Late Game
124 bpm • D min • 04:49 • -14.15db
31% Popularity • 69% Danceability • 42% Energy • 11% Liveness
94% Instrumentalness • 58% Positiveness
31% Popularity • 69% Danceability • 42% Energy • 11% Liveness
94% Instrumentalness • 58% Positiveness
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Greg Edmonson
Nate's Theme 3.0
125 bpm • E min • 01:47 • -12db
45% Popularity • 35% Danceability • 54% Energy • 11% Liveness
74% Instrumentalness • 21% Positiveness
45% Popularity • 35% Danceability • 54% Energy • 11% Liveness
74% Instrumentalness • 21% Positiveness
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Danny Bensi and Saunder Jurriaans
Ragnar's Ride
136 bpm • G Maj • 02:32 • -13.37db
25% Popularity • 34% Danceability • 35% Energy • 17% Liveness
81% Instrumentalness • 15% Positiveness
25% Popularity • 34% Danceability • 35% Energy • 17% Liveness
81% Instrumentalness • 15% Positiveness
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Olivier Deriviere
United
124 bpm • F min • 05:02 • -11.71db
11% Popularity • 63% Danceability • 63% Energy • 11% Liveness
8% Instrumentalness • 46% Positiveness
11% Popularity • 63% Danceability • 63% Energy • 11% Liveness
8% Instrumentalness • 46% Positiveness
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Brian Tyler
The Fortune of Edward Kenway
125 bpm • C min • 01:57 • -13.1db
34% Popularity • 58% Danceability • 57% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
34% Popularity • 58% Danceability • 57% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Elitsa Alexandrova
Dangerous Waters
124 bpm • A min • 04:20 • -13.61db
18% Popularity • 50% Danceability • 49% Energy • 11% Liveness
87% Instrumentalness • 23% Positiveness
18% Popularity • 50% Danceability • 49% Energy • 11% Liveness
87% Instrumentalness • 23% Positiveness
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League of Legends
Captain Fortune
124 bpm • A# Maj • 01:31 • -18.4db
31% Popularity • 55% Danceability • 32% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
31% Popularity • 55% Danceability • 32% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
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Steve Jablonsky
Battle On Land And Sea
136 bpm • C Maj • 02:49 • -11.04db
22% Popularity • 34% Danceability • 84% Energy • 41% Liveness
72% Instrumentalness • 11% Positiveness
22% Popularity • 34% Danceability • 84% Energy • 41% Liveness
72% Instrumentalness • 11% Positiveness
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Austin Wintory
The Churning Seas of London
123 bpm • A min • 01:58 • -22.09db
33% Popularity • 41% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
33% Popularity • 41% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Lorne Balfe
Fight Club
123 bpm • C min • 02:05 • -13.88db
51% Popularity • 56% Danceability • 47% Energy • 8% Liveness
5% Instrumentalness • 75% Positiveness
51% Popularity • 56% Danceability • 47% Energy • 8% Liveness
5% Instrumentalness • 75% Positiveness
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Brian Tyler
Thor, Son of Odin
136 bpm • D Maj • 01:52 • -11.39db
36% Popularity • 23% Danceability • 54% Energy • 12% Liveness
96% Instrumentalness • 11% Positiveness
36% Popularity • 23% Danceability • 54% Energy • 12% Liveness
96% Instrumentalness • 11% Positiveness
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Greg Edmonson
Small Beginnings
138 bpm • A# Maj • 02:16 • -16db
31% Popularity • 54% Danceability • 22% Energy • 9% Liveness
67% Instrumentalness • 28% Positiveness
31% Popularity • 54% Danceability • 22% Energy • 9% Liveness
67% Instrumentalness • 28% Positiveness
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Jan Valta
Skalitz 1403
122 bpm • A Maj • 02:21 • -12db
35% Popularity • 18% Danceability • 24% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
35% Popularity • 18% Danceability • 24% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Mikolai Stroinski
Fanfares And Flowers
139 bpm • D min • 03:10 • -11db
45% Popularity • 24% Danceability • 41% Energy • 21% Liveness
94% Instrumentalness • 4% Positiveness
45% Popularity • 24% Danceability • 41% Energy • 21% Liveness
94% Instrumentalness • 4% Positiveness
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Sam Hulick
I'm Proud Of You
139 bpm • A min • 01:17 • -13db
37% Popularity • 15% Danceability • 15% Energy • 10% Liveness
87% Instrumentalness • 5% Positiveness
37% Popularity • 15% Danceability • 15% Energy • 10% Liveness
87% Instrumentalness • 5% Positiveness
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Howard Shore
The Battle of the Pelennor Fields
121 bpm • E min • 04:10 • -14.87db
51% Popularity • 18% Danceability • 40% Energy • 8% Liveness
96% Instrumentalness • 7% Positiveness
51% Popularity • 18% Danceability • 40% Energy • 8% Liveness
96% Instrumentalness • 7% Positiveness
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Brian Tyler
Under the Black Flag
124 bpm • D Maj • 03:21 • -10.72db
34% Popularity • 54% Danceability • 77% Energy • 14% Liveness
92% Instrumentalness • 9% Positiveness
34% Popularity • 54% Danceability • 77% Energy • 14% Liveness
92% Instrumentalness • 9% Positiveness
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Jamie Christopherson
March of Heroes
140 bpm • D min • 01:32 • -16.09db
36% Popularity • 41% Danceability • 41% Energy • 20% Liveness
93% Instrumentalness • 30% Positiveness
36% Popularity • 41% Danceability • 41% Energy • 20% Liveness
93% Instrumentalness • 30% Positiveness
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Joris de Man
Victory - Part 1 - Motherland
121 bpm • C# Maj • 03:02 • -18.92db
32% Popularity • 17% Danceability • 31% Energy • 11% Liveness
38% Instrumentalness • 5% Positiveness
32% Popularity • 17% Danceability • 31% Energy • 11% Liveness
38% Instrumentalness • 5% Positiveness
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Steve Jablonsky
Optimus vs. Megatron
140 bpm • D Maj • 03:59 • -15.33db
37% Popularity • 25% Danceability • 38% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
37% Popularity • 25% Danceability • 38% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
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Cris Velasco
Prelude To War
140 bpm • D# Maj • 02:58 • -13db
30% Popularity • 31% Danceability • 52% Energy • 5% Liveness
96% Instrumentalness • 10% Positiveness
30% Popularity • 31% Danceability • 52% Energy • 5% Liveness
96% Instrumentalness • 10% Positiveness
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Pawel Blaszczak
Prepare For Battle!
140 bpm • C# min • 01:08 • -13.11db
33% Popularity • 61% Danceability • 85% Energy • 11% Liveness
94% Instrumentalness • 43% Positiveness
33% Popularity • 61% Danceability • 85% Energy • 11% Liveness
94% Instrumentalness • 43% Positiveness
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Brian Tyler
Return
140 bpm • E min • 06:20 • -14.7db
16% Popularity • 17% Danceability • 36% Energy • 33% Liveness
90% Instrumentalness • 4% Positiveness
16% Popularity • 17% Danceability • 36% Energy • 33% Liveness
90% Instrumentalness • 4% Positiveness
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Funcom Soundtrack
The Killing Sands
140 bpm • F# Maj • 01:09 • -16.32db
32% Popularity • 78% Danceability • 83% Energy • 11% Liveness
68% Instrumentalness • 7% Positiveness
32% Popularity • 78% Danceability • 83% Energy • 11% Liveness
68% Instrumentalness • 7% Positiveness
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Daniel Pemberton
The Power of Excalibur
140 bpm • D Maj • 04:03 • -13.67db
35% Popularity • 22% Danceability • 38% Energy • 20% Liveness
76% Instrumentalness • 4% Positiveness
35% Popularity • 22% Danceability • 38% Energy • 20% Liveness
76% Instrumentalness • 4% Positiveness
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Steven Price
Tiger Battle
140 bpm • G Maj • 06:17 • -11db
30% Popularity • 44% Danceability • 87% Energy • 35% Liveness
88% Instrumentalness • 10% Positiveness
30% Popularity • 44% Danceability • 87% Energy • 35% Liveness
88% Instrumentalness • 10% Positiveness
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Lorne Balfe
Modern Assassin
140 bpm • C# Maj • 03:05 • -11.63db
28% Popularity • 68% Danceability • 78% Energy • 11% Liveness
85% Instrumentalness • 34% Positiveness
28% Popularity • 68% Danceability • 78% Energy • 11% Liveness
85% Instrumentalness • 34% Positiveness
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Mikolai Stroinski
The Shrieker Contract
140 bpm • G min • 01:42 • -11.76db
40% Popularity • 51% Danceability • 88% Energy • 31% Liveness
3% Instrumentalness • 39% Positiveness
40% Popularity • 51% Danceability • 88% Energy • 31% Liveness
3% Instrumentalness • 39% Positiveness
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The Flight
Pirates, Thugs, and Bandits
140 bpm • A Maj • 04:33 • -12.39db
30% Popularity • 72% Danceability • 41% Energy • 28% Liveness
71% Instrumentalness • 48% Positiveness
30% Popularity • 72% Danceability • 41% Energy • 28% Liveness
71% Instrumentalness • 48% Positiveness
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Jason Graves
Adventure Found Me
140 bpm • G Maj • 01:02 • -17.04db
35% Popularity • 39% Danceability • 32% Energy • 8% Liveness
14% Instrumentalness • 4% Positiveness
35% Popularity • 39% Danceability • 32% Energy • 8% Liveness
14% Instrumentalness • 4% Positiveness
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Jamie Christopherson
Battle at Sundown
140 bpm • G# min • 01:38 • -11db
33% Popularity • 41% Danceability • 76% Energy • 12% Liveness
91% Instrumentalness • 34% Positiveness
33% Popularity • 41% Danceability • 76% Energy • 12% Liveness
91% Instrumentalness • 34% Positiveness
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Austin Wintory
So Much for a House Call
120 bpm • F min • 01:41 • -10.24db
20% Popularity • 45% Danceability • 66% Energy • 9% Liveness
95% Instrumentalness • 85% Positiveness
20% Popularity • 45% Danceability • 66% Energy • 9% Liveness
95% Instrumentalness • 85% Positiveness
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Adam Skorupa
Dusk Of A Northern Kingdom
141 bpm • C Maj • 04:34 • -21db
35% Popularity • 24% Danceability • 13% Energy • 10% Liveness
75% Instrumentalness • 7% Positiveness
35% Popularity • 24% Danceability • 13% Energy • 10% Liveness
75% Instrumentalness • 7% Positiveness
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Sean Dagher
Here's a Health to the Company
120 bpm • C Maj • 02:35 • -5.76db
41% Popularity • 74% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 75% Positiveness
41% Popularity • 74% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 75% Positiveness
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The Flight
Phoibe the Orphan
140 bpm • D min • 01:09 • -17db
36% Popularity • 68% Danceability • 10% Energy • 10% Liveness
34% Instrumentalness • 17% Positiveness
36% Popularity • 68% Danceability • 10% Energy • 10% Liveness
34% Instrumentalness • 17% Positiveness
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Brian Tyler
Heroes
120 bpm • C# Maj • 02:42 • -14.5db
24% Popularity • 31% Danceability • 54% Energy • 10% Liveness
82% Instrumentalness • 7% Positiveness
24% Popularity • 31% Danceability • 54% Energy • 10% Liveness
82% Instrumentalness • 7% Positiveness
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Elitsa Alexandrova
A Boy Becomes a Man
120 bpm • C Maj • 02:03 • -15.9db
19% Popularity • 69% Danceability • 32% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
19% Popularity • 69% Danceability • 32% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
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Jeff van Dyck
Ona Hei
120 bpm • F Maj • 02:17 • -12db
32% Popularity • 78% Danceability • 75% Energy • 10% Liveness
90% Instrumentalness • 19% Positiveness
32% Popularity • 78% Danceability • 75% Energy • 10% Liveness
90% Instrumentalness • 19% Positiveness
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Lorne Balfe
Beer and Friends
120 bpm • A min • 01:10 • -12db
33% Popularity • 56% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 16% Positiveness
33% Popularity • 56% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 16% Positiveness
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Midnight Syndicate
Skirmish
120 bpm • D min • 04:30 • -17db
36% Popularity • 54% Danceability • 31% Energy • 12% Liveness
78% Instrumentalness • 66% Positiveness
36% Popularity • 54% Danceability • 31% Energy • 12% Liveness
78% Instrumentalness • 66% Positiveness
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Joe Henson
Saint Pierre
120 bpm • G# Maj • 03:23 • -12db
12% Popularity • 55% Danceability • 71% Energy • 17% Liveness
89% Instrumentalness • 49% Positiveness
12% Popularity • 55% Danceability • 71% Energy • 17% Liveness
89% Instrumentalness • 49% Positiveness
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Brian Tyler
Order of the Assassin
120 bpm • G min • 03:10 • -10db
28% Popularity • 62% Danceability • 62% Energy • 7% Liveness
84% Instrumentalness • 13% Positiveness
28% Popularity • 62% Danceability • 62% Energy • 7% Liveness
84% Instrumentalness • 13% Positiveness
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Pawel Blaszczak
Last Battle
120 bpm • E min • 01:14 • -8db
34% Popularity • 53% Danceability • 83% Energy • 10% Liveness
85% Instrumentalness • 32% Positiveness
34% Popularity • 53% Danceability • 83% Energy • 10% Liveness
85% Instrumentalness • 32% Positiveness
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Sarah Schachner
Legions of Blood
120 bpm • D Maj • 02:38 • -9.68db
34% Popularity • 52% Danceability • 80% Energy • 18% Liveness
81% Instrumentalness • 24% Positiveness
34% Popularity • 52% Danceability • 80% Energy • 18% Liveness
81% Instrumentalness • 24% Positiveness
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Austin Wintory
I Would Have Created a Paradise
120 bpm • C min • 05:17 • -11.69db
19% Popularity • 44% Danceability • 54% Energy • 11% Liveness
83% Instrumentalness • 25% Positiveness
19% Popularity • 44% Danceability • 54% Energy • 11% Liveness
83% Instrumentalness • 25% Positiveness
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Midnight Syndicate
Deep Trouble
120 bpm • F Maj • 01:48 • -16.48db
35% Popularity • 52% Danceability • 45% Energy • 10% Liveness
98% Instrumentalness • 53% Positiveness
35% Popularity • 52% Danceability • 45% Energy • 10% Liveness
98% Instrumentalness • 53% Positiveness
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Jason Hayes
The Stars Our Home
120 bpm • F min • 03:46 • -13db
26% Popularity • 42% Danceability • 44% Energy • 11% Liveness
96% Instrumentalness • 15% Positiveness
26% Popularity • 42% Danceability • 44% Energy • 11% Liveness
96% Instrumentalness • 15% Positiveness
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Jesper Kyd
The Brotherhood Escapes
120 bpm • D Maj • 01:58 • -7.91db
33% Popularity • 70% Danceability • 95% Energy • 12% Liveness
6% Instrumentalness • 49% Positiveness
33% Popularity • 70% Danceability • 95% Energy • 12% Liveness
6% Instrumentalness • 49% Positiveness
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Pawel Blaszczak
Evening In The Tavern
120 bpm • B min • 00:57 • -13.4db
47% Popularity • 84% Danceability • 45% Energy • 13% Liveness
96% Instrumentalness • 97% Positiveness
47% Popularity • 84% Danceability • 45% Energy • 13% Liveness
96% Instrumentalness • 97% Positiveness
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Borislav Slavov
Rivellon
120 bpm • G Maj • 02:17 • -12db
46% Popularity • 50% Danceability • 26% Energy • 13% Liveness
84% Instrumentalness • 10% Positiveness
46% Popularity • 50% Danceability • 26% Energy • 13% Liveness
84% Instrumentalness • 10% Positiveness
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Ola Strandh
We Are the Division
120 bpm • E min • 03:44 • -20.87db
31% Popularity • 26% Danceability • 20% Energy • 8% Liveness
88% Instrumentalness • 3% Positiveness
31% Popularity • 26% Danceability • 20% Energy • 8% Liveness
88% Instrumentalness • 3% Positiveness
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Greg Edmonson
Atlantis of the Sands
141 bpm • D Maj • 02:33 • -11db
30% Popularity • 42% Danceability • 47% Energy • 21% Liveness
75% Instrumentalness • 7% Positiveness
30% Popularity • 42% Danceability • 47% Energy • 21% Liveness
75% Instrumentalness • 7% Positiveness
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Jack Wall
Mass Effect Theme
120 bpm • C Maj • 02:20 • -12.55db
40% Popularity • 46% Danceability • 47% Energy • 51% Liveness
84% Instrumentalness • 4% Positiveness
40% Popularity • 46% Danceability • 47% Energy • 51% Liveness
84% Instrumentalness • 4% Positiveness
