Songs like The Homecoming by John Tesh
Based on a tempo of (+/- 10%) and a similar genre
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Fattburger
Everybody Wants to Rule the World
113 bpm • D Maj • 04:17 • -9.96db
31% Popularity • 80% Danceability • 60% Energy • 13% Liveness
79% Instrumentalness • 58% Positiveness
31% Popularity • 80% Danceability • 60% Energy • 13% Liveness
79% Instrumentalness • 58% Positiveness
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Steve Bach
In My Arms
113 bpm • F min • 05:19 • -18.39db
33% Popularity • 69% Danceability • 16% Energy • 10% Liveness
42% Instrumentalness • 20% Positiveness
33% Popularity • 69% Danceability • 16% Energy • 10% Liveness
42% Instrumentalness • 20% Positiveness
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John Tesh
Take A Look At Me Now
113 bpm • C# Maj • 03:29 • -10.26db
28% Popularity • 40% Danceability • 34% Energy • 10% Liveness
8% Instrumentalness • 14% Positiveness
28% Popularity • 40% Danceability • 34% Energy • 10% Liveness
8% Instrumentalness • 14% Positiveness
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Scarborough Faire
If A Picture Paints A Thousand Words
112 bpm • A Maj • 03:09 • -16.24db
28% Popularity • 32% Danceability • 24% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
28% Popularity • 32% Danceability • 24% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
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Hagood Hardy
Chasing A Dream
113 bpm • F Maj • 03:57 • -17.58db
17% Popularity • 34% Danceability • 20% Energy • 8% Liveness
92% Instrumentalness • 22% Positiveness
17% Popularity • 34% Danceability • 20% Energy • 8% Liveness
92% Instrumentalness • 22% Positiveness
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Mike Strickland
Think Of Me
114 bpm • G# Maj • 04:45 • -17.49db
23% Popularity • 51% Danceability • 18% Energy • 8% Liveness
91% Instrumentalness • 18% Positiveness
23% Popularity • 51% Danceability • 18% Energy • 8% Liveness
91% Instrumentalness • 18% Positiveness
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Marcos Ariel
Afternoon Breeze
112 bpm • G# Maj • 04:25 • -12.62db
10% Popularity • 69% Danceability • 34% Energy • 9% Liveness
91% Instrumentalness • 38% Positiveness
10% Popularity • 69% Danceability • 34% Energy • 9% Liveness
91% Instrumentalness • 38% Positiveness
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Kostia
Face To Face
112 bpm • F min • 05:06 • -28.62db
12% Popularity • 55% Danceability • 3% Energy • 12% Liveness
91% Instrumentalness • 15% Positiveness
12% Popularity • 55% Danceability • 3% Energy • 12% Liveness
91% Instrumentalness • 15% Positiveness
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Yanni
To Take ...To Hold
112 bpm • G Maj • 04:02 • -18.98db
46% Popularity • 36% Danceability • 14% Energy • 9% Liveness
95% Instrumentalness • 8% Positiveness
46% Popularity • 36% Danceability • 14% Energy • 9% Liveness
95% Instrumentalness • 8% Positiveness
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John Tesh
Love Theme From St. Elmo's Fire
114 bpm • G# Maj • 03:38 • -12.71db
23% Popularity • 66% Danceability • 38% Energy • 12% Liveness
90% Instrumentalness • 28% Positiveness
23% Popularity • 66% Danceability • 38% Energy • 12% Liveness
90% Instrumentalness • 28% Positiveness
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Giuseppe Sbernini
Forever and Ever
114 bpm • C Maj • 03:25 • -13.55db
16% Popularity • 43% Danceability • 16% Energy • 16% Liveness
58% Instrumentalness • 18% Positiveness
16% Popularity • 43% Danceability • 16% Energy • 16% Liveness
58% Instrumentalness • 18% Positiveness
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Natalie Cole
A Smile Like Yours
114 bpm • C# Maj • 04:22 • -10db
33% Popularity • 57% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
33% Popularity • 57% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
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David Carnes
Open the Eyes of My Heart
115 bpm • E Maj • 03:26 • -24.36db
37% Popularity • 42% Danceability • 12% Energy • 10% Liveness
73% Instrumentalness • 9% Positiveness
37% Popularity • 42% Danceability • 12% Energy • 10% Liveness
73% Instrumentalness • 9% Positiveness
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John Fluker
A Long Way Home
111 bpm • A# Maj • 02:11 • -16.11db
23% Popularity • 43% Danceability • 14% Energy • 10% Liveness
93% Instrumentalness • 18% Positiveness
23% Popularity • 43% Danceability • 14% Energy • 10% Liveness
93% Instrumentalness • 18% Positiveness
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Anne Trenning
Silent Night II
111 bpm • F Maj • 03:06 • -19.12db
23% Popularity • 34% Danceability • 14% Energy • 11% Liveness
84% Instrumentalness • 26% Positiveness
23% Popularity • 34% Danceability • 14% Energy • 11% Liveness
84% Instrumentalness • 26% Positiveness
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John Tesh
Live To Tell
115 bpm • D min • 04:20 • -13.55db
9% Popularity • 52% Danceability • 28% Energy • 10% Liveness
40% Instrumentalness • 18% Positiveness
9% Popularity • 52% Danceability • 28% Energy • 10% Liveness
40% Instrumentalness • 18% Positiveness
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Greg Adams
Smooth Operator
111 bpm • F min • 03:48 • -13.66db
38% Popularity • 76% Danceability • 48% Energy • 7% Liveness
89% Instrumentalness • 73% Positiveness
38% Popularity • 76% Danceability • 48% Energy • 7% Liveness
89% Instrumentalness • 73% Positiveness
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Kim Waters
Steppin' Out
111 bpm • G min • 04:05 • -5.37db
46% Popularity • 70% Danceability • 79% Energy • 30% Liveness
27% Instrumentalness • 77% Positiveness
46% Popularity • 70% Danceability • 79% Energy • 30% Liveness
27% Instrumentalness • 77% Positiveness
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Jeff Lorber
Anthem For A New America
111 bpm • G Maj • 03:48 • -12db
35% Popularity • 66% Danceability • 41% Energy • 9% Liveness
94% Instrumentalness • 25% Positiveness
35% Popularity • 66% Danceability • 41% Energy • 9% Liveness
94% Instrumentalness • 25% Positiveness
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Keith Martinson
Let It Be Me
115 bpm • D Maj • 03:18 • -20db
24% Popularity • 39% Danceability • 11% Energy • 11% Liveness
91% Instrumentalness • 21% Positiveness
24% Popularity • 39% Danceability • 11% Energy • 11% Liveness
91% Instrumentalness • 21% Positiveness
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Andrew Neu
Next Time I Fall (In Love)
116 bpm • G# Maj • 03:49 • -4.79db
29% Popularity • 59% Danceability • 64% Energy • 24% Liveness
0% Instrumentalness • 35% Positiveness
29% Popularity • 59% Danceability • 64% Energy • 24% Liveness
0% Instrumentalness • 35% Positiveness
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Jonathan Cain
Elegance On The Catwalk
110 bpm • G min • 03:29 • -10.59db
34% Popularity • 66% Danceability • 64% Energy • 7% Liveness
87% Instrumentalness • 42% Positiveness
34% Popularity • 66% Danceability • 64% Energy • 7% Liveness
87% Instrumentalness • 42% Positiveness
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Barbra Streisand
Evergreen
116 bpm • F# Maj • 03:14 • -7.33db
28% Popularity • 52% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
28% Popularity • 52% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Anne Trenning
The Ash Grove
116 bpm • G Maj • 02:58 • -17db
31% Popularity • 53% Danceability • 17% Energy • 16% Liveness
55% Instrumentalness • 21% Positiveness
31% Popularity • 53% Danceability • 17% Energy • 16% Liveness
55% Instrumentalness • 21% Positiveness
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Dan Siegel
Rhapsody
116 bpm • F Maj • 03:45 • -15.14db
16% Popularity • 61% Danceability • 43% Energy • 16% Liveness
30% Instrumentalness • 33% Positiveness
16% Popularity • 61% Danceability • 43% Energy • 16% Liveness
30% Instrumentalness • 33% Positiveness
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Keith Martinson
The Hands of Time (Brian's Song)
116 bpm • G Maj • 02:20 • -21db
30% Popularity • 44% Danceability • 10% Energy • 11% Liveness
89% Instrumentalness • 21% Positiveness
30% Popularity • 44% Danceability • 10% Energy • 11% Liveness
89% Instrumentalness • 21% Positiveness
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Steve Cole
Undun
116 bpm • D# min • 04:53 • -8db
47% Popularity • 68% Danceability • 42% Energy • 8% Liveness
86% Instrumentalness • 48% Positiveness
47% Popularity • 68% Danceability • 42% Energy • 8% Liveness
86% Instrumentalness • 48% Positiveness
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Jonathan Cain
Tell It To My Heart
110 bpm • F min • 04:12 • -10.67db
12% Popularity • 68% Danceability • 45% Energy • 12% Liveness
61% Instrumentalness • 66% Positiveness
12% Popularity • 68% Danceability • 45% Energy • 12% Liveness
61% Instrumentalness • 66% Positiveness
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Eric Darius
Let's Stay Together
110 bpm • D min • 05:52 • -8.92db
36% Popularity • 77% Danceability • 57% Energy • 20% Liveness
80% Instrumentalness • 84% Positiveness
36% Popularity • 77% Danceability • 57% Energy • 20% Liveness
80% Instrumentalness • 84% Positiveness
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Jim Chappell
Day's End
116 bpm • C Maj • 03:43 • -20.93db
21% Popularity • 31% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
21% Popularity • 31% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Dan Siegel
Next to You
110 bpm • F# Maj • 03:30 • -17.23db
32% Popularity • 79% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
32% Popularity • 79% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Ken Navarro
Souvenir
110 bpm • A# min • 04:03 • -11db
31% Popularity • 84% Danceability • 62% Energy • 11% Liveness
65% Instrumentalness • 94% Positiveness
31% Popularity • 84% Danceability • 62% Energy • 11% Liveness
65% Instrumentalness • 94% Positiveness
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Steve Tyrell
The Way You Look Tonight
110 bpm • D# Maj • 04:32 • -11.3db
39% Popularity • 42% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
39% Popularity • 42% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Yanni
Almost A Whisper
110 bpm • F# min • 03:12 • -21.5db
43% Popularity • 52% Danceability • 11% Energy • 8% Liveness
89% Instrumentalness • 9% Positiveness
43% Popularity • 52% Danceability • 11% Energy • 8% Liveness
89% Instrumentalness • 9% Positiveness
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Keith Martinson
Till There Was You
110 bpm • D Maj • 02:32 • -22db
33% Popularity • 55% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 62% Positiveness
33% Popularity • 55% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 62% Positiveness
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Imagine
I Found Your Diary Underneath A Tree
110 bpm • G Maj • 04:00 • -15.69db
13% Popularity • 34% Danceability • 20% Energy • 12% Liveness
92% Instrumentalness • 10% Positiveness
13% Popularity • 34% Danceability • 20% Energy • 12% Liveness
92% Instrumentalness • 10% Positiveness
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Jane Leslie
Southampton Sunset
109 bpm • D# Maj • 03:24 • -24db
42% Popularity • 47% Danceability • 2% Energy • 14% Liveness
92% Instrumentalness • 12% Positiveness
42% Popularity • 47% Danceability • 2% Energy • 14% Liveness
92% Instrumentalness • 12% Positiveness
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John Tesh
The View From Here
117 bpm • C Maj • 03:02 • -25.16db
11% Popularity • 38% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 20% Positiveness
11% Popularity • 38% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 20% Positiveness
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Hagood Hardy
Falling In Love
109 bpm • D min • 02:40 • -14.49db
11% Popularity • 52% Danceability • 30% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
11% Popularity • 52% Danceability • 30% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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The Rippingtons
Aspen
118 bpm • G# Maj • 05:29 • -9.69db
31% Popularity • 72% Danceability • 66% Energy • 5% Liveness
82% Instrumentalness • 81% Positiveness
31% Popularity • 72% Danceability • 66% Energy • 5% Liveness
82% Instrumentalness • 81% Positiveness
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Jim Chappell
Gone
118 bpm • D# Maj • 05:03 • -16db
34% Popularity • 36% Danceability • 26% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
34% Popularity • 36% Danceability • 26% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
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Renato Falaschi
Love Boat
118 bpm • B min • 04:36 • -9.36db
42% Popularity • 64% Danceability • 70% Energy • 11% Liveness
90% Instrumentalness • 75% Positiveness
42% Popularity • 64% Danceability • 70% Energy • 11% Liveness
90% Instrumentalness • 75% Positiveness
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Steve Cole
Say It Again
108 bpm • A# Maj • 03:57 • -8.48db
28% Popularity • 71% Danceability • 70% Energy • 29% Liveness
84% Instrumentalness • 71% Positiveness
28% Popularity • 71% Danceability • 70% Energy • 29% Liveness
84% Instrumentalness • 71% Positiveness
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John Tesh
End Of The Innocence
117 bpm • G# Maj • 06:06 • -11.73db
11% Popularity • 57% Danceability • 49% Energy • 10% Liveness
76% Instrumentalness • 38% Positiveness
11% Popularity • 57% Danceability • 49% Energy • 10% Liveness
76% Instrumentalness • 38% Positiveness
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Yanni
Only A Memory
108 bpm • C# Maj • 04:16 • -21db
45% Popularity • 28% Danceability • 14% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
45% Popularity • 28% Danceability • 14% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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The Rippingtons
Hotel Deville
108 bpm • C# min • 04:41 • -8.91db
25% Popularity • 66% Danceability • 66% Energy • 14% Liveness
81% Instrumentalness • 51% Positiveness
25% Popularity • 66% Danceability • 66% Energy • 14% Liveness
81% Instrumentalness • 51% Positiveness
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Hagood Hardy
Friends In This World
107 bpm • A# Maj • 03:25 • -17.72db
17% Popularity • 36% Danceability • 17% Energy • 14% Liveness
88% Instrumentalness • 9% Positiveness
17% Popularity • 36% Danceability • 17% Energy • 14% Liveness
88% Instrumentalness • 9% Positiveness
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Richard Carpenter
For All We Know
119 bpm • B Maj • 03:37 • -18.72db
13% Popularity • 27% Danceability • 14% Energy • 14% Liveness
82% Instrumentalness • 12% Positiveness
13% Popularity • 27% Danceability • 14% Energy • 14% Liveness
82% Instrumentalness • 12% Positiveness
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Guitarist
The Rose
119 bpm • C Maj • 03:48 • -13db
33% Popularity • 57% Danceability • 11% Energy • 11% Liveness
82% Instrumentalness • 40% Positiveness
33% Popularity • 57% Danceability • 11% Energy • 11% Liveness
82% Instrumentalness • 40% Positiveness
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John Tesh
She's Like The Wind
108 bpm • E min • 04:20 • -13.36db
15% Popularity • 61% Danceability • 31% Energy • 5% Liveness
87% Instrumentalness • 8% Positiveness
15% Popularity • 61% Danceability • 31% Energy • 5% Liveness
87% Instrumentalness • 8% Positiveness
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Barry Manilow
I Believe In You And Me
120 bpm • C# min • 03:54 • -6.67db
43% Popularity • 41% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
43% Popularity • 41% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Darren Rahn
I Can't Go for That
107 bpm • F min • 03:57 • -7.72db
29% Popularity • 69% Danceability • 73% Energy • 16% Liveness
80% Instrumentalness • 83% Positiveness
29% Popularity • 69% Danceability • 73% Energy • 16% Liveness
80% Instrumentalness • 83% Positiveness
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Russ Freeman
From The Redwoods To The Rockies
107 bpm • D Maj • 04:33 • -11.38db
16% Popularity • 57% Danceability • 45% Energy • 24% Liveness
62% Instrumentalness • 27% Positiveness
16% Popularity • 57% Danceability • 45% Energy • 24% Liveness
62% Instrumentalness • 27% Positiveness
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The Marco Phillipe Orchestra
I Believe I Can Fly
120 bpm • G Maj • 04:46 • -15.28db
39% Popularity • 55% Danceability • 27% Energy • 12% Liveness
12% Instrumentalness • 5% Positiveness
39% Popularity • 55% Danceability • 27% Energy • 12% Liveness
12% Instrumentalness • 5% Positiveness
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The Manhattan Transfer
Smile Again
120 bpm • F# min • 04:36 • -12.58db
43% Popularity • 54% Danceability • 27% Energy • 17% Liveness
0% Instrumentalness • 12% Positiveness
43% Popularity • 54% Danceability • 27% Energy • 17% Liveness
0% Instrumentalness • 12% Positiveness
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John Tesh
Wind Beneath My Wings
118 bpm • G Maj • 03:32 • -13.77db
13% Popularity • 35% Danceability • 23% Energy • 16% Liveness
12% Instrumentalness • 8% Positiveness
13% Popularity • 35% Danceability • 23% Energy • 16% Liveness
12% Instrumentalness • 8% Positiveness
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Tom McBryde
Time After Time
107 bpm • A min • 02:48 • -18.85db
20% Popularity • 50% Danceability • 6% Energy • 8% Liveness
90% Instrumentalness • 32% Positiveness
20% Popularity • 50% Danceability • 6% Energy • 8% Liveness
90% Instrumentalness • 32% Positiveness
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Steve Cole
From the Start
107 bpm • G# Maj • 03:45 • -8.06db
32% Popularity • 77% Danceability • 63% Energy • 9% Liveness
87% Instrumentalness • 75% Positiveness
32% Popularity • 77% Danceability • 63% Energy • 9% Liveness
87% Instrumentalness • 75% Positiveness
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Grover Washington, Jr.
Can You Stop the Rain
120 bpm • D# min • 06:35 • -10.39db
24% Popularity • 53% Danceability • 47% Energy • 37% Liveness
9% Instrumentalness • 30% Positiveness
24% Popularity • 53% Danceability • 47% Energy • 37% Liveness
9% Instrumentalness • 30% Positiveness
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John Kaizan Neptune
Soft Melody
120 bpm • D min • 04:52 • -17.2db
26% Popularity • 53% Danceability • 27% Energy • 8% Liveness
7% Instrumentalness • 26% Positiveness
26% Popularity • 53% Danceability • 27% Energy • 8% Liveness
7% Instrumentalness • 26% Positiveness
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Steve Barakatt
Sailing Together
120 bpm • F min • 02:44 • -7.35db
32% Popularity • 57% Danceability • 66% Energy • 22% Liveness
86% Instrumentalness • 48% Positiveness
32% Popularity • 57% Danceability • 66% Energy • 22% Liveness
86% Instrumentalness • 48% Positiveness
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John Tesh
Goodnight Moon
120 bpm • D Maj • 02:51 • -18.53db
12% Popularity • 56% Danceability • 23% Energy • 20% Liveness
88% Instrumentalness • 33% Positiveness
12% Popularity • 56% Danceability • 23% Energy • 20% Liveness
88% Instrumentalness • 33% Positiveness
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Roy Todd
The Arrival
120 bpm • C Maj • 02:28 • -18.39db
22% Popularity • 54% Danceability • 6% Energy • 12% Liveness
82% Instrumentalness • 12% Positiveness
22% Popularity • 54% Danceability • 6% Energy • 12% Liveness
82% Instrumentalness • 12% Positiveness
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Jonathan Cain
After The Tears
120 bpm • D min • 03:50 • -13.63db
8% Popularity • 67% Danceability • 36% Energy • 9% Liveness
83% Instrumentalness • 16% Positiveness
8% Popularity • 67% Danceability • 36% Energy • 9% Liveness
83% Instrumentalness • 16% Positiveness
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Tom Grant
Dancing With You
120 bpm • G min • 05:11 • -10db
12% Popularity • 62% Danceability • 55% Energy • 11% Liveness
85% Instrumentalness • 28% Positiveness
12% Popularity • 62% Danceability • 55% Energy • 11% Liveness
85% Instrumentalness • 28% Positiveness
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Seawind
Follow Your Road
120 bpm • F Maj • 05:30 • -9.37db
40% Popularity • 48% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
40% Popularity • 48% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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The Rippingtons
Paris Groove
106 bpm • F# min • 03:37 • -6db
40% Popularity • 70% Danceability • 71% Energy • 11% Liveness
44% Instrumentalness • 55% Positiveness
40% Popularity • 70% Danceability • 71% Energy • 11% Liveness
44% Instrumentalness • 55% Positiveness
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John Tesh
Desperado
120 bpm • G Maj • 03:49 • -11.38db
12% Popularity • 34% Danceability • 20% Energy • 22% Liveness
50% Instrumentalness • 15% Positiveness
12% Popularity • 34% Danceability • 20% Energy • 22% Liveness
50% Instrumentalness • 15% Positiveness
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Stars Magical Orchestra
My All
106 bpm • G min • 04:20 • -16.39db
27% Popularity • 61% Danceability • 33% Energy • 12% Liveness
90% Instrumentalness • 11% Positiveness
27% Popularity • 61% Danceability • 33% Energy • 12% Liveness
90% Instrumentalness • 11% Positiveness
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Rick Stein
Piano Theme
106 bpm • C Maj • 02:24 • -13.15db
8% Popularity • 45% Danceability • 15% Energy • 14% Liveness
93% Instrumentalness • 16% Positiveness
8% Popularity • 45% Danceability • 15% Energy • 14% Liveness
93% Instrumentalness • 16% Positiveness
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Dalia Reid
Mother, I Miss You
106 bpm • C Maj • 03:28 • -12.38db
11% Popularity • 46% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 18% Positiveness
11% Popularity • 46% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 18% Positiveness
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Dan Siegel
Then and Now
121 bpm • F min • 04:00 • -16db
37% Popularity • 71% Danceability • 39% Energy • 10% Liveness
91% Instrumentalness • 54% Positiveness
37% Popularity • 71% Danceability • 39% Energy • 10% Liveness
91% Instrumentalness • 54% Positiveness
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![Face to Face (Orchestrated) [feat. Doug Hammer] cover art](https://i.scdn.co/image/ab67616d00001e02bc62e569e651f4797bf12650)
Joe Bongiorno
Face to Face (Orchestrated)
106 bpm • C# Maj • 03:56 • -16.63db
22% Popularity • 34% Danceability • 17% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
22% Popularity • 34% Danceability • 17% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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John Tesh
Because You Loved Me
120 bpm • G# Maj • 03:17 • -14.59db
15% Popularity • 60% Danceability • 36% Energy • 37% Liveness
90% Instrumentalness • 14% Positiveness
15% Popularity • 60% Danceability • 36% Energy • 37% Liveness
90% Instrumentalness • 14% Positiveness
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The Marco Phillipe Orchestra
Without You
121 bpm • F# Maj • 03:11 • -10.34db
46% Popularity • 74% Danceability • 32% Energy • 7% Liveness
93% Instrumentalness • 31% Positiveness
46% Popularity • 74% Danceability • 32% Energy • 7% Liveness
93% Instrumentalness • 31% Positiveness
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Tom McBryde
Time In A Bottle
105 bpm • D Maj • 03:49 • -21.94db
12% Popularity • 38% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
12% Popularity • 38% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
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Spencer Brewer
Tomorrow's Child
105 bpm • D Maj • 04:52 • -12.62db
25% Popularity • 45% Danceability • 22% Energy • 12% Liveness
80% Instrumentalness • 19% Positiveness
25% Popularity • 45% Danceability • 22% Energy • 12% Liveness
80% Instrumentalness • 19% Positiveness
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The Rippingtons
Gypsy Eyes
105 bpm • F# min • 04:19 • -7db
32% Popularity • 69% Danceability • 75% Energy • 25% Liveness
80% Instrumentalness • 35% Positiveness
32% Popularity • 69% Danceability • 75% Energy • 25% Liveness
80% Instrumentalness • 35% Positiveness
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William Joseph
A Mother's Heart
105 bpm • A Maj • 03:39 • -19db
33% Popularity • 50% Danceability • 7% Energy • 12% Liveness
95% Instrumentalness • 20% Positiveness
33% Popularity • 50% Danceability • 7% Energy • 12% Liveness
95% Instrumentalness • 20% Positiveness
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John Tesh
Look What You've Done To Me
120 bpm • D# min • 04:25 • -15.88db
13% Popularity • 59% Danceability • 14% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
13% Popularity • 59% Danceability • 14% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
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Chuck Mangione
Feels So Good - Single Version
105 bpm • F# Maj • 03:32 • -12.43db
50% Popularity • 61% Danceability • 50% Energy • 11% Liveness
2% Instrumentalness • 60% Positiveness
50% Popularity • 61% Danceability • 50% Energy • 11% Liveness
2% Instrumentalness • 60% Positiveness
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Steven Cravis
My Precious One
105 bpm • A Maj • 02:43 • -15.85db
36% Popularity • 38% Danceability • 28% Energy • 13% Liveness
89% Instrumentalness • 27% Positiveness
36% Popularity • 38% Danceability • 28% Energy • 13% Liveness
89% Instrumentalness • 27% Positiveness
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Spencer Brewer
Wonderland
105 bpm • A# Maj • 03:55 • -16.89db
28% Popularity • 66% Danceability • 29% Energy • 16% Liveness
86% Instrumentalness • 33% Positiveness
28% Popularity • 66% Danceability • 29% Energy • 16% Liveness
86% Instrumentalness • 33% Positiveness
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Jay Soto
The Sunshine Song
122 bpm • C Maj • 04:07 • -18.53db
14% Popularity • 41% Danceability • 21% Energy • 12% Liveness
93% Instrumentalness • 11% Positiveness
14% Popularity • 41% Danceability • 21% Energy • 12% Liveness
93% Instrumentalness • 11% Positiveness
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Noah Perry
Goodbye Yellow Brick Road
122 bpm • F Maj • 03:13 • -14.59db
25% Popularity • 58% Danceability • 38% Energy • 12% Liveness
90% Instrumentalness • 23% Positiveness
25% Popularity • 58% Danceability • 38% Energy • 12% Liveness
90% Instrumentalness • 23% Positiveness
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John Tesh
Give Me Forever (I Do)
106 bpm • C Maj • 03:50 • -10.23db
38% Popularity • 37% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
38% Popularity • 37% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
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Jeff Golub
On The Beach
122 bpm • F min • 04:42 • -7db
46% Popularity • 82% Danceability • 62% Energy • 8% Liveness
71% Instrumentalness • 86% Positiveness
46% Popularity • 82% Danceability • 62% Energy • 8% Liveness
71% Instrumentalness • 86% Positiveness
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Paul Jackson, Jr.
To Be Like Him
122 bpm • G# min • 05:35 • -7.36db
33% Popularity • 69% Danceability • 64% Energy • 32% Liveness
77% Instrumentalness • 30% Positiveness
33% Popularity • 69% Danceability • 64% Energy • 32% Liveness
77% Instrumentalness • 30% Positiveness
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Jon Secada
Thank You for Being You
104 bpm • G# Maj • 03:14 • -9.17db
36% Popularity • 56% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
36% Popularity • 56% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Lee Ritenour
Dreamwalkin' (Along With Me)
123 bpm • D Maj • 04:11 • -14db
43% Popularity • 57% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 18% Positiveness
43% Popularity • 57% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 18% Positiveness
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Jeff Kashiwa
Hyde Park (The 'Ah, Oooh' Song)
104 bpm • A# min • 04:21 • -7db
42% Popularity • 72% Danceability • 73% Energy • 34% Liveness
26% Instrumentalness • 71% Positiveness
42% Popularity • 72% Danceability • 73% Energy • 34% Liveness
26% Instrumentalness • 71% Positiveness
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John Tesh
Against All Odds
105 bpm • C# Maj • 04:13 • -15.14db
15% Popularity • 37% Danceability • 10% Energy • 11% Liveness
87% Instrumentalness • 19% Positiveness
15% Popularity • 37% Danceability • 10% Energy • 11% Liveness
87% Instrumentalness • 19% Positiveness
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Fourplay
Fields of Gold
104 bpm • B min • 05:40 • -10db
42% Popularity • 77% Danceability • 47% Energy • 8% Liveness
76% Instrumentalness • 42% Positiveness
42% Popularity • 77% Danceability • 47% Energy • 8% Liveness
76% Instrumentalness • 42% Positiveness
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Anne Trenning
The Welcome Song
104 bpm • D Maj • 03:35 • -15.49db
36% Popularity • 37% Danceability • 20% Energy • 17% Liveness
93% Instrumentalness • 13% Positiveness
36% Popularity • 37% Danceability • 20% Energy • 17% Liveness
93% Instrumentalness • 13% Positiveness
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Tom Barabas
Lovers in the Moonlight
104 bpm • G Maj • 05:20 • -14.59db
10% Popularity • 37% Danceability • 22% Energy • 11% Liveness
89% Instrumentalness • 26% Positiveness
10% Popularity • 37% Danceability • 22% Energy • 11% Liveness
89% Instrumentalness • 26% Positiveness
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Euge Groove
Love Won't Let Me Wait
123 bpm • C min • 05:00 • -7.88db
32% Popularity • 51% Danceability • 41% Energy • 8% Liveness
80% Instrumentalness • 16% Positiveness
32% Popularity • 51% Danceability • 41% Energy • 8% Liveness
80% Instrumentalness • 16% Positiveness
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John Fluker
A Dream Remembers
123 bpm • E Maj • 04:51 • -18.6db
17% Popularity • 42% Danceability • 13% Energy • 14% Liveness
88% Instrumentalness • 14% Positiveness
17% Popularity • 42% Danceability • 13% Energy • 14% Liveness
88% Instrumentalness • 14% Positiveness
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John Tesh
Fields Of Gold
104 bpm • D Maj • 04:02 • -13.35db
15% Popularity • 53% Danceability • 35% Energy • 6% Liveness
84% Instrumentalness • 15% Positiveness
15% Popularity • 53% Danceability • 35% Energy • 6% Liveness
84% Instrumentalness • 15% Positiveness
