Songs like The Hook by Mark Mancina
Based on a tempo of (+/- 10%) and a similar genre
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The Cast of Peter Pan
Rumor Has It/Hangman's Tree - Original
77 bpm • G Maj • 02:37 • -21.07db
15% Popularity • 37% Danceability • 9% Energy • 14% Liveness
3% Instrumentalness • 30% Positiveness
15% Popularity • 37% Danceability • 9% Energy • 14% Liveness
3% Instrumentalness • 30% Positiveness
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Andrew Lockington
Journey
77 bpm • C Maj • 03:53 • -14.01db
27% Popularity • 22% Danceability • 32% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
27% Popularity • 22% Danceability • 32% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
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Daniel Hart
It's Not Half Bad Being a Pirate
77 bpm • G Maj • 01:22 • -9.36db
16% Popularity • 33% Danceability • 33% Energy • 8% Liveness
63% Instrumentalness • 16% Positiveness
16% Popularity • 33% Danceability • 33% Energy • 8% Liveness
63% Instrumentalness • 16% Positiveness
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Geoff Zanelli
Nothing Ever Bad Came from Bouncing
77 bpm • D# Maj • 01:40 • -19.06db
19% Popularity • 35% Danceability • 23% Energy • 18% Liveness
80% Instrumentalness • 17% Positiveness
19% Popularity • 35% Danceability • 23% Energy • 18% Liveness
80% Instrumentalness • 17% Positiveness
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Germaine Franco
The Cracks Emerge
77 bpm • C# Maj • 01:22 • -14.55db
45% Popularity • 20% Danceability • 48% Energy • 10% Liveness
93% Instrumentalness • 23% Positiveness
45% Popularity • 20% Danceability • 48% Energy • 10% Liveness
93% Instrumentalness • 23% Positiveness
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Ollie Johnston
Ollie Johnston & Frank Thomas Interview
77 bpm • D Maj • 06:22 • -28.7db
10% Popularity • 67% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
10% Popularity • 67% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Paul J. Smith
A Perfect Fit
77 bpm • G min • 01:30 • -17.31db
30% Popularity • 24% Danceability • 20% Energy • 28% Liveness
83% Instrumentalness • 4% Positiveness
30% Popularity • 24% Danceability • 20% Energy • 28% Liveness
83% Instrumentalness • 4% Positiveness
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The Cast of Peter Pan
The Last Night in the Nursery - Original
77 bpm • E min • 03:00 • -20.73db
14% Popularity • 28% Danceability • 8% Energy • 21% Liveness
76% Instrumentalness • 7% Positiveness
14% Popularity • 28% Danceability • 8% Energy • 21% Liveness
76% Instrumentalness • 7% Positiveness
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Joel McNeely
Flight Through Never land
76 bpm • C Maj • 02:41 • -15db
33% Popularity • 27% Danceability • 29% Energy • 16% Liveness
84% Instrumentalness • 15% Positiveness
33% Popularity • 27% Danceability • 29% Energy • 16% Liveness
84% Instrumentalness • 15% Positiveness
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Rupert Gregson-Williams
Humming Up a Storm
78 bpm • G min • 04:10 • -12.97db
23% Popularity • 8% Danceability • 32% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
23% Popularity • 8% Danceability • 32% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
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Germaine Franco
Tenacious Mirabel
77 bpm • A min • 01:35 • -20.02db
44% Popularity • 16% Danceability • 3% Energy • 15% Liveness
92% Instrumentalness • 3% Positiveness
44% Popularity • 16% Danceability • 3% Energy • 15% Liveness
92% Instrumentalness • 3% Positiveness
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David Newman
Checking Out The Cave
78 bpm • F Maj • 03:43 • -16.22db
26% Popularity • 23% Danceability • 14% Energy • 11% Liveness
50% Instrumentalness • 8% Positiveness
26% Popularity • 23% Danceability • 14% Energy • 11% Liveness
50% Instrumentalness • 8% Positiveness
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Nicholas Hooper
A Journey to Hogwarts
78 bpm • A min • 02:52 • -22db
48% Popularity • 9% Danceability • 14% Energy • 36% Liveness
93% Instrumentalness • 3% Positiveness
48% Popularity • 9% Danceability • 14% Energy • 36% Liveness
93% Instrumentalness • 3% Positiveness
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John Debney
Shere Khan's War Theme
76 bpm • A Maj • 02:35 • -13.49db
18% Popularity • 40% Danceability • 52% Energy • 51% Liveness
94% Instrumentalness • 6% Positiveness
18% Popularity • 40% Danceability • 52% Energy • 51% Liveness
94% Instrumentalness • 6% Positiveness
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Oliver Wallace
In The Doghouse / The Rat Returns / Fals...
76 bpm • G Maj • 06:05 • -15.86db
12% Popularity • 34% Danceability • 22% Energy • 10% Liveness
80% Instrumentalness • 22% Positiveness
12% Popularity • 34% Danceability • 22% Energy • 10% Liveness
80% Instrumentalness • 22% Positiveness
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Disney Peaceful Strings
Do You Want to Build a Snowman?
78 bpm • D Maj • 03:35 • -12.55db
38% Popularity • 20% Danceability • 28% Energy • 15% Liveness
86% Instrumentalness • 20% Positiveness
38% Popularity • 20% Danceability • 28% Energy • 15% Liveness
86% Instrumentalness • 20% Positiveness
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Patrick Doyle
Show Us The Way
76 bpm • G# Maj • 03:46 • -13.64db
28% Popularity • 16% Danceability • 18% Energy • 14% Liveness
74% Instrumentalness • 19% Positiveness
28% Popularity • 16% Danceability • 18% Energy • 14% Liveness
74% Instrumentalness • 19% Positiveness
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Mark Watters
Genie And Jasmine/Cassim Leaves
76 bpm • D min • 01:49 • -27.97db
22% Popularity • 17% Danceability • 3% Energy • 6% Liveness
86% Instrumentalness • 6% Positiveness
22% Popularity • 17% Danceability • 3% Energy • 6% Liveness
86% Instrumentalness • 6% Positiveness
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Joseph Trapanese
He Has a Home
78 bpm • C# Maj • 04:39 • -22.88db
15% Popularity • 7% Danceability • 10% Energy • 14% Liveness
87% Instrumentalness • 4% Positiveness
15% Popularity • 7% Danceability • 10% Energy • 14% Liveness
87% Instrumentalness • 4% Positiveness
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Anthony Willis
A Snoggletog Prologue / Zephyr & The Boo...
78 bpm • D min • 02:31 • -20.71db
27% Popularity • 14% Danceability • 15% Energy • 11% Liveness
84% Instrumentalness • 11% Positiveness
27% Popularity • 14% Danceability • 15% Energy • 11% Liveness
84% Instrumentalness • 11% Positiveness
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Carter Burwell
Deep Sludge
78 bpm • C min • 02:03 • -21.89db
31% Popularity • 21% Danceability • 6% Energy • 30% Liveness
85% Instrumentalness • 7% Positiveness
31% Popularity • 21% Danceability • 6% Energy • 30% Liveness
85% Instrumentalness • 7% Positiveness
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John Debney
Cold Lair Chase
76 bpm • F min • 04:00 • -15.53db
16% Popularity • 31% Danceability • 41% Energy • 11% Liveness
83% Instrumentalness • 7% Positiveness
16% Popularity • 31% Danceability • 41% Energy • 11% Liveness
83% Instrumentalness • 7% Positiveness
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Andrew Lockington
Annabeth and the Fleece
76 bpm • D min • 02:03 • -26.07db
23% Popularity • 20% Danceability • 5% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
23% Popularity • 20% Danceability • 5% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Mark Watters
Aladdin And Cassim Escape
78 bpm • G Maj • 02:38 • -22.52db
17% Popularity • 12% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
17% Popularity • 12% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Robert Elhai
Simba Confronts Scar
78 bpm • D# Maj • 02:25 • -8.51db
35% Popularity • 56% Danceability • 70% Energy • 10% Liveness
66% Instrumentalness • 50% Positiveness
35% Popularity • 56% Danceability • 70% Energy • 10% Liveness
66% Instrumentalness • 50% Positiveness
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Mark Mancina
Tala's Deathbed
76 bpm • G# Maj • 02:00 • -18db
48% Popularity • 19% Danceability • 4% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
48% Popularity • 19% Danceability • 4% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
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Ludwig Göransson
I'm Keeping It
76 bpm • A# Maj • 01:42 • -17.58db
23% Popularity • 7% Danceability • 12% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
23% Popularity • 7% Danceability • 12% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
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Oliver Wallace
Midnight Chase
78 bpm • A min • 01:36 • -12.33db
31% Popularity • 37% Danceability • 45% Energy • 13% Liveness
79% Instrumentalness • 38% Positiveness
31% Popularity • 37% Danceability • 45% Energy • 13% Liveness
79% Instrumentalness • 38% Positiveness
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Joseph Trapanese
Tony and Joe
75 bpm • F Maj • 02:29 • -25.15db
20% Popularity • 17% Danceability • 8% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
20% Popularity • 17% Danceability • 8% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
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Mark Watters
The Hand Of Midas
78 bpm • C Maj • 02:07 • -21.46db
21% Popularity • 24% Danceability • 18% Energy • 9% Liveness
54% Instrumentalness • 4% Positiveness
21% Popularity • 24% Danceability • 18% Energy • 9% Liveness
54% Instrumentalness • 4% Positiveness
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Jodi Benson
Part of Your World (Reprise)/ Ursula Plo...
75 bpm • F Maj • 03:03 • -19db
25% Popularity • 15% Danceability • 13% Energy • 10% Liveness
19% Instrumentalness • 7% Positiveness
25% Popularity • 15% Danceability • 13% Energy • 10% Liveness
19% Instrumentalness • 7% Positiveness
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Mark Mancina
Maui Battles - Score Demo
75 bpm • C Maj • 01:57 • -13.11db
36% Popularity • 22% Danceability • 59% Energy • 43% Liveness
85% Instrumentalness • 14% Positiveness
36% Popularity • 22% Danceability • 59% Energy • 43% Liveness
85% Instrumentalness • 14% Positiveness
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Steven Price
Nighttime Conversation
75 bpm • D# min • 01:39 • -24db
31% Popularity • 14% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
31% Popularity • 14% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
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Phil Collins
Three Brothers
79 bpm • G Maj • 06:44 • -15.11db
32% Popularity • 11% Danceability • 27% Energy • 12% Liveness
64% Instrumentalness • 5% Positiveness
32% Popularity • 11% Danceability • 27% Energy • 12% Liveness
64% Instrumentalness • 5% Positiveness
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Joseph Trapanese
Left Behind
75 bpm • B Maj • 01:52 • -30.64db
20% Popularity • 7% Danceability • 2% Energy • 27% Liveness
78% Instrumentalness • 4% Positiveness
20% Popularity • 7% Danceability • 2% Energy • 27% Liveness
78% Instrumentalness • 4% Positiveness
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Bruce Broughton
Bambi And The Great Prince
79 bpm • A# Maj • 03:34 • -16.17db
28% Popularity • 9% Danceability • 26% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
28% Popularity • 9% Danceability • 26% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Daniel Hart
No Clocks
79 bpm • G# Maj • 02:53 • -19.39db
10% Popularity • 18% Danceability • 3% Energy • 34% Liveness
49% Instrumentalness • 5% Positiveness
10% Popularity • 18% Danceability • 3% Energy • 34% Liveness
49% Instrumentalness • 5% Positiveness
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Mark Mancina
Tala Returns - Score Demo
75 bpm • D min • 01:15 • -23.87db
37% Popularity • 14% Danceability • 8% Energy • 28% Liveness
85% Instrumentalness • 4% Positiveness
37% Popularity • 14% Danceability • 8% Energy • 28% Liveness
85% Instrumentalness • 4% Positiveness
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Carter Burwell
Opening Fanfare / Max's Dream
79 bpm • D# Maj • 01:49 • -17.97db
32% Popularity • 14% Danceability • 14% Energy • 10% Liveness
84% Instrumentalness • 5% Positiveness
32% Popularity • 14% Danceability • 14% Energy • 10% Liveness
84% Instrumentalness • 5% Positiveness
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Kevin Kiner
Ezra's Theme
79 bpm • G min • 02:44 • -15.65db
26% Popularity • 18% Danceability • 19% Energy • 35% Liveness
91% Instrumentalness • 4% Positiveness
26% Popularity • 18% Danceability • 19% Energy • 35% Liveness
91% Instrumentalness • 4% Positiveness
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Rupert Gregson-Williams
Burnish Does Some Tracking
75 bpm • G# Maj • 02:36 • -14.44db
23% Popularity • 15% Danceability • 20% Energy • 13% Liveness
82% Instrumentalness • 4% Positiveness
23% Popularity • 15% Danceability • 20% Energy • 13% Liveness
82% Instrumentalness • 4% Positiveness
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Frank Churchill
Fire / Reunion / Finale
75 bpm • G# Maj • 05:36 • -17.31db
21% Popularity • 15% Danceability • 30% Energy • 8% Liveness
29% Instrumentalness • 18% Positiveness
21% Popularity • 15% Danceability • 30% Energy • 8% Liveness
29% Instrumentalness • 18% Positiveness
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Joel McNeely
Reunion
75 bpm • C Maj • 02:20 • -18.3db
34% Popularity • 21% Danceability • 14% Energy • 12% Liveness
78% Instrumentalness • 6% Positiveness
34% Popularity • 21% Danceability • 14% Energy • 12% Liveness
78% Instrumentalness • 6% Positiveness
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Leigh Harline
Lesson in Lies
79 bpm • G Maj • 02:30 • -15.97db
22% Popularity • 30% Danceability • 18% Energy • 11% Liveness
54% Instrumentalness • 7% Positiveness
22% Popularity • 30% Danceability • 18% Energy • 11% Liveness
54% Instrumentalness • 7% Positiveness
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Germaine Franco
I Need You
75 bpm • G Maj • 02:27 • -28db
48% Popularity • 17% Danceability • 6% Energy • 7% Liveness
95% Instrumentalness • 3% Positiveness
48% Popularity • 17% Danceability • 6% Energy • 7% Liveness
95% Instrumentalness • 3% Positiveness
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Mark Mancina
One Family
80 bpm • A# min • 03:48 • -24.07db
44% Popularity • 12% Danceability • 5% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
44% Popularity • 12% Danceability • 5% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Rupert Gregson-Williams
Starry Night Becomes a Wipe Out
80 bpm • G Maj • 03:22 • -11.01db
23% Popularity • 25% Danceability • 44% Energy • 9% Liveness
44% Instrumentalness • 6% Positiveness
23% Popularity • 25% Danceability • 44% Energy • 9% Liveness
44% Instrumentalness • 6% Positiveness
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Larry Morey
Sleepy Morning In The Woods/The Young Pr...
79 bpm • C Maj • 05:13 • -20.25db
30% Popularity • 25% Danceability • 11% Energy • 12% Liveness
9% Instrumentalness • 24% Positiveness
30% Popularity • 25% Danceability • 11% Energy • 12% Liveness
9% Instrumentalness • 24% Positiveness
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David Newman
Humans / Diego
80 bpm • G Maj • 01:43 • -14.36db
34% Popularity • 17% Danceability • 34% Energy • 16% Liveness
92% Instrumentalness • 6% Positiveness
34% Popularity • 17% Danceability • 34% Energy • 16% Liveness
92% Instrumentalness • 6% Positiveness
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Ludwig Göransson
Unleashing The Panda
80 bpm • C min • 02:06 • -11.47db
21% Popularity • 42% Danceability • 30% Energy • 4% Liveness
53% Instrumentalness • 8% Positiveness
21% Popularity • 42% Danceability • 30% Energy • 4% Liveness
53% Instrumentalness • 8% Positiveness
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Nicholas Hooper
Ron's Victory
80 bpm • E min • 01:44 • -17.6db
40% Popularity • 52% Danceability • 33% Energy • 5% Liveness
78% Instrumentalness • 29% Positiveness
40% Popularity • 52% Danceability • 33% Energy • 5% Liveness
78% Instrumentalness • 29% Positiveness
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Mark Mancina
Afterglow
80 bpm • E min • 03:11 • -14.84db
25% Popularity • 49% Danceability • 53% Energy • 36% Liveness
74% Instrumentalness • 38% Positiveness
25% Popularity • 49% Danceability • 53% Energy • 36% Liveness
74% Instrumentalness • 38% Positiveness
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Rupert Gregson-Williams
Bandages and Blankets
74 bpm • A Maj • 02:11 • -18db
36% Popularity • 18% Danceability • 7% Energy • 12% Liveness
65% Instrumentalness • 3% Positiveness
36% Popularity • 18% Danceability • 7% Energy • 12% Liveness
65% Instrumentalness • 3% Positiveness
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Larry Morey
The Meadow / Bambi Sees Faline / Bambi G...
80 bpm • A Maj • 04:55 • -21db
25% Popularity • 28% Danceability • 12% Energy • 44% Liveness
7% Instrumentalness • 36% Positiveness
25% Popularity • 28% Danceability • 12% Energy • 44% Liveness
7% Instrumentalness • 36% Positiveness
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Mark Mothersbaugh
Ice Cream Wonderland
80 bpm • A Maj • 01:22 • -13.72db
12% Popularity • 25% Danceability • 22% Energy • 9% Liveness
69% Instrumentalness • 6% Positiveness
12% Popularity • 25% Danceability • 22% Energy • 9% Liveness
69% Instrumentalness • 6% Positiveness
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Oliver Wallace
Good-Bye Peter - Shanghaied
80 bpm • C Maj • 00:55 • -23.33db
35% Popularity • 37% Danceability • 8% Energy • 11% Liveness
20% Instrumentalness • 20% Positiveness
35% Popularity • 37% Danceability • 8% Energy • 11% Liveness
20% Instrumentalness • 20% Positiveness
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The Cast of 101 Dalmatians
What's All The Hurry/A Perfect Situation...
74 bpm • F Maj • 03:18 • -13db
19% Popularity • 33% Danceability • 17% Energy • 10% Liveness
2% Instrumentalness • 24% Positiveness
19% Popularity • 33% Danceability • 17% Energy • 10% Liveness
2% Instrumentalness • 24% Positiveness
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Trevor Rabin
Poe Meets Larkin
80 bpm • D Maj • 01:16 • -21.77db
23% Popularity • 24% Danceability • 12% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
23% Popularity • 24% Danceability • 12% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Germaine Franco
El RÃo
80 bpm • C min • 01:27 • -31.02db
52% Popularity • 38% Danceability • 1% Energy • 11% Liveness
85% Instrumentalness • 7% Positiveness
52% Popularity • 38% Danceability • 1% Energy • 11% Liveness
85% Instrumentalness • 7% Positiveness
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Rupert Gregson-Williams
Amazons Of Themyscira
80 bpm • E min • 06:47 • -21db
38% Popularity • 8% Danceability • 22% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
38% Popularity • 8% Danceability • 22% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Carter Burwell
Hi Dad Soup
74 bpm • D Maj • 01:31 • -28.67db
32% Popularity • 12% Danceability • 1% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
32% Popularity • 12% Danceability • 1% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Marc Shaiman
Goodbye Old Friend
73 bpm • F Maj • 02:32 • -20.66db
41% Popularity • 15% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
41% Popularity • 15% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Kevin Kliesch
Rocks Point the Way
81 bpm • A min • 03:05 • -15.06db
14% Popularity • 8% Danceability • 15% Energy • 21% Liveness
96% Instrumentalness • 4% Positiveness
14% Popularity • 8% Danceability • 15% Energy • 21% Liveness
96% Instrumentalness • 4% Positiveness
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Geoff Zanelli
Etiquette Lessons
81 bpm • D min • 02:05 • -28db
13% Popularity • 18% Danceability • 4% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
13% Popularity • 18% Danceability • 4% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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Mark Mancina
Shiny Heart
73 bpm • E min • 00:36 • -27.69db
41% Popularity • 12% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
41% Popularity • 12% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Daniel Hart
Neverland
73 bpm • A Maj • 02:42 • -11.35db
34% Popularity • 29% Danceability • 37% Energy • 22% Liveness
88% Instrumentalness • 7% Positiveness
34% Popularity • 29% Danceability • 37% Energy • 22% Liveness
88% Instrumentalness • 7% Positiveness
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Oliver Wallace
Warning / Breakout / Snob Hill / A Wee B...
81 bpm • C Maj • 02:44 • -14.81db
17% Popularity • 37% Danceability • 6% Energy • 15% Liveness
77% Instrumentalness • 15% Positiveness
17% Popularity • 37% Danceability • 6% Energy • 15% Liveness
77% Instrumentalness • 15% Positiveness
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Donna Murphy
Prologue
81 bpm • C Maj • 02:02 • -16.53db
43% Popularity • 17% Danceability • 18% Energy • 24% Liveness
3% Instrumentalness • 17% Positiveness
43% Popularity • 17% Danceability • 18% Energy • 24% Liveness
3% Instrumentalness • 17% Positiveness
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Patrick Doyle
Fate And Destiny
81 bpm • D min • 04:17 • -16db
44% Popularity • 10% Danceability • 10% Energy • 10% Liveness
21% Instrumentalness • 4% Positiveness
44% Popularity • 10% Danceability • 10% Energy • 10% Liveness
21% Instrumentalness • 4% Positiveness
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The Cast of 101 Dalmatians
I'm Hungry/Get Some Rest/Back on the Roa...
82 bpm • A# Maj • 03:13 • -14.6db
10% Popularity • 14% Danceability • 20% Energy • 21% Liveness
55% Instrumentalness • 9% Positiveness
10% Popularity • 14% Danceability • 20% Energy • 21% Liveness
55% Instrumentalness • 9% Positiveness
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George Bruns
Poor Bear
82 bpm • G min • 01:08 • -19.12db
37% Popularity • 17% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
37% Popularity • 17% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Mark Watters
Wedding/Attack Of The Forty Thieves
82 bpm • C Maj • 06:40 • -18db
14% Popularity • 20% Danceability • 23% Energy • 11% Liveness
58% Instrumentalness • 15% Positiveness
14% Popularity • 20% Danceability • 23% Energy • 11% Liveness
58% Instrumentalness • 15% Positiveness
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Oliver Wallace
Through The Zoo / A Long Puller
81 bpm • G Maj • 02:01 • -17.72db
16% Popularity • 45% Danceability • 4% Energy • 20% Liveness
64% Instrumentalness • 44% Positiveness
16% Popularity • 45% Danceability • 4% Energy • 20% Liveness
64% Instrumentalness • 44% Positiveness
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Steven Price
I've Lost Everything Now
82 bpm • C# Maj • 05:49 • -12.87db
21% Popularity • 15% Danceability • 19% Energy • 12% Liveness
78% Instrumentalness • 5% Positiveness
21% Popularity • 15% Danceability • 19% Energy • 12% Liveness
78% Instrumentalness • 5% Positiveness
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Patrick Doyle
Get The Key
82 bpm • D min • 03:15 • -12db
27% Popularity • 38% Danceability • 50% Energy • 10% Liveness
83% Instrumentalness • 14% Positiveness
27% Popularity • 38% Danceability • 50% Energy • 10% Liveness
83% Instrumentalness • 14% Positiveness
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Marc Shaiman
Race to Big Ben
82 bpm • B min • 04:55 • -12.96db
25% Popularity • 23% Danceability • 46% Energy • 18% Liveness
89% Instrumentalness • 8% Positiveness
25% Popularity • 23% Danceability • 46% Energy • 18% Liveness
89% Instrumentalness • 8% Positiveness
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Blayne Weaver
So to Be One of Us
82 bpm • G Maj • 01:26 • -9db
20% Popularity • 51% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
20% Popularity • 51% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Rupert Gregson-Williams
Dandelion Chase
82 bpm • C Maj • 01:36 • -11.35db
27% Popularity • 24% Danceability • 44% Energy • 10% Liveness
89% Instrumentalness • 16% Positiveness
27% Popularity • 24% Danceability • 44% Energy • 10% Liveness
89% Instrumentalness • 16% Positiveness
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Oliver Wallace
A New Collar / Jock & Trusty / It's Jim ...
81 bpm • G Maj • 03:17 • -17db
25% Popularity • 25% Danceability • 12% Energy • 18% Liveness
79% Instrumentalness • 28% Positiveness
25% Popularity • 25% Danceability • 12% Energy • 18% Liveness
79% Instrumentalness • 28% Positiveness
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David Arnold
High King and Queen of Narnia
83 bpm • C Maj • 01:33 • -18.57db
44% Popularity • 11% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
44% Popularity • 11% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
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Patrick Doyle
Through The Castle
72 bpm • C min • 04:34 • -18.45db
30% Popularity • 32% Danceability • 9% Energy • 12% Liveness
5% Instrumentalness • 14% Positiveness
30% Popularity • 32% Danceability • 9% Energy • 12% Liveness
5% Instrumentalness • 14% Positiveness
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Ludwig Göransson
Inconvenient Genetics
83 bpm • F min • 03:35 • -28.42db
12% Popularity • 20% Danceability • 7% Energy • 10% Liveness
68% Instrumentalness • 4% Positiveness
12% Popularity • 20% Danceability • 7% Energy • 10% Liveness
68% Instrumentalness • 4% Positiveness
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Dave Metzger
I Love You Too
72 bpm • F Maj • 02:42 • -21.51db
12% Popularity • 19% Danceability • 8% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
12% Popularity • 19% Danceability • 8% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
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Joel McNeely
The Journey Begins
83 bpm • C Maj • 02:59 • -17.5db
30% Popularity • 18% Danceability • 13% Energy • 9% Liveness
97% Instrumentalness • 7% Positiveness
30% Popularity • 18% Danceability • 13% Energy • 9% Liveness
97% Instrumentalness • 7% Positiveness
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Oliver Wallace
Cat and Mice / The King's Plans
82 bpm • G Maj • 03:50 • -20.83db
15% Popularity • 22% Danceability • 9% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
15% Popularity • 22% Danceability • 9% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
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Mark Mancina
Sad Mayday
83 bpm • G min • 02:00 • -28.83db
26% Popularity • 8% Danceability • 4% Energy • 12% Liveness
2% Instrumentalness • 7% Positiveness
26% Popularity • 8% Danceability • 4% Energy • 12% Liveness
2% Instrumentalness • 7% Positiveness
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Chorus - Pocahontas
Savages - Pt. 2
72 bpm • A min • 02:15 • -16db
43% Popularity • 33% Danceability • 27% Energy • 8% Liveness
4% Instrumentalness • 31% Positiveness
43% Popularity • 33% Danceability • 27% Energy • 8% Liveness
4% Instrumentalness • 31% Positiveness
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Mark Watters
The Oracle
83 bpm • C# Maj • 02:11 • -23db
19% Popularity • 14% Danceability • 11% Energy • 34% Liveness
52% Instrumentalness • 5% Positiveness
19% Popularity • 14% Danceability • 11% Energy • 34% Liveness
52% Instrumentalness • 5% Positiveness
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Marcy Harriell
More - Reprise - Outtake
83 bpm • D Maj • 02:38 • -10.45db
40% Popularity • 51% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
40% Popularity • 51% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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David Newman
Running From The Lava
71 bpm • G Maj • 02:27 • -9db
29% Popularity • 26% Danceability • 50% Energy • 25% Liveness
16% Instrumentalness • 4% Positiveness
29% Popularity • 26% Danceability • 50% Energy • 25% Liveness
16% Instrumentalness • 4% Positiveness
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Marc Shaiman
Chase Through the Bank
83 bpm • F Maj • 01:11 • -18.19db
33% Popularity • 17% Danceability • 14% Energy • 13% Liveness
34% Instrumentalness • 6% Positiveness
33% Popularity • 17% Danceability • 14% Energy • 13% Liveness
34% Instrumentalness • 6% Positiveness
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Larry Morey
Exploring / Say Bird / Flower
83 bpm • C min • 06:01 • -23.35db
28% Popularity • 29% Danceability • 7% Energy • 18% Liveness
2% Instrumentalness • 31% Positiveness
28% Popularity • 29% Danceability • 7% Energy • 18% Liveness
2% Instrumentalness • 31% Positiveness
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John Debney
The Great Battle/Friends Forever
83 bpm • G# Maj • 06:17 • -16db
17% Popularity • 18% Danceability • 19% Energy • 35% Liveness
73% Instrumentalness • 4% Positiveness
17% Popularity • 18% Danceability • 19% Energy • 35% Liveness
73% Instrumentalness • 4% Positiveness
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George Bruns
Prince Phillip Arrives / How to Tell Ste...
71 bpm • G# Maj • 02:26 • -18.89db
26% Popularity • 22% Danceability • 9% Energy • 30% Liveness
95% Instrumentalness • 11% Positiveness
26% Popularity • 22% Danceability • 9% Energy • 30% Liveness
95% Instrumentalness • 11% Positiveness
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Auli'i Cravalho
How Far I'll Go - Reprise
83 bpm • E Maj • 01:27 • -8.37db
63% Popularity • 43% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
63% Popularity • 43% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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The Cast of 101 Dalmatians
Dognapped!/Anita Darling/What'll We Do? ...
84 bpm • G Maj • 03:06 • -15.67db
10% Popularity • 23% Danceability • 12% Energy • 8% Liveness
39% Instrumentalness • 3% Positiveness
10% Popularity • 23% Danceability • 12% Energy • 8% Liveness
39% Instrumentalness • 3% Positiveness
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Mark Mancina
Running on Fumes
83 bpm • F Maj • 03:09 • -9.36db
25% Popularity • 14% Danceability • 51% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
25% Popularity • 14% Danceability • 51% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
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Mark Mothersbaugh
A Father's Love
84 bpm • G min • 01:19 • -36.44db
12% Popularity • 9% Danceability • 0% Energy • 16% Liveness
86% Instrumentalness • 4% Positiveness
12% Popularity • 9% Danceability • 0% Energy • 16% Liveness
86% Instrumentalness • 4% Positiveness
