Songs like The Hour Glass by Rob Kelly
Based on a tempo of (+/- 10%) and a similar genre
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Rob Kelly
The Hour Glass
177 bpm • D# Maj • 02:54 • -15.59db
1% Popularity • 13% Danceability • 26% Energy • 12% Liveness
90% Instrumentalness • 5% Positiveness
1% Popularity • 13% Danceability • 26% Energy • 12% Liveness
90% Instrumentalness • 5% Positiveness
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Abreu Project
Flavor Cats
176 bpm • G Maj • 03:01 • -7.46db
12% Popularity • 56% Danceability • 68% Energy • 8% Liveness
89% Instrumentalness • 20% Positiveness
12% Popularity • 56% Danceability • 68% Energy • 8% Liveness
89% Instrumentalness • 20% Positiveness
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Quincas Moreira
Sabor Moreno
178 bpm • G Maj • 03:01 • -9.25db
38% Popularity • 76% Danceability • 60% Energy • 3% Liveness
90% Instrumentalness • 51% Positiveness
38% Popularity • 76% Danceability • 60% Energy • 3% Liveness
90% Instrumentalness • 51% Positiveness
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Les Winner's
Echo Rap
176 bpm • G min • 02:38 • -6.7db
8% Popularity • 62% Danceability • 35% Energy • 28% Liveness
36% Instrumentalness • 63% Positiveness
8% Popularity • 62% Danceability • 35% Energy • 28% Liveness
36% Instrumentalness • 63% Positiveness
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Kyrylo Zaplotynskyi
Middle East Ramadan Music
180 bpm • C Maj • 01:50 • -6.82db
12% Popularity • 53% Danceability • 51% Energy • 25% Liveness
98% Instrumentalness • 23% Positiveness
12% Popularity • 53% Danceability • 51% Energy • 25% Liveness
98% Instrumentalness • 23% Positiveness
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Golden Age Radio
Taste of New Orleans
176 bpm • F min • 01:57 • -8.48db
19% Popularity • 62% Danceability • 42% Energy • 10% Liveness
94% Instrumentalness • 88% Positiveness
19% Popularity • 62% Danceability • 42% Energy • 10% Liveness
94% Instrumentalness • 88% Positiveness
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Coma-Media
Catch It
180 bpm • C# Maj • 01:28 • -8.27db
12% Popularity • 76% Danceability • 83% Energy • 9% Liveness
82% Instrumentalness • 83% Positiveness
12% Popularity • 76% Danceability • 83% Energy • 9% Liveness
82% Instrumentalness • 83% Positiveness
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Noche 9
A View To A Tango - Clip Mix
180 bpm • E min • 01:08 • -6.52db
8% Popularity • 68% Danceability • 92% Energy • 18% Liveness
81% Instrumentalness • 91% Positiveness
8% Popularity • 68% Danceability • 92% Energy • 18% Liveness
81% Instrumentalness • 91% Positiveness
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Robert Edwards
Stuck
180 bpm • E min • 04:21 • -6.68db
13% Popularity • 60% Danceability • 78% Energy • 8% Liveness
4% Instrumentalness • 56% Positiveness
13% Popularity • 60% Danceability • 78% Energy • 8% Liveness
4% Instrumentalness • 56% Positiveness
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Alexander L'Estrange
Freeway Trail
180 bpm • A min • 02:32 • -11.54db
0% Popularity • 56% Danceability • 43% Energy • 55% Liveness
59% Instrumentalness • 62% Positiveness
0% Popularity • 56% Danceability • 43% Energy • 55% Liveness
59% Instrumentalness • 62% Positiveness
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Kyrylo Zaplotynskyi
Istanbul
180 bpm • C Maj • 01:30 • -8.72db
1% Popularity • 56% Danceability • 49% Energy • 15% Liveness
76% Instrumentalness • 36% Positiveness
1% Popularity • 56% Danceability • 49% Energy • 15% Liveness
76% Instrumentalness • 36% Positiveness
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Luella Gren
Theme for Empty Stage
180 bpm • D# min • 03:34 • -7db
9% Popularity • 32% Danceability • 70% Energy • 28% Liveness
87% Instrumentalness • 43% Positiveness
9% Popularity • 32% Danceability • 70% Energy • 28% Liveness
87% Instrumentalness • 43% Positiveness
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Oddweird
The Hepcat Ate the Jitterbug
173 bpm • G min • 02:09 • -7.88db
10% Popularity • 68% Danceability • 55% Energy • 10% Liveness
44% Instrumentalness • 63% Positiveness
10% Popularity • 68% Danceability • 55% Energy • 10% Liveness
44% Instrumentalness • 63% Positiveness
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Sven Lindvall
Smoke the Herp
173 bpm • C Maj • 02:57 • -7.25db
8% Popularity • 64% Danceability • 78% Energy • 42% Liveness
42% Instrumentalness • 87% Positiveness
8% Popularity • 64% Danceability • 78% Energy • 42% Liveness
42% Instrumentalness • 87% Positiveness
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Mefisto Brass
Sultan's Hassapotechnico
173 bpm • C# Maj • 04:23 • -7.08db
8% Popularity • 41% Danceability • 71% Energy • 12% Liveness
90% Instrumentalness • 68% Positiveness
8% Popularity • 41% Danceability • 71% Energy • 12% Liveness
90% Instrumentalness • 68% Positiveness
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Cody High
Counting the Days
182 bpm • F min • 01:34 • -14.65db
20% Popularity • 68% Danceability • 42% Energy • 11% Liveness
96% Instrumentalness • 92% Positiveness
20% Popularity • 68% Danceability • 42% Energy • 11% Liveness
96% Instrumentalness • 92% Positiveness
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Daniele Benati
Domani è Domenica - Strumentale
172 bpm • D min • 02:06 • -12.73db
16% Popularity • 76% Danceability • 55% Energy • 3% Liveness
11% Instrumentalness • 96% Positiveness
16% Popularity • 76% Danceability • 55% Energy • 3% Liveness
11% Instrumentalness • 96% Positiveness
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DiMenezes
Theories and Failures
172 bpm • A# min • 05:37 • -13.83db
7% Popularity • 66% Danceability • 59% Energy • 11% Liveness
89% Instrumentalness • 70% Positiveness
7% Popularity • 66% Danceability • 59% Energy • 11% Liveness
89% Instrumentalness • 70% Positiveness
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The New Fools
Harpoon
172 bpm • A# min • 02:25 • -6.87db
13% Popularity • 76% Danceability • 79% Energy • 7% Liveness
90% Instrumentalness • 86% Positiveness
13% Popularity • 76% Danceability • 79% Energy • 7% Liveness
90% Instrumentalness • 86% Positiveness
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Neon Beach
Why The Face
172 bpm • C# min • 02:24 • -6.81db
15% Popularity • 58% Danceability • 91% Energy • 31% Liveness
90% Instrumentalness • 95% Positiveness
15% Popularity • 58% Danceability • 91% Energy • 31% Liveness
90% Instrumentalness • 95% Positiveness
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Lucas Pittman
Dusty Blinds
172 bpm • D Maj • 04:06 • -9.67db
10% Popularity • 64% Danceability • 58% Energy • 32% Liveness
85% Instrumentalness • 48% Positiveness
10% Popularity • 64% Danceability • 58% Energy • 32% Liveness
85% Instrumentalness • 48% Positiveness
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Samarabalouf
No Future
170 bpm • D Maj • 03:39 • -6.21db
16% Popularity • 60% Danceability • 77% Energy • 12% Liveness
86% Instrumentalness • 96% Positiveness
16% Popularity • 60% Danceability • 77% Energy • 12% Liveness
86% Instrumentalness • 96% Positiveness
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Minimatic
Midnight
172 bpm • A Maj • 04:06 • -5.82db
19% Popularity • 71% Danceability • 80% Energy • 11% Liveness
42% Instrumentalness • 81% Positiveness
19% Popularity • 71% Danceability • 80% Energy • 11% Liveness
42% Instrumentalness • 81% Positiveness
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Arthur Benson
The Puppet Show
170 bpm • A min • 01:59 • -14.49db
12% Popularity • 66% Danceability • 27% Energy • 11% Liveness
39% Instrumentalness • 35% Positiveness
12% Popularity • 66% Danceability • 27% Energy • 11% Liveness
39% Instrumentalness • 35% Positiveness
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Laurent Dury
Quirky Life
170 bpm • A# min • 02:05 • -12.3db
24% Popularity • 69% Danceability • 61% Energy • 11% Liveness
88% Instrumentalness • 65% Positiveness
24% Popularity • 69% Danceability • 61% Energy • 11% Liveness
88% Instrumentalness • 65% Positiveness
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Dolphin Hyperspace
Caterpillar Dance
170 bpm • C# Maj • 03:39 • -8.2db
24% Popularity • 66% Danceability • 68% Energy • 7% Liveness
82% Instrumentalness • 71% Positiveness
24% Popularity • 66% Danceability • 68% Energy • 7% Liveness
82% Instrumentalness • 71% Positiveness
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Emily Lim
Breakbeat Brass
170 bpm • C Maj • 03:44 • -8.44db
5% Popularity • 51% Danceability • 84% Energy • 15% Liveness
92% Instrumentalness • 66% Positiveness
5% Popularity • 51% Danceability • 84% Energy • 15% Liveness
92% Instrumentalness • 66% Positiveness
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Joe E. Lee
Bar Mitzvah in Haifa
170 bpm • C Maj • 02:08 • -8.92db
9% Popularity • 78% Danceability • 34% Energy • 11% Liveness
72% Instrumentalness • 89% Positiveness
9% Popularity • 78% Danceability • 34% Energy • 11% Liveness
72% Instrumentalness • 89% Positiveness
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pär
The Girl from Summer Camp
186 bpm • G# min • 02:58 • -6.54db
9% Popularity • 56% Danceability • 69% Energy • 19% Liveness
81% Instrumentalness • 37% Positiveness
9% Popularity • 56% Danceability • 69% Energy • 19% Liveness
81% Instrumentalness • 37% Positiveness
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2Saxy
Heart To Heart
168 bpm • G# Maj • 02:21 • -8.29db
7% Popularity • 46% Danceability • 33% Energy • 88% Liveness
36% Instrumentalness • 42% Positiveness
7% Popularity • 46% Danceability • 33% Energy • 88% Liveness
36% Instrumentalness • 42% Positiveness
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Klas Johan Wahl
Go Time
168 bpm • G# Maj • 02:50 • -9.99db
8% Popularity • 50% Danceability • 63% Energy • 9% Liveness
91% Instrumentalness • 43% Positiveness
8% Popularity • 50% Danceability • 63% Energy • 9% Liveness
91% Instrumentalness • 43% Positiveness
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Lucas Pittman
Snake Hips
168 bpm • D Maj • 04:02 • -7.33db
8% Popularity • 54% Danceability • 94% Energy • 22% Liveness
95% Instrumentalness • 90% Positiveness
8% Popularity • 54% Danceability • 94% Energy • 22% Liveness
95% Instrumentalness • 90% Positiveness
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Louis Adrien
Waltzing in Paris
168 bpm • C# Maj • 02:40 • -10.28db
7% Popularity • 55% Danceability • 32% Energy • 36% Liveness
11% Instrumentalness • 83% Positiveness
7% Popularity • 55% Danceability • 32% Energy • 36% Liveness
11% Instrumentalness • 83% Positiveness
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Bamwaves
Hoop to Hoop
168 bpm • B min • 01:43 • -10.47db
10% Popularity • 66% Danceability • 64% Energy • 10% Liveness
84% Instrumentalness • 71% Positiveness
10% Popularity • 66% Danceability • 64% Energy • 10% Liveness
84% Instrumentalness • 71% Positiveness
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Keith Mansfield
Wild Waters
168 bpm • G# Maj • 03:28 • -5.54db
9% Popularity • 63% Danceability • 92% Energy • 32% Liveness
85% Instrumentalness • 79% Positiveness
9% Popularity • 63% Danceability • 92% Energy • 32% Liveness
85% Instrumentalness • 79% Positiveness
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Mike Franklyn
No More Conversations
167 bpm • A Maj • 02:05 • -8db
9% Popularity • 60% Danceability • 86% Energy • 14% Liveness
74% Instrumentalness • 60% Positiveness
9% Popularity • 60% Danceability • 86% Energy • 14% Liveness
74% Instrumentalness • 60% Positiveness
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Mary Riddle
Let the Good Times Roll
188 bpm • G# Maj • 03:13 • -9.3db
13% Popularity • 56% Danceability • 58% Energy • 14% Liveness
94% Instrumentalness • 35% Positiveness
13% Popularity • 56% Danceability • 58% Energy • 14% Liveness
94% Instrumentalness • 35% Positiveness
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Stationary Sign
Haunted Playhouse
166 bpm • F# min • 02:08 • -7.84db
18% Popularity • 57% Danceability • 52% Energy • 6% Liveness
92% Instrumentalness • 88% Positiveness
18% Popularity • 57% Danceability • 52% Energy • 6% Liveness
92% Instrumentalness • 88% Positiveness
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Alexander L'Estrange
Headlong
164 bpm • C Maj • 03:16 • -10.62db
0% Popularity • 41% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
0% Popularity • 41% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Rob Kelly
Happy Symmetry
164 bpm • C Maj • 02:12 • -13.58db
2% Popularity • 64% Danceability • 38% Energy • 10% Liveness
96% Instrumentalness • 92% Positiveness
2% Popularity • 64% Danceability • 38% Energy • 10% Liveness
96% Instrumentalness • 92% Positiveness
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Lucas Pittman
Le Chat Noir
192 bpm • A# min • 04:08 • -6.08db
20% Popularity • 70% Danceability • 61% Energy • 8% Liveness
90% Instrumentalness • 89% Positiveness
20% Popularity • 70% Danceability • 61% Energy • 8% Liveness
90% Instrumentalness • 89% Positiveness
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Moins Le Quartet
I Tremble
165 bpm • E min • 02:03 • -10db
10% Popularity • 77% Danceability • 53% Energy • 13% Liveness
64% Instrumentalness • 77% Positiveness
10% Popularity • 77% Danceability • 53% Energy • 13% Liveness
64% Instrumentalness • 77% Positiveness
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Ugotln
jazzou
193 bpm • A min • 02:22 • -6.54db
41% Popularity • 46% Danceability • 54% Energy • 28% Liveness
84% Instrumentalness • 74% Positiveness
41% Popularity • 46% Danceability • 54% Energy • 28% Liveness
84% Instrumentalness • 74% Positiveness
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Barabás Lőrinc
Moulin
162 bpm • D# Maj • 04:11 • -14.76db
13% Popularity • 29% Danceability • 19% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
13% Popularity • 29% Danceability • 19% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
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The New Fools
Things on My Mind
194 bpm • C# min • 02:16 • -6.11db
22% Popularity • 61% Danceability • 93% Energy • 5% Liveness
88% Instrumentalness • 86% Positiveness
22% Popularity • 61% Danceability • 93% Energy • 5% Liveness
88% Instrumentalness • 86% Positiveness
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Rob Kelly
Primordial Fear
163 bpm • A# min • 03:02 • -22.56db
0% Popularity • 12% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
0% Popularity • 12% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Cyrus Reel
Cuz I Got High
162 bpm • G Maj • 01:16 • -14.22db
14% Popularity • 79% Danceability • 25% Energy • 10% Liveness
86% Instrumentalness • 74% Positiveness
14% Popularity • 79% Danceability • 25% Energy • 10% Liveness
86% Instrumentalness • 74% Positiveness
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Martin Landström
Moonlight Night
194 bpm • G Maj • 02:05 • -6.44db
18% Popularity • 41% Danceability • 83% Energy • 7% Liveness
56% Instrumentalness • 86% Positiveness
18% Popularity • 41% Danceability • 83% Energy • 7% Liveness
56% Instrumentalness • 86% Positiveness
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Serge Quadrado
Buenos Breeze
160 bpm • G min • 03:00 • -13.16db
11% Popularity • 83% Danceability • 51% Energy • 11% Liveness
64% Instrumentalness • 88% Positiveness
11% Popularity • 83% Danceability • 51% Energy • 11% Liveness
64% Instrumentalness • 88% Positiveness
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Steve Oxen
Modern Samurai
160 bpm • G Maj • 02:40 • -9.74db
1% Popularity • 63% Danceability • 64% Energy • 10% Liveness
90% Instrumentalness • 40% Positiveness
1% Popularity • 63% Danceability • 64% Energy • 10% Liveness
90% Instrumentalness • 40% Positiveness
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Moins Le Quartet
Dashing
160 bpm • A Maj • 02:28 • -11.25db
10% Popularity • 87% Danceability • 38% Energy • 10% Liveness
85% Instrumentalness • 89% Positiveness
10% Popularity • 87% Danceability • 38% Energy • 10% Liveness
85% Instrumentalness • 89% Positiveness
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Rob Kelly
Battle Ska
160 bpm • C Maj • 03:13 • -8.43db
3% Popularity • 62% Danceability • 91% Energy • 34% Liveness
91% Instrumentalness • 96% Positiveness
3% Popularity • 62% Danceability • 91% Energy • 34% Liveness
91% Instrumentalness • 96% Positiveness
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River Lume
Cars of Guadalajara
157 bpm • C min • 03:14 • -10.32db
10% Popularity • 75% Danceability • 47% Energy • 8% Liveness
72% Instrumentalness • 90% Positiveness
10% Popularity • 75% Danceability • 47% Energy • 8% Liveness
72% Instrumentalness • 90% Positiveness
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Ian Post
DuDa
157 bpm • A# min • 03:04 • -7.51db
25% Popularity • 72% Danceability • 72% Energy • 13% Liveness
84% Instrumentalness • 88% Positiveness
25% Popularity • 72% Danceability • 72% Energy • 13% Liveness
84% Instrumentalness • 88% Positiveness
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Golden Age Radio
Nothing Left to Ask For
202 bpm • E min • 01:54 • -5.75db
17% Popularity • 65% Danceability • 53% Energy • 8% Liveness
14% Instrumentalness • 89% Positiveness
17% Popularity • 65% Danceability • 53% Energy • 8% Liveness
14% Instrumentalness • 89% Positiveness
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The Fly Guy Five
Theme from Obfuscators
200 bpm • G min • 01:34 • -5.02db
17% Popularity • 60% Danceability • 87% Energy • 23% Liveness
87% Instrumentalness • 90% Positiveness
17% Popularity • 60% Danceability • 87% Energy • 23% Liveness
87% Instrumentalness • 90% Positiveness
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Luella Gren
Daisy and Violets Sideshow
155 bpm • C min • 02:06 • -6.24db
8% Popularity • 74% Danceability • 65% Energy • 8% Liveness
38% Instrumentalness • 81% Positiveness
8% Popularity • 74% Danceability • 65% Energy • 8% Liveness
38% Instrumentalness • 81% Positiveness
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Džambo Aguševi Orchestra
Crazy Horse - Džambo's Version
155 bpm • A min • 03:06 • -6.84db
8% Popularity • 61% Danceability • 85% Energy • 18% Liveness
81% Instrumentalness • 73% Positiveness
8% Popularity • 61% Danceability • 85% Energy • 18% Liveness
81% Instrumentalness • 73% Positiveness
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Vincent Artaud
Band Aid
203 bpm • F min • 01:19 • -4.78db
15% Popularity • 69% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
15% Popularity • 69% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Mark Foster
Ahhhh
154 bpm • F# Maj • 01:17 • -12.74db
21% Popularity • 86% Danceability • 70% Energy • 8% Liveness
78% Instrumentalness • 97% Positiveness
21% Popularity • 86% Danceability • 70% Energy • 8% Liveness
78% Instrumentalness • 97% Positiveness
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Martin Landström
Tenderloin Tuesday
154 bpm • G# Maj • 02:14 • -5.97db
16% Popularity • 76% Danceability • 91% Energy • 11% Liveness
95% Instrumentalness • 96% Positiveness
16% Popularity • 76% Danceability • 91% Energy • 11% Liveness
95% Instrumentalness • 96% Positiveness
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Valeria's Klezmer Chariot
Dem Fuksns Jogn
153 bpm • D min • 01:43 • -7.57db
9% Popularity • 60% Danceability • 40% Energy • 8% Liveness
48% Instrumentalness • 98% Positiveness
9% Popularity • 60% Danceability • 40% Energy • 8% Liveness
48% Instrumentalness • 98% Positiveness
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Harry Edvino
Vince, Hack Comedian
153 bpm • G# Maj • 03:00 • -5.76db
12% Popularity • 67% Danceability • 63% Energy • 15% Liveness
84% Instrumentalness • 28% Positiveness
12% Popularity • 67% Danceability • 63% Energy • 15% Liveness
84% Instrumentalness • 28% Positiveness
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Chris Warner
Industrial Decay
152 bpm • A# min • 03:15 • -16.12db
0% Popularity • 58% Danceability • 34% Energy • 10% Liveness
82% Instrumentalness • 14% Positiveness
0% Popularity • 58% Danceability • 34% Energy • 10% Liveness
82% Instrumentalness • 14% Positiveness
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Mike Ladd
Marseille Express
152 bpm • F min • 01:12 • -12.48db
14% Popularity • 54% Danceability • 48% Energy • 27% Liveness
92% Instrumentalness • 56% Positiveness
14% Popularity • 54% Danceability • 48% Energy • 27% Liveness
92% Instrumentalness • 56% Positiveness
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Sound Liberation
Vivaldi's Hot House
152 bpm • D min • 04:45 • -8.58db
9% Popularity • 34% Danceability • 63% Energy • 11% Liveness
11% Instrumentalness • 50% Positiveness
9% Popularity • 34% Danceability • 63% Energy • 11% Liveness
11% Instrumentalness • 50% Positiveness
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The Very Big Experimental Toubifri Orchestra
Tournicoti
150 bpm • C min • 03:48 • -7.76db
8% Popularity • 55% Danceability • 50% Energy • 7% Liveness
70% Instrumentalness • 55% Positiveness
8% Popularity • 55% Danceability • 50% Energy • 7% Liveness
70% Instrumentalness • 55% Positiveness
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Smag PÃ¥ Dig Selv
TOTAL FULL POWER EXTREME NUCLEAR CONFUSI...
150 bpm • G Maj • 04:09 • -7.43db
16% Popularity • 63% Danceability • 72% Energy • 11% Liveness
84% Instrumentalness • 21% Positiveness
16% Popularity • 63% Danceability • 72% Energy • 11% Liveness
84% Instrumentalness • 21% Positiveness
