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The Hunters
Songs like
The Hunters
by
Gustavo Santaolalla
Based on a tempo of (+/- 10%) and a similar genre
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Gustavo Santaolalla
The Hunters
114 bpm • F min • 01:59 • -22.64db
38% Popularity • 73% Danceability • 31% Energy • 13% Liveness
92% Instrumentalness • 34% Positiveness
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SIE Sound Team
Celestial Emissary
114 bpm • G# Maj • 02:55 • -19.1db
32% Popularity • 17% Danceability • 22% Energy • 36% Liveness
85% Instrumentalness • 3% Positiveness
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Russell Brower
Leah
113 bpm • E Maj • 02:36 • -17.34db
28% Popularity • 18% Danceability • 9% Energy • 12% Liveness
80% Instrumentalness • 3% Positiveness
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Leo Kaliski
Olyam Tundra
115 bpm • F# min • 04:14 • -15.46db
29% Popularity • 17% Danceability • 26% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
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Christopher Lennertz
The View Of Palaven
115 bpm • D min • 03:36 • -13.15db
28% Popularity • 26% Danceability • 57% Energy • 18% Liveness
89% Instrumentalness • 4% Positiveness
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Jeremy Soule
Steel on Steel
115 bpm • C min • 01:43 • -19.35db
49% Popularity • 52% Danceability • 27% Energy • 10% Liveness
92% Instrumentalness • 15% Positiveness
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Gustavo Santaolalla
It Can't Last (Home)
114 bpm • D min • 04:29 • -17.04db
42% Popularity • 32% Danceability • 14% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Marco Beltrami
Water in the Basement
115 bpm • D Maj • 03:23 • -25.96db
12% Popularity • 21% Danceability • 25% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Jeff Russo
Gus's Kite
112 bpm • C min • 04:48 • -24.39db
16% Popularity • 17% Danceability • 2% Energy • 11% Liveness
98% Instrumentalness • 3% Positiveness
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JD Mayer
Cause and Effect
116 bpm • C Maj • 02:14 • -32.82db
26% Popularity • 54% Danceability • 4% Energy • 9% Liveness
87% Instrumentalness • 9% Positiveness
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Joris de Man
The Point of the Spear - Part 1 - Mother...
112 bpm • F Maj • 01:44 • -21.24db
33% Popularity • 17% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Chad Cannon
May Your Death Benefit All Beings
111 bpm • G min • 02:14 • -19.5db
19% Popularity • 16% Danceability • 16% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
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Gustavo Santaolalla
Blackout
114 bpm • G# Maj • 01:38 • -33.93db
36% Popularity • 19% Danceability • 0% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
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Niels van der Leest
Running the Frost
111 bpm • G Maj • 04:30 • -16.33db
18% Popularity • 68% Danceability • 76% Energy • 11% Liveness
85% Instrumentalness • 15% Positiveness
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Austin Wintory
Osteoglossum Bicirrhosum
117 bpm • G Maj • 01:15 • -16.02db
45% Popularity • 25% Danceability • 26% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Jason Hayes
Dun Morogh
111 bpm • A# Maj • 07:31 • -19db
43% Popularity • 19% Danceability • 13% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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JD Mayer
Convergence
111 bpm • A Maj • 02:49 • -22.85db
23% Popularity • 61% Danceability • 1% Energy • 12% Liveness
88% Instrumentalness • 7% Positiveness
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Marcin Przybyłowicz
Emhyr Var Emreis
117 bpm • G Maj • 02:29 • -13.89db
42% Popularity • 17% Danceability • 41% Energy • 14% Liveness
93% Instrumentalness • 4% Positiveness
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Gustavo Santaolalla
All Gone (Promise)
114 bpm • G# Maj • 01:17 • -24.3db
26% Popularity • 17% Danceability • 7% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
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Gareth Coker
Kuro's Tale I - Her Rage
118 bpm • F Maj • 01:16 • -13.41db
35% Popularity • 17% Danceability • 39% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Mikko Tarmia
Ending: Alexander (Alternative Version)
110 bpm • G min • 02:12 • -17.05db
25% Popularity • 68% Danceability • 13% Energy • 8% Liveness
94% Instrumentalness • 33% Positiveness
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Borislav Slavov
Fane's Theme
110 bpm • E min • 02:22 • -20db
32% Popularity • 62% Danceability • 28% Energy • 9% Liveness
84% Instrumentalness • 10% Positiveness
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Colin Stetson
Icarus And Friends
110 bpm • B Maj • 03:29 • -14.44db
38% Popularity • 46% Danceability • 48% Energy • 8% Liveness
68% Instrumentalness • 5% Positiveness
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Marcin Przybyłowicz
Whatsoever A Man Soweth...
118 bpm • G min • 02:21 • -18db
36% Popularity • 17% Danceability • 30% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
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Ron Fish
The March of Tartarus
118 bpm • B min • 02:00 • -10.11db
28% Popularity • 47% Danceability • 72% Energy • 10% Liveness
82% Instrumentalness • 22% Positiveness
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Gustavo Santaolalla
The Quarantine Zone (20 Years Later)
115 bpm • C min • 03:40 • -19.35db
43% Popularity • 48% Danceability • 14% Energy • 12% Liveness
88% Instrumentalness • 3% Positiveness
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Brian Tyler
Call of the Wild
119 bpm • D Maj • 03:43 • -17.02db
16% Popularity • 41% Danceability • 38% Energy • 14% Liveness
87% Instrumentalness • 5% Positiveness
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Borislav Slavov
Quest for a Cure
119 bpm • D min • 04:43 • -24.09db
48% Popularity • 24% Danceability • 9% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Colin Stetson
Fleeting Joy
110 bpm • C Maj • 03:44 • -16.04db
34% Popularity • 41% Danceability • 48% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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The Flight
The Memory of Old Walls - Part 2 - Out o...
119 bpm • G min • 04:30 • -33.42db
23% Popularity • 37% Danceability • 2% Energy • 7% Liveness
86% Instrumentalness • 3% Positiveness
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Ron Fish
A Monument to Your Failure
110 bpm • B min • 01:56 • -14.82db
27% Popularity • 33% Danceability • 45% Energy • 8% Liveness
78% Instrumentalness • 8% Positiveness
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David Fleming
Subterranean
119 bpm • C# Maj • 02:49 • -25.83db
21% Popularity • 39% Danceability • 12% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Gustavo Santaolalla
All Gone (Alone)
112 bpm • G min • 01:22 • -23.95db
42% Popularity • 17% Danceability • 8% Energy • 9% Liveness
77% Instrumentalness • 4% Positiveness
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Philip Sheppard
By the River - Kara
109 bpm • C Maj • 02:20 • -12.25db
24% Popularity • 16% Danceability • 29% Energy • 10% Liveness
83% Instrumentalness • 11% Positiveness
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Johan Söderqvist
The White Horse
109 bpm • C# Maj • 02:05 • -24.53db
17% Popularity • 17% Danceability • 14% Energy • 10% Liveness
99% Instrumentalness • 6% Positiveness
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Ryan Amon
Mother of Sanctuary
120 bpm • C min • 02:46 • -12.45db
25% Popularity • 50% Danceability • 39% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Mac Quayle
They're Still Out There
120 bpm • D Maj • 03:32 • -14.73db
36% Popularity • 32% Danceability • 47% Energy • 19% Liveness
87% Instrumentalness • 4% Positiveness
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Shigeru Umebayashi
Tsushima Suite: I. Seion
120 bpm • E min • 09:28 • -16.26db
33% Popularity • 40% Danceability • 27% Energy • 5% Liveness
68% Instrumentalness • 18% Positiveness
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Gustavo Santaolalla
Leyendo en el Hospital
116 bpm • B min • 03:07 • -21.17db
31% Popularity • 62% Danceability • 1% Energy • 11% Liveness
85% Instrumentalness • 21% Positiveness
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Daniel Licht
Aristocrats of Karnaca (Ambient)
109 bpm • F# Maj • 01:51 • -25.3db
40% Popularity • 23% Danceability • 5% Energy • 10% Liveness
69% Instrumentalness • 3% Positiveness
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Anthony Caruso
The Capitol
120 bpm • C# Maj • 03:21 • -27.32db
24% Popularity • 37% Danceability • 5% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
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Nima Fakhrara
One By One - Connor
120 bpm • C Maj • 04:09 • -18.83db
24% Popularity • 60% Danceability • 31% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
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David Fleming
Get Out
120 bpm • A Maj • 07:13 • -18.25db
29% Popularity • 41% Danceability • 24% Energy • 6% Liveness
87% Instrumentalness • 3% Positiveness
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Trevor Morris
Murdenu Tavern
120 bpm • G min • 01:30 • -29.16db
19% Popularity • 70% Danceability • 4% Energy • 9% Liveness
96% Instrumentalness • 40% Positiveness
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Gustavo Santaolalla
Infected
116 bpm • F# Maj • 01:16 • -15.1db
36% Popularity • 64% Danceability • 24% Energy • 11% Liveness
90% Instrumentalness • 46% Positiveness
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Marcin Przybyłowicz
Evil's Soft First Touches
120 bpm • A# Maj • 02:48 • -13.29db
36% Popularity • 47% Danceability • 29% Energy • 17% Liveness
95% Instrumentalness • 3% Positiveness
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Borislav Slavov
Welcome to Fort Joy
120 bpm • B min • 02:03 • -18db
43% Popularity • 71% Danceability • 32% Energy • 11% Liveness
84% Instrumentalness • 28% Positiveness
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John Paesano
The Revolution is Starting - Markus
120 bpm • C# Maj • 07:19 • -11db
24% Popularity • 49% Danceability • 64% Energy • 9% Liveness
92% Instrumentalness • 12% Positiveness
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Gareth Coker
Lost In the Misty Woods
120 bpm • F min • 04:45 • -24.58db
33% Popularity • 49% Danceability • 21% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Ilan Eshkeri
The Fate of Tsushima
120 bpm • G# Maj • 03:15 • -9.73db
30% Popularity • 59% Danceability • 71% Energy • 9% Liveness
92% Instrumentalness • 16% Positiveness
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Gustavo Santaolalla
All Gone
111 bpm • B min • 01:34 • -25.06db
34% Popularity • 24% Danceability • 5% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Marcin Przybyłowicz
The Temple Of Lilvani
120 bpm • D# Maj • 02:21 • -13.73db
35% Popularity • 38% Danceability • 51% Energy • 12% Liveness
32% Instrumentalness • 4% Positiveness
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Andrew Buresh
Extinction
120 bpm • G Maj • 01:55 • -24.01db
25% Popularity • 63% Danceability • 18% Energy • 9% Liveness
68% Instrumentalness • 9% Positiveness
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Dan Romer
Step into the Garden
120 bpm • G Maj • 02:08 • -19.17db
22% Popularity • 58% Danceability • 44% Energy • 11% Liveness
84% Instrumentalness • 26% Positiveness
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Nima Fakhrara
The Nest - Connor
120 bpm • A# min • 01:49 • -16db
27% Popularity • 60% Danceability • 50% Energy • 11% Liveness
82% Instrumentalness • 8% Positiveness
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Mario Batkovic
Revenge Is A Dish Best Eaten
120 bpm • E Maj • 04:51 • -16.85db
42% Popularity • 56% Danceability • 33% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Gustavo Santaolalla
The Last of Us (Goodnight)
120 bpm • A min • 00:51 • -22.77db
48% Popularity • 54% Danceability • 11% Energy • 10% Liveness
64% Instrumentalness • 33% Positiveness
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Oleksa Lozowchuk
Look Deeper
120 bpm • E min • 01:27 • -15.31db
32% Popularity • 31% Danceability • 35% Energy • 12% Liveness
50% Instrumentalness • 4% Positiveness
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Derek Duke
Chains of Fate
120 bpm • D# min • 04:53 • -14db
28% Popularity • 42% Danceability • 34% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
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Trevor Morris
Trevor and Sypha in the Catacombs
108 bpm • B Maj • 02:21 • -15.85db
17% Popularity • 34% Danceability • 37% Energy • 23% Liveness
90% Instrumentalness • 8% Positiveness
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Nima Fakhrara
As I See Them - Connor
108 bpm • F# min • 01:24 • -27.31db
28% Popularity • 29% Danceability • 11% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
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Dan Romer
My Heart Never Loved
121 bpm • C# min • 01:10 • -24.79db
18% Popularity • 17% Danceability • 40% Energy • 13% Liveness
94% Instrumentalness • 18% Positiveness
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Gustavo Santaolalla
La Salida de Lima
108 bpm • E Maj • 01:40 • -9db
20% Popularity • 32% Danceability • 72% Energy • 11% Liveness
94% Instrumentalness • 74% Positiveness
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Nao Sato
Wandering the Dark
121 bpm • G Maj • 03:28 • -16db
17% Popularity • 17% Danceability • 45% Energy • 16% Liveness
65% Instrumentalness • 3% Positiveness
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Joris de Man
Victory - Part 1 - Motherland
121 bpm • C# Maj • 03:02 • -18.92db
32% Popularity • 17% Danceability • 31% Energy • 11% Liveness
38% Instrumentalness • 5% Positiveness
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Ludvig Forssell
The Face of Our New Hope
122 bpm • C# min • 03:25 • -22.22db
36% Popularity • 30% Danceability • 14% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
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Jason Hayes
Ruins
107 bpm • B min • 01:17 • -17.2db
38% Popularity • 16% Danceability • 32% Energy • 11% Liveness
99% Instrumentalness • 4% Positiveness
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Nathan Whitehead
The Rager Bear
122 bpm • A# min • 02:51 • -12.2db
23% Popularity • 52% Danceability • 60% Energy • 13% Liveness
82% Instrumentalness • 6% Positiveness
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Gustavo Santaolalla
I Know What You Are
107 bpm • C# Maj • 01:21 • -23.85db
36% Popularity • 27% Danceability • 22% Energy • 12% Liveness
78% Instrumentalness • 34% Positiveness
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Woody Jackson
An American Pastoral Scene
122 bpm • D Maj • 03:47 • -22.82db
36% Popularity • 61% Danceability • 7% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
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Niels van der Leest
Go Like Time Around An Arrow - Part 3 -...
106 bpm • C# min • 05:37 • -18.66db
23% Popularity • 76% Danceability • 73% Energy • 9% Liveness
92% Instrumentalness • 36% Positiveness
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Jeff Russo
Lewis's Coronation (Sailing Ship)
123 bpm • A min • 02:43 • -24.5db
17% Popularity • 45% Danceability • 8% Energy • 4% Liveness
76% Instrumentalness • 14% Positiveness
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John Paesano
The Horrors of War - Markus
123 bpm • C# Maj • 02:54 • -13db
20% Popularity • 17% Danceability • 60% Energy • 18% Liveness
86% Instrumentalness • 4% Positiveness
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Shigeru Umebayashi
Tsushima Suite: IV. Kodoku
123 bpm • D Maj • 09:50 • -18.91db
29% Popularity • 26% Danceability • 24% Energy • 14% Liveness
77% Instrumentalness • 4% Positiveness
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Gustavo Santaolalla
Returning
122 bpm • G# Maj • 03:44 • -31.88db
30% Popularity • 25% Danceability • 2% Energy • 9% Liveness
69% Instrumentalness • 4% Positiveness
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Austin Wintory
The Call
124 bpm • E Maj • 03:39 • -24db
38% Popularity • 17% Danceability • 18% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Joris de Man
Vanished Voices - Part 1 - Motherland
123 bpm • G min • 01:25 • -23db
32% Popularity • 20% Danceability • 15% Energy • 12% Liveness
32% Instrumentalness • 10% Positiveness
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Atanas Valkov
Bloodhunt Main Theme
124 bpm • C# Maj • 02:57 • -14.89db
32% Popularity • 19% Danceability • 50% Energy • 11% Liveness
95% Instrumentalness • 17% Positiveness
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Philip Sheppard
Breathe In - Kara
124 bpm • E min • 04:26 • -18db
22% Popularity • 18% Danceability • 31% Energy • 7% Liveness
90% Instrumentalness • 5% Positiveness
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Daniel Licht
Delilah (Ambient)
105 bpm • E Maj • 02:28 • -22db
28% Popularity • 19% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Gustavo Santaolalla
Smugglers
105 bpm • B Maj • 01:38 • -15.67db
38% Popularity • 69% Danceability • 69% Energy • 12% Liveness
73% Instrumentalness • 34% Positiveness
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Borislav Slavov
Dancing with the Source - Bansuri Versio...
104 bpm • D Maj • 02:25 • -14.4db
33% Popularity • 62% Danceability • 23% Energy • 10% Liveness
85% Instrumentalness • 23% Positiveness
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The Flight
The Blessing - Part 1 - Motherland
104 bpm • F min • 01:53 • -24.29db
32% Popularity • 15% Danceability • 6% Energy • 12% Liveness
70% Instrumentalness • 3% Positiveness
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TATRAN
Fields of Dusk - Orchestral Version
104 bpm • C# Maj • 04:41 • -18.46db
41% Popularity • 26% Danceability • 27% Energy • 12% Liveness
95% Instrumentalness • 6% Positiveness
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Philip Sheppard
In the Cold - Kara
105 bpm • C# Maj • 04:28 • -20.48db
23% Popularity • 16% Danceability • 13% Energy • 14% Liveness
86% Instrumentalness • 3% Positiveness
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Daniel Licht
Streets of Karnaca (Suspense)
124 bpm • C# Maj • 02:33 • -22.56db
33% Popularity • 22% Danceability • 17% Energy • 16% Liveness
86% Instrumentalness • 3% Positiveness
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Hans Zimmer
Night on Arrakis
125 bpm • C Maj • 05:03 • -30.48db
51% Popularity • 17% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Gustavo Santaolalla
The Last of Us (A New Dawn)
103 bpm • C Maj • 02:28 • -22.99db
39% Popularity • 38% Danceability • 20% Energy • 9% Liveness
73% Instrumentalness • 4% Positiveness
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David Fleming
Shortcut
126 bpm • G# Maj • 06:12 • -19.77db
22% Popularity • 25% Danceability • 10% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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Dan Romer
Bold and Brave
126 bpm • C Maj • 02:26 • -14.05db
16% Popularity • 38% Danceability • 64% Energy • 13% Liveness
83% Instrumentalness • 13% Positiveness
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Jeremy Soule
Silent Footsteps
126 bpm • G# Maj • 02:51 • -35.98db
52% Popularity • 17% Danceability • 3% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
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Kevin Kiner
Dooku Contemplates
126 bpm • D min • 02:33 • -15.07db
22% Popularity • 21% Danceability • 37% Energy • 13% Liveness
85% Instrumentalness • 3% Positiveness
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Jason Hayes
Graveyard
126 bpm • A# min • 01:08 • -17.75db
41% Popularity • 20% Danceability • 19% Energy • 12% Liveness
97% Instrumentalness • 3% Positiveness
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Ilan Eshkeri
The Tale of Sensei Ishikawa
127 bpm • G min • 04:36 • -13.44db
30% Popularity • 48% Danceability • 44% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Gustavo Santaolalla
Radio Silence
126 bpm • B Maj • 02:41 • -31.89db
24% Popularity • 32% Danceability • 5% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
► Preview
Dan Romer
In Holy Water There Can Be No Tears
103 bpm • A Maj • 03:20 • -33.33db
20% Popularity • 19% Danceability • 3% Energy • 7% Liveness
28% Instrumentalness • 3% Positiveness
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Nima Fakhrara
The Garden - Connor
103 bpm • D min • 02:43 • -19.29db
27% Popularity • 15% Danceability • 20% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
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Mikko Tarmia
Basement Storage
102 bpm • D Maj • 02:12 • -36.35db
29% Popularity • 16% Danceability • 0% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
► Preview
Trevor Morris
Alucard Rises
102 bpm • A min • 03:53 • -24.91db
20% Popularity • 17% Danceability • 17% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Brian Tyler
Path of the Warrior
102 bpm • D Maj • 07:10 • -13.6db
15% Popularity • 37% Danceability • 52% Energy • 11% Liveness
89% Instrumentalness • 22% Positiveness
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The Hunters