Songs like The Impossible Dream by Brian Stokes Mitchell
Based on a tempo of (+/- 10%) and a similar genre
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Jim Dale
There Is a Sucker Born Ev'ry Minute
146 bpm • C# min • 02:24 • -9db
19% Popularity • 74% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
19% Popularity • 74% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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'Come From Away' Band
Screech Out
146 bpm • D Maj • 01:44 • -5db
38% Popularity • 58% Danceability • 87% Energy • 33% Liveness
75% Instrumentalness • 96% Positiveness
38% Popularity • 58% Danceability • 87% Energy • 33% Liveness
75% Instrumentalness • 96% Positiveness
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Ensemble
Facade
146 bpm • D min • 03:54 • -7.75db
32% Popularity • 44% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 66% Positiveness
32% Popularity • 44% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 66% Positiveness
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Sherie Rene Scott
Lie to Me
146 bpm • G Maj • 02:52 • -9.4db
14% Popularity • 30% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
14% Popularity • 30% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Mary Elizabeth Mastrantonio
Aldonza
146 bpm • A# min • 03:20 • -8.86db
24% Popularity • 53% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 83% Positiveness
24% Popularity • 53% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 83% Positiveness
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Steven McRae
Skimbleshanks: The Railway Cat
147 bpm • E Maj • 04:00 • -6.61db
31% Popularity • 66% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
31% Popularity • 66% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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John Tartaglia
Freak Flag
145 bpm • A Maj • 03:51 • -7.09db
43% Popularity • 60% Danceability • 53% Energy • 40% Liveness
0% Instrumentalness • 58% Positiveness
43% Popularity • 60% Danceability • 53% Energy • 40% Liveness
0% Instrumentalness • 58% Positiveness
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Heidi Blickenstaff
Right Hand Man
147 bpm • C# Maj • 02:43 • -8db
48% Popularity • 64% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
48% Popularity • 64% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Aaron Tveit
Goodbye
148 bpm • G# Maj • 03:34 • -7.06db
40% Popularity • 56% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
40% Popularity • 56% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Peter Gallagher
Luck Be a Lady
148 bpm • G# Maj • 03:02 • -17.27db
36% Popularity • 54% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
36% Popularity • 54% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Keala Settle
The Negative
144 bpm • C# Maj • 02:27 • -7.25db
49% Popularity • 58% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 63% Positiveness
49% Popularity • 58% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 63% Positiveness
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Brian Stokes Mitchell
Man of La Mancha (I, Don Quixote)
144 bpm • D Maj • 02:15 • -7.8db
33% Popularity • 62% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
33% Popularity • 62% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Stephen Schwartz
Thank Goodness
148 bpm • D# Maj • 06:23 • -9.41db
37% Popularity • 40% Danceability • 33% Energy • 80% Liveness
0% Instrumentalness • 48% Positiveness
37% Popularity • 40% Danceability • 33% Energy • 80% Liveness
0% Instrumentalness • 48% Positiveness
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Adam Jacobs
Go the Distance
143 bpm • A# Maj • 03:26 • -6.74db
30% Popularity • 36% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
30% Popularity • 36% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Katrina Lenk
Omar Sharif
143 bpm • B min • 03:24 • -10.5db
32% Popularity • 33% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
32% Popularity • 33% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Hans Zimmer
Humanity
149 bpm • D Maj • 04:30 • -11db
30% Popularity • 55% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
30% Popularity • 55% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Rachel House
I Am Moana (Song of the Ancestors)
149 bpm • A# Maj • 02:42 • -11.58db
65% Popularity • 36% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
65% Popularity • 36% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Kevin Csolak
Gee, Officer Krupke
143 bpm • C# Maj • 04:20 • -13.07db
43% Popularity • 66% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
43% Popularity • 66% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Jeremy Jordan
Carrying The Banner
149 bpm • D Maj • 05:08 • -8.71db
50% Popularity • 49% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
50% Popularity • 49% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Ensemble
Murder, Murder
142 bpm • A min • 05:28 • -10db
30% Popularity • 60% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
30% Popularity • 60% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Paul Kandel
Topsy Turvy
142 bpm • D Maj • 05:36 • -13.67db
32% Popularity • 43% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
32% Popularity • 43% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Laura Osnes
"In My Own Little Corner"
142 bpm • F Maj • 03:17 • -8.78db
38% Popularity • 48% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
38% Popularity • 48% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Josh Gad
Man Up
142 bpm • D Maj • 04:03 • -8.37db
44% Popularity • 49% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
44% Popularity • 49% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Steven Pasquale
The Streets of Dublin
141 bpm • E Maj • 03:25 • -9db
26% Popularity • 48% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
26% Popularity • 48% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Douglas Sills
The Scarlet Pimpernel
151 bpm • D Maj • 02:44 • -11.8db
21% Popularity • 71% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
21% Popularity • 71% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
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Adam Pascal
Fortune Favors The Brave
150 bpm • F Maj • 02:20 • -5db
35% Popularity • 46% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
35% Popularity • 46% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
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A Chorus Line Ensemble (2006)
Opening: I Hope I Get It
141 bpm • A Maj • 06:57 • -9.75db
39% Popularity • 56% Danceability • 36% Energy • 4% Liveness
0% Instrumentalness • 31% Positiveness
39% Popularity • 56% Danceability • 36% Energy • 4% Liveness
0% Instrumentalness • 31% Positiveness
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David Hyde Pierce
You Won't Succeed On Broadway - Original...
151 bpm • G Maj • 05:06 • -6.21db
32% Popularity • 50% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
32% Popularity • 50% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Scott Barnhardt
Turn It Off
142 bpm • F Maj • 05:03 • -10.55db
51% Popularity • 55% Danceability • 41% Energy • 56% Liveness
0% Instrumentalness • 63% Positiveness
51% Popularity • 55% Danceability • 41% Energy • 56% Liveness
0% Instrumentalness • 63% Positiveness
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Marlin
Finale - The Big Blue World (Reprise) - ...
141 bpm • D# Maj • 02:15 • -13db
31% Popularity • 36% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
31% Popularity • 36% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Paul Kandel
The Bells Of Notre Dame (Reprise)
141 bpm • D Maj • 01:10 • -12db
31% Popularity • 28% Danceability • 52% Energy • 31% Liveness
0% Instrumentalness • 27% Positiveness
31% Popularity • 28% Danceability • 52% Energy • 31% Liveness
0% Instrumentalness • 27% Positiveness
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Wallace Smith
Prepare Ye
140 bpm • B Maj • 02:12 • -7.53db
30% Popularity • 29% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
30% Popularity • 29% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Hermione Gingold
Pick-A-Little, Talk-A-Little
140 bpm • G Maj • 02:02 • -8.54db
32% Popularity • 72% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 92% Positiveness
32% Popularity • 72% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 92% Positiveness
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Stephen Schwartz
What Is This Feeling?
152 bpm • C Maj • 03:32 • -8.69db
48% Popularity • 63% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
48% Popularity • 63% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Charles Strouse
Annie: It's the Hard-Knock Life
152 bpm • B Maj • 02:21 • -14.2db
40% Popularity • 60% Danceability • 29% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
40% Popularity • 60% Danceability • 29% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
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Kurt Bestor
The Curse
153 bpm • F Maj • 02:43 • -12.1db
24% Popularity • 24% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
24% Popularity • 24% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Peter Marshall
You're Never Fully Dressed Without A Smi...
139 bpm • A# Maj • 03:01 • -14.68db
38% Popularity • 52% Danceability • 23% Energy • 57% Liveness
0% Instrumentalness • 63% Positiveness
38% Popularity • 52% Danceability • 23% Energy • 57% Liveness
0% Instrumentalness • 63% Positiveness
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Anna Maria Perez de Taglé
Day by Day
140 bpm • C Maj • 03:10 • -10db
34% Popularity • 44% Danceability • 51% Energy • 33% Liveness
0% Instrumentalness • 37% Positiveness
34% Popularity • 44% Danceability • 51% Energy • 33% Liveness
0% Instrumentalness • 37% Positiveness
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Caissie Levy
Dangerous to Dream
139 bpm • A Maj • 05:03 • -8.44db
44% Popularity • 31% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 22% Positiveness
44% Popularity • 31% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 22% Positiveness
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Stephen Schwartz
The Wizard And I
139 bpm • C Maj • 05:09 • -8.23db
44% Popularity • 38% Danceability • 39% Energy • 36% Liveness
0% Instrumentalness • 30% Positiveness
44% Popularity • 38% Danceability • 39% Energy • 36% Liveness
0% Instrumentalness • 30% Positiveness
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Brian D'Arcy James
God, I Hate Shakespeare
154 bpm • C# min • 02:44 • -7.14db
47% Popularity • 64% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
47% Popularity • 64% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Carla J. Hargrove
Skid Row (Downtown)
139 bpm • A# Maj • 04:06 • -8.5db
44% Popularity • 54% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
44% Popularity • 54% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Newsies Original Broadway Cast
Brooklyn's Here
139 bpm • G Maj • 01:53 • -8.07db
46% Popularity • 64% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
46% Popularity • 64% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Uzo Aduba
By My Side
140 bpm • A Maj • 03:40 • -13.73db
30% Popularity • 53% Danceability • 20% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
30% Popularity • 53% Danceability • 20% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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Amick Byram
All I Ever Wanted
139 bpm • G Maj • 02:02 • -6.78db
29% Popularity • 27% Danceability • 66% Energy • 66% Liveness
0% Instrumentalness • 16% Positiveness
29% Popularity • 27% Danceability • 66% Energy • 66% Liveness
0% Instrumentalness • 16% Positiveness
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Leslie Odom Jr.
Guns and Ships
138 bpm • G Maj • 02:07 • -6.91db
68% Popularity • 72% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
68% Popularity • 72% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Brian Stokes Mitchell
Elk Tour Suite, Pt. 3 & 4
138 bpm • A Maj • 03:07 • -11.48db
28% Popularity • 53% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
28% Popularity • 53% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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Sandy Duncan, Howard McGillin, Liz Callaway, Dakin Matthews, Adam Wylie, J.D. Daniels, Lex de Azevedo, David Zippel
This Is My Idea
138 bpm • A# Maj • 06:09 • -18.42db
41% Popularity • 40% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
41% Popularity • 40% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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B. D'Addario as Flounder
She's In Love
138 bpm • C min • 03:39 • -16.89db
50% Popularity • 60% Danceability • 26% Energy • 59% Liveness
0% Instrumentalness • 78% Positiveness
50% Popularity • 60% Danceability • 26% Energy • 59% Liveness
0% Instrumentalness • 78% Positiveness
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'Come From Away' Company
In The Bar / Heave Away
137 bpm • D Maj • 01:22 • -5db
42% Popularity • 58% Danceability • 85% Energy • 51% Liveness
0% Instrumentalness • 82% Positiveness
42% Popularity • 58% Danceability • 85% Energy • 51% Liveness
0% Instrumentalness • 82% Positiveness
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Steve Dorff
Requiem For A Lightweight
137 bpm • E Maj • 03:20 • -8.9db
1% Popularity • 62% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
1% Popularity • 62% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
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Ernie Sabella
I Really Like Him
137 bpm • F Maj • 02:03 • -14db
22% Popularity • 63% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
22% Popularity • 63% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Sawyer Nunes
We're All Made Of Stars - Original Broad...
137 bpm • G Maj • 01:56 • -7db
31% Popularity • 64% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
31% Popularity • 64% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Company of SpongeBob SquarePants, The New Musical
Bikini Bottom Day
137 bpm • A Maj • 06:12 • -7.25db
42% Popularity • 56% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
42% Popularity • 56% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Andrew Rannells
Two by Two
157 bpm • D# Maj • 04:31 • -10.08db
48% Popularity • 55% Danceability • 44% Energy • 34% Liveness
0% Instrumentalness • 61% Positiveness
48% Popularity • 55% Danceability • 44% Energy • 34% Liveness
0% Instrumentalness • 61% Positiveness
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Hunter Parrish
All for the Best
136 bpm • G Maj • 03:16 • -10.76db
39% Popularity • 61% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
39% Popularity • 61% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
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Jenn Colella
Me And The Sky
136 bpm • C# Maj • 04:36 • -7.15db
50% Popularity • 67% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
50% Popularity • 67% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Christine Baranski
We Both Reached For The Gun
136 bpm • B Maj • 03:58 • -7.43db
39% Popularity • 63% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
39% Popularity • 63% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Christy Altomare
Once Upon a December (Reprise)
136 bpm • A min • 00:57 • -19.79db
38% Popularity • 47% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
38% Popularity • 47% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Liz Callaway
Once Upon a December
136 bpm • B min • 02:48 • -12.61db
57% Popularity • 27% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
57% Popularity • 27% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
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John Williams
If I Were A Rich Man
136 bpm • C Maj • 05:24 • -14.58db
46% Popularity • 57% Danceability • 24% Energy • 37% Liveness
0% Instrumentalness • 57% Positiveness
46% Popularity • 57% Danceability • 24% Energy • 37% Liveness
0% Instrumentalness • 57% Positiveness
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Nick Blaemire
We Beseech Thee
136 bpm • G Maj • 03:23 • -8.29db
32% Popularity • 75% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
32% Popularity • 75% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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Zero Mostel
To Life
136 bpm • F min • 04:11 • -15.81db
22% Popularity • 51% Danceability • 49% Energy • 65% Liveness
0% Instrumentalness • 66% Positiveness
22% Popularity • 51% Danceability • 49% Energy • 65% Liveness
0% Instrumentalness • 66% Positiveness
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Mindi Dickstein
Off to Massachusetts
136 bpm • A Maj • 01:40 • -10.32db
29% Popularity • 73% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
29% Popularity • 73% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Cast Of The Motion Picture Rent
La Vie Boheme
135 bpm • G# Maj • 06:59 • -5db
48% Popularity • 50% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
48% Popularity • 50% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Mike Faist
Tonight (Quintet)
158 bpm • A Maj • 03:28 • -13.24db
41% Popularity • 50% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
41% Popularity • 50% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
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Mickey Rooney
Life's A Happy Song
135 bpm • E min • 04:29 • -7.18db
50% Popularity • 63% Danceability • 55% Energy • 27% Liveness
0% Instrumentalness • 42% Positiveness
50% Popularity • 63% Danceability • 55% Energy • 27% Liveness
0% Instrumentalness • 42% Positiveness
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James Marsden
(It's) Hairspray
135 bpm • C Maj • 02:20 • -5db
44% Popularity • 42% Danceability • 77% Energy • 35% Liveness
0% Instrumentalness • 54% Positiveness
44% Popularity • 42% Danceability • 77% Energy • 35% Liveness
0% Instrumentalness • 54% Positiveness
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Benjamin Schrader
Spooky Mormon Hell Dream
158 bpm • D# Maj • 04:30 • -8db
45% Popularity • 53% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
45% Popularity • 53% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Jekyll
This Is the Moment
135 bpm • D# Maj • 03:14 • -8.69db
34% Popularity • 32% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
34% Popularity • 32% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Mandy Moore
I've Got a Dream
134 bpm • E Maj • 03:11 • -6.12db
57% Popularity • 60% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 87% Positiveness
57% Popularity • 60% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 87% Positiveness
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Don Mayo
Knight of the Woeful Countenance
134 bpm • C# min • 02:04 • -14db
21% Popularity • 60% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
21% Popularity • 60% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
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Leslie Odom Jr.
Washington on Your Side
134 bpm • A# Maj • 03:01 • -10.22db
63% Popularity • 88% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
63% Popularity • 88% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Damon Daunno
Oklahoma
134 bpm • D Maj • 03:30 • -9db
16% Popularity • 69% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
16% Popularity • 69% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Telly Leung
All Good Gifts
134 bpm • G Maj • 03:27 • -10.39db
29% Popularity • 57% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 57% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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James Roday
I've Heard It Both Ways
134 bpm • D Maj • 03:13 • -10.18db
31% Popularity • 65% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
31% Popularity • 65% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Brian Stokes Mitchell
If I Were a Rich Man
134 bpm • C# Maj • 05:31 • -12.64db
6% Popularity • 60% Danceability • 21% Energy • 8% Liveness
1% Instrumentalness • 22% Positiveness
6% Popularity • 60% Danceability • 21% Energy • 8% Liveness
1% Instrumentalness • 22% Positiveness
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Ariana DeBose
America
159 bpm • F Maj • 04:57 • -12.54db
45% Popularity • 52% Danceability • 42% Energy • 73% Liveness
0% Instrumentalness • 83% Positiveness
45% Popularity • 52% Danceability • 42% Energy • 73% Liveness
0% Instrumentalness • 83% Positiveness
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Michelle Pfeiffer
(The Legend Of) Miss Baltimore Crabs
134 bpm • F min • 04:07 • -7db
48% Popularity • 62% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
48% Popularity • 62% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Derek Klena
My Petersburg
134 bpm • A Maj • 02:30 • -9db
48% Popularity • 56% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
48% Popularity • 56% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Adam Searles
Consider Yourself
134 bpm • C Maj • 05:40 • -13.37db
37% Popularity • 56% Danceability • 28% Energy • 52% Liveness
0% Instrumentalness • 67% Positiveness
37% Popularity • 56% Danceability • 28% Energy • 52% Liveness
0% Instrumentalness • 67% Positiveness
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Original Broadway Cast of Hamilton
Stay Alive
160 bpm • C min • 02:39 • -10.39db
64% Popularity • 72% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
64% Popularity • 72% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Brian Stokes Mitchell
Golden Helmet of Mambrino
134 bpm • E Maj • 02:17 • -10.08db
20% Popularity • 51% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
20% Popularity • 51% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Dan Truhitte
Sixteen Going On Seventeen
133 bpm • D# Maj • 04:55 • -13db
42% Popularity • 42% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
42% Popularity • 42% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Annaleigh Ashford
Omigod You Guys
160 bpm • G Maj • 05:46 • -9.74db
53% Popularity • 57% Danceability • 48% Energy • 42% Liveness
0% Instrumentalness • 62% Positiveness
53% Popularity • 57% Danceability • 48% Energy • 42% Liveness
0% Instrumentalness • 62% Positiveness
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Aaron Tveit
Sons of Adventure
160 bpm • C# Maj • 02:10 • -5.72db
15% Popularity • 44% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
15% Popularity • 44% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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Christian Borle
Will Power
133 bpm • C# Maj • 04:59 • -6.73db
42% Popularity • 43% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
42% Popularity • 43% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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Nikki Blonsky
Good Morning Baltimore
133 bpm • E Maj • 03:54 • -4.37db
56% Popularity • 63% Danceability • 83% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
56% Popularity • 63% Danceability • 83% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
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Richard M. Sherman
Chitty Chitty Bang Bang: Truly Scrumptio...
133 bpm • A min • 03:08 • -18.32db
30% Popularity • 45% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
30% Popularity • 45% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Lilla Crawford
I Know Things Now
133 bpm • C Maj • 02:04 • -13.54db
43% Popularity • 68% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
43% Popularity • 68% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Andrea Martin
No Time at All
133 bpm • A min • 05:54 • -8db
33% Popularity • 51% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
33% Popularity • 51% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Frederick Loewe
Camelot: I Wonder What the King Is Doing...
133 bpm • D# Maj • 02:01 • -15db
26% Popularity • 64% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
26% Popularity • 64% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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Brian Stokes Mitchell
How to Handle a Woman
132 bpm • A Maj • 05:09 • -19.77db
3% Popularity • 46% Danceability • 5% Energy • 18% Liveness
1% Instrumentalness • 13% Positiveness
3% Popularity • 46% Danceability • 5% Energy • 18% Liveness
1% Instrumentalness • 13% Positiveness
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Jessie Mueller
Opening Up
161 bpm • D Maj • 02:34 • -5.24db
52% Popularity • 58% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
52% Popularity • 58% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Aaron Tveit
I'm Alive
161 bpm • C Maj • 03:14 • -6.08db
42% Popularity • 48% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
42% Popularity • 48% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Elton John
The Trail We Blaze
162 bpm • C Maj • 03:53 • -8.86db
40% Popularity • 56% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
40% Popularity • 56% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Michael James Scott
Welcome to the Renaissance
131 bpm • C Maj • 04:45 • -7.22db
42% Popularity • 54% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
42% Popularity • 54% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Rema Webb
Joseph Smith American Moses
132 bpm • A# min • 06:12 • -10.38db
41% Popularity • 70% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
41% Popularity • 70% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness