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The Injection
Songs like
The Injection
by
Jerry Goldsmith
Based on a tempo of (+/- 10%) and a similar genre
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Brad Fiedel
It's Over - Remastered 2017
88 bpm • A Maj • 04:39 • -15db
34% Popularity • 16% Danceability • 16% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Thomas Newman
Now Long Gone
88 bpm • C Maj • 01:10 • -36.03db
21% Popularity • 18% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Blake Neely
Post Engines, Pre-flight
88 bpm • C Maj • 03:52 • -14.7db
42% Popularity • 9% Danceability • 24% Energy • 16% Liveness
94% Instrumentalness • 4% Positiveness
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John Debney
Elephant Waterfall
88 bpm • A min • 03:26 • -16.67db
28% Popularity • 16% Danceability • 24% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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Nicholas Hooper
Journey To The Cave
88 bpm • D Maj • 03:08 • -22.55db
49% Popularity • 28% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Henry Jackman
X-Men
88 bpm • A# Maj • 02:58 • -16db
24% Popularity • 12% Danceability • 9% Energy • 30% Liveness
84% Instrumentalness • 5% Positiveness
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Geoff Zanelli
My Name Is Barbossa
89 bpm • F Maj • 05:33 • -10.54db
50% Popularity • 10% Danceability • 33% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Dennis McCarthy
Kirk's Death
87 bpm • C Maj • 02:45 • -33.83db
15% Popularity • 9% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
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Christopher Young
Hellraiser
89 bpm • G# Maj • 01:42 • -18.71db
30% Popularity • 20% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Various Artists
Star Trek: Deep Space Nine Main Title - ...
89 bpm • C Maj • 01:54 • -18db
19% Popularity • 25% Danceability • 33% Energy • 16% Liveness
82% Instrumentalness • 16% Positiveness
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Cliff Eidelman
Sign Off - Star Trek VI/Soundtrack Versi...
89 bpm • C min • 03:12 • -20.6db
22% Popularity • 12% Danceability • 4% Energy • 42% Liveness
86% Instrumentalness • 4% Positiveness
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Jerry Goldsmith
End Title
87 bpm • F Maj • 05:28 • -17db
26% Popularity • 18% Danceability • 20% Energy • 14% Liveness
90% Instrumentalness • 7% Positiveness
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Nick Glennie-Smith
That's A Nice Day
87 bpm • F min • 02:42 • -19.89db
28% Popularity • 14% Danceability • 24% Energy • 13% Liveness
66% Instrumentalness • 4% Positiveness
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Dave Grusin
The Goondocks (Goonies Theme)
87 bpm • A Maj • 02:04 • -19.83db
30% Popularity • 14% Danceability • 18% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
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Carter Burwell
Follow Your Feet
87 bpm • D Maj • 03:09 • -27db
22% Popularity • 12% Danceability • 3% Energy • 14% Liveness
95% Instrumentalness • 8% Positiveness
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Joe Kraemer
Solomon Lane
86 bpm • A min • 04:07 • -18.9db
26% Popularity • 12% Danceability • 8% Energy • 18% Liveness
90% Instrumentalness • 3% Positiveness
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Henry Jackman
Taking a Stand
90 bpm • D min • 02:07 • -13.23db
47% Popularity • 40% Danceability • 46% Energy • 8% Liveness
93% Instrumentalness • 25% Positiveness
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Jerry Goldsmith
Welcome Aboard, Sir
86 bpm • C Maj • 02:11 • -16.73db
25% Popularity • 12% Danceability • 31% Energy • 7% Liveness
70% Instrumentalness • 5% Positiveness
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Nicholas Hooper
Loved Ones and Leaving
90 bpm • D Maj • 03:15 • -22.28db
47% Popularity • 22% Danceability • 7% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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Stephen Barton
Make It So
86 bpm • F# Maj • 06:02 • -15.65db
28% Popularity • 9% Danceability • 25% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
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Batman: Mask Of The Phantasm OMPST
First Love
90 bpm • D# Maj • 01:35 • -26.63db
17% Popularity • 18% Danceability • 3% Energy • 9% Liveness
61% Instrumentalness • 8% Positiveness
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Joe Kraemer
Meet the IMF
90 bpm • A min • 01:47 • -14db
35% Popularity • 18% Danceability • 13% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Christopher Young
Hellbound / Second Sight Seance
86 bpm • A Maj • 07:28 • -12.09db
19% Popularity • 9% Danceability • 39% Energy • 37% Liveness
2% Instrumentalness • 4% Positiveness
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Jerry Goldsmith
No Security
86 bpm • D Maj • 03:08 • -25.84db
10% Popularity • 9% Danceability • 2% Energy • 6% Liveness
89% Instrumentalness • 4% Positiveness
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Thomas Newman
Grand Bazaar, Istanbul
91 bpm • C min • 05:14 • -13db
31% Popularity • 25% Danceability • 63% Energy • 11% Liveness
89% Instrumentalness • 5% Positiveness
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Stephen Barton
Legacy And Future
90 bpm • D Maj • 01:44 • -13.15db
25% Popularity • 10% Danceability • 17% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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Rohan Stevenson
Finale - The Sword in the Stone
91 bpm • A# min • 07:13 • -17.74db
26% Popularity • 13% Danceability • 14% Energy • 9% Liveness
75% Instrumentalness • 3% Positiveness
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Mark McKenzie
Of My Heart To Thee I Give
85 bpm • C Maj • 01:43 • -18.2db
19% Popularity • 18% Danceability • 19% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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Jeff Russo
Justin’s Theme
85 bpm • A min • 02:51 • -19.43db
38% Popularity • 9% Danceability • 15% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
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Jerry Goldsmith
A Start
85 bpm • G# Maj • 02:28 • -24.35db
23% Popularity • 12% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Los Angeles Philharmonic
Main Title: Theme From Battlestar Galict...
91 bpm • C Maj • 01:31 • -9.96db
33% Popularity • 18% Danceability • 37% Energy • 14% Liveness
77% Instrumentalness • 15% Positiveness
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Nicholas Hooper
The Ministry of Magic
85 bpm • G# Maj • 02:47 • -17.75db
42% Popularity • 23% Danceability • 5% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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Klaus Badelt
I Don't Belong Here
91 bpm • A Maj • 03:48 • -13db
28% Popularity • 11% Danceability • 37% Energy • 7% Liveness
86% Instrumentalness • 4% Positiveness
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Stephen Warbeck
The Shells
85 bpm • G min • 02:18 • -18.67db
44% Popularity • 9% Danceability • 10% Energy • 20% Liveness
91% Instrumentalness • 4% Positiveness
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Milo Paulus
International Escapades: I. Overture
91 bpm • C# Maj • 01:57 • -11.07db
13% Popularity • 17% Danceability • 32% Energy • 36% Liveness
84% Instrumentalness • 10% Positiveness
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Rohan Stevenson
Lancelot Leaves
85 bpm • A# min • 01:55 • -20.15db
38% Popularity • 9% Danceability • 6% Energy • 10% Liveness
50% Instrumentalness • 3% Positiveness
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Marc Streitenfeld
Fate Has Smiled Upon Us
91 bpm • E min • 02:02 • -13.98db
61% Popularity • 28% Danceability • 39% Energy • 22% Liveness
89% Instrumentalness • 4% Positiveness
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Geoff Zanelli
Dead Men Tell No Tales
85 bpm • D min • 01:51 • -18.2db
42% Popularity • 26% Danceability • 34% Energy • 5% Liveness
94% Instrumentalness • 4% Positiveness
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Jerry Goldsmith
The Parachutes
92 bpm • C Maj • 02:09 • -17.64db
12% Popularity • 17% Danceability • 19% Energy • 15% Liveness
56% Instrumentalness • 16% Positiveness
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Melbourne Symphony Orchestra
This is a Tale
92 bpm • D min • 04:21 • -15db
18% Popularity • 15% Danceability • 19% Energy • 8% Liveness
31% Instrumentalness • 4% Positiveness
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Hans Zimmer
The Battle
84 bpm • C Maj • 10:02 • -14db
49% Popularity • 40% Danceability • 38% Energy • 12% Liveness
91% Instrumentalness • 10% Positiveness
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Roque Baños
The Story Is Told
92 bpm • G# Maj • 06:41 • -24db
29% Popularity • 11% Danceability • 3% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
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Rob Lane
The Declaration Of Independence
84 bpm • D min • 06:05 • -17.56db
16% Popularity • 11% Danceability • 16% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
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Harald Kloser
Evolet
84 bpm • A min • 02:43 • -27db
27% Popularity • 8% Danceability • 5% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Cliff Eidelman
Act 1 - Spain: The Great Sea
84 bpm • B min • 01:38 • -17db
16% Popularity • 21% Danceability • 33% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
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Jerry Goldsmith
Mumia Attack
84 bpm • F min • 02:16 • -17.43db
24% Popularity • 16% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Hans Zimmer
King of Pride Rock
92 bpm • F Maj • 05:59 • -22.8db
50% Popularity • 12% Danceability • 14% Energy • 10% Liveness
53% Instrumentalness • 9% Positiveness
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Nathan Johnson
Theme from Glass Onion
93 bpm • B Maj • 01:53 • -9.88db
30% Popularity • 18% Danceability • 40% Energy • 9% Liveness
7% Instrumentalness • 12% Positiveness
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Joel McNeely
Main Theme From Star Wars And Leia's Nig...
84 bpm • A# Maj • 03:47 • -16db
15% Popularity • 10% Danceability • 28% Energy • 8% Liveness
79% Instrumentalness • 6% Positiveness
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Harald Kloser
10,000 BC/End Credits
84 bpm • E min • 02:55 • -12.92db
37% Popularity • 9% Danceability • 53% Energy • 9% Liveness
61% Instrumentalness • 15% Positiveness
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Thomas Wander
Independence Day Resurgence Finale
83 bpm • A# Maj • 03:14 • -15.87db
24% Popularity • 9% Danceability • 18% Energy • 33% Liveness
87% Instrumentalness • 4% Positiveness
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Jerry Goldsmith
Mulan's Decision
83 bpm • A# min • 03:23 • -19.27db
43% Popularity • 21% Danceability • 26% Energy • 14% Liveness
81% Instrumentalness • 6% Positiveness
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Ludwig Göransson
The Mandalorian - Orchestral Version
83 bpm • D min • 02:20 • -13db
44% Popularity • 48% Danceability • 24% Energy • 29% Liveness
70% Instrumentalness • 12% Positiveness
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Rupert Gregson-Williams
Praying
83 bpm • A min • 05:49 • -13.18db
44% Popularity • 8% Danceability • 37% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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Joe Kraemer
Suite from Jack Reacher (Digital Bonus T...
83 bpm • E min • 06:48 • -19.62db
17% Popularity • 18% Danceability • 10% Energy • 10% Liveness
88% Instrumentalness • 5% Positiveness
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Max Steiner
Casablanca - Suite
83 bpm • D# Maj • 06:54 • -17db
17% Popularity • 13% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Thomas Newman
Lost
94 bpm • E Maj • 01:01 • -17.8db
37% Popularity • 21% Danceability • 16% Energy • 10% Liveness
95% Instrumentalness • 13% Positiveness
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Jerry Goldsmith
The Crypt
93 bpm • C# Maj • 02:23 • -20.44db
24% Popularity • 11% Danceability • 8% Energy • 11% Liveness
86% Instrumentalness • 6% Positiveness
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Harald Kloser
Body Heat
83 bpm • A min • 01:50 • -27.42db
29% Popularity • 8% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Wojciech Kilar
End Credits
83 bpm • F Maj • 06:42 • -31.58db
26% Popularity • 11% Danceability • 1% Energy • 10% Liveness
38% Instrumentalness • 3% Positiveness
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Rob Lane
Merlin's Arrival at Camelot
94 bpm • G# Maj • 03:08 • -16db
36% Popularity • 15% Danceability • 32% Energy • 24% Liveness
92% Instrumentalness • 6% Positiveness
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Nicholas Hooper
Farewell Aragog
82 bpm • G Maj • 02:08 • -25db
46% Popularity • 12% Danceability • 3% Energy • 8% Liveness
6% Instrumentalness • 5% Positiveness
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John Bacchus Dykes
Roll Tide
82 bpm • D min • 07:33 • -16db
45% Popularity • 8% Danceability • 18% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Jerry Goldsmith
The Enterprise
93 bpm • F Maj • 06:03 • -17.16db
26% Popularity • 14% Danceability • 20% Energy • 8% Liveness
61% Instrumentalness • 6% Positiveness
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Harald Kloser
Alien vs. Predator Main Theme
82 bpm • A# Maj • 03:29 • -13.77db
17% Popularity • 16% Danceability • 35% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Stephen Warbeck
The Letter
82 bpm • D Maj • 01:18 • -21.08db
45% Popularity • 17% Danceability • 17% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Kevin Kiner
Anakin and Padmé
81 bpm • G min • 01:48 • -14.36db
47% Popularity • 16% Danceability • 24% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
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Dave Grusin
The Reunion And Fratellis On Beach
81 bpm • E Maj • 03:39 • -12.77db
12% Popularity • 25% Danceability • 19% Energy • 10% Liveness
82% Instrumentalness • 20% Positiveness
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Dennis McCarthy
Star Trek: Generations: Overture
81 bpm • C min • 03:51 • -14.83db
25% Popularity • 10% Danceability • 28% Energy • 6% Liveness
91% Instrumentalness • 9% Positiveness
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Jerry Goldsmith
Suite From Mulan
94 bpm • C Maj • 07:06 • -20db
47% Popularity • 15% Danceability • 10% Energy • 27% Liveness
90% Instrumentalness • 8% Positiveness
► Preview
Harald Kloser
Sea Of Sand
82 bpm • C# Maj • 02:41 • -13.85db
40% Popularity • 15% Danceability • 39% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Mark Mothersbaugh
Where To?
95 bpm • F Maj • 02:22 • -17db
30% Popularity • 12% Danceability • 13% Energy • 24% Liveness
89% Instrumentalness • 4% Positiveness
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Leonard Rosenman
Crash-Whale Fugue
81 bpm • G Maj • 08:15 • -17.06db
10% Popularity • 12% Danceability • 20% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Don Davis
Logos / The Matrix Main Title
81 bpm • F Maj • 00:53 • -17.84db
41% Popularity • 8% Danceability • 34% Energy • 11% Liveness
69% Instrumentalness • 6% Positiveness
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Wojciech Kilar
Lucy's Party
81 bpm • C# min • 02:56 • -33.24db
28% Popularity • 31% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 3% Positiveness
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Jerry Goldsmith
Remus
95 bpm • C Maj • 01:57 • -20.51db
20% Popularity • 22% Danceability • 12% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
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Maurice Jarre
Main Title
81 bpm • A# Maj • 01:58 • -12db
17% Popularity • 24% Danceability • 37% Energy • 10% Liveness
91% Instrumentalness • 37% Positiveness
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Harald Kloser
Hall's Plan
95 bpm • D# Maj • 00:53 • -26.62db
38% Popularity • 12% Danceability • 5% Energy • 11% Liveness
99% Instrumentalness • 4% Positiveness
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Stephen Barton
The Stars – End Credits
96 bpm • G Maj • 02:59 • -10.74db
27% Popularity • 38% Danceability • 42% Energy • 7% Liveness
86% Instrumentalness • 14% Positiveness
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Stu Phillips
Battlestar Galactica Theme
96 bpm • C Maj • 01:31 • -11.23db
31% Popularity • 22% Danceability • 50% Energy • 25% Liveness
75% Instrumentalness • 34% Positiveness
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Geoff Zanelli
She Needs the Sea
96 bpm • G Maj • 02:32 • -11.76db
35% Popularity • 18% Danceability • 46% Energy • 11% Liveness
85% Instrumentalness • 6% Positiveness
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Jerry Goldsmith
A New Ending
96 bpm • F Maj • 06:08 • -17.43db
20% Popularity • 17% Danceability • 15% Energy • 44% Liveness
70% Instrumentalness • 5% Positiveness
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Bear McCreary
Agents of S.H.I.E.L.D. Overture
96 bpm • C# Maj • 02:51 • -13.02db
40% Popularity • 46% Danceability • 49% Energy • 12% Liveness
79% Instrumentalness • 19% Positiveness
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The Starlite Orchestra & Singers
The Patriot (Main Theme)
81 bpm • C Maj • 06:35 • -13.17db
20% Popularity • 13% Danceability • 28% Energy • 17% Liveness
60% Instrumentalness • 10% Positiveness
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Andrew Lockington
Mysterious Island Main Titles
80 bpm • F Maj • 03:22 • -8db
18% Popularity • 14% Danceability • 52% Energy • 10% Liveness
94% Instrumentalness • 18% Positiveness
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Rupert Gregson-Williams
Amazons Of Themyscira
80 bpm • E min • 06:47 • -21db
39% Popularity • 8% Danceability • 22% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Cliff Eidelman
The Battle For Peace - Star Trek VI/Soun...
80 bpm • G# Maj • 08:02 • -21.56db
19% Popularity • 16% Danceability • 10% Energy • 8% Liveness
62% Instrumentalness • 4% Positiveness
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Jerry Goldsmith
Camel Race
96 bpm • A# Maj • 03:23 • -19db
30% Popularity • 22% Danceability • 23% Energy • 18% Liveness
80% Instrumentalness • 7% Positiveness
► Preview
Nicholas Hooper
Dumbledore's Army
80 bpm • G Maj • 02:40 • -21db
53% Popularity • 34% Danceability • 12% Energy • 16% Liveness
79% Instrumentalness • 21% Positiveness
► Preview
Steve Jablonsky
Prime
80 bpm • G# Maj • 02:14 • -17db
49% Popularity • 20% Danceability • 49% Energy • 9% Liveness
90% Instrumentalness • 14% Positiveness
► Preview
Dave Grusin
Fratelli Chase
80 bpm • D min • 02:47 • -13db
37% Popularity • 74% Danceability • 44% Energy • 12% Liveness
34% Instrumentalness • 48% Positiveness
► Preview
Nick Glennie-Smith
I'll Go With You
80 bpm • A# min • 01:17 • -16db
33% Popularity • 23% Danceability • 38% Energy • 18% Liveness
90% Instrumentalness • 9% Positiveness
► Preview
Joseph Loduca
March Of The Dead
97 bpm • C min • 03:57 • -16.42db
19% Popularity • 53% Danceability • 44% Energy • 11% Liveness
68% Instrumentalness • 7% Positiveness
► Preview
Andrew Lockington
The Center Of The Earth
80 bpm • G Maj • 04:44 • -24.26db
14% Popularity • 10% Danceability • 9% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
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William Ross
End Credit
80 bpm • A# min • 04:02 • -16db
28% Popularity • 13% Danceability • 14% Energy • 12% Liveness
97% Instrumentalness • 4% Positiveness
► Preview
Steve Jablonsky
Autobots
80 bpm • G min • 02:33 • -14.76db
56% Popularity • 39% Danceability • 49% Energy • 11% Liveness
96% Instrumentalness • 18% Positiveness
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Dave Grusin
Plumbing
80 bpm • D min • 01:25 • -14db
36% Popularity • 68% Danceability • 27% Energy • 15% Liveness
94% Instrumentalness • 37% Positiveness
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Jerry Goldsmith
Main Title
80 bpm • F Maj • 02:14 • -17.71db
30% Popularity • 35% Danceability • 25% Energy • 10% Liveness
9% Instrumentalness • 14% Positiveness
► Preview
Marcel Barsotti
The Flood
80 bpm • E Maj • 01:29 • -17.1db
14% Popularity • 24% Danceability • 34% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
► Preview
Mychael Danna
Arlo's Vision
80 bpm • C Maj • 01:35 • -30db
27% Popularity • 22% Danceability • 2% Energy • 11% Liveness
60% Instrumentalness • 4% Positiveness
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The Injection