Songs like The Inspector Clouseau Theme - From "The Pink Panther Strikes Again" by Roger Woodward
Based on a tempo of (+/- 10%) and a similar genre
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Roger Woodward
The Inspector Clouseau Theme
138 bpm • A min • 01:57 • -34.42db
0% Popularity • 61% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 80% Positiveness
0% Popularity • 61% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 80% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19, No. 1
138 bpm • E Maj • 03:14 • -34db
46% Popularity • 22% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
46% Popularity • 22% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
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Lang Lang
Variations on an Original Theme, Op. 36 ...
138 bpm • D# Maj • 04:18 • -16db
19% Popularity • 64% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 50% Positiveness
19% Popularity • 64% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 50% Positiveness
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Stephen Heller
25 melodische Etüden, Op. 45: No. 2, Al...
138 bpm • A min • 01:14 • -23db
11% Popularity • 36% Danceability • 13% Energy • 7% Liveness
91% Instrumentalness • 45% Positiveness
11% Popularity • 36% Danceability • 13% Energy • 7% Liveness
91% Instrumentalness • 45% Positiveness
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Reynaldo Hahn
Premières valses: No. 5, Pas vite, simp...
139 bpm • G min • 02:24 • -31.12db
22% Popularity • 32% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 13% Positiveness
22% Popularity • 32% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 13% Positiveness
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Franz Liszt
Schwanengesang, D. 957: No. 4. Standchen...
137 bpm • D Maj • 05:31 • -28.04db
34% Popularity • 33% Danceability • 3% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
34% Popularity • 33% Danceability • 3% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
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Hans Otte
Stundenbuch / Book of Hours: Buch I: 12
137 bpm • C min • 01:20 • -39.68db
1% Popularity • 37% Danceability • 0% Energy • 14% Liveness
91% Instrumentalness • 37% Positiveness
1% Popularity • 37% Danceability • 0% Energy • 14% Liveness
91% Instrumentalness • 37% Positiveness
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Clara Schumann
Variations on a Theme by Robert Schumann...
137 bpm • G# min • 03:59 • -27db
7% Popularity • 26% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
7% Popularity • 26% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Lasst Mich Alein, Op. 82, B.157
136 bpm • B Maj • 04:18 • -26.55db
15% Popularity • 21% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
15% Popularity • 21% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Diane Hidy & Keith Snell
Le Courant Limpide (the Limpid Stream)
136 bpm • D Maj • 01:05 • -28.62db
20% Popularity • 29% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 27% Positiveness
20% Popularity • 29% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 27% Positiveness
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Gabriel Fauré
Fauré: Dolly, Op. 56: I. Berceuse
140 bpm • E Maj • 02:37 • -21.85db
27% Popularity • 42% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 12% Positiveness
27% Popularity • 42% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 12% Positiveness
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Péter Nagy
Les contes d'Hoffmann: Barcarolle from T...
140 bpm • D Maj • 03:54 • -33.26db
17% Popularity • 30% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
17% Popularity • 30% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
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Horaţiu Rădulescu
Sonata No. 1, Op. 5 "Cradle to Abysses":...
136 bpm • E Maj • 04:34 • -31.91db
0% Popularity • 48% Danceability • 0% Energy • 7% Liveness
54% Instrumentalness • 33% Positiveness
0% Popularity • 48% Danceability • 0% Energy • 7% Liveness
54% Instrumentalness • 33% Positiveness
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Edvard Grieg
Lyric Pieces, Op. 12: No. 3, Watchman's ...
136 bpm • E Maj • 02:47 • -34.53db
8% Popularity • 47% Danceability • 0% Energy • 10% Liveness
94% Instrumentalness • 23% Positiveness
8% Popularity • 47% Danceability • 0% Energy • 10% Liveness
94% Instrumentalness • 23% Positiveness
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Roger Woodward
Terry's Theme
136 bpm • F Maj • 04:10 • -26.5db
2% Popularity • 48% Danceability • 0% Energy • 8% Liveness
90% Instrumentalness • 27% Positiveness
2% Popularity • 48% Danceability • 0% Energy • 8% Liveness
90% Instrumentalness • 27% Positiveness
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Luigi Boccherini
Boccherini: Cello Concerto No. 9 in B-Fl...
141 bpm • A# Maj • 06:08 • -16.83db
30% Popularity • 40% Danceability • 16% Energy • 7% Liveness
56% Instrumentalness • 48% Positiveness
30% Popularity • 40% Danceability • 16% Energy • 7% Liveness
56% Instrumentalness • 48% Positiveness
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Michael Charles Clark
Für Elise - Beethoven
141 bpm • A min • 02:59 • -23.66db
15% Popularity • 23% Danceability • 14% Energy • 16% Liveness
85% Instrumentalness • 19% Positiveness
15% Popularity • 23% Danceability • 14% Energy • 16% Liveness
85% Instrumentalness • 19% Positiveness
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Johann Christian Bach
Sonata No. 5 in A Major, Op. 17, No. 5: ...
135 bpm • A Maj • 03:38 • -27.59db
40% Popularity • 24% Danceability • 11% Energy • 13% Liveness
90% Instrumentalness • 44% Positiveness
40% Popularity • 24% Danceability • 11% Energy • 13% Liveness
90% Instrumentalness • 44% Positiveness
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Hans Otte
Stundenbuch / Book of Hours: Buch III: 2...
135 bpm • C Maj • 01:02 • -42.63db
0% Popularity • 30% Danceability • 0% Energy • 11% Liveness
14% Instrumentalness • 26% Positiveness
0% Popularity • 30% Danceability • 0% Energy • 11% Liveness
14% Instrumentalness • 26% Positiveness
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Remy Dubois
Holy Night
141 bpm • D# Maj • 01:00 • -31.68db
15% Popularity • 49% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 38% Positiveness
15% Popularity • 49% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 38% Positiveness
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Peter Sculthorpe
Two Easy Pieces: 2. Left Bank Waltz
135 bpm • C Maj • 01:48 • -30.71db
18% Popularity • 30% Danceability • 2% Energy • 8% Liveness
89% Instrumentalness • 45% Positiveness
18% Popularity • 30% Danceability • 2% Energy • 8% Liveness
89% Instrumentalness • 45% Positiveness
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Frédéric Chopin
Etude in E major, Op.10 No.3
135 bpm • E Maj • 04:55 • -23.82db
21% Popularity • 41% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
21% Popularity • 41% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
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Percy Grainger
Bridal Lullaby
142 bpm • F# Maj • 02:23 • -32.9db
9% Popularity • 28% Danceability • 0% Energy • 9% Liveness
92% Instrumentalness • 17% Positiveness
9% Popularity • 28% Danceability • 0% Energy • 9% Liveness
92% Instrumentalness • 17% Positiveness
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Roger Woodward
Piano Sonata No. 11 in A Major, K. 331: ...
142 bpm • A Maj • 02:50 • -21.07db
5% Popularity • 48% Danceability • 17% Energy • 10% Liveness
92% Instrumentalness • 47% Positiveness
5% Popularity • 48% Danceability • 17% Energy • 10% Liveness
92% Instrumentalness • 47% Positiveness
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Lang Lang
24 Préludes, Op. 28: No. 15 in D Flat M...
134 bpm • C# Maj • 06:34 • -22db
26% Popularity • 42% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
26% Popularity • 42% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
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Miriam Hyde
Forest Echoes, Op. 12: 4. The Quiet Mead...
134 bpm • E Maj • 01:19 • -26.4db
7% Popularity • 43% Danceability • 3% Energy • 10% Liveness
85% Instrumentalness • 20% Positiveness
7% Popularity • 43% Danceability • 3% Energy • 10% Liveness
85% Instrumentalness • 20% Positiveness
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Franz Liszt
Consolations, S. 172: No. 3 in D-Flat Ma...
134 bpm • C# Maj • 04:43 • -24.02db
35% Popularity • 39% Danceability • 2% Energy • 14% Liveness
92% Instrumentalness • 5% Positiveness
35% Popularity • 39% Danceability • 2% Energy • 14% Liveness
92% Instrumentalness • 5% Positiveness
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Benjamin Godard
Jocelyn, Op. 100: Berceuse (Arr. for Pia...
134 bpm • F Maj • 02:32 • -32db
22% Popularity • 40% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 14% Positiveness
22% Popularity • 40% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 14% Positiveness
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Valentina Blanca
Minuet
142 bpm • F min • 02:00 • -35.42db
10% Popularity • 43% Danceability • 1% Energy • 9% Liveness
98% Instrumentalness • 16% Positiveness
10% Popularity • 43% Danceability • 1% Energy • 9% Liveness
98% Instrumentalness • 16% Positiveness
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Carl Czerny
Huit Nocturnes, Op. 368: No. 4 in D-Flat...
134 bpm • C# Maj • 03:51 • -34.31db
10% Popularity • 34% Danceability • 1% Energy • 15% Liveness
82% Instrumentalness • 7% Positiveness
10% Popularity • 34% Danceability • 1% Energy • 15% Liveness
82% Instrumentalness • 7% Positiveness
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Friedrich Burgmüller
25 Ètudes Faciles Et Progressives, Op. ...
134 bpm • D Maj • 01:06 • -26db
52% Popularity • 16% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 41% Positiveness
52% Popularity • 16% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 41% Positiveness
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Lang Lang
Piano Sonatina in C Major, Op. 20 No. 1:...
133 bpm • F Maj • 03:03 • -29db
17% Popularity • 50% Danceability • 1% Energy • 7% Liveness
97% Instrumentalness • 23% Positiveness
17% Popularity • 50% Danceability • 1% Energy • 7% Liveness
97% Instrumentalness • 23% Positiveness
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Toru Takemitsu
Les yeux clos: I.
133 bpm • E min • 07:34 • -22.28db
0% Popularity • 50% Danceability • 4% Energy • 9% Liveness
82% Instrumentalness • 5% Positiveness
0% Popularity • 50% Danceability • 4% Energy • 9% Liveness
82% Instrumentalness • 5% Positiveness
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Nikolai Rimsky-Korsakov
Sadko: Song of India - Arr. By Maria Let...
143 bpm • D Maj • 02:59 • -38db
9% Popularity • 23% Danceability • 0% Energy • 6% Liveness
94% Instrumentalness • 6% Positiveness
9% Popularity • 23% Danceability • 0% Energy • 6% Liveness
94% Instrumentalness • 6% Positiveness
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Fanny Mendelssohn
Schwanenlied
143 bpm • G min • 02:30 • -21.42db
48% Popularity • 24% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
48% Popularity • 24% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
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Wolfgang Amadeus Mozart
Serenade No. 13 in G Major, K. 525, "Ein...
143 bpm • C Maj • 06:03 • -22.3db
55% Popularity • 32% Danceability • 3% Energy • 10% Liveness
83% Instrumentalness • 21% Positiveness
55% Popularity • 32% Danceability • 3% Energy • 10% Liveness
83% Instrumentalness • 21% Positiveness
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Camille Saint-Saëns
Carnival of the Animals: XIII. Le Cygne ...
143 bpm • G Maj • 02:47 • -33.16db
15% Popularity • 23% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness
15% Popularity • 23% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness
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Johann Christian Bach
Viola Concerto in C Minor: II. Adagio mo...
133 bpm • G# Maj • 05:05 • -19.1db
23% Popularity • 18% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
23% Popularity • 18% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
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Robert Schumann
Album für die Jugend, Op. 68, Pt. 1: F�...
133 bpm • C Maj • 01:22 • -33.75db
13% Popularity • 47% Danceability • 1% Energy • 13% Liveness
90% Instrumentalness • 65% Positiveness
13% Popularity • 47% Danceability • 1% Energy • 13% Liveness
90% Instrumentalness • 65% Positiveness
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Hans Otte
Stundenbuch / Book of Hours: Buch I: 9
133 bpm • F min • 02:26 • -39.24db
0% Popularity • 38% Danceability • 0% Energy • 16% Liveness
97% Instrumentalness • 4% Positiveness
0% Popularity • 38% Danceability • 0% Energy • 16% Liveness
97% Instrumentalness • 4% Positiveness
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Georgs Pelēcis
Concertino bianco: 3. Con anima
133 bpm • C Maj • 02:53 • -18.03db
15% Popularity • 35% Danceability • 27% Energy • 19% Liveness
93% Instrumentalness • 60% Positiveness
15% Popularity • 35% Danceability • 27% Energy • 19% Liveness
93% Instrumentalness • 60% Positiveness
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Edward Elgar
Salut d'amour, Op. 12 (Arr. Cello & Pian...
144 bpm • D Maj • 03:03 • -24.24db
23% Popularity • 20% Danceability • 6% Energy • 10% Liveness
87% Instrumentalness • 15% Positiveness
23% Popularity • 20% Danceability • 6% Energy • 10% Liveness
87% Instrumentalness • 15% Positiveness
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Toru Takemitsu
For Away
132 bpm • E min • 07:50 • -23.7db
0% Popularity • 42% Danceability • 3% Energy • 12% Liveness
54% Instrumentalness • 4% Positiveness
0% Popularity • 42% Danceability • 3% Energy • 12% Liveness
54% Instrumentalness • 4% Positiveness
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Michael Kieran Harvey
The Well-Tempered Clavier: Book 1, BWV 8...
132 bpm • C Maj • 02:18 • -32.11db
24% Popularity • 17% Danceability • 3% Energy • 11% Liveness
87% Instrumentalness • 15% Positiveness
24% Popularity • 17% Danceability • 3% Energy • 11% Liveness
87% Instrumentalness • 15% Positiveness
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Roger Woodward
Main Theme [Arr. Roger Woodward]
132 bpm • C# Maj • 02:57 • -32.41db
4% Popularity • 44% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 11% Positiveness
4% Popularity • 44% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 11% Positiveness
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Hans Otte
Stundenbuch / Book of Hours: Buch III: 3...
132 bpm • F Maj • 01:11 • -41.52db
0% Popularity • 34% Danceability • 0% Energy • 13% Liveness
93% Instrumentalness • 53% Positiveness
0% Popularity • 34% Danceability • 0% Energy • 13% Liveness
93% Instrumentalness • 53% Positiveness
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Alexander Borodin
Petite Suite: 7. Rêverie
131 bpm • C# Maj • 02:01 • -31.29db
6% Popularity • 41% Danceability • 0% Energy • 8% Liveness
92% Instrumentalness • 8% Positiveness
6% Popularity • 41% Danceability • 0% Energy • 8% Liveness
92% Instrumentalness • 8% Positiveness
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Felix Mendelssohn
Mendelssohn: Songs Without Words, Book I...
130 bpm • B Maj • 04:12 • -26db
22% Popularity • 34% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 14% Positiveness
22% Popularity • 34% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 14% Positiveness
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Carl Philipp Emanuel Bach
La Caroline
147 bpm • A min • 02:30 • -27.24db
13% Popularity • 42% Danceability • 3% Energy • 8% Liveness
86% Instrumentalness • 27% Positiveness
13% Popularity • 42% Danceability • 3% Energy • 8% Liveness
86% Instrumentalness • 27% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
130 bpm • F Maj • 02:55 • -42.24db
55% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
55% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
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Roger Woodward
Deux Nocturnes Opus 62 (1846): E major
130 bpm • E Maj • 06:21 • -26.94db
2% Popularity • 38% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 6% Positiveness
2% Popularity • 38% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 6% Positiveness
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Hans Otte
Stundenbuch / Book of Hours: Buch II: 24
131 bpm • C Maj • 01:44 • -47.15db
1% Popularity • 54% Danceability • 0% Energy • 16% Liveness
93% Instrumentalness • 0% Positiveness
1% Popularity • 54% Danceability • 0% Energy • 16% Liveness
93% Instrumentalness • 0% Positiveness
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Franz Liszt
Mendelssohns Lieder, S. 547: Auf Flugeln...
149 bpm • G# Maj • 03:19 • -30.75db
52% Popularity • 30% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
52% Popularity • 30% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
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Nikolai Obukhov
Les astrales parlent (1915)
128 bpm • C# min • 05:47 • -29.53db
0% Popularity • 58% Danceability • 0% Energy • 13% Liveness
87% Instrumentalness • 8% Positiveness
0% Popularity • 58% Danceability • 0% Energy • 13% Liveness
87% Instrumentalness • 8% Positiveness
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Henri Van Gael
La Voix Du Coeur "The Voice of the Heart...
148 bpm • F Maj • 02:15 • -26.56db
17% Popularity • 31% Danceability • 9% Energy • 8% Liveness
91% Instrumentalness • 14% Positiveness
17% Popularity • 31% Danceability • 9% Energy • 8% Liveness
91% Instrumentalness • 14% Positiveness
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Wolfgang Amadeus Mozart
Piano Sonata No. 16 in C Major, K. 545 "...
129 bpm • C Maj • 04:33 • -25.18db
28% Popularity • 33% Danceability • 8% Energy • 9% Liveness
94% Instrumentalness • 71% Positiveness
28% Popularity • 33% Danceability • 8% Energy • 9% Liveness
94% Instrumentalness • 71% Positiveness
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Christian Petzold
Petzold: Bach's Menuet in G Major, BWV A...
149 bpm • G Maj • 01:19 • -17.01db
34% Popularity • 22% Danceability • 38% Energy • 11% Liveness
92% Instrumentalness • 38% Positiveness
34% Popularity • 22% Danceability • 38% Energy • 11% Liveness
92% Instrumentalness • 38% Positiveness
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Sonny Chua
Assorted Fairies: Airy Fairy
149 bpm • C Maj • 00:58 • -40.61db
21% Popularity • 20% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 18% Positiveness
21% Popularity • 20% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 18% Positiveness
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Roger Woodward
Main Theme
127 bpm • A Maj • 02:34 • -26.91db
3% Popularity • 42% Danceability • 4% Energy • 6% Liveness
89% Instrumentalness • 5% Positiveness
3% Popularity • 42% Danceability • 4% Energy • 6% Liveness
89% Instrumentalness • 5% Positiveness
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Hans Otte
Stundenbuch / Book of Hours: Buch I: 7
127 bpm • F min • 01:12 • -38.6db
1% Popularity • 41% Danceability • 0% Energy • 12% Liveness
95% Instrumentalness • 9% Positiveness
1% Popularity • 41% Danceability • 0% Energy • 12% Liveness
95% Instrumentalness • 9% Positiveness
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Arvo Pärt
Für Anna Maria
126 bpm • G Maj • 01:02 • -32db
18% Popularity • 44% Danceability • 8% Energy • 10% Liveness
91% Instrumentalness • 66% Positiveness
18% Popularity • 44% Danceability • 8% Energy • 10% Liveness
91% Instrumentalness • 66% Positiveness
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Alma Deutscher
Piano Sonata in E-Flat Major: Movement 3...
126 bpm • D# Maj • 03:19 • -17.69db
9% Popularity • 43% Danceability • 24% Energy • 13% Liveness
90% Instrumentalness • 73% Positiveness
9% Popularity • 43% Danceability • 24% Energy • 13% Liveness
90% Instrumentalness • 73% Positiveness
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Sophia Dussek
Sonata: Allegro
126 bpm • C min • 02:38 • -25db
17% Popularity • 32% Danceability • 14% Energy • 12% Liveness
89% Instrumentalness • 10% Positiveness
17% Popularity • 32% Danceability • 14% Energy • 12% Liveness
89% Instrumentalness • 10% Positiveness
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Benjamin Frith
Nocturne No. 12 In G Major, H. 58d: Noct...
125 bpm • G Maj • 02:27 • -32db
52% Popularity • 34% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 13% Positiveness
52% Popularity • 34% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 13% Positiveness
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Roger Woodward
Main Theme
126 bpm • A min • 02:04 • -29.92db
0% Popularity • 50% Danceability • 1% Energy • 6% Liveness
89% Instrumentalness • 12% Positiveness
0% Popularity • 50% Danceability • 1% Energy • 6% Liveness
89% Instrumentalness • 12% Positiveness
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Léo De Nada
Nocturnal
126 bpm • B min • 01:25 • -21.79db
18% Popularity • 40% Danceability • 4% Energy • 10% Liveness
92% Instrumentalness • 26% Positiveness
18% Popularity • 40% Danceability • 4% Energy • 10% Liveness
92% Instrumentalness • 26% Positiveness
► Preview
Hans Otte
Stundenbuch / Book of Hours: Buch I: 4
125 bpm • A min • 01:03 • -29.66db
1% Popularity • 44% Danceability • 0% Energy • 8% Liveness
81% Instrumentalness • 26% Positiveness
1% Popularity • 44% Danceability • 0% Energy • 8% Liveness
81% Instrumentalness • 26% Positiveness
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Jenő Jandó
Piano Sonata No. 14 In C Minor, K. 457: ...
123 bpm • D# Maj • 07:47 • -29.73db
44% Popularity • 36% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
44% Popularity • 36% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
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Sergei Prokofiev
Visions Fugitives, Op. 22, XIV Feroce
123 bpm • C Maj • 01:03 • -18.83db
0% Popularity • 44% Danceability • 26% Energy • 14% Liveness
88% Instrumentalness • 52% Positiveness
0% Popularity • 44% Danceability • 26% Energy • 14% Liveness
88% Instrumentalness • 52% Positiveness
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Hal Freedman
Petr Ginz
122 bpm • G# min • 02:15 • -31.76db
22% Popularity • 58% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 55% Positiveness
22% Popularity • 58% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 55% Positiveness
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Diane Hidy & Keith Snell
Ballade
122 bpm • G min • 01:32 • -24.79db
12% Popularity • 66% Danceability • 18% Energy • 11% Liveness
94% Instrumentalness • 36% Positiveness
12% Popularity • 66% Danceability • 18% Energy • 11% Liveness
94% Instrumentalness • 36% Positiveness
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Michael Thomas Heininger
Mirror Face
120 bpm • D Maj • 03:04 • -27.66db
18% Popularity • 50% Danceability • 9% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
18% Popularity • 50% Danceability • 9% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Hans Otte
Stundenbuch / Book of Hours: Buch II: 19
122 bpm • B min • 01:03 • -39.85db
1% Popularity • 51% Danceability • 1% Energy • 17% Liveness
94% Instrumentalness • 34% Positiveness
1% Popularity • 51% Danceability • 1% Energy • 17% Liveness
94% Instrumentalness • 34% Positiveness
► Preview
Ferruccio Busoni
Beethoven - 6 Ecossaises, WoO 83
119 bpm • D# Maj • 02:27 • -29.14db
11% Popularity • 50% Danceability • 5% Energy • 22% Liveness
92% Instrumentalness • 91% Positiveness
11% Popularity • 50% Danceability • 5% Energy • 22% Liveness
92% Instrumentalness • 91% Positiveness
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Lang Lang
Minuet No. 1 in G Major (Formerly Attrib...
119 bpm • G Maj • 01:44 • -27db
40% Popularity • 49% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 78% Positiveness
40% Popularity • 49% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 78% Positiveness
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Various Artists
Musette in D major, BWV Anh.126
118 bpm • D Maj • 01:01 • -23.41db
13% Popularity • 59% Danceability • 15% Energy • 11% Liveness
94% Instrumentalness • 93% Positiveness
13% Popularity • 59% Danceability • 15% Energy • 11% Liveness
94% Instrumentalness • 93% Positiveness
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Wolfgang Amadeus Mozart
Sonata for two pianos KV448 in D Major, ...
118 bpm • G Maj • 08:32 • -27db
23% Popularity • 43% Danceability • 6% Energy • 16% Liveness
95% Instrumentalness • 24% Positiveness
23% Popularity • 43% Danceability • 6% Energy • 16% Liveness
95% Instrumentalness • 24% Positiveness
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Ottorino Respighi
The Birds, P. 154: V. The Cuckoo (Il cuc...
118 bpm • A Maj • 04:17 • -24.23db
35% Popularity • 31% Danceability • 3% Energy • 28% Liveness
13% Instrumentalness • 10% Positiveness
35% Popularity • 31% Danceability • 3% Energy • 28% Liveness
13% Instrumentalness • 10% Positiveness
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Elena Kats-Chernin
The Rain Puzzle
162 bpm • A min • 01:14 • -32.02db
15% Popularity • 11% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 26% Positiveness
15% Popularity • 11% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 26% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19b: III. Molto a...
162 bpm • A Maj • 02:34 • -23.26db
6% Popularity • 26% Danceability • 16% Energy • 10% Liveness
87% Instrumentalness • 46% Positiveness
6% Popularity • 26% Danceability • 16% Energy • 10% Liveness
87% Instrumentalness • 46% Positiveness
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Antonio Vivaldi
Four Seasons Variation (Arr. for Piano f...
164 bpm • C# Maj • 02:01 • -27db
46% Popularity • 26% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 19% Positiveness
46% Popularity • 26% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 19% Positiveness
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Roger Woodward
Ascent Music
165 bpm • A min • 02:07 • -29.64db
3% Popularity • 14% Danceability • 4% Energy • 7% Liveness
85% Instrumentalness • 14% Positiveness
3% Popularity • 14% Danceability • 4% Energy • 7% Liveness
85% Instrumentalness • 14% Positiveness
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Hans Otte
Stundenbuch / Book of Hours: Buch I: 3
165 bpm • C Maj • 01:17 • -34.52db
1% Popularity • 39% Danceability • 0% Energy • 12% Liveness
28% Instrumentalness • 16% Positiveness
1% Popularity • 39% Danceability • 0% Energy • 12% Liveness
28% Instrumentalness • 16% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 2 in F, Op. 102: II. ...
166 bpm • C min • 06:07 • -27.04db
32% Popularity • 21% Danceability • 2% Energy • 17% Liveness
92% Instrumentalness • 5% Positiveness
32% Popularity • 21% Danceability • 2% Energy • 17% Liveness
92% Instrumentalness • 5% Positiveness
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Elena Kats-Chernin
Wild Swans Suite - Version For Violin An...
164 bpm • F Maj • 03:08 • -23db
22% Popularity • 32% Danceability • 7% Energy • 10% Liveness
62% Instrumentalness • 12% Positiveness
22% Popularity • 32% Danceability • 7% Energy • 10% Liveness
62% Instrumentalness • 12% Positiveness
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Edward MacDowell
Forest Idylls, Op. 19: 3. Daydreams
167 bpm • F Maj • 01:41 • -25.94db
8% Popularity • 39% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 30% Positiveness
8% Popularity • 39% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 30% Positiveness
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Vladimir Rebikov
Valse Mignon
167 bpm • G Maj • 01:06 • -23db
30% Popularity • 26% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 40% Positiveness
30% Popularity • 26% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 40% Positiveness
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George Frideric Handel
Largo from 'Xerxes'
170 bpm • G Maj • 04:11 • -18db
34% Popularity • 12% Danceability • 14% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
34% Popularity • 12% Danceability • 14% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
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Hans Otte
Stundenbuch / Book of Hours: Buch II: 14
168 bpm • C Maj • 01:19 • -41.17db
0% Popularity • 30% Danceability • 0% Energy • 13% Liveness
6% Instrumentalness • 26% Positiveness
0% Popularity • 30% Danceability • 0% Energy • 13% Liveness
6% Instrumentalness • 26% Positiveness
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Moritz Moszkowski
Idylle, Op. 94 No. 3
168 bpm • G Maj • 02:15 • -33.44db
20% Popularity • 32% Danceability • 1% Energy • 11% Liveness
85% Instrumentalness • 17% Positiveness
20% Popularity • 32% Danceability • 1% Energy • 11% Liveness
85% Instrumentalness • 17% Positiveness
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Edvard Grieg
Lyric Pieces, Op. 12: No. 1, Arietta
170 bpm • D# Maj • 01:35 • -27.8db
16% Popularity • 32% Danceability • 2% Energy • 15% Liveness
93% Instrumentalness • 18% Positiveness
16% Popularity • 32% Danceability • 2% Energy • 15% Liveness
93% Instrumentalness • 18% Positiveness
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Pyotr Ilyich Tchaikovsky
Twelve Morceaux, Op. 40: 9. Valse in F-S...
168 bpm • B min • 00:45 • -30.11db
5% Popularity • 24% Danceability • 3% Energy • 11% Liveness
84% Instrumentalness • 20% Positiveness
5% Popularity • 24% Danceability • 3% Energy • 11% Liveness
84% Instrumentalness • 20% Positiveness
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Frédéric Chopin
Sonata In G Minor For Cello & Piano, Op....
171 bpm • A# Maj • 03:37 • -30.67db
23% Popularity • 8% Danceability • 1% Energy • 10% Liveness
79% Instrumentalness • 5% Positiveness
23% Popularity • 8% Danceability • 1% Energy • 10% Liveness
79% Instrumentalness • 5% Positiveness
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Carl Ditters von Dittersdorf
Symphony No. 4 in F Major, "Die Rettung ...
171 bpm • F Maj • 08:59 • -28.5db
23% Popularity • 10% Danceability • 3% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
23% Popularity • 10% Danceability • 3% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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Louis Moreau Gottschalk
L’etincelle, La scintilla (The Spark),...
172 bpm • D# Maj • 03:19 • -30.06db
8% Popularity • 44% Danceability • 3% Energy • 10% Liveness
9% Instrumentalness • 16% Positiveness
8% Popularity • 44% Danceability • 3% Energy • 10% Liveness
9% Instrumentalness • 16% Positiveness
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Alexander Mosolov
Two Nocturnes, Op. 15 (1926): Elegiaco, ...
172 bpm • C# Maj • 02:57 • -19.6db
0% Popularity • 43% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
0% Popularity • 43% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Carl Maria von Weber
7 Variations on the Air Vien qua, Dorina...
173 bpm • C Maj • 01:34 • -35db
60% Popularity • 23% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness
60% Popularity • 23% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness
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Pyotr Ilyich Tchaikovsky
The Seasons, Op. 37a, TH 135: No. 6 in G...
170 bpm • G min • 04:59 • -30db
34% Popularity • 29% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 11% Positiveness
34% Popularity • 29% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 11% Positiveness
