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The Journey Begins
Songs like
The Journey Begins
by
Johan Söderqvist
Based on a tempo of (+/- 10%) and a similar genre
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Johan Söderqvist
Kon-Tiki (End Credits)
102 bpm • A min • 05:05 • -15db
13% Popularity • 14% Danceability • 33% Energy • 9% Liveness
79% Instrumentalness • 4% Positiveness
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John Williams
The Reunion
102 bpm • E Maj • 03:55 • -27db
30% Popularity • 14% Danceability • 3% Energy • 17% Liveness
92% Instrumentalness • 3% Positiveness
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Mark Isham
To Nome
101 bpm • C min • 03:03 • -14.53db
16% Popularity • 14% Danceability • 31% Energy • 28% Liveness
94% Instrumentalness • 4% Positiveness
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Ilan Eshkeri
Shogun's Sentence
103 bpm • C min • 02:04 • -21.92db
50% Popularity • 15% Danceability • 9% Energy • 9% Liveness
50% Instrumentalness • 3% Positiveness
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David Wingo
Leaving Home
101 bpm • D Maj • 01:22 • -32.69db
10% Popularity • 13% Danceability • 0% Energy • 10% Liveness
81% Instrumentalness • 3% Positiveness
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Steven Price
They Have Come To A Desert
101 bpm • C min • 01:41 • -17.67db
19% Popularity • 14% Danceability • 31% Energy • 18% Liveness
84% Instrumentalness • 3% Positiveness
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Johan Söderqvist
To Peru
102 bpm • F min • 00:56 • -15.18db
15% Popularity • 47% Danceability • 52% Energy • 11% Liveness
82% Instrumentalness • 10% Positiveness
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Marc Streitenfeld
Pact Sworn in Blood
100 bpm • E min • 02:52 • -19db
51% Popularity • 14% Danceability • 12% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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Jesper Kyd
Aphelion
100 bpm • A min • 02:30 • -12db
46% Popularity • 14% Danceability • 46% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Ilan Eshkeri
Arianne
101 bpm • F min • 01:10 • -33.02db
53% Popularity • 14% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 13% Positiveness
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Geoff Zanelli
Through the Tree
100 bpm • A min • 01:25 • -24db
38% Popularity • 52% Danceability • 10% Energy • 64% Liveness
43% Instrumentalness • 16% Positiveness
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Steven Price
The Ocean Returns The Favour
103 bpm • E min • 02:20 • -15db
39% Popularity • 40% Danceability • 36% Energy • 9% Liveness
66% Instrumentalness • 8% Positiveness
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Sarah Schachner
Ravensthorpe
104 bpm • D min • 02:43 • -14.24db
34% Popularity • 20% Danceability • 18% Energy • 19% Liveness
96% Instrumentalness • 6% Positiveness
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Johan Söderqvist
The Journey Begins
102 bpm • A# Maj • 00:35 • -11.8db
11% Popularity • 34% Danceability • 62% Energy • 12% Liveness
78% Instrumentalness • 19% Positiveness
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John Powell
Let Me Think About It
104 bpm • D Maj • 02:24 • -26.72db
34% Popularity • 21% Danceability • 3% Energy • 12% Liveness
96% Instrumentalness • 6% Positiveness
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Jan A.P. Kaczmarek
Peter - Finding Neverland/Soundtrack Ver...
100 bpm • C Maj • 02:20 • -21db
48% Popularity • 15% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Theodore Shapiro
Clue #2
104 bpm • C min • 00:59 • -26.24db
22% Popularity • 46% Danceability • 25% Energy • 24% Liveness
93% Instrumentalness • 4% Positiveness
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John Debney
Eliza's Theme
100 bpm • C min • 01:31 • -21.11db
31% Popularity • 15% Danceability • 11% Energy • 13% Liveness
92% Instrumentalness • 9% Positiveness
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Burkhard Dallwitz
Interrogation
105 bpm • D Maj • 03:36 • -26db
9% Popularity • 30% Danceability • 11% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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Johan Söderqvist
Gallipoli
100 bpm • B Maj • 01:49 • -21db
32% Popularity • 35% Danceability • 9% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
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Pinar Toprak
Captain Marvel
105 bpm • C Maj • 02:15 • -14.81db
45% Popularity • 37% Danceability • 48% Energy • 12% Liveness
94% Instrumentalness • 11% Positiveness
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Marc Streitenfeld
Charge
99 bpm • E min • 01:18 • -18db
62% Popularity • 18% Danceability • 52% Energy • 63% Liveness
78% Instrumentalness • 10% Positiveness
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Roque Baños
The Knockdown
98 bpm • A Maj • 06:15 • -16.63db
12% Popularity • 21% Danceability • 35% Energy • 13% Liveness
84% Instrumentalness • 4% Positiveness
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Jesper Kyd
The Madam
106 bpm • A min • 01:04 • -22.96db
46% Popularity • 22% Danceability • 2% Energy • 6% Liveness
99% Instrumentalness • 13% Positiveness
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John Powell
Funeral Pyre
98 bpm • D min • 02:21 • -18.13db
26% Popularity • 14% Danceability • 26% Energy • 20% Liveness
97% Instrumentalness • 11% Positiveness
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Johan Söderqvist
Black Bess
100 bpm • G# min • 02:35 • -21.03db
30% Popularity • 23% Danceability • 22% Energy • 8% Liveness
75% Instrumentalness • 3% Positiveness
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Atli Örvarsson
Honourable Discharge
107 bpm • D Maj • 02:36 • -32.9db
13% Popularity • 16% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
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Steven Price
This Is Our Planet
97 bpm • A# Maj • 03:43 • -16db
39% Popularity • 26% Danceability • 33% Energy • 36% Liveness
94% Instrumentalness • 8% Positiveness
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Rob Simonsen
William Recognizes Adaline
107 bpm • A min • 02:48 • -24.3db
18% Popularity • 16% Danceability • 5% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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Howard Shore
Night Mass
97 bpm • G Maj • 01:04 • -27.09db
33% Popularity • 15% Danceability • 3% Energy • 10% Liveness
77% Instrumentalness • 4% Positiveness
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Marcelo Zarvos
I Want You To Have This - Reprise
107 bpm • D# Maj • 01:10 • -27.19db
36% Popularity • 36% Danceability • 3% Energy • 9% Liveness
100% Instrumentalness • 4% Positiveness
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Johan Söderqvist
Knights Of The Sky
100 bpm • E min • 03:24 • -15db
31% Popularity • 44% Danceability • 55% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
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George Fenton
Narwhals
97 bpm • E min • 03:01 • -21.43db
11% Popularity • 26% Danceability • 13% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Atli Örvarsson
Midnight in the Garden
107 bpm • F Maj • 02:15 • -22db
31% Popularity • 28% Danceability • 7% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
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AKIRA HONDA
Enigma's Pulse
108 bpm • E min • 05:23 • -21.26db
16% Popularity • 58% Danceability • 43% Energy • 12% Liveness
79% Instrumentalness • 62% Positiveness
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Howard Shore
The Eagles
97 bpm • C Maj • 02:23 • -25.37db
48% Popularity • 12% Danceability • 2% Energy • 10% Liveness
71% Instrumentalness • 4% Positiveness
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Benji Merrison
She Follows / End Titles
108 bpm • E min • 03:00 • -14.56db
8% Popularity • 16% Danceability • 32% Energy • 15% Liveness
97% Instrumentalness • 9% Positiveness
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Johan Söderqvist
The Swindle
100 bpm • E min • 03:24 • -16db
30% Popularity • 39% Danceability • 32% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Benjamin Wallfisch
Variation 15
96 bpm • D# Maj • 05:51 • -17db
46% Popularity • 12% Danceability • 19% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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Geoff Zanelli
She Needs the Sea
96 bpm • G Maj • 02:32 • -11.76db
35% Popularity • 18% Danceability • 46% Energy • 11% Liveness
85% Instrumentalness • 6% Positiveness
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Rohan Stevenson
Hiding Excalibur
96 bpm • E min • 02:05 • -15db
30% Popularity • 15% Danceability • 19% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
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Howard Shore
The Sealed Documents
108 bpm • G Maj • 02:06 • -21.97db
23% Popularity • 53% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Benji Merrison
David Returns Lost and Found
96 bpm • D Maj • 01:46 • -23.33db
11% Popularity • 17% Danceability • 7% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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William Ross
Overcoming the Past
109 bpm • D# Maj • 04:28 • -16db
31% Popularity • 16% Danceability • 10% Energy • 13% Liveness
96% Instrumentalness • 3% Positiveness
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Johan Söderqvist
French Fog
100 bpm • C# min • 02:19 • -18.05db
28% Popularity • 49% Danceability • 43% Energy • 19% Liveness
87% Instrumentalness • 20% Positiveness
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Rob Simonsen
He Named the Comet Della
109 bpm • A min • 01:50 • -29.59db
19% Popularity • 16% Danceability • 6% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
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John Debney
Mowgli's Leaving - Elephant Theme
109 bpm • C# min • 03:27 • -21.32db
26% Popularity • 20% Danceability • 12% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
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Dustin O'Halloran
Running in the Rain
95 bpm • G# Maj • 03:02 • -19.29db
7% Popularity • 18% Danceability • 11% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Sarah Schachner
Bayek of Siwa
95 bpm • F Maj • 02:35 • -11db
39% Popularity • 45% Danceability • 81% Energy • 11% Liveness
72% Instrumentalness • 10% Positiveness
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Atli Örvarsson
Clary's Theme
95 bpm • D min • 03:22 • -18db
25% Popularity • 14% Danceability • 14% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Johan Söderqvist
Flight School
106 bpm • B min • 03:07 • -11.64db
33% Popularity • 51% Danceability • 57% Energy • 15% Liveness
92% Instrumentalness • 50% Positiveness
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Michael Kamen
Open Range
96 bpm • C Maj • 02:36 • -16db
27% Popularity • 20% Danceability • 18% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
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Marc Streitenfeld
Creatures
110 bpm • A min • 02:09 • -16.29db
46% Popularity • 34% Danceability • 37% Energy • 25% Liveness
56% Instrumentalness • 6% Positiveness
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Anne Nikitin
Starlight
94 bpm • G Maj • 01:45 • -19.39db
45% Popularity • 13% Danceability • 25% Energy • 22% Liveness
96% Instrumentalness • 16% Positiveness
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Rob Lane
Merlin's Arrival at Camelot
94 bpm • G# Maj • 03:08 • -16db
35% Popularity • 15% Danceability • 32% Energy • 24% Liveness
92% Instrumentalness • 6% Positiveness
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Trevor Rabin
Cibola
94 bpm • C Maj • 05:16 • -15db
21% Popularity • 14% Danceability • 35% Energy • 24% Liveness
91% Instrumentalness • 4% Positiveness
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Johan Söderqvist
On Course
108 bpm • G min • 03:06 • -20db
14% Popularity • 16% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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EA Games Soundtrack
The Dalish Elves' Encampment
111 bpm • B min • 01:18 • -21db
38% Popularity • 22% Danceability • 9% Energy • 16% Liveness
71% Instrumentalness • 4% Positiveness
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Rob Simonsen
Coming Back to Life
111 bpm • C Maj • 01:30 • -20.99db
23% Popularity • 17% Danceability • 11% Energy • 29% Liveness
98% Instrumentalness • 4% Positiveness
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Olov Helge
The Little Mermaid: Under the Sea (arr. ...
94 bpm • A# Maj • 03:31 • -16.5db
35% Popularity • 57% Danceability • 39% Energy • 11% Liveness
66% Instrumentalness • 82% Positiveness
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Howard Shore
Practice and Policy
112 bpm • D min • 02:07 • -21db
27% Popularity • 51% Danceability • 29% Energy • 9% Liveness
82% Instrumentalness • 4% Positiveness
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John Ottman
Operation Terminated
93 bpm • F min • 01:15 • -28.48db
20% Popularity • 16% Danceability • 3% Energy • 8% Liveness
98% Instrumentalness • 4% Positiveness
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Johan Söderqvist
Nothing Is Written
96 bpm • B min • 03:40 • -15.28db
30% Popularity • 32% Danceability • 44% Energy • 10% Liveness
24% Instrumentalness • 8% Positiveness
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Pinar Toprak
Boarding the Train
112 bpm • D min • 01:30 • -24db
36% Popularity • 32% Danceability • 13% Energy • 6% Liveness
90% Instrumentalness • 3% Positiveness
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John Williams
The Death of Topthorn
93 bpm • F Maj • 02:45 • -21.06db
13% Popularity • 11% Danceability • 4% Energy • 21% Liveness
90% Instrumentalness • 3% Positiveness
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Carlos Rafael Rivera
Sygrayem (Let's Play)
112 bpm • C Maj • 02:11 • -21.46db
50% Popularity • 52% Danceability • 11% Energy • 10% Liveness
86% Instrumentalness • 15% Positiveness
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Sarah Schachner
Ezio's Family - Origins Version
112 bpm • D min • 02:23 • -12.39db
46% Popularity • 27% Danceability • 34% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
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Steven Price
Gravity
93 bpm • G# min • 04:35 • -15.36db
49% Popularity • 12% Danceability • 26% Energy • 20% Liveness
98% Instrumentalness • 6% Positiveness
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Johan Söderqvist
Triumph
94 bpm • D min • 02:25 • -14db
34% Popularity • 34% Danceability • 56% Energy • 9% Liveness
77% Instrumentalness • 6% Positiveness
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John Corigliano
I. Cremona, The Red Violin
93 bpm • B Maj • 01:33 • -21.48db
33% Popularity • 26% Danceability • 7% Energy • 47% Liveness
54% Instrumentalness • 3% Positiveness
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Pinar Toprak
New Clothes
93 bpm • G# Maj • 01:04 • -21.79db
39% Popularity • 18% Danceability • 7% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
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Howard Shore
The Story Breaks
112 bpm • A min • 01:56 • -21.88db
40% Popularity • 27% Danceability • 18% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Geoff Zanelli
We Better Get Inside
112 bpm • D Maj • 02:25 • -18.02db
13% Popularity • 23% Danceability • 10% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Steven Price
The Blue Whale
112 bpm • F# min • 05:12 • -16db
39% Popularity • 17% Danceability • 28% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
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Johan Söderqvist
The 13th Wave
93 bpm • D min • 00:57 • -20.02db
7% Popularity • 11% Danceability • 16% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Alan Silvestri
Sacred Searching
93 bpm • G min • 01:23 • -15.06db
11% Popularity • 14% Danceability • 6% Energy • 20% Liveness
65% Instrumentalness • 4% Positiveness
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Fernando Velázquez
McMichael
93 bpm • G Maj • 01:05 • -21db
38% Popularity • 19% Danceability • 6% Energy • 6% Liveness
92% Instrumentalness • 18% Positiveness
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John Powell
First Sledding Attempt
112 bpm • C min • 02:27 • -15.02db
11% Popularity • 32% Danceability • 22% Energy • 9% Liveness
81% Instrumentalness • 13% Positiveness
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Howard Shore
Legacy
113 bpm • G Maj • 01:28 • -24.09db
33% Popularity • 31% Danceability • 19% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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John Frizzell
Resolution
92 bpm • C min • 02:29 • -21db
14% Popularity • 32% Danceability • 8% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
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Henry Jackman
First Class
113 bpm • A# Maj • 03:20 • -11db
52% Popularity • 53% Danceability • 49% Energy • 11% Liveness
88% Instrumentalness • 24% Positiveness
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Roque Baños
The Story Is Told
92 bpm • G# Maj • 06:41 • -24db
28% Popularity • 11% Danceability • 3% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
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Johan Söderqvist
Fatu Hiva
92 bpm • G Maj • 01:10 • -18.56db
28% Popularity • 13% Danceability • 28% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
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Marc Streitenfeld
Sherwood Forest
91 bpm • A min • 02:19 • -21db
58% Popularity • 27% Danceability • 13% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
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Burkhard Dallwitz
Tibet
91 bpm • E min • 05:26 • -16db
29% Popularity • 13% Danceability • 17% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Sarah Schachner
Return of the Medjay
114 bpm • G# Maj • 02:30 • -11.56db
35% Popularity • 54% Danceability • 89% Energy • 9% Liveness
92% Instrumentalness • 50% Positiveness
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Rob Simonsen
Twisted Around the Truth
114 bpm • F min • 03:28 • -17.11db
13% Popularity • 17% Danceability • 19% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Roque Baños
Abandon Ship
92 bpm • F min • 06:09 • -15.38db
31% Popularity • 14% Danceability • 31% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
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Johan Söderqvist
Friends In High Places
91 bpm • G min • 01:59 • -15.09db
27% Popularity • 31% Danceability • 34% Energy • 7% Liveness
68% Instrumentalness • 5% Positiveness
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Marc Streitenfeld
Fate Has Smiled Upon Us
91 bpm • E min • 02:02 • -13.98db
60% Popularity • 28% Danceability • 39% Energy • 22% Liveness
89% Instrumentalness • 4% Positiveness
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Howard Shore
A Conspiracy of Good
114 bpm • G min • 01:57 • -37.21db
20% Popularity • 25% Danceability • 0% Energy • 7% Liveness
98% Instrumentalness • 10% Positiveness
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BBC Concert Orchestra
Rivers and Falls
91 bpm • D min • 02:00 • -9.5db
3% Popularity • 38% Danceability • 67% Energy • 12% Liveness
80% Instrumentalness • 37% Positiveness
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Stephen Barton
Legacy And Future
90 bpm • D Maj • 01:44 • -13.15db
25% Popularity • 10% Danceability • 17% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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Roque Baños
Stand Off
90 bpm • C# Maj • 03:10 • -17.83db
11% Popularity • 12% Danceability • 22% Energy • 10% Liveness
51% Instrumentalness • 4% Positiveness
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Sarah Schachner
A Divided Land
90 bpm • D# Maj • 02:17 • -19db
33% Popularity • 34% Danceability • 22% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
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Johan Söderqvist
Mud And Blood
90 bpm • A min • 03:04 • -19.2db
29% Popularity • 10% Danceability • 14% Energy • 8% Liveness
70% Instrumentalness • 3% Positiveness
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Jerry Goldsmith
A Useful Servant
116 bpm • E min • 01:18 • -20.58db
40% Popularity • 18% Danceability • 7% Energy • 15% Liveness
88% Instrumentalness • 3% Positiveness
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John Paesano
Finale
116 bpm • A Maj • 04:17 • -16.3db
42% Popularity • 22% Danceability • 18% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Anne Nikitin
The Passing Of Time
116 bpm • A min • 01:31 • -21.17db
48% Popularity • 44% Danceability • 24% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
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Trevor Jones
Dinotopia Main Theme
116 bpm • D Maj • 03:25 • -16db
35% Popularity • 17% Danceability • 22% Energy • 15% Liveness
95% Instrumentalness • 4% Positiveness
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The Journey Begins